Showing 560 items
matching weirs
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Kew Historical Society Inc
Postcard, J Salmon, Souvenir Letter Card of Clovelly, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection -
National Wool Museum
Pennant
ALBURY N.S.W. Hume Weiralbury, new south wales -
Kew Historical Society Inc
Photograph - Exhibition: Fashion in the Age of Elegance 1840-1900 [Series 1], 2023
The Kew Historical Society holds a nationally significant Fashion & Design collection. In 2023 this collection was augmented by a donation by descendants of Francis Henty of nineteenth and early twentieth century costumes and costume accessories. These rare and aesthetically significant acquisitions increased the importance of the nineteenth century costume collection held by the Society. Following their accession, the Henty costumes were exhibited with other notable examples of fashion and design, previously donated by descendants of the Coombs and Weir families.28 x Exhibition photos of Fashion in the Age of Elegance 1840-1900, held at Villa Alba Museum during the 2023 Australian Heritage Festival. The exhibition showcased items drawn from the Henty, Coombs and Weir Collections.fashion -- nineteenth century, exhibitions -- kew historical society, henty collection, coombs collection, weir collection -
Melton City Libraries
Photograph, Exford Weir, c.1961
Photos of The Exford Weir looking drymisc. -
Bendigo Historical Society Inc.
Slide - BENDIGO & DISTRICT P.O.I
Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i. -
Bendigo Historical Society Inc.
Slide - BENDIGO & DISTRICT P.O.I
Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i. -
Bendigo Historical Society Inc.
Slide - BENDIGO & DISTRICT P.O.I
Slide. Bendigo & District P.O.I. Laanecoorie Weir.slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i. -
Tatura Irrigation & Wartime Camps Museum
Book, Heritage Concepts P/L, Greater Shepparton Heritage Study Stage 11C, June 2017
This report describes the key tasks and the methodology for the Greater Shepparton Heritage Study stage 11C and the conclusions & recommendations that have arisen from its completion.A 4 size, & bound with a photo of a weir on the cover.Prepared for Greater Shepparton City Council by H29cms X 21.5 cmseritage Concepts Pty Ltd -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1990
also 2 other photos of the spillway 5220.1.and .2Colour Photograph of spillway at Glenmaggie Weir Gipsland Victoriasettlers -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1926
Black and White photograph of Glen Maggie Weir Victoriaships and shipping, waterways -
Melton City Libraries
Photograph, Melton weir, 1962
Speedboat Carnival and Canadian Hell Drivers event at the weirmisc., local significant events -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. Water flowing through opened weir gates - over spillway - weir structure mid-distance. Trees beyond on far bank.goulburn weir, victorian state rivers and supply commission -
National Wool Museum
Pennant
WODONGA VICTORIA The Pollard Archway Hume Weirwodonga, victoria -
Bendigo Historical Society Inc.
Slide - BENDIGO & DISTRICT P.O.I, 1964
Slide. Bendigo & District P.O.I. Eppalock Weir (When there was water).slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i. -
Hume City Civic Collection
Photograph
B/W photograph of the weir on Jackson Creek at Eadies Mill.Handwritten on back: McMahon Handwritten on front: Sunbury (near Eadies)eadies mill, sunbury, weir, mcmahon, jackson's creek, waterways, george evans collection -
Falls Creek Historical Society
Photograph - Family at the Hume Weir, 1953
This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images record the photographer's family in 1953Black and white photos of Fred Griffith's family at the Hume Weirbogong, falls creek, snow, snowfields -
Rutherglen Historical Society
Image
Part of a collection relating to the Parkin family.Black and white photograph of a group of people seated on the ground having a picnic.On back of photo: "King's Birthday at Weir" "Daisy in front"parkin family, daisy parkin, rutherglen park, lake king, kings birthday -
Hume City Civic Collection
Photograph
Sepia photgraph on a postcard of Flour Mill Fall, Sunbury, with the weir, washed away.Writing on Front: Mill Fall Sunburypostcards, flour mill fall, sunbury, mill fall, george evans collection -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. Concrete and iron weir structure, stone spillway, earth bank on West bank below brick control house. Dead trees in water beyond weir, houses on West bankgoulburn weir, victorian state rivers and supply commission -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. View across weir - channel outlet left - earth and rubble wall separates two concrete and iron structures of weir. Trees on bank beyond beyond, buildings scattered amongst trees.victoria state rivers and water supply commission, goulburn weir -
Rutherglen Historical Society
Image, Semco Series, The Park, Rutherglen, 1910 to 1912
Black and white photograph on a post card, with brown border, showing the Rutherglen Park, with a view of the weir and Lake King in the background. In the foreground is the bridge over the weir out-fall, with two ladies on the bridge, one of them holding a baby.rutherglen park, lake king, water storage -
Clunes Museum
Photograph
PHOTO COPY. WATERSHED DAMS WEIR CREEK FOR THE COLLECTION OF WATER FOR THE CLUNES TOWNSHIP AND MINES.local history, photography, photographs, water supply -
Wodonga & District Historical Society Inc
Photograph - Constructing the Hume Weir, c1928
This image is from Wodonga Historical Society's large collection of photographs documenting the construction of the Hume Dam during its initial construction and ongoing development. Hume Dam took 17 years to construct from the turning of the first sod on 28 November 1919 by Sir Ronald Munro-Ferguson, Governor-General of Australia. The first filling was in December 1934 and it was officially opened on 21 November 1936. Between 1950 and 1961 further modifications were made which enlarged its storage capacity. Progressive improvements have been made since that time to ensure the dam meets modern safety standards.This photo reflects a major stage in the construction of the Hume Dam.A large black and white image of construction of the Hume Weir on the Murray River mounted on board.hume dam construction, hume weir australia -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. View across weir showing partially completed channel outlet. Partially completed brick control building on top of wall joining the weir and channel outlets, hourse, cart, and driver bottom right.victoria state rivers and water supply commission, goulburn weir -
Federation University Art Collection
Painting - Artwork - painting, 'Grass Seeds' by Barbara Weir, 1999
Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen -
Bendigo Historical Society Inc.
Photograph - LAANECOORIE WEIR
Black and white (hand tinted) photograph of Weir structure at Laanecoorie. Figure on left of photo. Inscriptions: 'Laanecoorie Weir on reverse in black lead pencil. History: James Lerk 17.3.2000 'Laanecoorie Weir' built by Bendigo contractor. Valves by Roberts Foundry ' With note' photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo Ph 43 8269. Photographs Frances (Frank) Thomas Bourke.Francis (Frank) Thomas Kennedyplace, water, laanecorrie weir -
Kew Historical Society Inc
Exhibition: Fashion in the Age of Elegance 1840-1900 [Series 2], 2023
The Kew Historical Society holds a nationally significant Fashion & Design collection. In 2023 this collection was augmented by a donation by descendants of Francis Henty of nineteenth and early twentieth century costumes and costume accessories. These rare and aesthetically significant acquisitions increased the importance of the nineteenth century costume collection held by the Society. Following their accession, the Henty costumes were exhibited with other notable examples of fashion and design, previously donated by descendants of the Coombs and Weir families.7 x Photos of the opening night of Fashion in the Age of Elegance 1840-1900, held at Villa Alba Museum during the 2023 Australian Heritage Festival. The exhibition showcased items drawn from the Henty, Coombs and Weir Collections. Guests included members of Kew Historical Society, Villa Alba Museum, Heidelberg Historical Society, Royal Historical Society of Victoria, Museums Victoria, City of Boroondara, and National Gallery of Victoria. fashion -- nineteenth century, exhibitions -- kew historical society, henty collection, coombs collection, weir collection -
Bendigo Historical Society Inc.
Photograph - HUGH ENNES COLLECTION: EPPALOCK WEIR WATER OVERFLOW - JAN 2011
The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.railways, bendigo to melbourne, trains. railways. puffing billy. wirths circus. -
Bendigo Historical Society Inc.
Photograph - HUGH ENNES COLLECTION: EPPALOCK WEIR WATER OVERFLOW - JAN 2011
The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.state infrastructure, water supply, coliban system, eppalock weir. coliban system. -
Bendigo Historical Society Inc.
Photograph - HUGH ENNES COLLECTION: EPPALOCK WEIR WATER OVERFLOW - JAN 2011
The Hugh Ennes collection. Colour photograph. Water overflows from Eppalock Weir, January 2011.state infrastructure, water supply, coliban system