Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The elderly fishwife stands beside a cane basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.NEWHAVEN FISHWIFEpostcards, george and edith weir, newhaven - east sussex, fishwife series

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection

ALBURY N.S.W. Hume Weiralbury, new south wales

The Kew Historical Society holds a nationally significant Fashion & Design collection. In 2023 this collection was augmented by a donation by descendants of Francis Henty of nineteenth and early twentieth century costumes and costume accessories. These rare and aesthetically significant acquisitions increased the importance of the nineteenth century costume collection held by the Society. Following their accession, the Henty costumes were exhibited with other notable examples of fashion and design, previously donated by descendants of the Coombs and Weir families.28 x Exhibition photos of Fashion in the Age of Elegance 1840-1900, held at Villa Alba Museum during the 2023 Australian Heritage Festival. The exhibition showcased items drawn from the Henty, Coombs and Weir Collections.fashion -- nineteenth century, exhibitions -- kew historical society, henty collection, coombs collection, weir collection

Photos of The Exford Weir looking drymisc.

Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Speedboat Carnival and Canadian Hell Drivers event at the weirmisc., local significant events

Slide. Bendigo & District P.O.I. Eppalock Weir (When there was water).slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

B/W photograph of the weir on Jackson Creek at Eadies Mill.Handwritten on back: McMahon Handwritten on front: Sunbury (near Eadies)eadies mill, sunbury, weir, mcmahon, jackson's creek, waterways, george evans collection

This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images record the photographer's family in 1953Black and white photos of Fred Griffith's family at the Hume Weirbogong, falls creek, snow, snowfields

WODONGA VICTORIA The Pollard Archway Hume Weirwodonga, victoria

Part of a collection relating to the Parkin family.Black and white photograph of a group of people seated on the ground having a picnic.On back of photo: "King's Birthday at Weir" "Daisy in front"parkin family, daisy parkin, rutherglen park, lake king, kings birthday

Sepia photgraph on a postcard of Flour Mill Fall, Sunbury, with the weir, washed away.Writing on Front: Mill Fall Sunburypostcards, flour mill fall, sunbury, mill fall, george evans collection

Black and white photograph on a post card, with brown border, showing the Rutherglen Park, with a view of the weir and Lake King in the background. In the foreground is the bridge over the weir out-fall, with two ladies on the bridge, one of them holding a baby.rutherglen park, lake king, water storage

This image is from Wodonga Historical Society's large collection of photographs documenting the construction of the Hume Dam during its initial construction and ongoing development. Hume Dam took 17 years to construct from the turning of the first sod on 28 November 1919 by Sir Ronald Munro-Ferguson, Governor-General of Australia. The first filling was in December 1934 and it was officially opened on 21 November 1936. Between 1950 and 1961 further modifications were made which enlarged its storage capacity. Progressive improvements have been made since that time to ensure the dam meets modern safety standards.This photo reflects a major stage in the construction of the Hume Dam.A large black and white image of construction of the Hume Weir on the Murray River mounted on board.hume dam construction, hume weir australia

PHOTO COPY. WATERSHED DAMS WEIR CREEK FOR THE COLLECTION OF WATER FOR THE CLUNES TOWNSHIP AND MINES.local history, photography, photographs, water supply

Black and white (hand tinted) photograph of Weir structure at Laanecoorie. Figure on left of photo. Inscriptions: 'Laanecoorie Weir on reverse in black lead pencil. History: James Lerk 17.3.2000 'Laanecoorie Weir' built by Bendigo contractor. Valves by Roberts Foundry ' With note' photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo Ph 43 8269. Photographs Frances (Frank) Thomas Bourke.Francis (Frank) Thomas Kennedyplace, water, laanecorrie weir

The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.railways, bendigo to melbourne, trains. railways. puffing billy. wirths circus.

The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.state infrastructure, water supply, coliban system, eppalock weir. coliban system.

The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.state infrastructure, water supply, coliban system

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally.This Souvenir glass ashtray, used as a receptacle for ash from cigarettes, features a photograph of the Graceburn Weir on the base, with text reading “The Graceburn Weir, Healesville”. Rather small in size, this ashtray has a unique shape with four protruding glass points to place cigarettes. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, glass, ashtray, graceburnweir