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Tatura Irrigation & Wartime Camps Museum
Article - Wall Hanging, 1940-1945
Else-Lore Oertel, with her mother, was a German internee in Camp 3 A as a child, from 1940-1945. Her godmother, another internee, Friedel Dehnel (Tante Fiffi) made the hanging for Else-Lore & wrote out the poem on the back for her.Handmade wooden plywood wall hanging, painted, of sleeping blonde haired baby dressed in light blue laying in a cradle painted dark blue (with red heart) with checked red & white curtains & bird (robin red-breast) atop the curtains. Cream bed furnishings, grey floor area. Back has leather attachment for hanging on wall. There is a poem in German written on the back.Poem in German, on paper attached to back: Wenn ich, o Kindlein, vor Dir stehe, wenn ich im Fraum Dich Tachelu sehe, wie Du ergluhst so wunderbar, da ahne ich mit susBem Grauen: durst ich in Deine Traume schauen, dann war neir alles, alles klar.tatura, ww2, camp 3, internee camps, toys, internment camp handcraft -
Warrnambool Art Gallery
Pooneed-ke (child carrier), c. 1890-1920
This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers -
Yarrawonga and Mulwala Pioneer Museum
Cream Cane Pram, Pram
Vinyl lined large pram with folding hood, large wire basket under handle. Thick (5cm) mattress, baby pillow and silky shawl/cover. 3 towelling nappies - 1 cloth nap in basket. Was well sprung pram with 4 solid rubber tyres. Handle reaches 30cm above pram top (waist high) - made from shaped tubular steel.No markings noticed -
Whitehorse Historical Society Inc.
Clothing - Baby's Dress, 1920
Made by MRS Harris for her daughter Norma (donor) in 1920Baby's Cream silk dress with round neck sleeves, opening down back of bodice with three press studs to waist. Waist band has 18 button holes for ribbon to be threaded through. Herringbone stitch insert 2/3 down skirt. Embroidered flowers on skirt and bodice. All edges finished with crochet edging. All embroidery and crochet in cream silk thread.costume, children's -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer H D, 1920
Black and white postcard showing slab bark house belonging to Northrope family. Photograph shows Mr Northrope sitting in front reading a newspaper, Mrs Northrope sitting in a chair, young mother and baby in doorway, boy with dog on grass. Climbing rose over window. Bark roofing overhanging wall held down with logs. All glass windows. Lake Bunga VictoriaThe Homestead Lake Bunga Vicgenealogy, historic site -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Lloyd Rogers, 21/03/1962 12:00:00 AM
Yields information about the appearance of SEC trams early 1960's at Sturt and Lydiard Sts and the streetscape.Black and white photograph of Ballarat trams 39 entering Lydiard St North from Sturt St and No. 38 about to cross Sturt St. No. 30 has the destination of Sturt St West. Dated 21/3/1962. Printed on Agfa Gevaert paper in a postcard format. In the background are the ANZ Bank, the ES&A bank and The Baby shop in Sturt St. Photo by Lloyd Rogers.In ink "Cars 39 & 30 at Sturt St and Lydiard St corner 21/3/1962 and 4/25"trams, tramways, sturt st, lydiard st, tram 39, tram 30 -
Ringwood and District Historical Society
Piece of concrete, City of Ringwood, Concrete from the facade of the old Ringwood Town Hall demolished in 1971, 1927
The two storey facade of the Ringwood Town Hall was built in 1927 at a cost of 6,000 pounds. Behind it the council worked out of the old mechanics institute. As the need for space grew, the first Ringwood fire station, the baby health centre and council's health department squeezed onto the site. A free library and cinema also operated from the town hall for many years.Two lumps of concrete from the facade of the old Ringwood Town Hall. Red at the centre, soot and dirt marked on the outside.; This was the first debris from the demolition of the old Ringwood Town Hall, knocked off the front western pillar by the mayor Cr Jack McRae at the invitation of the purchaser Hanover Holdings Ltd, on Thursday 22-Apr-1971. +Additional Keywords: McRae, Cr J.M. / Carter, RichardFirst debris from the demolition of the old Ringwood Town Hall, knocked off the front western pillar by the mayor Cr Jack McRae at the invitation of the purchaser Hanover Holdings Ltd, on Thursday 22-Apr-1971. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Black & White, V Peterson E Boundary Rd E Bentleigh market garden c1925, Original c1925
The Peterson family were early settlers in Moorabbin Shire and established a market garden in East Boundary Road East Bentleigh. Vic Peterson - waistcoat, with Dick Marriott seated - ( brother in -law ), 2 unknown men and 7year old Geoff Peterson - Poliomyelitis as a baby- sitting in front with his walking sticks. The crop is cabbages that would be harvested and sent to the Melbourne markets.The early settlers like the Petersons and Marriotts, in the Parish of Moorabbin County of Bourke after Henry Dendy's Special Survey Brighton 1841, established market gardens, fruit & flower gardens, poultry & dairy farms, vineyards as well as shop businesses, blacksmiths, chemists, nursing homes and schools & Churches.Black & White photograph of Vic Peterson and 3 men & boy on his market garden in East Boundary Road East Bentleigh c1925 re-digitised 2005back ; handwritten information unsignedwagons, vulcan trucks, draught horses,, peterson vic, marriott dick, cabbage crops, vegetable crops, poliomyelitis epidemics 20thc , elster creek, plateways moorabbin shire, smith j l; smith mary ann, stanley helen, smith vic, smith harry redvers, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
Whitehorse Historical Society Inc.
Equipment - Camera and case
Donor, Howard, became interesed in photography through his father who had Kodak camera and a home development kit. Could adjust size. In school Howard formed a camera club (aged 16). Had a ' Baby Brownie'. When he retired he built own workroom was one of the first to get a digital camera. Hobby ceased due to poor eyesight.Kodak Pocket Instamatic 400 camera. Black and silver metal casing. Kodak logo on left hand corner. Camera case maroon coloured plastic. Kodak logo front bottom right corner. Pocket clips on reversephotography, cameras, camera accessories -
Stawell Historical Society Inc
Photograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. W Pianta Baby Megan Cooper & Rickard Ararat Trots Janet Evans John Shalders 40th Val Wortley 80th Birthday Great Western Cup 1984 Dianne Freeberg & David Wortley Caffrey Family Stawell Motel Dunn Bros New Reservoir Aug 1983 McCanns Val & Max Kennedy & Family Bigmore Family Coopers Cars Walters Wedding Bauer Girls Watchom Leigh McClure Coopers Car Middleton Reunion Carol Cunningham & Rodney Clarke Sue Dunmore Sisters RSL Baby Show 1983 Della Bessingham 4-11-83 Stawell Show 1983 Chas Mangle Cousins Grave Delzotta Car Whelan Pigeons Sharon Hustler & Cliff Naeff Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
Warrnambool and District Historical Society Inc.
Plate, Baby Plate - Elizabeth Morgan, c mid 19th century
This child's plate was owned by Elizabeth Morgan who was married to Mr P B Webb who was mayor of Warrnambool in 1917. A common item which has significance as it belonged to a local person who was Mayoress of Warrnambool Pale blue straight edged round baby's plate with wide flat rim. Transfer of lion in greenery surrounds is in centre of bottom of plate. Four small transfers of clowns around the edge of the larger transfer.. The alphabet and numbers 1-10 are around the flat edge of the plate. The side has a small ridge which has the remnants of gold paint. A break in the glaze of the bottom of the plate displays blue material.Alphabet and numbers warrnambool, baby plate, elizabeth morgan -
Yarra Glen & District Historical Society
Black and white photographs, House and post office owned by John Hicks Petty 1866
Built in 1861 on the south side of Symonds Street opposite Irvine Crescent this building was the home of John Hicks Petty. He operated the first Post Office in Yarra Flats from here. Mr Petty, holding a baby, is standing alongside his wife Maria Louisa Petty. The cottage is built of sawn timber, placed vertically, and a shingle roof. There is an established garden surrounding the house with creeper climbing the walls.post office, original post office, john hicks petty, maria louisa petty, symonds street, irvine crescent, shingle roof, timber house, cottage garden, baby, yarra flats post office, yarra flats -
Bendigo Historical Society Inc.
Photograph - BABY PORTRAIT
Black and white image of young child - approx. 6 months, seated on rustic style chair. Baby is dressed in dark dress, white frill on bottom, crocheted apron ( strings of apron tied to chair to secure child in position ). On back of image ' Bendigo Portrait Rooms, F. De Kock & Co, Photographic artists, corner of Mitchell and King Streets. N.B. copies may be had and enlarged to size'F. De Kock & Coperson, individual, baby portrait, bendigo, sandhurst, f. de kock & co. -
Bendigo Historical Society Inc.
Photograph - HOUSE: MOTHER AND CHILD C 1890'S
sepia photo mounted on brown board, weatherboard house, front verandah. Lady and girl child with pram and baby. Bull nose varandah with roof painted in broad stripes with narrow stripes between Intricate lace work across verandah. Two windows - one each side of central door. 4 wooden steps to verandah. 3 brick chimneys. On back: ' Hazel and mother' in ball point pen.cottage, miners -
Bendigo Historical Society Inc.
Document - Anne Currie - A Colonial Wife, 1873 to 1916
Pioneer, Anne Currie and her husband John helped open up the area we now know as Lardner or the Drouin area. Anne Currie kept a diary more like a day book of her family's activities throughout their lives. The Diaries were commenced by John on 8th March 1813, but on 28 September of that year there is an entry 'John Currie has tired of keeping a Diary and has handed it over to me - C. Currie' The diary continued with a few breaks right up lo 19162807.11a Photocopy of Catherine and John Currie, photograhped in Melbourne by the famous J.P.Lind prior to journeying to Lardner in November 1875. Albert Currie is the baby aged four months. John is 41 years and Anne Catherine Currie is aged 30 years. 2807.11b Anne Currie - A Colonial Wife. A talk given by Robert Marmion at an Amy Huxtable Memorial Talk. Fifteen typed A4 Pages from the diaries.history, amy huxtable, bendigo, robert marmion, anne currie, albert currie, john currie, lardner drouin -
Uniting Church Archives - Synod of Victoria
Pamphlet - The Bulletin, Fraser & Morphet Pty Ltd
This pamphlet is the official paper of the Methodist Girls' Fellowship and the Methodist Girls' Comradeship for November 1943 which was missionary month. It contains a missionary quiz and the "working for God's Kingdom": Christian Social Order Committee, Overseas Committee, City Missions, Inland, Cheltenham Homes, Babies' Homes, National Fitness and Easter Camps. The back contains "Doings - Near and Far". Amounts raised or donated are handwritten in the margin. Cream bi-fold paper with green text and images of the Methodist Girls' Fellowship and the Methodist Girls' Comradeship on the front. methodist girls' comardeship, methdodist girls' fellowship, missionary month -
Duldig Studio museum + sculpture garden
Photograph, Slawa and her sister Rella, Vienna, c.1938, c.1938
This photograph of Slawa and her sister was taken a few months before Slawa and baby Eva left Vienna, in December 1938. They joined Karl in Switzerland. After leaving Europe, she did not see her sister again for 30 years – years which are documented in the many letters held by the Studio, sent over this time. In 1968 Slawa and Rella met one more time in Paris.This photograph documents the important relationship between Slawa Horowitz-Duldig and her sister Rella Horowitz, later Laisne. Rella assisted Slawa in the process of developing her invention of the modern foldable umbrella, and hid the family's artworks and furniture, designed by Slawa and the firm of Sigmund Jaray, in her apartment in Paris during the Second World War. It is of historical significance as it documents life in Vienna prior to the Second World War. -
Stawell Historical Society Inc
Photograph, School Picnic at the Sandbar Circa 1940
Circa 1940 School Picnic at the Sandbar (Lake Lonsdale) Standing: Annie Richards, Fred Richards, Des Repper, Mrs. Repper, Bob McFeet, Perce Repper, Frank Bennett, ??, Alf Cray, Brian McFeet, ??, Amy Cray, Kathleen Bennett, ??, Baby, Margaret McFeet. Seated: ??, Leslie Bennett, ?? , ??, ??, Phyllis Repper, ??, Doug Repper, Laurie Benett, Doug McFeet, George Richards, ??.B/W Photo Large Group of People outside, Adults Standing at Rear, children seated in front.deep lead school, education -
Warrnambool and District Historical Society Inc.
Booklet, Patriotic Minute Book Woollen Mill, 1915
This exercise book contains the Minutes of the Warrnambool Woollen Mill Employees Patriotic Fund. This fund was established in 1915 in a scheme whereby employees of the Warrnambool Woollen Mill donated 2½% of their weekly wages to the fund to assist with the war effort during World War One. The money received was given to such charitable causes as the Red Cross, the Belgian Fund, the Babies of France and the Local Distress Fund. The Patriotic Fund was discontinued in 1919This Minute Book is of interest as an example of the local campaigns organized in Warrnambool to assist the war effort in World War One. It includes the names of office-bearers of the group and lists the type of activities in which they were engaged. Therefore it is of benefit to researchers. This is an exercise book with a green and black mottled patterned cover with red binding on the spine. A printed label on the cover has been torn away. The pages are cream-coloured with printed blue lines. The entries are handwritten in black ink. The book has been bound with metal staples but the binding has come apart at the top section. There are four loose sheets of material connected to the Minuteswarrnambool woollen mill, warrnambool woolen mill, world war one and warrnambool -
Eltham District Historical Society Inc
Document - Folder, Harry Gilham, Communal Gravesite, Eltham Cemetery, 2009-2010
Information page with photos about the memorial to still born babies at Eltham cemetery, Mt Pleasant Road, Eltham which lies under the trees on the west side of cemetery. A plaque within a garden bed states: “Cherished, but not cradled. This small garden is adjacent to a communal gravesite for stillborn babies, or those who died soon after birth. They were all born and /or died at Queen Victoria Medical Centre and buried between March 1979 and April 1986.” The landscaping was funded by Stillborn and Neonatal death Support (SANDS) Vic. Members. It also initially had a low wooden seat in place. (No longer in place April 2022) The Queen Victoria Medical Centre itself was founded in 1896 and at the time was one of only three hospitals worldwide founded, managed and staffed by women. The Centre has since merged and amalgamated with the Monash Medical Centre. H.G's research also indicated that the communal burial sites within Eltham Cemetery was also for bodies that were donated for science.communal graves, eltham cemetery, s.a.n.d.s., stillbirth and neonatal death support, memorial to still born babies, women in eltham cemetery tour, memorial -
Bendigo Historical Society Inc.
Photograph - HICKSON COLLECTION: MALE PORTRAIT FREDERICK GEORGE HICKSON ?
Portrait: sepia coloured photo of baby sitting on ornate cane chair. Baby is wearing white lace over over garment, with long-sleeved garment underneath. Written on back of photo in fountain pen 'Freddie Hickson Age ten months' On bottom of photo Alan Spicer Williamson Street, Bendigo. Information provided with photos: Frederick George Hickson born 1884, Toolleen, Victoria. Father Edward George, mother Lucy MaryAnne Aylett, married 1879 in Kerry. Frederick died 1942, Heathcote, aged 86. Edward George Hickson, born 1837, father James, mother Barbara Godfrey, died 1915 Toolleen aged 78. Frederick George Hickson married Rose Victoria Louise Osborne in 1913. Rose Osborne born 1889 Raywood, father Louis, mother Margaret Ann Carmen. Children of Frederick and Rose : Edward George born 1914, Long gully. Margaret Lucy born 1916 Bendigo.Sepia coloured portrait of young male adult dressed in three piece suit, wing collar and tartan print tie. On bottom of photo : D. Mendelfsohn, View St., Bendigo. Photo likely to be Frederick Hickson as a young male adult. See information on 1632.2D. Mendelfsohn, View St., Bendigoperson, individual, frederick george hickson, toolleen, hickson -
Orbost & District Historical Society
magazine, Woman and Home, October 1951
Women’s magazines just after WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published post WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. On the front cover is a coloured drawing of a fashionably dressed and made-up woman with red hair and holding a bunch of similarly coloured flowers (gerberas?) At the bottom left are knitted baby clothes - pattern inside - as well as a man and woman wearing fashionable clothing - suggesting patterns are inside the magazine. The magazine cost 1/6 and is dated October 1951.magazine-woman-and-home -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Photograph, 1910 Mr W Harvey, 1910 Mr W Harvey, 1910
1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers, -
Bendigo Historical Society Inc.
Document - NORMAN OLIVER COLLECTION: SPEECH NOTES 1949-1971
The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Sixteen pages of typed notes for an undated speech, though in a 1951 sequence. Subtitled paragraphs: Baby health centre, Eaglehawk Sewerage, The annual estimates of the Bendigo City Council, Marketing charges for sheep and cattle, Aerodrome, Getting the job done, Social (Town Hall concert by Gladys Moncrieff).bendigo, council, speech notes, councillor norman oliver, sometime mayor of bendigo. radio station 3bo 'the mayor speaks'. -
Port Melbourne Historical & Preservation Society
Photograph - Josephine Antoinette MacDONALD, 1912
Photo taken in 1912 at the Macdonald family farm at Alfredton, North Island, New ZealandPhotograph of Josephine Antoinette MacDONALD (nee LIARDET) in 1912 (holding baby). Other adults are Josephine's son Evelyn Poniatowski MacDONALD (1871-1962) and his wife Mignone Caroline - nee WILSON (1878-1940). Children from left to right ; Robert Ian (b1910); Ardis Mignone (b 1908); Alan Lowell (b1907); Ronald Evelyn (b1904); Frank Leon Gordon (b1912) - on Josephine'slap; John Sylva (b1905) families, liardet family, josephine antoinette macdonald nee liardet -
Port Melbourne Historical & Preservation Society
Programme - Ten Arabian Nights, Street Illuminated Festival, Port Melbourne, "Ten Arabian Nights", Apr 1940
"Ten Arabian Nights" Official Souvenir programme . Black and white with drawing of a machine gun and two soldiers on front cover. Names of Council Officials at bottom and "price 3d". Back cover advertising future events ; a baby show; 50-50 dance; boxing and wrestling; comedy motor car act; and greasy pig race. Inside includes list of Port Melbourne men enlisted in second AIF 1939-40.Port Melbourne Ten Arabian Nights. Street illuminated carnival in aid of comforts fund. Australia will be there.celebrations fetes and exhibitions, war - world war ii, james peter crichton, h v mays, c h wright, sydney sims anderson, port melbourne boys band, second aif port melbournee, rook's shoes, station hotel, dick krawley, albion hotel, d l hart, david bell, faram brothers hardware, rose & crown hotel, g legge, m bond, j e earl, j mowat, fountain inn, hausens ball, george westwood, william howe, mrs howey, mrs smith, mrs mccall, mrs cuthill, mrs whitford, mrs aanensen, mrs hart, mrs thompson, mrs law, mrs sinclair, mrs walsh, a & a parson, galatos chocolates, flower hotel, j w henley, mrs edward, mrs couslan, mrs white, mrs dunn, mrs brown, elizabeth branton crichton nee portbury, bert gardiner -
Bendigo Historical Society Inc.
Clothing - HOSKING AND HUNKIN COLLECTION: BABY'S DRESS
Clothing. Cream coloured sleeveless silk baby's dress.Straight line dress gathered skirt sections on sides. Separate fabric pieces form shoulders.V shaped neckline back and front. Centre of front neckline has six pin tucks over sown with blue and pink embroidered cross stitch. Back opening to waist fastened by two press studs. Border of blue and pink flowers around lower edge of dress.costume, children's, baby's dress -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: HAND KNITTED BABY'S DRESS, 1950's
Hand knitted, lacey patterned baby's dress, with short, raglan sleeves, and round neck.Skirt has a lacey, fan shaped pattern of six rows (repeated), and gives a scalloped effect at the hemline. Yoke is knitted in stocking stitch, and has a 1 cm nylon ribbon passing through eyelets just above the change to the pattern. Four 1 cm diameter plastic pearl buttons fasten the back yoke.Matches jacket 11400.659.costume, children's, hand knitted baby's dress