Holtermann Photo 1874Main Street looking West from Layzell Street. On left Heide's European Hotel with Heide's two boys out front, David Nicholas Hotel. Foresters Hotel on corner of Patrick street, Fire damaged wall of Mechanics Institute. Top roofline of J. Allingham Drapers in distance. From right R.W. Dane Grocer on corner. Union Bank of Australia, Bennett & Bristow, A.B. Clemes, J. Punchard Furniture Mart, J. Punchard's Timber Yard. Oriental Bank, Bank of Victoria, D Telford Produce and Grocer, Chadwick & Co Drapers & Outfitters / London House, Stawell Auction Market Auctioneer.stawell

Literary Institute at Pleasant Creek, Stawell West. Built in 1868 and classified as part of a group by National Trust buildings. Worksheet notes state the building is one of the earliest known cavity wall buildings.Early black & white photograph of the two story Literary Institute built in 1868. Man, or boy standing on footpath near stone fence.stawell

502 Grade IV a 1942 Class Photo (1942). The photograph taken in 1942 shows 4 rows of school students in grade 4a (IV a) The lower row is of seated boys and Graeme Bennett is third from the left. Back row boys standing. 1.? 2. Wally Byron, 3. Ron Honeyman, 4. Robert Evans, 5. Noel Dart, 6. Don Boisen, 7. Robert Grant, 8. Brian Hughes, 9. Roy Belot, 10.? 11. Jackie Lee, 12.? 2nd Back row Girls. 1. Joyce Moller, 2.?, 3. Dorothy Skurrie, 4. Betty Oster, 5. Norma Lee, 6, Rosemary Walls, 7. Laurene Cornish, Girls seated. 1. Helen Floyd, 2. Margaret Treadren, 3. Pat Hunt, 4. Janet Mitchell, 5. Glenda Giles, 6. Nance West, 7. Vonda Lever, 8.?. Boys seated legs crossed. 1. Max Walker, 2. Ron Cashin, 3. Graeme Bennett, 4. Bruce Shipp, 5.?, 6. Noel Powell, 7 Stan Fry, 8.?.Stawell State Primary School 502 Grade 1Va 1942. Two black & white photographs of Stawell students. One is an enlargement of the original photo. The original photo is a post card "Graeme 3rd from left front row". Handwritten on the back of the post card.stawell education students

Domestic object demonstrating Australian State Floral symbolsA cross stitched wall hanging on a brass hanger. The white cotton background has the Australian native flower emblems in a line down the centre. Firstly the Australian emblem - golden Wattle, then New South Wales - Waratah, Victoria - Common Heath, Northern Territory -Sturt's Desert Rose, West Australia - Kangaroo paw, Queensland - Cooktown Orchid, Tasmania - Blue Gum, West Australia - Sturt Desert pea.embroidery, australian floral emblems

At the outbreak of war in 1939 Perth was serving in the West Indies. She served with distinction at Cape Matapan against Italy. Perth suffered damage from an air attack while berthed in Malta. Perth evacuated troops from Greece to Crete when Crete was invaded by the Germans When Japan entered the war in December 1941 Perth was sent to Java in the Dutch East Indies - now Indonesia. Perth's total complement was 681, of these 353 including Captain Hector Waller D.S.O were lost in action, 4 died ashore and 324 fell into Japanese hands. Of these 106 ratings died while prisoners of war, 53 dying while working on the Burma - Thailand railway.Framed Information sheet with description of specifications - crew numbers and service record of H.M.A.S Perth.H.M.A.S Perth (ex H.M.S Amphion). A Light Cruiser Leander Class 1941 of 7600 tons. Under full power speed trials reached 31.7 knots. Perth was commissioned as H.M.S Amphion on 15th June 1936 and was renamed H.M.A.S Perth by H.R.H Duchess of Kent on 10th July 1939.

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, f.m. white, j.s. gawler, r.e. featherstone

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. A third plaque states: These cloisters, commenced in 1853 and extended in 1930 nd 1969 were completed in 1981 through the generosity of the late Edward Stevens, a member of Council from 1926 until 1939. The work was also supported by the Wilson Trust and Sir Wilfred Brookes.university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, cloisters, edward stevens, wilson trust, wildred brookes

Black and white photograph showing rock retaining wall along shoreline west of entrance, crane on jetty, several boats including Peels Blackbird just off jetty at Lakes Entrance, Victoria.machinery, waterways, boats and boating

Set of two illustrations - back to back - the first a view from the Town Hall, looking northwest over the central Sturt St median strip. Has one ESCo tram in the view. Has on the corner of Sturt and Armstrong Streets, A Dawson store and R Ludbrook & Co furnishings. The second illustration is from the north side of Sturt St looking southwest towards Doveton St, Has Skewes Chemis, Wall paper warehouse, and Shoppee's Square in the view.Yields information about Sturt St and the associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, armstrong st, doveton st

Yields information about the streetscapes of Ballarat depot to Pleasant St route and in particular buildings and people that crewed the trams.Set of eleven Colour 27 x 27 mm slide in a Kodachrome cardboard mount. .1 - Wendouree Parade looking west towards St Aidans Drive - the gate pillars can be seen. .2 - ditto looking west - Fairyland .3 - ditto looking towards Gardens Loop .4 - No. 41 at Gardens Loop, with destination of Gardens via Drummond North .5 - ditto showing Mt Pleasant .6 - ditto, just past the now BTM Depot Junction. .7 - Carlton St - showing the gates .8 - Looking towards Hamilton Ave from within Carlton St loop with the signal showing red. .9 - Turning from Hamilton Ave into Sturt St West. .10 - Sturt St west looking east with the Loreto convent walls on the left hand side. .11 - Sturt St - Pleasant St intersection - showing road surface, a tram coming towards the intersection and buildings on either side. Slide mount date September 1971. Photo from the collection of Lilian Butler.ballarat, tramways, trams, wendouree parade, st aidans drive, gardens loop, depot junction, carlton st, carlton st loop, signals, sturt st west, pleasant st, tram 41

Set of 7 transparencies taken undated (appear to be 1970 or 71) on PAKON mounts. Also possibly copy slides as quality is poorish. 1175.1 - No. 27 has derailed at Depot, across Wendouree Parade, and No. 33 appears to be about to try and tow it back on. Wendouree Parade totally blocked. Adjacent pole has tram stop sign and has "Stafford Court" street sign mounted on it. 1175.2 - No. 43 at corner of Drummond St. South and Dana Street, with destination Lydiard St. North. 1175.3 - No. 42 (Mt Pleasant) and 21 (Gardens via Sturt St. West) crossing at Gardens Loop. 1175.4 - No. 42 bound for Lydiard St. Nth at intersection with Macarthur St. Shows the retaining wall for the cutting on the east side of Lydiard St. Nth. 1175.5 - No. 43 at corner of Lydiard St and Sturt St., at city terminus showing "Special" and tram 35 adjacent to Post Office in Lydiard St. Nth. Photo shows the small tram stop pole at this location and Post Office building. 1175.6 - No. 39 and 26 and 27 at the Mt Pleasant terminus. Near closure as a bus stop sign has been positioned on the west side of the road. No. 39 showing destination of "Gardens via Sturt St. West" 1175.7 - Nos 21 and 34 crossing at the Grant St. loop in Barkly St. 21 has destination of Mt Pleasant, while 34, - Gardens via Sturt St. West"All information on typed small white labels, on the top of the slides using black ink. 1175.1 - "27 derailed and 33 at depot" 1175.2 - "43 at cnr Drummond & Dana Sts" 1175.3 - "21 and 42 Gardens Terminus" 1175.4 - "42 at cnr Macarthur & Lydiard" 1175.5 - "43 & 35 at Post Office" 1175.6 - "39, 26 and 27 at Mt Pleasant" 1175.7 - "21 & 34 at Grant St"tramways, trams, wendouree parade, depot, accidents, derailments, drummond st. sth, gardens loop, post office, mt pleasant, grant st., tram 21, tram 26, tram 27, tram 33, tram 35, tram 42, tram 43

Copy of a colour slide showing Tram 42 in Lydiard Street North, at the terminus. This photo is taken from the south west looking up Lydiard Street. The cemetery gates can be seen in the background. The trolley pole it is ready to head back into the city, and the destination board is reading Sebastopol. There are children and the crew posing beside the tram for the photograph. There is a crowd of people, standing on the road near the tram, and others waiting to take photos. The photographer says this was taken of the last of the last tram to run in Lydiard Street in 1971. Photo quality is poor as the original image was blurred.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, maximum traction, cemetery, tram 42

Black and white photograph. Written on bottom : E. Dore. W. Reside. J.H.Harris. A Bendigo Camp at Mulgarrie, West Australia. Man standing with Violin. Man kneeling tin whistle. Man standing tenorhorn. Bush shanty shack. Hessian walls. Back of photo reads: *Bush Bands <-17cm-> also has yellow sticky note which reads: 1890's Bgo men going to Boer War tin whistle tenorhorn violin. Why a Bendigo camp?entertainment, music, bush band

Yields information about the tram services and the intersection of Sturt St West and Russell Sts.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 14 in Sturt St West, near the intersection with Russell St., with a auxiliary board, "Victoria Park". Tram has the destination of City. In the background is the Loreto Convent wall.trams, tramways, sturt st west, russell st, victoria park, tram 14

Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park

Colour photograph. North exterior wall of building facing south west. in 2015 is the QV square towards the QVWC office and the QVWC building's north entrance. Taken during restoration inspection. building construction, historic buildings, cultural structures and establishments

Date is approximate. The teacher is presumed to be Miss Susan Kelsall; 3 of the children are identified as: Back row left: Thora Holmes Back row right: Gwen Evans and Betty Austin. Miss Kelsall was registered as a primary and music teacher in 1908. In 1919 she had a school at Wyclif Church in Norfolk Road. From 1924-1930 the school was in the hall, perhaps built for her, at 426 Canterbury Road, just west of Warrigal Road. This was demolished in 1985; a gum tree marked the spot.Black and white photo of a teacher holding a book and 3 rows of children in front of a weatherboard wall with a brick chimney protruding from the wall. The children are not in uniform although a couple of the girls are wearing tunics and all the boys are wearing ties. independent schools, schools, primary education, music, miss susan kelsall, miss gwen evans, miss betty austin, miss thora holmes, mrs betty harvey

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

Ponsonby May CAREW SMYTH Ponsonby May Carew Smyth was born at Cork, Ireland, Carew-Smyth studied at the Belfast School of Art and Design. Carew Smyth taught at the National Art Training School, London and Rugby School. He arrived in Australia in January 1891 , and was appointed Principal of the Ballarat Fine Art Gallery School (Ballarat West Technical Art School) from 1891 to 1899. In 1907 Carew Smyth was Chief Inspector of Art for the Victorian Education Department. He designed commemorative wall plaques for state schools after World War One. In 1936 Carew Smyth was Acting Director of the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a woman carrying a vase.art, artwork, ponsonby carew-smyth, ballarat west technical art school, victorian education department inspector of art, drawing, art education

East side of training walls looking to South West passageColoured photograph of View of south west passage with Norfolk Island pinetrading walls, south west passage

South West Passage Port Fairysouth west passage, training walls, tide

The small building on the left is the Farmers Inn, and was built about 1849, when James Brown became the first licensee. In 1854 John Walwyn Taylor moved from the Sally Ann to take over, and remained there until 1857, when he moved to his new hotel The Star of the West built on the old Sally Ann site. John Wall then became the new licensee of the Farmers Inn. In 1876 his wife Bridget made an application for the license to be transferred to her as “her husband suffered from rheumatism, and there were certain other reasons why the license should be transferred to her hands”. The Bench wondered about creating a precedence of granting a license to a married woman, who was living with her husband, (licenses were only granted to the widows of licensees at that time), so the application was postponed for 14 days, but eventually Mrs Wall won her case. In 1882 Patrick Tennyson took over the lease of the Farmer’s Inn and applied to change the name to Tennyson’s Hotel. In 1885 he bought the freehold in the Great Land Sale for £780. 12s. 8d., and in December, carried out extensive renovations. The local press reported that “the rooms were quite tasteful, the Billiard room commodious and well ventilated, and that the old hotel had not looked so good for years”. The double storied part of the hotel was added in 1893. Patrick Tennyson had a colourful career. He was born in Charlemont, County Armagh in 1846. When he was 21, he served as a papal guard at the Vatican for 2 years and then entered the Marist Brothers novitiate in Beauchamps. In 1872 he was one of three brothers to accompany Brother Ludovic to Sydney; he was then aged 23. After 5 years he withdrew from the Congregation and moved to Victoria, where he took up teaching, first at Rosedale near Sale, then at Crossley, by which time he was married to Anne White. They had eight children, three dying in infancy. Eight months after he took over the Farmers’ Inn, he was elected to the Borough Council, and served as Mayor in 1897. His great interest was sport, was Secretary of the Race Club for 20 years and supported the local Football Club by donating a silver cup for local competitions. Patrick Tennyson died in 1904. The hotel continued under various licensees until it burned down in 1977 under the name of “The Fishermen’s Arms”. Well known main street hotel no longer exists Sepia photograph of 2 story building with tiled wainscoting male and 2 females in doorway and 2 females in window upstairshotel, building, sackville street, patrick tennyson, w.j.wright

Annual report providing overview of activities and achievements undertaken by Vision Australia over the past financial year. In some reports there are individual profiles of clients, staff or volunteers, to acknowledge and recognise the impact and involvement of these groups. Financial summaries are provided, or in some instances, described in a secondary report.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, caleb neyenhuis, doug sheers, gerard menses, kevin murfitt, ben demery, shaun hopkins, james young, maritah suki, caleb van senten, alice dynon, amanda pierini, karen pritchard, janet cronin, ray paxton, prue watt, mary beekman, brian marett, vicki sheeren, reg wood, alice shaw, pauline gandel, amanda wilson, susan diver, sandra amery, adam doblinger, marjorie west, debra byrne, christine harding, greg hempenstall, michael simpson, trish egan, paul bunker, tim evans, jennifer gibbons, owen van der wall, keith barton, david blyth, maryanne diamond, paul gleeson, timothy griffiths, renae johnston, karen knight, ron mccallum, ross mccoll, lee smith

"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery

This pamphlet provides comprehensive information on Memorials around Ballarat dating from May, 1917.Avenues of Honour are unique to Australia and found particularly Victoria. The Ballarat Avenue of Honour is of national importance as the longest and earliest known memorial tree planting of its type.This is an information pamphlet printed on both sides and folded into 3 sections. The headings are written in green and there is a black and white photograph of the Arch of Victory and the Avenue of Honour on the first fold. Over the page, there is a large diagram down the middle of the page, 2 black and white pictures of the righthand side and 2 sketches on the lefthand side of the page.None.john garner, doctor john garner, arch of victory, avenue of honour, heritage information guide, matilda l. thompson, tilly thompson, e.lucas &co pty.ltd, memorial wall project, memorial rotunda and roll of honour, memorial cairn and cross of remembrance, avenue trees and memorial plaques, ballarat city council., john garner collection, gardens, ballarat

In 1915, Barrie built a new mill at Melton Railway Station situated between Exford Hall and Dixon’s mill. It will be 40ft by 80ft with 18ft walls. Partnership with John Ralph Schutt–West Footscray Schutt & Barrie in 1916 1916 February Ernie Barrie has sold his recently erected chaff mill at Melton South Railway Station to Messrs Dixon at a satisfactory price. The mill recently purchased from Mr Barrie to be re-erected along side their present millPurchases for the Schutt & Barrie Chaff Mills, Meltonagriculture, local identities

Each of the five telephones is attached to a timber, wall‐mounted box. They are original to the precinct buildings and date from the early twentieth century. Located in the lighthouse lantern room, the former head keeper’s quarters, the former assistants’ quarters, and the buildings known today as the generator shed and the café, they formed an intercom system that facilitated communication between the lightstation buildings.Wall‐mounted Bakelite telephones with crank handles can be found at all six light stations, however Gabo Island has the only other example of a timber‐mounted phone. Its design is slightly different for incorporating an inclined surface for jotting down notes. As fixtures, the telephones are considered to be part of the building fabric and included in the Victorian Heritage Register listing for the Cape Nelson Lightstation (H1773; 18 February 1999). They are historically significant for their historical and technical values as part of the early communications system used at the lightstation.Five similar intercom system telephones. All are wall mounted timber boxes with Bakelite black hand sets and black cords. The five phones each have two bells at the top of the box and a crank handle at the side. Three phones have brass bells, two have black metal bells. All phones have instructions on the front either in a frame or glued to the timber."C of A" and "PMG" Written instructions on how to use the phones are printed on paper fixed to the front of the telephones. "TO CALL ....../ TO ANSWER...../ WHEN FINISHED....."

Bakery Square was the location of Jongebloed shop, bakehouse and stables Bakehouse owned by Gottfried Jongebloed and Auguste Shebler. Auguste Shebler came to Melton in the early 1950’s and in 1857 built a store on the corner of High and Smith Streets. Mr Shebler was the Postmaster, and Paymaster for thee Government, who sent a batch of 400 to 500 immigrants to clear trees and fallen timber off the Ballarat Road; the wages being 5/- per day, and oversees 10/- per day. In 1865, Mr Shebler built the Golden Fleece Hotel on the present site and, although many alterations have taken place, most of the main walls still belong to the original building. He built a store some 100 yards west along High Street, and added to it a bakers’s business; then he built a butcher’s shop and leased it to the late Mr G McKenzie. Gorrfried Jongebloed was born in 1857 and came to Melton in 1887 as a Captain in the Mercantile Marine. In 1888 he married Marie Antionette, second daughter of Mr Shebler, and took over the bakery and green grocers business. Ten children were born to the family- Gerhard, Annette, Gorrfried (dec 1937), Emil, (dec 1947), Nicholas, Julius, Theckla, Augustus, Marie and Margarethe, - who settled in various parts of Victoria and are, in the bakery businesses. Mr and Mrs Jongebloed, sen., carried on the businesses in Melton until 1926, when one of their sons Emil, took over. Mr Jongebloed, sen., died in 1930 at the age of 73 years; and his wife living until 8th Oct., 1946, when she died at the age of 80 years. After the sudden death of Emil, in Jan., at the age if 49 years, the business had been conducted up to the present time by two sons “Pat” and Bryan. 1962 Express September local identities