Copy of a Heritage Trade & Services Directory Edition 1, dated April 2001. Compiled by City of Greater Bendigo Heritage Advisory Committee. Front cover has an oval picture of part of a building with scaffolding in front of it. Listed are: Architectural Hardware; Architects; Blacksmiths; Brickwork - General; Builders; Castings - Iron and Non Ferrous Metals; Cement Decoration and Rendering; Chimney Pots; Chimney Restoration; Chimney Sweeps; Colour Consultant; Concrete - Pre-cast; Damp Control; Drafting Service; Fabric; Fencing; Fire Mantels and Inserts; Floor Coverings; Furniture Restoration and French Polishing; Garden Renovations; Glass - Etching; Glass - Leadlighting; Guttering, Galvanised Iron and Sheet Metal Work; Interior Decorating; Joinery and Carpentry; Light Fittings; Masonry Cleaning; Paint; Painters and Decorators; Paint Stripping; Plasters and Associated Products; Resurfacing - Enameling; Resurfacing - Powder Coating; Restumping and Underpinning; Roof Restoration - Iron; Roof Restoration - Slate; Roof Restoration - Terracotta; Second Hand Materials; Stone - Quarries and Cutting; Stonemasons; Tile Layers; Tiles; Turning and Verandah Roofing.bendigo, history, long gully history group, the long gully history group - heritage trade & services directory, heritage advisory committee, city of greater bendigo

Residence Fountainhead Brewery Armstrong's Est. c 1872. The rear view photograph shows a more recent renovated building. Some evidence of demolition to rear of building (servants stairs etc.) Following notes taken from information in album 9 - "Compare earlier photos and note balcony etc. Later views, This photo early 2003. Owing to timber decay balcony was removed for safety. Finances permitting complete balcony will be replaced. Twin columns and iron lace are not original. Early description mentions statues in "niches" beside door. Female statue left is original. White pedestal at left was male stature damaged by a falling tree. Both statues were fountains." Photographs taken by Mr. Don Richard and held in Album 9b Armstrong’s Area.Two coloured photographs, of a brick double story building. The front view of the building has 4 windows and 2 doors. Two white columns at the entrance with decorative iron work support the roof of the porch with 2 white chairs and a table on top. Either side of the entrance door are 2 white wall indents "niches" with pot plants. The second photo show the back view of the two story building with a single story building attached that has a tin roof. A timber fence with a gate shows the side entrance to the single story building. 648M NHNN 8H01HPRO3 WIMMERA 1MHGINGstawell

The fragments of pot were found in 20 meters of water off of the South Channel Light, Port Phillip Bay. They are believed to be from the ship 'Hurricane' that sank in the vicinity on April 22,1864. The Hurricane was a three-masted iron ship, weighing 1198/979 tons. Built on the Clyde, Scotland in 1853. Lbd 214.9 x 30.7 x 20 ft. It was one of the first large iron sailing ships built for the Australian trade during the gold rush, and one of the fastest clippers on the Australian run. Her maiden voyage from Glasgow to Melbourne with 256 passengers took eighty-seven days, and the return to London eighty-three days. In 1856 she was converted to an auxiliary screw vessel and continued in the Australian trade until lost. Under Captain D.H. Johnston (former master of the Lightning), inward bound from Liverpool with 2000 tons of general cargo and 19 passengers, grazed a rock entering Port Phillip, sank off Arthurs seat, 21 April 1869. Passengers and crew transferred to the tug Titan. The wreck was relatively intact until the late 1960s, when it was blasted by Ports and Harbours engineers who considered it to be a navigational hazard, spreading wreckage over a wide area. Despite this, the stern of the ship still stands about three metres above the sand. The wreck of the "Hurricane" in Port Phillip Bay and the accompanying story of the nearby lighthouse, the South Channel Pile Light, tell the story of early shipping within Port Phillip Bay, pre federation. 3 pieces of encrusted pot fragment all roughly A5 paper sizeshipwreck, port phillip bay, ship hurricane, south channel light

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Believed owned by Jackson of Bairnsdale Jackson Tannery, became shoe shop late 1950's, later became Milk Bar.|Also three other colour photographs similar views, shows details of timber weatherboards, chimney, side paling fence, overgrown backyard.Colour photograph of side and back view of the residence behind Coco's Shoe Shop. Shows timber building with corrugated iron hipped roof, walls of weatherboard. Three chimneys, one with chimney pot skillions added to rear. Lakes Entrance Victoriahouses, heritage study

Moved to present site 1989c by Tony TrompColour photograph of a single storey timber dwelling with corrugated iron hipped roof, bay window at front room, veranda on two sides, unique sunshade over SW window, internal chimneys with chimney pots. Set in bushland with native plant garden, at 357 Lake Tyers Beach Road. Painted cream with fawn trim. Relocated from Esplanade. Lake Tyers Beach Victoriahouses

Colour photograph of a timber cottage on north side of Princes Highway, it has a corrugated iron gable roof across building, gable projection centre front over veranda, single internal chimney with chimney pot. Swan Reach Victoriahalls, heritage study

Taken July 1993.Colour photograph of the Ensay Primary School number 2953, East Gippsland. Taken from rear school ground, it shows original timber building with gable roof, brick chimney with chimney pot, portable classroom, playground and out buildings. Large corrugated iron tank on stand at side fence. Ensay Victoriaschools

This home was formerly known as ‘Guildford’ and was built in 1888. 'Guildford' / ‘Monserrat’ originally fronted Mont Albert Road. 1888-c1900 George Jobbins, architect 1900-04 William Holmes, designer of the electrification of Melbourne suburban railways 1906-22 Philip Parer family - Phillip Parer was one of 5 Parer sons & 3 daughters who came to Australia from Spain from the 1850s onwards. The family set up a catering business. 1922-23 George Dicker family, later of Mont Albert Road After the frontage was sold, the entrance to 'Monserrat' became Wandsworth Road. A black and white photograph of a Italian Boom style house, with a double row of iron lace, and pairs of verandah columns in place of the usual single ones. The roof structure is elaborate and with chimney pots on the substantial Victorian chimneys.wandsworth road, surrey hills, architects, catering business, chimneys, house names, italian boom style, mont albert road, (mr) george jobbins, 'guildford', 'monserrat', (mr) phillip parer, spanish families, (mr) william holmes, (mr) george dicker

Jan FEDER ( - 1981) Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation Univesity Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students culd benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residendence Program assisted the collection, with many resident artists conrtibuting to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Three lidded pots by Jan Feder made in 1981.jan feder, jan feder memorial ceramics collection, ceramics, gippsland campus, alumni, casserole

Frost pots were used by orchardists to protect ripening fruit from the effects of frost. The drum base was filled with sump oil and set out in the orchard and set alight on frosty nights. These frost pots were used by Norris' orchards. It was not unusual for the Police to have to close the Midland Highway due to the dense clouds of billowing smoke emanating from this orchard when frost was expected.A local solution to a basic problem of the Harcourt Horticultural industry.Frost Pot rounded base with sliding opening on lid and galvanised iron chimney with perforations.

House, Stone, weatherboard addition at back, corrugated iron roof, cyclone wire fence, 2 brick chimneys with terracotta pots, palm tree at left, creeper growing on fence. Central door, 1 window each side of doorAlan Doneybuilding, residential

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Frederick Steele Ferguson (1861-1938) married Beatrice O'Brien in 1898. Originally they lived at 19 Brodie Street, Quarry Hill, but by 1925 they were registered as living on the corner of Rodney and Reginald Street with their son Frederick Steele McNair Ferguson and his wife Amelia, and later with their daughter Maude. It appears the family continued to live at this address following Frederick snrs death. Frederick and his son Frederick jnr were wool merchants.Black and white photograph mounted on rectangular brown board. House, weatherboard and rough cast, verandah with brick balustrade and rough cast pillars, corrugated iron roof, 1 chimney with 2 pots, double front door, small bay window at RH side, bay window under verandah, sleepout/sunroom attached at back right, established garden, concrete path, hedge at front, woven crinkled wire fence. On back of photo' F. Ferguson, £1800 corner Rodney and Reginald Streets, 15.4.30 corner Rodney and Reginald Streets. 2012 photo of house attached to record.Frank A. Jeffree Bendigobendigo, business, t c watts & son

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Black and white postcard of timber Central Hotel, showing a large single storey building, three chimneys with chimney pots, veranda across the front divided from side veranda by protruding gable. Iron roof, bull nosed veranda roof. Sash windows. Bluestone wall along edge of lake. Sign 'To Public Hall' on corner. Lakes Entrance Victoriahotels, architecture

On back 'Alf and Lucy Sandberg 1946 - 1988'Black and white photograph of Bellevue Guesthouse, depicting a substantial weatherboard building, iron roof, veranda across the front, supported by two concrete pillars. Identical gables at each end of the building with double sash windows and three window lights above. Brick chimneys with chimney pots. Wooden fence in 1950's style. Church visible beside and behind the Bellevue. Lakes Entrance Victoriaguesthouses, architecture

Black and white photograph of Bellevue Guesthouse, depicting a substantial weatherboard building, iron roof, veranda across the front, supported by two concrete pillars. Identical gables at each end of the building with double sash windows and three window lights above. Brick chimneys with chimney pots. Wooden fence in 1950's style. Church visible beside and behind the Bellevue. Lakes Entrance Victoriaguesthouses, architecture