Parting gift from Corporal D L Knight to Technical Support Troop (TST) 8/13 Victorian Mounted Rifles. TST provided first line repair and recovery to armoured unit.Representative of gifts given by departing members of the regimentWooden board with decorative spanner mounted.Presented to / TST 8/13 VMR / by Cpl D L Knighttechnical support troop (tst), knight d l

Presentation by members of Barkers Creek Wesleyan Church to class leader William Peeler on leaving Barkers Creek for Horsham in 1876. An inscribed certificate signed by the class members testifies to the date and circumstances of the gift.A dated collection of domestic crockery with local associations.China, white porcelain with green floral decoration teaset consisting of 2x plate 23cm,3x plate 18cm,3x saucer 14cm,3x cup 7cm high no markings

(.01)Reproduction of c1927 Swallow & Ariell poster from the Classic Australian Poster Series (.02) as above but mounted. (location C19.07) (.03) small glass framed postcard of .01 The poster shows salesman, little girl pointing and a cat; also the words "Biscuits and cakes"business and traders, industry - food, swallow & ariell ltd

A bedroom set was being made by Copeland & Garrett as a wedding gift for Queen Victoria in 1840. The jug was damaged and so a new set was made. The mold and the rest of the set were destroyed so there could be no duplicates.Very large bedroom basin decorated with Royal Stuart tartan. Has a white base.Underneath - Royal Stuart - Copeland & Garrettbasin copeland-garrett

Martin Crane was the first Bishop of Sandhurst. 1874 - 1901. The knife was probably a gift and is engraved on the front with his name. Martin Crane was a progressive leader in Sandhurst and built many new schools and churches in the Diocese. The knife is significant because it belonged to the first Bishop of Sandhurst, Martin Crane. Irish born Crane was an Augustinian priest before being ordained in 1874. Crane was Bishop of Sandhurst for 27 years. Elaborately engraved sterling silver knife. Floral, leafy design. Probably a cheese or butter knife. The handle sits 90 degrees to the knife blade. This a part of a cutlery set. Bishop. M. Crane. Engraved on the front of knife. Silversmith's name/symbol engraved on the back of knife blade. Sterling. P??? engraved on the back of knife blade. knife, silverplate, cutlery, catholic clergy

Letter, on "The Myer Woollen Mills Pty Ltd" letterhead, printed black, dated 19th June, 1941 from H Lewis, Designer, to W R Lang offering to gift shade cards of yarn.wool - research textile design textile research, gordon institute of technology the myer woollen mills pty ltd, dyeing, weaving looms, hand spinning, lang, dr w. roy lewis, h - the myer woollen mills pty ltd, wool - research, textile design, textile research

Presentation to the Sergeants' Mess of 8/13 VMR by Cadre Staff member Sergeant RC Tetley when leaving the regiment at the completion of his posting. The presentation of a gift of this type was a common practice in regimental circles.A bespoke object with relevance to the character of an RAAC regiment using as it does a shell case from a fighting vehicle used by 8/13 VMR and indicative of business procedure in Mess meetings.Chairman's gong made of a chrome plated 76mm shell case suspended from a chrome plated metal frame mounted on a stained wooden base. Silver 8th/13th Victorian Mounted Rifles Regiment hat badge is mounted on front side of base. Stained wood and chrome plated metal gavel sits on two rests on rear side of base. Small engraved plaque attached to base at rear.On presentation plaque: "Presented to 8/13 VMR Sgts Mess by 2782108 Sgt RC Tetley Dec 1984"; and markings on base of shell case: "76mm ARMD C PW 175 ME 1970"sergeants' mess, 8/13 vmr, tetley

Keith Storey Trophy (1/2 model) Donor: D. Richardson Deed of Gift: No The trophy is awarded to the winner of the Dragon Class season aggregate. First Winner: Lyla, A. G. Woodland 1972/73 dragon, season aggregate, storey, richardson

A brochure explaining the benefits of gifting a donation to Legacy in a will. The benefactors club was later renamed the Torch Society. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. An example of promotional material issued to encourage donations to Legacy via gifts in will.Four page brochure with blue print introducing the benefactors club.torch society, bequests

The St Peter chapel was furnished thanks to donations of supporters of the Mission. Some were donated for the previous temporary chapel at the Sidney Street site and some are lost. - Holy Table (altar): donated by Mrs Shuter, in Memoriam of Charles Shuter - Cross: - Vases (lost) - Stained Glass Windows: donated by Misses Edith and Ruby Forge, in Memoriam J. Leslie Forge - Altar Lectern - Alms Dish: donated by the Godfrey sisters in Memoriam of their parents - Credence Table: donated by - Sanctuary Chairs: donated by Miss Gladys Hawkey - Sanctuary Rail - Choir Stalls and Chancel Screen - Lectern (donated in 1909) - Pulpit (donated in 1907) - Prayer Desk (a plaque to Goldsmith) - Bible and Prayer Books - Font - Cover for Font - Pews - Offertory Collection Plates (lost) - Music Cupboard in Vestry (lost) The document lists all the gifts donated by generous supporters of the Mission in 1917. The chapel was built during World War 1 as. memorial to the merchant seamen lost during the war. These items are still in the chapel today.A4 document on cream colour paper, wording in black ink.gifts, chapel of st peter, flinders street, mission to seafarers, mission to seamen, gladys amy hawkey (1886-1974), reverend alfred gurney goldsmith, gifts-1917, amelia shuter nee lord, beatrice elizabeth higgins (nee shuter), charles shuter

This photograph shows a group of men standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. This group includes the Advertiser''s manager, Richard Warren, who is bearded man standing in the doorway and who's name is written on the reverse of the photograph. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period. Sepia rectangular photograph, faded, printed on photographic material and mounted on board. Obverse: The Ovens and Murray Advertiser Reverse: Or M A/ Printing Office/ Ford Street About 1860/ Beechworth/ R Warren [logo: R & M Harvey/Authorised Newsagents/ and Gift Shop/ Beechworth Phone 114]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, 1860s, 1860s beechworth, r warren, r & m harvey

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for craft items such as toys, tea cosies, socks, rugs, and cushions.PATONS / BOOK / C.14 / GIFTS TO KNIT / Tea Cosies . Toys . Afghans / T.V. Socks Cushion / PATONS / BOOK / C.14 / Patons / CRAFT BOOK / No. C.14 / P&B / WOOLS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

lifeboat QUEENSCLIFFE launchingFaces & names of lifeboat crew 193407 April 1934 news article re lifeboat QUEENSCLIFFE being launched.Reverse " L to R / L Wayth, L Stephens, H Todd, N Zanoni, J Nairn, S Todd, P Fitzsimmons / Mary Long / Gift from Frank Ferrier 10-02-1987 "lifeboat 'queenscliffe'

While a number of subdivisions of what was to become Kew East occurred in the 1880s, such as the 'Mount Pleasant Estate' (1888) and 'Monterey Estate' (1888), Glynn's Lot 91 remained open farmland until the Harp Estate (1912) was sold, hence the undeveloped nature of the view in 1907-8.A rare image of the open farmland in the eastern part of Kew looking towards Burke Road in 1907-8.Damaged, and very rare, black & white photograph of what was to become the suburb of East Kew, taken by a member of the Bennett family in 1907-8. The photograph is taken from the Harp of Erin Hotel showing, apart from a building on the left (no longer extant), fenced open farmland stretching into the far distance.HIGH ST LOOKING NOTRTH TO BURKE RD FROM HARP / EDWD GLYNN'S LOT 91 FROM 1851 / GIFT FROM BENNETT FAMILY 22 HARP RD EAST KEW 1980 / 1907-8harp of erin, high street -- east kew (vic), harp estate

Item relates to Gilbert Turner MM, No 1410 45th Batt AIF. This pencil was possibly part of the gifts that were in the Xmas tin 1914, item No 1175. Also refer Cat No 1038 for his service detailsSmall pencil with metal cover/cap.domestic items-writing equipment, pencil, turner

This Victorian era china cup with gilded gold writing and decoration, along with the words " A Present", may have been given as a gift or, because of its small size, been a replica coffee cup for a child to play with.743.1 - Small white china cup, cylinder-shaped, gilded and glazed, with forefinger and thumb grip handle. Gilt decoration and lettering.Gilt Lettering in gold colour- "A Present" on front of coffee cup.cup, miniature, coffee, present, china, white, children, gift, gilding, handle, christening, victorian, font, printing, collectables, gold lettering

Presented to the 8th/13th Victorian Mounted Rifles Regiment RAAC by its affiliated regiment the 8th Royal Irish Hussars as part of a gift of regimental property when a reorganisation of British cavalry regiments was being undertaken.Silver rose bowl mounted on black shellacked wooden base. Bowl is oval in plan view and boat-shaped in elevation with human figurines as handles. Designation of the bowl as the Subalterns Challenge Cup inscribed on side of bowl while winners are inscribed on wooden base.On side of bowl: "Subalterns Challenge Cup Presented to Lieut.Col. Davidson and the Officers 8th Hussara by major C G Poley on leaving the Regiment May 1893" and on base: "Won at Wetherby 1896 Lt O'Brien br:g "Baccarat" Owner Won at Wetherby 1897 Lt F J C Howard's b.m Moonshine aged Owner 12st 3lb Won at Fethard 1898 Lt E A O'Brien br.g Baccarat Owner 12st 3lb Won at Mullaboden 1899 Lt E M Jennings b.g May Boy Owner 12st 3lb Won at Aldershot 1904 Lt H F Partridge's b.g Loch Lomond aged Owner 12st.3lb"8th hussars, rose bowl, regimental silver, horse racing, subalterns challenge cup

Mary Pauline Daly was a gracious benefactor of the Braille and Talking Book Library. Born in Chewton to Ellen Horan and Denis Daly, she passed away in Parkville and this photograph of her is in recognition for her generous gift to the library.Miss Mary Daly 1894-1987 who bequeathed her entire estate to Braille & Talking Book Librarybraille and talking book library, mary daly

Robert M. Serjeant was the only son of Theo and Alice Serjeant, and grandson of famed mine manager Robert Malachy Serjeant (1829-1902). Robert Serjeant was a past student of the Ballarat School of Mines (SMB), and at the time of his World War One enlistment he had just finished an electrical course, and was working as a junior member of the SMB Department of Electricity. Robert Serjeant enlisted in December 1914. Corporal Serjeant (2138) of the 8th Battalion, died of wounds received in action at Gallipoli on 28 April 1915, aged 20. He was buried at sea and his name is listed at the Lone Pine Memorial. A brown paper parcel of Robert Serjeant's belongings was returned to his parents. It contained his discs, wrist-watch (damaged), notebook, hymn book and letters. [1] The Ballarat Courier reported: 'He was of quiet disposition, and a great student, devoting himself closely to his work.' Further information on R.M. Serjeant can be found at https://bih.federation.edu.au/index.php/Robert_M._Serjeant_Jnr The following statement on the ANZAC Commemorative Medallion and Badge was made by by Prime Minister Holt in 16 March 1967 when the Minister for Defence announced that it had been decided by the Australian Government, in consultation with the New Zealand Government, to issue a medallion and lapel badge to the veterans of the Gallipoli Campaign. "Last March, the Minister for Defence announced that it had been decided by the Australian Government, in consultation with the New Zealand Government, to issue a medallion and lapel badge to the veterans of the Gallipoli Campaign. I am glad to be able to announce that arrangements have now been completed for the production of the medallion and the badge. The Minister for the Army will be arranging distribution to those wishing to receive them as soon as possible. The Government hopes that production of the medallion and lapel badge will be sufficiently advanced to permit at least some of them to be distributed by ANZAC Day. The medallion (with the name of the recipient inscribed) will be issued to the surviving members of the Australian Defence Force who served on the Gallipoli Peninsula, or in direct support of the operations from close off-shore, at any time during the period from the first ANZAC Day in April, 1915 to the date of final evacuation in January, 1916. Next of kin or other entitled persons will be entitled to receive the medallion on behalf of their relatives, if the relative died on active service or has since died. For surviving members, a lapel badge will also be available for wearing. This will be a replica of the obverse (or front) of the medallion and will be about 1 inch high and 2/3 inch wide - the same size as the RSL badge. The medallion is the work of Mr. Raymond Ewers, the well-known Australian artist, based on a suggestion by Mr. Eric Garrett, a staff artist with the Department of the Army. It has been endorsed by both the Government of New Zealand and ourselves. It will be approximately 3 inches high and 2 inches wide. The obverse of the medallion depicts Simpson and his donkey carrying a wounded soldier to safety. It will be bordered on the lower half by a laurel wreath above the word ANZAC. The reverse (the back) shows a relief map of Australian and New Zealand superimposed by the Southern Cross. The lower half will be bordered by New Zealand fern leaves. The medallion will be cast in bronze and the lapel badge will be metal of a bronze colour. For the information of the honourable members I present also a brief statement setting out the conditions of eligibility which will apply to the medallion and badge and the manner in which those desiring to receive them should apply."(https://www.awm.gov.au/encyclopedia/anzac/medallion/doc.asp, accessed 26/02/2014) Conditions of eligibility. All members of the Australian Defence Force who served during the Gallipoli Campaign are entitled to receive the ANZAC Commemorative medallion. The campaign lasted from April 25, 1915 to January 8, 1916. The award will be made for service on the Gallipoli Peninsula and service in support of the operations in an area off-shore eastward of a line drawn from Yukyeri Point (lat 39 50' 40'' N long 26 9' 45'' E) through a point in lat 39 53' N long 26 0' E thence to Cape Gremea (lat 40 35' N long 26 6' E). The award will also be available to members of philanthropic organisations and the Press who were accredited to the AIF, and to Australian members of the crews of merchant ships or hospital ships which operated in direct support within the defined area. Note: The boundary line would run just off-shore from the land masses north and south of the Dardanelles, and is estimated to be within about 5 miles from the beach at ANZAC Cove. (https://www.awm.gov.au/encyclopedia/anzac/medallion/doc.asp, accessed 26/02/2014) This Item is significance because is was only issued to members of the Australian and New Zealand Defence Force who served at Gallipoli. This Medallion is significant because of its relationship to Robert M. Serjeant who died on 28 April 2015 at Gallipoli of wounds received in Action. Bronze commemorative medal in black presentation case showing Simpson and his donkey carrying a wounded soldier to safety. A crown is situated on top of the medal, and the word ANZAC beneath the medal. The opposite side depicts Australia, New Zealand and the Southern Cross Constellation. The lower half is bordered with New Zealand Fern leaves. The commemorative medal was presented to the family of Robert M. Serjeant. Gift of David Stevens, 2014.Engraved: "1238 R.M. Serjeant"serjeant, r.m. serjeant, robert m. sergeant, anzac, medal, numismatics

Poetry book with red cloth cover and part of the jacket pasted on the front cover. It has a picture of a rural scene of men driving cattle. The book contains a number of poems by a selection from Australian Poets. Poems chosen by Joan S. Mackaness, B.A. and George Mackaness, M.A., Litt. D. Written in the front of the book; 1959 Gift to Grade VIB from Mr. R.L. Harrowfield, Head Teacher.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - the wide brown land, joan s mackaness, george mackaness, mr r l harrowfield, golden square training school no 1189, angus and robertson, halstead press pty ltd

Black and white photograph of Mr. A.L.Bayley being presented with a Council gift by Mr. L.J.Watts (Director of Technical Education) to mark his 25 years voluntary service as a member of the School Council of Collingwood Technical School through to its 1987 entity Collingwood College of Technical and Further Education. Mr. Bill Moore (Assistant Director of Technical Education) looks on. (See Scott's history pp103-106)collingwood technical school, collingwood technical college, collingwood college of tafe, school council, nmit

2930 - Copy photograph of a printed item, from the SEC News, of the retirement function of Arthur "Peter" Hugo after 45 years with Ballarat Trams. Notes that he worked on the last horse trams. Function was presided by A. V. Mawby, Tramways Superintendent in Melbourne. Branch Manager H. W. Linaker presented the retirement gifts. Photo of the presentation included. 2930.1 - Photocopy of the page with the above article and photograph.tramways, trams, retirements, inspectors, sec

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga, High Street West Businesses including Gas company, ESANDA, State Bank of Victoria, Toyworld, Medicare, Black Orchid Gift and Hostess Store, and the Royal Bank. The State Bank of Victoria was taken over by the Commonwealth Bank in 1990. The Medicare service was removed from Wodonga in 2015 and amalgamated with the Albury Service Centre. The Royal Bank (National Mutual Royal Bank) later merged with ANZ. wodonga businesses, high st wodonga, state bank, medicare wodonga, royal bank

Christmas Card - with a number of wrapped gifts and decorations around a pot belly stove on the front cover, a Christmas and happy new year message on the inside and a colour photograph of BTM tram No. 18 at the Gardens Loop with Graham Jordan and Warren Doubleday "testing the suspension" on 12/12/1982. Card sent by Earl Ewers, alias the "Canberra Kid". Card printed on heavy paper and folded in the middle vertically.Under photograph in blue ink "Messrs Jordan and Doubleday testing the suspension on No. 18 at Gardens Loop 12/12/1982!" and in message "To all the BTPS Ltd. members and workers from ye olde "Canberra Kidd"!"tramways, trams, christmas cards, gardens loop, btps

Shield presented in 1939 and awarded to winning house at the annual CPLC Inter-House Athletics competition; Awarded 1939 - 1950. A note in Touchstone December 1939 p.9 reads, 'House rivalry was greatly stimulated on Sports' Day by the gift of the Bevan John Shield. The shield is made of rosewood with silver plates attached, on which is to be inscribed the name of the winning house. Also, each year, an enamel band of the colour of the victorious house is to be placed round the silver plate. We are very grateful to Mr John for his generous and much appreciated gift. A second shield was established in 1951 (see VC000355)Rosewood shield with ornate silver title plates and 15 silver inscribed plates;Inscribed on large central plate: CLARENDON / PRESBYTERIAN / LADIES COLLEGE / INTER-HOUSE / ATHLETICS Inscribed on scroll plate at top of shield: THE BEVAN A JOHN SHIELD bevan-a-john, clarendon-presbyterian-ladies-college, inter-house-competitions, athletics

In 2019 Gary Partington donated a shirt worn by his late brother Trevor Partington in many athletics races, including the Greensborough Gift in the 1960s. In this photograph Gary unveils the framed shirt which is displayed at the GHS rooms.Digital copy of colour photographstrevor partington, gary partington, greensborough gift