A family on holiday in the Grampians. The deep wagon is an early form of caravan, which folded down and was ready to erect when a site was found. The man is Jack Diamond from Donald.The photo shows a family (a man, a woman, a girl and a boy) standing beside an old car pulling a deep, wooden wagon covered by a tarpaulin. A mans hat sits on the tarpaulin near the man's elbow.The wagon appears to be standing in water and there is a wooden slat surfaced bridge ortrestle to the right. A track with two signposts is in front of the car and there is thin bush in the background.recreation, camping, transport, cars

A hand trolly can be loaded with heavy objects such as luggage, produce, and equipment and the objects can then be easily wheeled from one place to another. They are used by farmers, railway workers, shipping companies, porters, factory labourers and other industries when heavy loads need to be moved. Hand trolleys were first used in the 18th century by young workers at the docks. The new equipment used leverage and wheels, enabling them to move the same heavy loads that the men were moving. This hand trolley is an example of the hand trolleys used since the 18th century to move heavy loads at the docks and shipyards. It is associated with the maritime industries of shipping, transportation, travel and trade as with the primary production sectors of farming, markets and produce. Hand trolley; an L-shaped handcart with handles at one end, wheels at the other, and a ledge to hold the load. This hand trolley has orange wooden slats and handles, two metal wheels and a black metal frame. It has supporting legs at one end, two metal flanges near the wheels and a support foot at the bottom. There is an inscription on the metal at one side.Stamped into metal: "MSSC"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hand trolley, sack truck, trolley, luggage trolley, hand truck, trundler, sack barrow, bag barrow, leverage, marine technology, cargo handling, docks, wharft, shipping, trade

Trunk is made strong for long journeys and rough use. Tray compartments would have been fitted inside the lid for storage of smaller items such as hats, umbrellas and underclothing. The illustration pasted inside the lid is similar to those shown in women's fashion journals of the 1880s and 1890s. A similar trunk was found in the catalogue of Anthony Hordern & Sons, a large and famous late 19th to mid 20th century retailer in Sydney,.This trunk is an example of the typical travel luggage of people migrating to the Colony of Australia in the late 19th century.Wooden cabin trunk, rectangular, brown in colour. Lid has arched top, front has a strong padlock, sides have leather strap handles. Corners and edges are reinforced with iron, iron bands and extra wooden slats. Lid is divided into tray compartments. A print of a female in 19th century costume is attached to the inside the lid in one compartment. flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, trunk, cabin trunk, travel trunk, cargo, storage, women's fashion, late 19th century fashion, travel luggage, travel goods

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, weatherboard, 3 gable rooves and small gabled portico. All gables decorated with rough cast and wooden slats. Decorative chimneys with pots, verandah posts with capitals. Tall palm tree in established garden picket fence, with ornate fence posts. Creeper over gateway. Queen Street.Frank A. Jeffree Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

This is a book written by a local historian containing historical information pertaining to Orbost and the surrounding district. A spiral bound book of 191pp. On the front and back covers are coloured print of the Morgan Barn c 1900, an original watercolour, artist unknown. The book documents the distinctive slatted barns of the lower Snowy River, Orbost, Victoria. The book was published by the Orbost Historical Society and was written by May Leatch and Ngaere Donald. It contains B/w photographs, drawings and stories of the barns and their histories.history-agriculture-orbost barns-slatted

Thomas Sheraton (1751-1806) appears to have been the first to record the written term “Canterbury” music or magazine stand. In his Cabinet Dictionary of 1803 he refers to “a small music stand” with divisions for holding loose sheet or bound volumes of music. The music stand designed to hold sheet music came into fashion in the late 18th Century in England and was often crafted from mahogany, rosewood or walnut. They were seen as status symbols since music was practiced exclusively by the upper classes of society. In a period when printed music was more widely available and disseminated due to more affordable printing techniques, modern sheet music was very popular and therefore storage for such favoured tunes became a luxury and an opportunity for innovative design by cabinet makers. The Classical period of music, from about 1750 to 1820 and the Romantic Period from around 1815-1910 was the golden age of classical music. And it was at this time that The Canterbury often accompanied the piano in the parlour with styles ranging from Georgian simplicity to Victorian exuberance. Social activities of colonial Victoria would have included evening gatherings of family and friends around the piano to enjoy performances or sing along together with from old and up-to-date music sheets. The Canterbury would also be an elegant and practical place to also store newspapers, magazines, posters and drawings from overseas. The news from ‘home’ would be enjoyed by all. THE INSCRIPTION “Jack Morse” Morse. In 2010 Mr Jack Morse was recognised as one of the “people who have contributed to the long term development of Flagstaff Hill Maritime Village”. He was a member of the Flagstaff hill Planning board and a Current Life Member and had been awarded a Certificate of Service and the provision of an Annual Family Membership for life by Flagstaff Hill. The Morse’s family business, Morse’s Engineering, closed in 2010. It was considered “One of Warrnambool’s longest operating businesses with roots dating to 1883 with the design and manufacture of coaches and buggies, progressing to automotive repairs and later specialising in under-vehicle work” The Canterbury appears to have been handmade prior to 1860 as the dovetails are handmade and there are no saw marks on the drawer sides or back as well the sides. Also the back has small nicks indicating a hand plane or drawer knife was used rather than a saw blade to size the material. Additional indications are that the spindles are slightly different in size meaning they were handmade individually not mass produced. From these indicators the writer believes that the item was made before 1860 as machinery was only used after this date to produce furniture. As yet no individual maker can be attributed to this item, however it is a significant piece historically and is quite valuable if a known maker can be associated with the Canterbury. The item highlights a time in our social history when music played an everyday part in people’s lives as the only entertainment families could enjoy together in their own homes. A Canterbury music stand, having three compartments consisting of twenty turned spindles supporting the slat dividers. A drawer, with two turned wooden handles, is fitted below. The music stand has turnip style turned feet. The drawer front and carcass of the stand are veneered rosewood over a mahogany carcass. The underlined words "Jack Morse" are handwritten underneath the drawer bottom.Hand written inscription on underneath the drawer bottom "Jack Morse".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canterbury, music rack, magazine rack, music stand, magazine stand, 19th century furniture, occasional furniture, frederick cornwallis, jack morse, morse’s undercar, music, thomas sheraton, regency furniture, music canterbury

black and white photo: St. Andrew's Presbyterian Church, Bendigo, In centre of photo, St. Andrew's Church, conceted forecourt, in centre of photo, wooden slat fence with top rail. On bottom of photo: 'St. Andrew's Presbyterian Church, Bendigo, Vic. The Rose Series P 3199.' On back of photo: 'Post Card, The Rose Series Deluxe. A real photograph, produced in Australia'Rose Seriesbuildings, church, st. andrew's presbyterian church, st. andrew's presbyterian church, bendigo, religion

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

BHS CollectionBlack and white photographs (2) mounted on rectangular grey board. House, weatherboard and rougheast, corrugated iron roof, 2 chimneys, decorative gables, porch with brick, render and timber pillars, wood slat fence with capping board, gate with lintel over, established garden. On back of photoboard " A. McDonell, Neale and ....... Streets, £1050 sewered' 2012 photo of house attached to record.Frank A. Jeffree, Bendigoresidential, t.c. watts and son, a. mcdonnell, neale street, bendigo

Wallpaper fragment from an early workman's cottage in Weller St, Geelong West built in 1854. This property was refurbished following its sale in the early 1990s. Over time many layers of wallpaper had been pasted to the original paper. The wallpaper was damp and hanging off the walls. It was removed to reveal packing case 'slats' on the stud wall. When the skirting board was removed the original wallpaper was revealed. Although not a Warrnambool artefact, the Weller St property was owned by a local resident. It shows the wallpaper design of the period and the manner in which wallpaper was attached in the mid 19th century.Wallpaper fragment with maroon flowers and olive green leaves on a bone-coloured background mounted on hessian backinggeelong west, weller st, workman's cottage, interior decoration, wallpapers

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, brick and roughcast, tiled roof, verandah with pergola over and open brick balustrade with lead light window at end, corrugated iron fence with top section timber slats with capping board, wrought iron gate with timber arch over. On back of photo ' L. Rogers, 11 Waterloo Street.' 2012 photo of house attached to record.business, t c watts and son, l. rogers, 11 waterloo street bendigo

This was the home of Fred Lyons and family from c1920. Previously they had lived in Lorne Parade. Fred had a hansom cab at the rank at the Surrey Hills station from c1919 and stabled his horse in a paddock to the rear of this house. His son Arthur Lyons remained living here until 1990. The fox terrier was Fred's constant companion. This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived in Lorne Parade before moving to 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of the home of Fred Lyons and his family. It is a simple timber cottage with a corrugated iron roof and a low brick fence with wrought iron decorative infill between the brick pillars. A fox terrier sits on the brick pillar next to the driveway. On the RHS of the house a high slatted timber fence divides the front from the rear of the property. An early model Holden is parked in the driveway, the number plate beginning with GBEOn the back in pencil "copied 1996" . In black pen "Lyons, Sunbury Cres" timber cottages, arthur lyons, arthur frederick lyons, fred lyons, frederick adolphus lyons, elizabeth ruby hall (miss), elizabeth ruby lyons (mrs)

The bowling green at Halls Gap.This photo is of a bowling green with a mountain range in the background. The green has a low wooden slat fence. There is a sign (" Notice, Bowling Green, Fee 2/-, Pay at Cafe, Bowls Supplied") over a wrought iron & mesh gate. A man and two children stand inside the fence to the right of the gate. A shelter can be seen at the rear of the green. The edge of a house and outbuildings can be seen on the right. A cleared area and footpath can be seen in the foreground.recreation, sport

Brydon Stewart Melrose (1895-1989) was a dentist. He married Florence Emily Reville in 1921. Their home in Myrtle Street was called Morayfield. In the mid to late 1930's they moved to Boundary Street.Black and white photograph mounted on rectangular grey board. House, weatherboard, cement sheet and timber under eaves. Double door entrance. Rough cast cement verandah with timber posts. Two palms in front. Timber top rail to closely slatted wooden fence, chimney pots visible. On back of photo:" Bryden Melrose, £850, Date stamp 9 December 1927. refer S & U, D.T. Coy first'Frank A. Jeffree Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

This chair comes from Swintons Stores in Warrnambool and is said to have been used as a "Santa Chair" at Christmas time. Wiliam and Ann Swinton arrived in Australia in 1854. William, a builder opened a grocery, china and glassware store in Timor Street, Warrnambool in 1865. By 1888 the firm was known as William Swinton and Sons. Branch stores were opened at South Warrnambool, Raglan Parade, Wangoom, Cudgee and Nullawarre. In1934 the business split into two companies, Swintons Pty. Ltd. and George Swinton and Sons Pty. Ltd. The Swinton family still operate a business in Timor Street, Warrnambool, making it one of the oldest family businesses still operating in Australia.This chair is of considerable interest as it comes from the Swintons stores in Warrnambool and this is a business that has been operating in Timor Street since 1865.This is a wooden ( bent wood) chair with a round seat attached to the back by wooden screws. The seat insert, possibly basket wear is missing. There is a lower circular piece of wood under the seat and this is broken at one end. There are four bowed legs. The back of the chair has turned wood with three middle slats and two sides attached by wooden pegs and screws. The seat has two bent wood handles, currently detached . The chair is stained and a little chipped.Austria Flaschner Lodenbach a/ F (Autriche)swintons pty. ltd. warrnambool, history of warrnambool

William John Graham McClure (1890-1960) was registered at 47 Miller Street in 1927, with his wife Emma (nee Lindrea) who he married in 1920. William was a hairdresser. By 1931, Cyril Ernest Stott and his wife Ruby Albinia (nee Quinn) were registered at the property. They had married in 1911 and had previously lived at 139 Myers Street. Cyril was an insurance collector.Black and white photographs (2) mounted on rectangular grey board. House, brick and render, decorative gable, 1 chimney, porch with brick balustrade and rendered pillars, patterned windows. Slat wooden fence with capping board. Gate with arbor. On back of photo: Mr. McClure, Miller Street, £1850 (crossed out) C. Stott £1300, sold. Mr. Steele £1500 ( crossed out ) dated July 1930. 2012 photo of house attached to record.F.A. Jeffree, Photo, Bendigobendigo, business, t c watts and son, w.g. mcclure, quinn, lindrea

This booklet is a 1932 catalogue of the Floral Farm in Warrnambool. It was established by Charles Allen Jukes who had first opened a plant nursery at Cudgee on the banks of the Cudgee Creek. Early in the 20th century the nursery, the Floral Farm, was re-located to East Warrnambool with the boundary of the property extending along Raglan Parade, Flaxman and Bostock Streets. . A very high paling fence, topped with vertical slats was erected around the property. The Floral Farm continued for some time (with Charles Allen Jukes dying in 1934) and the nursery land was sub-divided for housing. Charles Allen Jukes’ parents, Alfred and Margaret came to Warrnambool in 1856, with Alfred setting up a law business and at one time being the honorary Town Clerk of Warrnambool. This booklet is of historical interest as it is a catalogue of the plants and seedlings available in the early 1930s from the Jukes Floral Farm in East Warrnambool. The parents of the Floral Farm business, Alfred and Margaret Jukes, were pioneer settlers in Warrnambool.This is a booklet of 40 pages. The cover has blue printing and was once white or buff-coloured but is now much stained. The pages contain information on plants and seedlings and have many black and white photographs. The booklet is dog-eared and crumpled.jukes family, warrnambool, floral farm nursery, warrnambool

This item is an example the skill and craftmanship of early settler families who of necessity were self-reliant.Bamboo shelves (3 shelves + top) with brown vinyl padded top. Insides are wallpapered with an embossed paper of cream flowers on dark brown background. Wooden sides are covered with same wallpaper which has been painted over tan . There seems to have been a door originally attached as there are two hinges, top and bottom, on right hand side. There are 4 legs angled outwards with stays - all made of bamboo. Back and shelves appear to be slatted timber. Sometimes called a "whatnot".furniture-shelves-handmade

This wall section was part of the original Warrnambool Lighthouse Keeper's Assistant's Quarters built in the late 1800s. The frame was found in 2023, when the non-heritage cabinets built in the 1970s were removed as part of conservation works.The wall section is significant for being part of the original Warrnambool lighthouse keeper's quarters on the western wall. It is an example of the building materials and methods used in the late 19th and early 20 centuries.Wall frame section; a sample of the original inner western wall frame from the Warrnambool Lighthouse Keeper's Residence, Assistant's Quarters. Vertical timber slates of uneven size are fixed with short flat head metal nails to more substantial upper and lower horizontal rails. There are remnants of a sand and clay-like mortar between and in front of the slats. There are two spacers n the rear of one of the rails, made of timber and fixed with thick square handmade nails; the timber of one is rotting.flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, warrnambool lighthouse keeper's quarters, 1800s wall lining

BHS CollectionBlack and white photographs (5) mounted on rectangular brown board. House, weatherboard on lower portion, top portion rendered, brick verandah columns and parapet, 2 chimneys, small rectangular panes in front windows, wooden slat fence. 59 Neale Street. On back of photos ' Geo Every £950' and 'Smith's, late Geo Every ( next Sheffields) Neale St .£950 (crossed out) £775, terms £300 deposit, sewered' 2012 photo of house attached to record.Frank A. Jeffree Bendigot c watts and son, 59 neale street bendigo, george every

This item has been identified by David Nixon as the workbook of George Henry Douglas Russell (Doug) of Bete Bolong. He was the second son of John and Elizabeth Russell. John Russell wasblacksmith in Orbost. His family were Jack, Doug, Dave and Billy. Doug was in WW! where he was a Veterinary Sergeant. After the war he came bach to Orbost and his father gave him the farm at Bete Bolong to work. This farm is on the corner of Birkins Lane and Buchan Road (presently owned By Ginger and Helen Johnstone). He started farming tgere in 1920 and married Hilda Raymond in 1922. The slatted barn and house still exist. David Nixon, the donor, married a daughter of Doug and Hilda Russell and worked the farm from 1947-1973. He found the diary at the farm. This item is a valuable record of agricultural practices in the Orbost district during the 1920's.An exercise book with a worn black cover and a faded red spine. It contains hand-written records of farm accounts. russell- bete-bolong diary-farming agriculture

Black and white photographs (2) mounted on rectangular brown board. House, California-type bungalow wood and rough cast construction, 2 gables, bow window on right. Large square return verandah with brick and concrete balustrade. 2 double and 1 single window on side plus 1 chimney ( kitchen ) Name of house 'Frostville' centre beam of porch. Wooden slat front fence. On back of photo: A. McIntosh, Thistle Street, £1000 sewered or £950 plus sewer, 15.10.31' 2012 photo of house attached to record.Frank A. Jeffree Photo Bendigo [In Brown]bendigo, business, t c watts and son, s

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine

The cast iron combustion stove is significant as part of the evolution of domestic cooking. Previously, cooking was mostly carried out in the outdoors on open fires, and later in fireplaces indoors. The cast iron combustion stove is significant as part of the evolution of domestic cooking. Cast iron stoves burn solid fuel such as wood or coal, and are used for cooking and warmth. The stoves have a firebox with a grate where the fuel is burned. The hot air flows through flues and baffles that heat the stove top and the oven. By the 1920s gas cookers were being introduced for domestic use, and by the 1930s electric home cookers were being offered to householders. A vintage cast iron kitchen stove set in the back wall of the Mont De Lancey Slab Kitchen. It has two steel decorative hinged doors with a handle to open and close. There is one pull out metal shelf in each compartment. Between the two doors is a round door which opens to reveal the wood box with a slatted base. This allows the ash and small coals from the fire to fall though to a pull-out tray below to be emptied outside when cooled. There is another lift-out kid to clean the ash and coals underneath.On the chimney plate 'Andrews, Patent Non Pariel' On the front of the stove below the round wood box 'C Andrews Geelong'cooking equipment, cooking stoves, fuel cooking stoves, domestic ovens

The table was used to separate gold from crushed quartz through vibration movement The Phoenix Foundry, part of James Martin and Company, was established by James Martin, MLC, often referred to as the “Father of Gawler”. The Phoenix Foundry was significant, historically, because it formed part of the leading engineering works in the state in the late nineteenth century when Gawler was one of Australia's most important industrial centres. The company was established in 1848 and ceased operation: in1907 Large Phoenix-Weir concentrating table. Rectangular green and pink painted table, inscription on one side with decorative motives, comprises of slatted table top which creates ridges, wooden channel which is bolted on table top, box with holes in base sitting loosely next to channel, table is joined to gear/s which in turn runs belt wheel, gear/s sits on unpainted concrete block, whole table sits on 2 concrete pillars which are raised, table top is tilted on an angle, wooden trough is on lower side of table and sits underneath which is sitting on rusty tins."the phoenix-weir jas martin & co/concentrating table sole makers/gawler. S.A"

The poster has the following instructions for the treatment of snake bite:- "A ligature, that is, a strong string or narrow strip of clothing if no string is to be had, should be at once applied near the bitten part, and between the bite and the heart. tight enough to stop the circulation. The bitten part should then be immediately cut out by making, in the manner shown in the engravings, two curved incisions, which should be, where practicable, a quarter of an inch deep. The wound should then be well sucked for then minutes, by persons who have no wound, cut, sore or ulcer in their mouths, or on their lips. When the bite is on the head, face or body, or on any place where a ligature cannot be applied, the bitten part should be kept tightly pinched up till it can be cut out." The poster was authorised by T.R. Wilson, Secretary of Melbourne's Central Board of Health, between 1865 and 1881. It was printed by John Ferres, Government Printer, Melbourne, 1865-1881. The Central Board of Health, Melbourne, was in existence between 1855 and 1889. This poster has significance as an early record of public health instruction issued by the Central Board of Health in Melbourne for the treatment of snake-bite. The materials used to mount and frame the poster are also of significance, with the printing being done on fabric, and the newspaper inserted between the poster and the backboards.Timber-framed rectangular poster with printed instructions for treating a snake bite. The poster is printed on fabric. Between the poster and the backboards is a layer of newspaper, revealed by the damaged fabric. The back of the frame is filled by three vertical timber panels that are strengthened by three horizontal timber slats across the top, centre and bottom. The timbers are fixed in place with nails. The edges of the frame at the back have remnants of paper. Two metal eyelets are inserted into the top edge of the frame. The poster was issued by the Central Board of Health in Melbourne and printed by the Government Printer in Melbourne. It has the British Coat of Arms on top, diagrams and text, plus sections of newsprint.Symbol of [British Coat of Arms] between the letters "V." and "R." Headline "CENTRAL BOARD OF HEALTH" Subheading "WHAT TO DO IN CASE OF SNAKE-BITE" Instructions are printed on the poster. Diagrams include a bite on the knee and bites on the hand. Publisher "Central Board of Health, Melbourne, 28th February ----" "(By Order of the Board), T.R. WILSON, Secretary" "BY AUTHORITY, - - - - - - - - -, GOVERNMENT PRINTER, MELBOURNE" Newsprint includes:- "Duties in the bay were put ... --rried out. On ... harbour boat's cr-- ... , and formed of sufficient ... given ... to vessels in distress, and ... life-b- ... the help of a few..." and "last, a Gold English ... engraved -- cove-- to leave it at F.P. ..."flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, central board of health, melbourne, t.r. wilson, secretasry, government printer, john ferres, snake-bite, treatment, first aid, 19th century, poster, government health announcement

Made of canvas and bamboo slats with hemp ropes, adjustable canvas straps and metal buckles and rings, the rescue stretcher was used for carrying an injured person. According to the Powerhouse Museum, the stretcher and was ‘designed to support and carry an injured person in circumstances where the person has to be lifted vertically’. Known as the ‘Neil Robertson stretcher’, it was developed in the early 1900s by John Neil Robertson as a lightweight rescue device and was modelled on Japanese bamboo litters. An identical stretcher is held in Sydney’s Powerhouse Museum and is thought to date between c.1967 and 1999. The museum’s statement of significance for the unique stretcher elaborates on its cultural values: The canvas is wrapped around the patient and secured with strong canvas straps. A lifting rope is attached to a ring above the patient's head, while a guideline is tied near the ankles and used to stop the stretcher swaying as it is hoisted up. This style of stretcher was specifically designed for use on ships, where casualties might have to be lifted from engine-room spaces, holds and other compartments with access hatches too small for ordinary stretchers. The original name of the Neil Robertson stretcher was 'Hammock for hoisting wounded men from stokeholds and for use in ships whose ash hoists are 2 ft. 6 in. diameter'. Since those times the Neil Robertson stretcher has also been used in factories and mines and for other emergency rescue situations. It is still possible to buy this type of stretcher although the slats are now more likely to be made of wood. The example in the Powerhouse collection was amongst several items of obsolete first aid and rescue equipment donated by the electricity generation company Delta Electricity. It would have been used - or at least been on stand-by - at the company's Munmorah Power Station or the associated coal mine on the Central Coast of New South Wales. Industrial sites and mines are extremely dangerous work places. Throughout the 20th century to the present there has been a drive, especially in developed countries like Australia, to improve workplace safety. Measures taken to reduce injuries and deaths have included safer industrial equipment, safer work practices, staff training, and the ready availability of accident and emergency equipment.It was also used throughout WWI and WWII. There are two other examples of the stretcher are known in Parks Victoria heritage collections. Canvas and bamboo stretcher with straps and buckles. Hemp ropes are attached to the stretcher.