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Melbourne Tram Museum
Negative, Ellis Collection, c1950?
Negative (120) of the traverser that ran between the body shop and paint shop at Preston Workshops. Shows the detail of the cabin and wheel arrangements. In the background is a W2 fitted with a reflective red T lamp. The tram is showing route 9A, Thornbury. Date 1950?trams, tramways, preston workshops, traverser, w2 class -
Ballarat Tramway Museum
Photograph - Trams 32 & 21 - Sturt St, mid 1950s
The photograph shows SEC Ballarat trams Nos. 32 and 21 at the City terminus, cnr of Sturt St and Lydiard St. Tram 32 has the destination of Mt Pleasant. An inspector is talking to the driver. In the background is the Ballarat Town Hall. Photo pre 1956 as reflective tape has not been added as has been in item 9473.Yields information about tram 32 and tram 21, mid 1950s.Black and White print on plain paper.tramcars, tram 32, sturt st, tram 21, town hall, city -
Ballarat Tramway Museum
Photograph - Tram 35 Sturt St City, late 1950s
The photograph shows SEC Ballarat tram No. 35 at the City terminus before proceeding to Lydiard St North. A single-truck or small tram is behind. The conductor is standing by the tram stop pole. The tram has been fitted with tail lights and reflective triangles from 1956 to 1960. Photographer unknown. In the background is the Ballarat Town Hall.Yields information about tram 35 in Sturt St - late 1950s.Colour print on plain paper - set of twotramcars, tram 35, sturt st, town hall -
Parks Victoria - Gabo Island Lightstation
Lifebouy
Possibly used as a tool to rescue people who may have been in distress in the ocean off Gabo Island. It was removed from Cape Otway and returned to Gabo Island museum. Information printed in black on the orange, plastic, ring shaped buoy confirms the item’s association with Gabo Island Lightstation and also indicates that it was made in Australia by the Rotadyne company for the Department of Transport, which oversaw lightstations between 1950 and 1982, and 1983 and 1987. The buoy was repatriated to Gabo Island from Cape Otway Lightstation in July 2015. It is unknown how it came to be there or how long it had been there.It has second level contributory significance for its historic value and provenance.Circular orange plastic ring with printed in black around ring. Ring has raised inscription. Remnants of white reflective tape in four places. White rope tied to ring through four holes in a distinctive taught crossed pattern at the back of the bouy.On front printed in black, "GABO ISLAND LIGHTSTATION", and embossed "MADE IN AUSTRALIA', 'DEPT. OF TRANSPORT / APPROVAL CERT. No 2315' On reverse, 'ROTADYNE' -
Melbourne Tram Museum
Sign, Yarra Trams, Stop sign fitted to tramcars, mid to late 2000's
Sign - galvanised folded steel sheet with a baked white enamel paint finish and overlaid with a reflective white and red "Stop" and two walking legs to warn motorists that a pedestrian or passenger was about to leave or board a tramcar. See Reg Item 1439 for another example.trams, tramways, tramcars, signs, passengers, safety -
Wangaratta Art Gallery
Textile, Kate Just, SAFE Banner, 2014
HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just -
Ballarat Tramway Museum
Photograph - Tram 32 - Mt Pleasant, mid 1950s
The photograph shows SEC Ballarat tram No. 32 at Mt Pleasant fitted with large two reflective triangles on the front dash panel that were added during 1956. Tram has the destination of Gardens via Drummond St North. In the background is the shop advertising Lan Choo tea. The pole alongside has all the tramway signage including the timetable board. Photographer and date unknown - mid-1950s.Yields information about tram 32 and the Mt Pleasant terminus.Black and White print on plain paper.tramcars, tram 32, mt pleasant, barkly st, route signs, signs -
Stawell Historical Society Inc
Photograph, Cato Lake -- Willow Walk
Valentine Series No 1083 The Willows Victoria Park. This photo was possibly taken before the diving tower and change rooms were erected. The Victoria Park name was changed to Cato Park in 1930.Two original Valentine Series and one enlarged black and white photograph of Victoria Park later called Cato Park. The two Valentine Series No 1083 show the willows to the left and buildings hidden by trees in the distance surrounding the lake. The lake is very still and reflective of the trees around the lake.Valentine Series No 1083 The Willows, Victoria Park, Stawell on the back Valentines real phot series Valentine Publishing Co Melbourne & Sydney. written in pencil "Pre 1930 Duplicate of 67.9"stawell -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Black and white photograph of Bendigo 20 at the North Bendigo terminus. Tram showing the destination of Golden Square. Has the tram shelter at the terminus in the photograph. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in ink "Bendigo"trams, tramways, north bendigo, tram 20 -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving, Bridgit Thomas, Couta Boat, c. 2015
Couta boat on the sea. Monochrome image. Swirling waves denoted by circles and swirls. Four people standing on the boat. Sails up. Wood engraving, black on white, off-white mount, black painted wooden frame, reflective glass, hanging wire across width of frame on backFront: 'COUTA BOAT 14/50 BT' -pencil, in border between engraving and mount. Bottom right - signature of artist. Back: Artist's business card glued to backcouta boats, couta, portland, harbour, print, coastal, sea, female, female artist, women -
Melbourne Tram Museum
Sign - Door stop sign ex an Z3 tram, Yarra Trams
Fitted to the folding doors of a Z3 class trams to warn motorists that a passenger was about to alight or board and that they must stop. Sign shaped to be above heads of people waiting on platform stops.Demonstrates methods of warning motorists that they must stop when passing a tram.Sign - galvanised steel sheet with a baked white enamel paint finish and overlaid with a reflective white and red "Stop" Two samples held - one with a more extensive red section. Has three stainless steel bolts with washers on the right hand side to fix the sign to an opening door.tramcars, z3 class, signs, passengers, safety -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Yields information about Lydiard St Nth area and a group of school boys posing for the photographer.Black and white photograph of Ballarat 34 at the Lydiard St North terminus with a group of school boys in uniform posing for the photographer. The tram has the destination of Sebastopol. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, lydiard st nth, tram 34 -
Bendigo Military Museum
Equipment - HELIOGRAPH MIRROR, Department of Defence, possibly WW2 era
Emergency signaling mirror - Ground to Air .1) Bright polished steel. Cross hairs engraved on reflective surface. Rear face has instructions for use, yellow sticker with black print. .2) Sight. Long piece with viewing hole at end, painted white. .3) White cotton container with tie straps..1) On rear yellow sticker / black print: "Instructions for use of Heliograph Mirror & illustration" .2) Site stamped one side: "27H / 2107" .3) Faded stencil on flap: "Heliograph" heliograph, mirror, ground to air -
Ballarat Tramway Museum
Photograph - Tram 35 Lydiard St Nth reversing, late 1950s
The photograph shows SEC Ballarat tram No. 35 reversing at the Lydiard St North x-over opposite the Post Office. The driver is preparing to lift the trolley pole, while the conductor is standing alongside the tram. The tram has the destination of City and has been fitted with tail lights and large reflective triangles - from 1956 to 1960. In the background are the Post Office and the Ballarat Mining Exchange building fitted with Mobil gas petrol bowsers. Photographer and date unknown.Yields information about tram 35 reversing at the Lydiard St Nth crossover opposite the Post Office - late 1950s.Black and white print on plain papertramcars, tram 35, lydiard st nth, city, mining exchange, post office -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 28 and a bogie tram at the Sturt St City stop, south side. No. 28 has the destination of Bell St. The driver is awaiting the bells to proceed. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, city, sturt st, lydiard st, tram 28 -
Geelong Gallery
Sculpture - Moonlight becomes you (silver fox), WEAVER, Louise, 2019
) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, Aug. 1956
Has strong association with the retirement event of SEC Inspector Arthur Hugo in 1956. Photos used in SEC News.Two photos of the retirement ceremony of Arthur Peter Hugo, in Senior Inspectors Uniform at his retirement ceremony on 15/8/1956. Note hat or cap badge "Senior Traffic Inspector". 3523.1 - Mrs Pat Stephens adjusting the watch on Mr Hugos hand - note the protective cuffs on her wrists. .2 - in a reflective mood.3523.1 - in ink "Mrs. Pat Stephens adjusting watch on Mr Hugo's wrists". tramways, trams, inspectors, secv, retirements, uniforms -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Black and white photograph of Bendigo 25, at Eaglehawk terminus with the driver and conductor alongside the tram. Has the Eaglehawk Town Hall in the background. Note the fire training stand on the right hand side of the photograph. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in ink "Bendigo"trams, tramways, eaglehawk, tram 25 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Yields information about Wendouree Parade and the Carlton St crossing loop area.Black and white photograph of Ballarat 27 in Wendouree Parade, Carlton St crossing loop. It appears (the photo is not well focused) to have the destination of Gardens via Sturt St West. The auxiliary board cannot be read. Photographer unknown - see history of object. Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in ink - "Ballarat"trams, tramways, wendouree parade, carlton st, tram 27 -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Portland Centenary Celebrations, 1934
Promoting the 1934 centennary celebrations, Portland, 1934.Colour lithographic print showing a man and a woman in stylised mid-nineteenth century dress, portrayed in an early 20th century style, overlooking Portland Harbour. Text states "Visit Portland/ The first Victorian Settlement/ during the Centenary Celebrations/ from 15th to 23rd November 1934. Framed under non-reflective glass in brown and gold wooden frame.Front: (no inscriptions) Back: (no inscriptions)lithograph, centenary, 1934, portland, portland bay -
Ballarat Tramway Museum
Photograph - Framed Print, Electric Supply Co. of Vic (ESCo), 1906
Yields information abut the official opening of the Ballarat Electric tramway system and the people involved, including how they were dressed for the occasion. Note the American flag on the tramcar. Framed Black and white photograph of the opening of the Ballarat Tramway ESCo electric System. Ballarat Mayor Cr Barker under the guidance of Mr George Laurens drove the tram - No. 1. See Reg Item 4459 for the high quality digital scan. Frame - wood, gold and black lining, non reflective glass, with card back and white tape and a hanging string on the rear.trams, tramways, esco, ballarat, opening, first tram -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Jim Seletto, c1950
Black and white photograph of Ballarat tram No. 11 at the Gardens Loop, in the early 1950's. Tram painted in post WWII colour scheme, has large reflective triangles on the drivers cab ends. Tram has destination of Mt Pleasant. In background of photo on a pole is the SEC timetable board. Colour photocopy, laminated, of this photograph on display 4/2000 at 02-02-06On rear is a caption by Jim Seletto.trams, tramways, ballarat, gardens loop , tram 11 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 12/04/1959 12:00:00 AM
Bendigo, SEC No. 20 with Eaglehawk destination, travelling west along Mitchell St, 12-4-1959. Tram has small white reflective triangles placed on front panels, , blinds drawn, centre of the road poles visible, and some parked cars. Has various shops in view, eg ANZ bank, Malvern Star bicycles, Holdmans? Bros. drapers'Bendigo, No. 20, Mitchell St, 12-4-59, W.Jack Photo'tramways, trams, bendigo, tram 20 -
Glenelg Shire Council Cultural Collection
Painting, Town Hall, Portland, 21/01/1948
Watercolour, front view of Town Hall, Portland, off-white mount, black matte wooden frame, reflective glass, silver hanging wire on back. A bluestone building with four chimneys. Centre building with one smaller wing either side. Red/brown front door. Two long windows either side. Each wing also has a smaller window.Front: 'K.J. 27.1.48' - hand written, black ink, bottom left hand corner of painting 'TOWN HALL PORTLAND 1863' - hand written, black ink, bottom centre of painting Back: Black stamp centre. 'K.W.D, Jack P/L P.O. BOX 1, Doreen, Vic, 3754portland town hall, kenneth jack -
Melbourne Tram Museum
Sign - "Stop 115, Route 55", mid to late 1980's
Indicated or provided a location to tram drivers and passengers of a tram stop that trams had to be hailed or be requested to stop. Gives details of the fare section. Produced by The Met, possibly during the 1980's. Stop 115 on route 55 (changed to route 58 in May 2017) is in Queensbridge St at the Southbank/Casino tram stop.Demonstrates the form of tram stop that The Met used to replace former tram stop signs and shows the typical tram stop sign of the era. These have since been replaced with Yarra Trams badged signs.Sign - "Stop 115, Route 55", aluminum folded sheet overlain on both sides with a printed reflective sheet with the image of a person hailing or signalling or requesting a tram to stop. Formed with a short angle on one side drilled with three holes for attaching to a pole. Has two holes along the top edge where it was secured to a stop structure. Has The Met logotram stop, signs, the met, route 55, queensbridge st, trams, tramways -
Parks Victoria - Wilsons Promontory Lightstation
Lamp, Aldis
The lamps were pioneered by the British Navy in the late nineteenth century and introduced by the Royal Australian Navy after 1918, and continue to be used to the present day. Manufactured in 1960, the Wilsons Promontory lamp was provided to the lighthouse by the Department of Shipping for signalling ships but was also used for communicating with Cliffy Island, 18 nautical miles away. This type of lamp was renowned for its brilliant light, and lightkeepers from the two lightstations ‘used to practice their signalling with each other, as its effective use was reliant on precise positioning of the scope which is located on top of the lamp’. The inside of the case is imprinted with ‘RAN (Royal Australian Navy), and details on the lamp include a serial number, the date of 1960 and the initials of the Department of Transport, which at that time incorporated the Commonwealth Lighthouse Service. Another Aldis lamp and case with a date of 1960 is held at Cape Nelson and third lamp and case is at Point Hicks; (date unconfirmed but possibly 1943). A fourth lamp and case formerly at Cape Schanck disappeared from the collection sometime between 1995 and 2003.Aldis lamp and case (WPLS 0003.2; likely provenance) The lamps are not rare in museum collections however the Wilsons Promontory example has a confirmed provenance to the lightation and has first level contributory significance as a fine example of the Aldis lamps that were distributed to lightstations throughout Victoria and Australia.1. Handheld black signaling lantern with trigger mechanism. Glass front with inner reflective disc. Black electrical cord is attached with a two pronged plug at the end. 2. Black painted wooden box for transporting lantern. brass catch, leather handle. Grey electrical cord inside plus transformer. Hinged lid. The Aldis lamp is portable, hand held visual signalling lamp with trigger mechanism and inner reflective disk used for optical communication via Morse code. The concave mirror is tilted to focus the light into pulse signals. Larger versions of the lamp are fixed on ships or pedestals and have shutters in front of the device that are opened and closed to transmit signals. Wilsons Promontory’s black metal Aldis lamp and attached electrical cord has a black painted wooden carrying case with metal clasp and leather hand grip.1. On trigger;"AP16413" Around V shaped protrusion attached to lamp "AP197873 / AEI .LTD 59" Beneath screw on face;"AD16415" Inside lamp, under glass;"ADMIRALTY PATTERN 16409 / 5 INCH HAND SIGNALING LANTERN SERIAL No. 212 Year 1960 / AEI PTY LTD SYDNEY" •2. Box. On brass plate below handle."ADMIRALTY PATTERN 16409 / BOX FOR TRANSPORTING LANTERN / PATTERN 16409" Inside box on side of metal insert attached to inside of box;"EXTRA LOW VOLTAGE TRANSFORMER / MADE BY / M.Brodribb, Melbourne/ cat & APP / No v/QR / 1811A / 50 / 60 va / CONT. 55 c / RATIO 240, 12 V TAPS " Top of metal box on sticker;"C of A / D.O.T 143076 / 12 V 5A" On Bakelite plug on metal box;"EXTRA LOW VOLTAGE" -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 28 and a bogie tram at the Sturt St City stop, south side. No. 28 has the destination of Bell St. In the background are the Commonwealth Bank, Berry Anderson printers and the National Mutual building. A number of passengers are boarding the tram. Photographer unknown - see history of object. Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, city, sturt st, lydiard st, tram 28 -
Glenelg Shire Council Cultural Collection
Painting, Renee Arendsen, Dead Wood Forest Mallacoota, 1967
CEMA Art Collection Winner of 1968 Portland Art Society Art Prize for the category Oil or similar medium.The painting depicts several tall, dead trees in the foreground with dense living trees in the background. The work has an interesting texture created through the use of clearly defined thick paint strokes. This technique is particularly evident in the foreground where it has been used to create the ground from which the dead trees stand. The work has a painted wooden frame with material mount and non-reflective glass.Front: R. ARENDSEN '67 (black, lower right) Back: RENNEE ARENDSEN "DEAD WOOD FOREST, MALLACOOTA" (1968) (typed) Stamp: KATRINA GALLERIES 485 CENTRE ROAD BENTLEIGH, VIC 97-6715 Yellow Sticker: 1967 Handwriting around back of frame. -
Glen Eira Historical Society
Article - CAMDEN THEATRE
This file contains 3 items relating to the Camden Theatre: 1/7 original black and white photographs of Camden Theatre including photos of the interior and film equipment. Photographer and date unknown. 2/1 report titled ‘Camden Theatre’ by Gerry Kennedy, Ian Hanson and Brian Miller from the Cinema and Theatre Historical Society of Australia Inc. magazine, CinemaRecord, issue 16, May 1997. The report gives a description and a brief history of the theatre and contains a reflective article by former employee, Brian Miller, about his time at the theatre. 3/One file note written by Kate Aldred, 11/04/2014, on the source of the “Camden Theatre’ report.camden theatre, hawthorn road, caulfield south, kennedy gerry, hanson ian, miller brian, cinemas, film and photographic equipment, film projectors, films, cowell ham d.f., yeomans e.c., camden theatre pty ltd, glenhuntly road, art deco, titania cinema, c & w projectors, cinemascope, vista vision, television broadcasting, brunswick ten pin bowling, lawn bowls, bowling club, projectionists, caulfield, glenhuntly fire brigade, classic cinema, elsternwick, trams, carnegie, esquire cinema, renown cinema, hoyts glenhuntly, hanson ian, refreshment rooms -
Rutherglen Historical Society
Image, 1970s
Established in 1921 by Reginald Langdon Buller, the ‘Calliope Vineyard’ was named after the only surviving ship from the Great Hurricane at Samoa - 1889. A.B. (Banjo) Patterson’s Ballad Of The Calliope tells the tale in stirring fashion. Reginald’s vision of his new enterprise successfully sailing through the tempests of business and agricultural life proved prophetic. Coincidently, Calliope is also the Greek Goddess of Poetry. Today Buller Wines remains a local family business. Purchased by the Judd Family in 2013, Buller Wines has had a strong focus on the investment of cellar, storage, operations and most importantly, the vineyards which is reflective in the quality of wines produced by Winemaker Dave Whyte.Black and white photograph of the front of Bullers WineryOn back of photo: "145% [upper case D in small circle] Bullers Calliope"wineries, north east victoria, wine industry, bullers winery, bullers calliope, reginald buller