"ARARAT WAR MEMORIAL.- Remarkable simplicity and beauty are combined in the Ararat war memorial, which will be unveiled by Senator H.E. Elliott to-morrow. The monument is a simple rectangular stone mass, 12ft in length, 6ft in width, and 18ft m height, standing on a bluestone platform of three steps in the centre of a formal garden Surrounding the memorial is a bronze frieze, conceived from the classic frieze of the Parthenon in Athens depicting incidents in Australian engagements overseas. The frieze took the sculptor (Mr Wallace Anderson) two years to complete. The memorial was designed and supervised by Mr A.S. Hall. Photographs of the memorial are included in the collection at the architectural exhibition it the Town Hall." (The Argus, Friday 8 August 1930) A number of colour photographs showing details from the Ararat War Memorial.ararat, ararat war memorial, ararat cenotaph, wallace anderson, a.s. hall, world war, nurse

Event at the St Kilda Town Hall in recognition of the St Kilda Cricket Club First Eleven winning the VCA Premiership in four successive seasons - 1923-24, 1924-25, 1925-26, 1926-27. Details of the matches are set out on the back of the program. A smoke social was a predominantly Australian form of male only social event in the late nineteenth and early twentieth century, until about the 1940s, where men would gather to smoke. Smoke socials were often coupled with a formal dinner, an annual general meeting or a musical revue and were run by football clubs, charitable organizations, civic organizations, trade unions, and governments.Folded cream coloured paper, printed in bluest kilda cricket club, maynard dakin, j alexander browne, norman bradshaw, fred champion, dave bell, w burrell

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. This uniform has an unusual combination of accoutrements, possibly worn on special occasion such as a lance guard or attendant at formal dinner.Service dress jacket with silver buttons, 8/13 Victorian Mounted Rifles collar badges and silver corporal chevrons. Is dress with black webbing belt and black bandolier. Mounted on half-mannequin.uniform, vmr, victorian mounted rifles, corporal

This chain was part of the official regalia worn by the Mayor of the City of Sandringham before the amalgamation into Bayside City Council in 1994. The chain was seen as an outward sign of power, authority, and responsibility and was a formal, full-dress type of regalia that was worn by the mayor over their robes at ceremonial functions. The large central drop medallion features the design of the council sea, and the links of the chains are made of cutwork initials of each Mayor. The Sandringham seal was designed by Sans and McDougal had been selected in 1917, by a special committee and its main features are the Sandringham pier and breakwater, with a yacht in full sail as an inset, supported by two dolphins. The motto reads 'Omni Opere' which translates to ‘With all earnestness.’9 carat yellow gold mayoral chain for the City of Sandringham. Consists of two concentric circles of 57 small oval links, with an Australian Coat of Arms as a centrepiece and a large 'drop' medallion of the City of Sandringham seal below. Each oval link is made up of the cutwork initials of a mayor, the surrounding oval border has an inscription above the initials which gives the mayor's name; an inscription below gives dates of office; the earliest is Cr. B.J. Ferdinando 1917-18, and latest is Cr. S.T. Russell 1993-94. The ovals are surrounded by decorative scrolls and are joined by small curb chains. The outer circle contains 31 links, while the inner contains 26. On both shoulders sit decorative bars, joining the front of the chain to the back. The main medallion has an oval central panel that features the coloured Sandringham seal in enamel depicting two sailboats in the water, a pier protruding from the left, a coastline on the right with two pine trees. Above the scene are decorative triangles in light blue and yellow, above which is another section in dark blue containing a third sailboat. The seal is flanked by two engraved dolphins and above it sits an engraved St Edward's gold crown filled with red enamel. Below the seal, there is a ribbon containing the Latin motto 'OMNI OPERE' which is engraved and filled in dark blue enamel. The pendant is surrounded by cutwork lettering reading 'CITY OF SANDRINGHAM / 1919' and leaf decorations. The medallion is inscribed on the reverse with important dates in Sandringham's history. A fleur-de-lys joins the medallion to the Australian Coat of Arms centrepiece above. The Coat of Arms features a shield, depicting symbols of Australia's six states, in enamel, flanked by an engraved kangaroo on the left and emu on the right. Below it sits a ribbon engraved 'ADVANCE AUSTRALIA'.mayoral chain, ceremonial wear, seal, medallion, mayor, coat of arms, crest, bayside, blashki & sons, city of sandringham, sandringham, omni opere, blashki, mayoral regalia, motto, st edward's crown, sans and mcdougall

This uniform was worn by Lieutenant Colonel J Allard who commanded 8/13 Victorian Mounted Rifles 1959-1962. Col Allard had served in the pre-WW2 militia, then in 2/4th Armoured Regiment (AIF). Following the war he joined the CMF and served as 2i/c 4/19 PWLH prior to taking command of 8/13 VMR. He maintained close contact with the Regimental Association and following his death in October 2018 at age 98 his family donated this uniform to the museum. The uniform was known as 'mess undress' but served as formal winter dress until 'mess dress' was made available in 1970s. Mannequin dressed in Blues uniform with beret and 8/13 Victorian Mounted Rifles badge with emu plume tuft behind badge. Uniform has 8/13 VMR regimental buttons, lieutenant colonel badges of rank and WWII service ribbon bar. military, uniform, allard, vmr, blues

Lara RUSSELL Lara Russell was a student of Graphic Design and Multimedia at the University of Ballarat Arts Academy when she undertook this work. The work won the 2013 Lucato Peace Prize. Established at Federation University Australia in 2004, the Lucato Peace Prize is offered annually with the generous support of Mr George Lucato. The Prize is an annual acquisitive award, open to all enrolled Federation University Australia students and senior secondary students enrolled at a City of Ballarat secondary school or college. The winner of the Lucato Peace Prize is decided annually by a formal judging panel and is awarded to the student whose work best illustrates or expresses 'peaceful alternatives are always preferable to armed confrontations'. This artwork comprises 12 postcards each with an individual word in a gold box. Artist's Statement: The collection of postcards creates a sentence that reflects on war being an opposition to life itself. The instant we agree to destruction and conflict, we ourselves have lost the freedom and peace to live a healthy and prosperous life by giving all out hear to the cause of war. Winner of the Lucato Peace Prize Acquisition 2014 art, art collection, russell, lara russell, lucato, lucato peace prize, federation university, arts academy, alumni

Newspaper reporting on the new East Burwood line. Page 1 - Photo of 857 on a first unofficial trip - with some local ALP involvement. Page 3 - Then and Now - looking back to 1916 with an opening photo to Warragul Road Page 6 - Full page advert of the new timetable for East Burwood commencing Thursday 20/7/1978 Page 9 - "On its way" - with a photo of the a Z class running past the former terminus Page 10 - "Transport tale told in trams" - featuring four types of trams - Hawthorn horse, cable tram, C 26 and Z1. See item 8268 for the formal opening photo and newspaper report.Yields information about the East Burwood tramway extension.Set of five sheets from the Box Hill Gazette - 18/7/1978.tramways, new tramways, east burwood, tramway opening, tram 857, warragul road

Ticket contained within Reg. Item 2488, page 31, ESCo, Ballarat Tramways, Morning and Evening Weekly Ticket, price 1/6, printed for Week 2, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, off white and teal, numbered 7743 available only between the City and Macarthur St. Notes the conditions of use, the time available for which the ticket may be used and where. Ticket has been punched or nipped a number of times. Printed by J.J. Miller, Melbourne. Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.Some inscriptions about the ticket in pencil.trams, tramways, tickets, weekly tickets, esco

Magazine cutting contained within Reg. Item 2488, page 31, titled "History of the Ballarat Tramways" from the Feb. 1939 issue of the "SEC Magazine". Report on a recent paper by H.P. James to the Historical Society about the experimental battery tram in Ballarat in October 1888. Notes that Duncan and Fraser input into the Julien Battery experiment, Mr. Bullimore the electrician and trails and problems with the track. Also has notes regarding tramways in Ballarat East Township. Accompanying the item are handwritten notes about the tramcar used and its fate. Attached in the top left hand corner of the item, sewn in, is a green ESCo 2d token. (See Reg item 1794 and 1943 for details and other samples) Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504Numerous on page 31 in ink and penciltrams, tramways, battery tram, duncan & fraser, trials, ballarat east, esco

Black and white photograph contained within Reg. Item 2526, page 3 of the pattern Ballaarat Tramway Co. Ltd outside the Duncan & Fraser's Carriage Works in Adelaide. Has a Australian 2d stamp (1936 South Australian Centenary) over the top right hand corner. Has been cut from a larger photograph. Handwritten notes in pencil noting the time of the photograph, the tram weight, couplings, lamp brackets, the possible purpose of the photograph, the incompleteness of the tram when compared to actual running condition. Dated 7/1/1940. Also notes on the 3 legged stool used by the horse tram drivers and the double decked buses operating then in Melbourne ( Bourke St.). Has sketch of the stool in ink. Note Item Not formally Numbered.tramways, trams, horse trams, duncan & fraser, adelaide, double deck buses

Certificate contained within Reg. Item 2526, page 8 titled "Public Inoculation Depot / Pneumonic Influenza". Printed form on paper with perforated left hand edge, to record the H.P. James of ESCo had received the two injections for the Spanish Influenza outbreak of 1919. Formed signed by Geo. F. Morton as Acting Town Clerk. Has been stamped that the second injection had been received. The required date for the 2nd injection was 4/2/1919. H.P. James refers to the outbreak in the item on the retirement of Bob Haines (Reg. Item 2529), and notes he was the "Dispenser-Inspector" of two quinine powders to each man and that they had to wear gauze masks. S Note Item Not formally Numbered. A photocopy of the manuscript is held with the work sheet.Has stamped number '136' on form.tramways, trams, esco, tram crews, personnel, influenza

Compact Diskette with CD Audio file within a black plastic case with a clear cover. titled "Hawthorn tram depot opening 19-1-2003 Photos by Bob Wilson"", containing 16 images of the opening of the Museum. 1. - No. 8 in Wallen Road with depot in background 2 - John Sutton and Minister Peter Batchelor 3 - the formal opening plaque 4 - Trams 469 and others inside the depot 5 - Tram 613 and others 6 - ditto 7 - 217, 613 and 104 8 - 510 and 469 9 - 8 in Wallen Road 10 - 214 with depot in background 11 - 8 in Wallen Road 12 - ditto 13 - 214 in Wallen Road 14 - 431 in Wallen Road 15 - ditto 16 - 380 and 676 in the depot and the Moomba Pedal tram.trams, tramways, fohtd, victrack, moomba, tramcars, posters, museum, cable trams, nmetl, hawthorn depot, opening, parades, tram 8, tram 214, tram 431, tram 380, tram 676, tram 510, tram 469, tram 217, tram 613, tram 104

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh

The dusky antechinus was first described in 1840 by English naturalist George Robert Waterhouse, making it the second species of antechinus to be formally recorded. It was named in honor of zoologist and artist William Swainson, with the holotype likely originating from the Tasman Peninsula in Tasmania, collected by Swainson’s associate, Thomas Lempriere. The dusky antechinus is distributed across southeastern Queensland to southwestern Victoria, as well as in Tasmania. It is most frequently found in mountainous areas, including Kosciuszko National Park and the Brindabella Ranges, where it inhabits alpine heath and tall open forests with dense understorey vegetation. While the species is not considered threatened, some local populations have declined due to habitat loss caused by controlled burning and the replacement of native forests with pine plantations. Additionally, predation by cats and red foxes is believed to negatively impact its numbers. This specimen was originally identified as a bandicoot and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small sized dusky antechinus with a pointy snout, small rounded eyes made of glass, a thin tail, small rounded ears, and sharp clawed legs. The fur in colouring is golden brown with streaks of dark brown, and is of medium length and fine.On wooden mount: BMM5896/ On Catalogue Tag (attached to left foreleg): Bandicoot Mou(...)/ Catalogue, Page. 45/ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, bandicoot, marsupial, peramelemorphia, dusky antechinus, antechinus swainsonii, swainson's antechinus, dusky marsupial mouse

This coffee pot was made for flat heating surfaces and not the open fire. The enamel coating was used as a thermal barrier to keep the contents hot. This could have been used as an all day coffee source for busy farm workers or breakfast and lunch times. When this pot was used at dinner time, it was a time period when dinner was more formal, with the whole family sitting at the dinner table. The white enamel would have been sufficient for the majority of households. When this pot was in use the dinner period was when the whole family was together and communication within the family was considered very important as a cohesive force. This was a time before television intruded into the atmosphere of relaying the day's activities to the whole family.In small rural communities within the Kiewa Valley a good cup of tea or coffee was a time for relaxation from the hard work of the day. This relaxation period was beneficial for not only the mind but also the body. This was particularly for the house bound mother with domestic chores that had, at this time in history not many "time saving" pieces of domestic equipment. A good pot of tea or coffee at "smoko" was a god sent. Although regarded by well groomed city folk that a coffee pot was for coffee only the less social etiquette standards of country folk permitted its use for tea. Versatility even within the household was of great benefit to the folk in the Kiewa Valley. This was even so for the immigrants that joined in and were warmly welcomed within this rural sector of Australia.This coffee pot is in the French style with a goose neck. It is fully coated in white enamel and has a concave bottom. It has a hinged lid and the main body has been rolled fastened to the bottom plate. The sandwiched steel body is approximately 1mm thick. The two piece neck has been welded together similarly the hinged lid and handle. Rivets are installed to the both bases of the handle. country kitchens, well heated coffee, coffee break in rural regions

On 28 March 1981 the Ballarat College of Advanced Education 1870 Founders hall was opened. The hall was erected from the proceeds of the Centenary Appeal for a sum of approximately $800,000. The hall commemorates the initiative of the founders of the original Ballarat School of Mines and its "descendants", including Ballarat College of Advanced Education, as well as formal technical education in Australia. The hall was build to accommodate 670 persons in a theatre type seating and was intended for multiple purpose use by community groups as well as by the College. Construction of the hall commenced in 1978. It was opened approximately 110 years after the Ballarat School of Mines (26 October 1870) and 10 years after the opening of the Mt Helen Campus (31 October 1870)..1) White card with blue and brown ink relating to the opening of the 1870 Founders Hall by His Excellency the Right Honourable Sir Zelman Cowen, Governor-General of Australia. .2) Souvenir Programme and Entree to inaugural concert in the 1870 Founders Hall. .3) Invitation card to the opening of Founders Hall made out to Mr and Mrs Z.A. Plavinaballarat college of advanced education, founders theatre, founders hall, theatre, zelman cowen, m.b. john, e.j. barker, w.j.c. north, ian gordon, zig plavina, invitation, 1870 founders hall

The Mission Rescue and Children's Home Canadian opened on Friday November 22, 1907. The formal opening at 3pm was conducted by the Mayor of Ballarat City Councillor F. Brawn with Hon David Ham to preside. The Hon Alfred Deakin gave an address. The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch /​ by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugeImages of a building known as the Canadian Mission Rescue and Children's Home sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women, canadian rescue home, mission rescue

The Mission Rescue and Children's Home Canadian opened on Friday November 22, 1907. The formal opening at 3pm was conducted by the Mayor of Ballarat City Councillor F. Brawn with Hon David Ham to preside. The Hon Alfred Deakin gave an address. The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch /​ by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugeBlack & white photograph of an advertisement for the opening of the Canadian Mission Rescue and Children's Home.canadian home'martin hosking, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women, alexandra babies home, babt, orphanage

The Mission Rescue and Children's Home Canadian opened on Friday November 22, 1907. The formal opening at 3pm was conducted by the Mayor of Ballarat City Councillor F. Brawn with Hon David Ham to preside. The Hon Alfred Deakin gave an address. The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch /​ by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugeBlack and white photograph of Martin Hoskingmartin hosking, missionary, ballarat east

.1 - Newspaper clipping from The Sun or The Courier (all ?) 10/12/1974 and 3/2/1975, reporting on the planned and then the reopening of the BTPS. Not sure which newspaper and actual date. Has one photograph of No. 26 outside the depot. .2 - Newspaper from The Courier, titled "Just like the old days", Monday Feb. 3, 1975, following the formal re-opening for the BTPS. Has four trams in the photo with Bill Stephen MLA and Dudley Erwin MP standing alongside. Tram 27 is leading. .3 - Second copy of "Tourist Trams preserve colourful local history", adherred to a single sheet of faintly lined foolscap paper, dated 3/2/1975 Has a strong association with a Melbourne tram driver who assembled the scrap book and series of photos of Ballarat trams at the time of closure and the re-opening of the tram museum by the Ballarat Tramway Preservation SocietySet of newspaper cuttings contained with Reg item 5988, a Stamford Kiwi School Scrap Book - card covers, 23 sheets, spiral bound, titled "Ballarat", prepared by Ellen Butland of Auckland following the closure of the SEC Ballarat Tramway system.trams, tramways, ballarat, btps, opening, tram 26, tram 27, btps depot

Vice Chancellor was influential in promoting University of Ballarat in becoming a central player in the Ballarat and Western Victoria region. In 1998 he oversaw the amalgamation of the University with two Tafe institutions, which created the only multi-sectorial regional university in Australia. Professor James was a formal Ballarat City Councillor, the Chairman of the Ballarat Foundation from 2001 to 2008. He was also the recipient of the Centenary Medal in 2003 – an award created by the Centenary of Federation, which recognises the achievements of a cross-section of the Australian community, by honouring people who have contributed to society of government in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed academic portrait of inaugural Univesity of Ballarat Vice-Chancellor David James.Lower RHS M. Henwood 01art, artwork, michael henwood, henwood, david james, vice chancellor, academic portrait, portrait, academic regalia

"The Uniting Church and former church hall are historically significant at a Local level (AHC A4). It was built after Melton’s ‘United’ church and school, erected by Protestant denominations in 1857 in an effort to share resources in the pioneering era, was replaced by individual churches in the 1860s. The church became the home of and is expressive of the union of the Methodist and Presbyterian churches, begun in Melton from the early 1970s, and formally concluded by the formation of the Uniting Church of Australia in 1977. The new additions and functions of the church are expressive of the increase in Melton’s population especially in the 1970s, and the changing nature of the parish’s ministry. The church is one of only three remaining nineteenth century churches, and one of only two remaining bluestone churches, in the Shire of Melton".Dinner celebrating 150 years of the churchchurches

This banner was constructed by a group of Deacons and Deaconesses at a National Diaconate Conference held in Melbourne in February 1993. The banner was originally held at Catherine Ritchie House. It is significant because it was put together by a group of Deacons who were ordained in December 1992 and Deaconesses who gathered for the biennial National Diaconate Conference which was held in Melbourne in February 1993 prior to the formal establishment of DUCA (Diaconia UCA, the national body of Deacons and Deaconesses in the Uniting Church in Australia). This conference happed at a time leading up to a special service in Wesley Uniting Church in Melbourne when 12 Deaconesses were ordained as Deacons in Feb 1993. The banner was first used in this special service of Ordination in February 1993. Calico wall banner with 54 individual square panels. The banner has four loops at the top and bottom for hanging. catherine ritchie house mount martha, national diaconate conference melbourne 1993, rev dr alison f mcrae (deacon)

This is a portrait of former ANZCA President, Associate Professor Richard Walsh. In 1996, he was elected Vice President and, in 1998 was elected President, serving a full two year term. This painting was formally presented to the College in 2006. Further information about Associate Professor Richard Walsh can be obtained on the Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/richard-george-walsh/ The artist, Jiawei Shen is a Chinese Australian artist considered to be one of Australia's leading portrait artists. He is most famous for his 2006 winning entry of the prestigious Sir John Sulman Prize in which he painted a portrait of Pope Francis which was presented to His Holiness in 2014. Oil painting on canvas of Associate Professor Richard Walsh sitting to the side facing left on a blue chair, wearing the College gown and President's medal against a plain background. Mounted in a mottled brown coloured frame.Lower left hand corner [artist signature \ '05]painting, walsh, richard, anzca president, shen, jiawei

Parke-Davis was founded in Detroit, Michigan by Dr. Samuel P. Duffield, a physician and pharmacist. A partnership of Dr. Duffield and Hervey Coke Parke was formed in 1866, with George S. Davis becoming a third partner in 1867. Duffield withdrew in 1869, and the name Parke, Davis & Company was formally adopted in 1871, being incorporated in 1875. It was once the world's largest pharmaceutical company, and is credited with building the first modern pharmaceutical laboratory and developing the first systematic methods of performing clinical trials of new medications. Parke-Davis was acquired by Warner-Lambert in 1970, which in turn was bought by Pfizer in 2000 This is an oral rapid- and short-acting anti-diabetic drug from the sulfonylurea class used in treatment of Type 2 Diabetes.A brown glass bottle with a metal screw top and 1ml glass dropper, in original box , for GlucothricilFront Label & Box : GLUCOTHRICIL / POISON / ISOTONIC SOLUTION OF EPHEDRINE / AND TYROTHECIN / CONTAINS ............ / PARKE-DAVIS & CO. . LTD. / SYDNEYpharmacy, medicines, glucothricil, athritis, glassware, bottles, moorabbin, bentleigh, cheltenham, parke-davis pty ltd., michigan, united states america

On 28 March 1981 the Ballarat College of Advanced Education 1870 Founders hall was opened. The hall was erected from the proceeds of the Centenary Appeal, held in 1975. It cost approximately $800,000. The hall commemorates the initiative of the founders of the original Ballarat School of Mines and its "descendants", including Ballarat College of Advanced Education, as well as formal technical education in Australia. The hall plans were to erect a building to accommodate 670 persons in a theatre type seating arrangement and to be used for multi-purpose use by community groups as well as by the College. Construction of the hall commenced in 1978. It was opened approximately 110 years after the Ballarat School of Mines (26 October 1870) and 10 years after the opening of the Mt Helen Campus (31 October 1870)..1) Morgan B. John on left with Bill North right. .2) L to R:- Betty Barrell; W.J.North; John Vernon; A.C.Burrow; Mrs North; Dulcie Burrow; Mrs Webb; K.C.Webb; Geoffrey Barrell .3) L to R:- unidentified; E.J. Tippett; Bert Stohr .4) L to R:- Mrs Handford-Stevens; Mrs Nicholson; J Handford-Stevens; Sir A Nicholson, Mayor of Ballarat .5) L to R:- Bill North; unidentified; S Martin-Brown; unidentifiedPhotographer's stamp on back of each photograph. .1) In pencil: "at Centenary Appeal conclusion reception 1975"; "M.B.John, President of (BIAE crossed out) SMB Council; W.J.C.(Bill) North, appeal committee chairman"; 10 - 3. .2) 10 - 4 .3) 10 - 2 .4) 10 - 1 .5) 10 - 5 a.w. nicholson, e.j. tippett, m.b. john, morgan b. john, ballarat junior technical school, ballarat school of mines, ballarat college of advanced education, 1870 founders hall, centenary appeal, 1978, 1981

The first race meetings took place in Wodonga as early as 1859, when there was an annual three-day race meeting known as the Belvoir annual races. More regular racing in Wodonga dates back to 1870. The first formal race club, the Wodonga Racing Club, was founded in 1873. In 1901 it was renamed as the Wodonga Federal Racing Club. In May 1901, the Wodonga Amateur Turf Club was formed. Also in 1901, on 3rd July, another body, the Wodonga Citizens’ Race Club was formed with a view to satisfying a demand for winter racing. At a meeting at the Wodonga Council Chambers in October 1901, it was decided, seemingly by an unanimous vote, that the three Wodonga race clubs then in existence would amalgamate to form the Wodonga Turf Club. A small oval badge showing member details. The front has been enamelled, primarily in green and golf. It bears the Wodonga Turf Club logo and the date in gold paint. It has been attached to a cord through the metal eyelet at the top.On front: Wodonga Turf Club/ 86 87 On back: Member 23 / NOT TRANSFERABLE / PERFECTION SYDNEY 770775wodonga turf club, sport and leisure wodonga, wodonga turf club membership