invoice dated 2/10/1948 for Messsrs D. W. & K. G. Clark, Llanelly, from Ellis Nuttall & Co. for the sale of 8 trucks of Hay for the sum of £199.17.00. Less previously paid sums, amount paid £89.05.06. Ellis Nuttall & Co., Auctioneer, Northern Land Salesmen, Stock, Produce, Finance and General Commission Agnets; Williamson Street (Shamrock Building) Bendigo.

A small book owned by Accountant & Auditor Harold Curnow dated 23/2/60 detailing "An Act to consolidate the Law relating to the Sale and Occupation of Crown Lands." on page 61 it also has a 2/10/61 newspaper article and a June 27, 1962 page from the Victoria Gazette both of them detailing the Laws. The first page is written as following "Harold Curnow 1958. VICTORIA ANNO SEPTIMO ELIZABETHÆ SECUNDÆ REGINÆ No. 6284. An Act to consolidate the Law relating to the Sale and Occupation of Crown Lands, [30th September, 1958.] Be it enacted by the Queen's Most Execellent Majesty by and with the advice and consent of the legislative Assembly of Victoria in this present Parliament assmled and by the authority of the same as follows (that is to say) 1. This act may be cited as the Land Act 1958. and shall come into operation on a day to be fixed by proclamation of the Governor in council published in the Goverment Gazette, and is divided into Parts Divisions and Subdivisions as Follows:-"victoria

Bendigo Advertiser "The way we were" from 1999. Bendigo: a view of the Albert Bush store in Williamson Street. The store was built in 1885 and had a wide range of wholesale and retail family groceries. It was quite a point of sale for the people of Bendigo. In January, 1865 land in Pall Mall sold for 90 pounds per square foot.newspaper, bendigo advertiser, the way we were

Documents enclosed in red ribbon relating to mortgages between Samuel Simms and Messrs. Luxton and Carter, portions 306 and 307 Parish of Lauriston, County of Dalhousie dated 10th. March, 1888. Conditions of Sale ( blue document ) between Thomas Luxton to Samuel Simms ( C. Yeo and Sons as agents for the vendor ). Agreement between Mrs. Annie Turner Chappel, of Pine Grove, with Messrs. A.H. Sims and C.W. Sims. ( F.N.H. Atkyns, Barrister & Solicitor, High Street, Echuca, 1906 ) and Transfer of Land document, between Thomas Luxton of Kangaroo Flat to Samuel Sims of Pine Grove, near Mitiamo.organisation, union, connelly, tatchell & dunlop, annie turner chappel, a.h. sims, c.w., sims. f.n.h. atkyns, thomas luxton, jabez carter, pine grove, mitiamo

Documents relating to mortgage between Mr. Joshua James Jewell of Mitiamo, farmer, and Mr. T. Luxton , The Exchange, Collins St., Melbourne for land at Parish of Terrick Terrick West, County of Gunbower, mortgage document dated 4th. July 1892. Contains 3 Conditions of Sale documents, newspaper clipping re clearing sale of 2600 acres of land on behalf of Mr. J.J. Jewell, farming implements, machinery, household effects at 'The Hill' Mitiamo.. Letters relating to transactions re above mortgage enclosed, including discharge of mortgage handwritten document between Sarah Berges and Joshua J. Jewell. Note name change from Connelly & Tatchell, to Connelly, Tatchell & Paling. Letter enclosed in file from Mr. Joshua Jewell, 'The Hill' Mitiamo, Oct 4th., 1893 to Mr. T, Luxton, requesting ' waiting another (?) for money I will be able to pay it before the month is up but at present I cannot meet it. I have just commenced to shear and of course money will be coming in now'cottage, miners, joshua james jewell, thomas luxton, terrick terrick west, gunbower, mortgage, connelly, tatchell & paling, s. berges, connelly, tatchell & dunlop, paling.

Documents - bundle of documents - agreement for mining lease transfer, agreement for electricity, 1939 'Sale by auction' booklet with items vale(sale price?) Bank Statement, correspondence re: public auction, Power of Attorney 1937 Mary Symmons _ J. & E. Syndicate, agreement lease No. 8294 Castlemaine, list: Addresses of Cheque Receivers' ,suspension of Labour Covenants 1939, transfer of land to L. C. Stuckey, letter from J. H. Curnow & Son re : Quartz Block Mine Auction 1939, folder contains assay reports etc and correspondence re: Auction.MCCOLL RANKIN AND STANISTREETorganization, business, gold mining - legal, mccoll rankin and stanistreet

Document: light brown cover, hard cover journal. Contains details of crown lands surveyed and sold in the District of Sandhurst. Index and 217 pages. LH page: parish, town lands, suburban lands, country lands, total lands surveyed, date of survey. RH page: date of sale, by auction, by selection, price per acre, total amount, names of purchasers. On spine: '2' in red, ' sales Bendigo 1861 - 1864'Lands Officeplace, bendigo, land sales, bendigo, sandhurst, land sales, land surveyed

McColl Rankin & Stanistreet, North Virginia Gold Mining Company NL. a/ Application for Mining Lease No. 10027, agreed to purchase from Executors in the Estate if the late W H Millet Allotments 164 & 165 Section (A) for the sum of 40 pounds, Executors agreed to sell North Virginia Gold Mining Company NL, Executors and beneficiary Herbert Jackson Leed consented to the sale. Dated 17/8/1933 Signed by: H J Leed & S Millett. b/ Letter dated 11/8/1933, an agreement to sell Allotments 164 &165 Section (A) Parish of Nerring County of Bendigo to the North Virginia Gold Mining Company for 40 pounds. Signed by S Millett. c/Typed receipt for 150 pounds as cash consideration for the purchase and transfer of leases No 10027 and 10150, Bendigo. Dated 21/8/1933. Signed J J Hall. Stamp Duty Stamp 3 pence. d/Particulars And Conditions Of Sale of Freehold Property, by private sale on 23/8/1933. Land allotments 168 & 159 of Section A Parish of Nerring County of Bendigo. Harry Eastwood Jones the vendor sold to North Virginia Gold Mining Company NL purchaser. Signed by Harry Eastwood Jones, Albert L Biescher, J Michelsen, Stanistreet. e/ Particulars And Conditions Of Sale of Freehold Property, by private sale on 23/8/1933. Land allotments 160 of Section A Parish of Nerring County of Bendigo. Charlotte Jones the vendor sold to North Virginia Gold Mining Company NL purchaser. Signed by Charlotte Jones, J Michelsen, Albert L Biescher, Stanistreet. f/ Written on blue paper. Received from McColl Rankin & Stanistreet for 200 paid up shares in North Virginia Cold Mining Co NL distinctive numbers 49801/5000. Signed Scott Bently. Dated 26/9/1933. Pinned to Typed receipt: 50 pounds and 1800 Fully paid up shares in North Virginia Gold Mining Co NL. Dated 13/1/1933 between H J Veale and J J Hall, J A Michelsen, J J Stanistreet date signed 15/9/1933. Stamp Duty Stamp 3 pence.organization, business, gold mine

Letter from Ellison, Hewison & O'Collins Solicitors, Melbourne to the Shire of Whittlesea in reponse to a request for the names and addresses of the purchasers of blocks of land on the Station Entrance Estate and Railway Platform Estate, Thomastown. Both estates where originally subdived and sold in the mid 1920s. The collection includes a letter, a list of owners and their address details and the lot they own, and plans of both estates, which have been cut out of the original estate sale posters. Streets include High Street (Epping Road), Mount View Road, Pleasant Road, Central Avenue, Highlands Road and Main Street, ThomastownLetter, paper 3 pages, 2 plans. Letter from Ellison, Hewison & O'Collins Solicitors, Melbourne to the Shire of Whittlesea in reponse to a request for the names and addresses of the purchasers of blocks of land on the Station Entrance Estate and Railway Platform Estate, Thomastown.

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

A pictorial anthology of Indigenous Australia from 1847-2008. Published to coincide with the first anniversary of the Apology to the Stolen Generations, this title is a stunning and emotive record of the first Australians. All proceeds from the sale going to the Jimmy Little Foundation.b&w photographs, colour photographs

Section 1. Notes on the use of this resource Section 2. Policy support statements. Aboriginal Studies Policy Statement of Victorian Aboriginal Education Association Incorporated (VAEAI) National Principles and Guidelines for Aboriginal Studies and Torres Strait Islander Studies, K-12 Principles for the Introduction of Aboriginal Perspectives in the Curriculum of the Catholic School (Catholic Education Commission of Victoria Policy 1.3, 1987) Section 3. Language, culture and viewpoint: issues of terminology Section 4. Units of work Unit 1. Koorie people of south-east Australia: a contemporary view Unit 2. On sacred ground Unit 3. Koorie life in the pre-contact era Unit 4. Mulla Meea-Baa Gnuenjall: a long time ago, and today Unit 5. The land we share: human stories in the environment Unit 6. Frontier wars Unit 7. Aboriginal mission stations and reserves in Victoria Unit 8. Land, law and indigenous Australians Section 5. Directory of indigenous organisations and affiliated groups/?agencies. National organisations Victorian organisations Catholic Education Commission of Victoria Indigenous Education personnel Organisations within regions of the Archdiocese of Melbourne Organisations within regions of the Ballarat Diocese Organisations within regions of the Sale Diocese Organisations within regions of the Sandhurst Diocese Cultural centres/?camps across Victoria.maps, b&w photographsvaeai, history, curriculum development, koorie studies, catholic education commission of victoria, secondary school education,

The series of 5 photographs feature different views of the Woodlands Housing Development which opened up land bounded by Gap and Anderson Roads, Cornish Street and Elizabeth Drive in the early 1990s. It was a large housing development built close to Sunbury township.A coloured photograph of one of the last housing developments which took place in the old township area. It is a photograph taken at the north end of Anderson Road looking towards Gap Road. One house has been built and there are a number of 'For Sale' signs of blocks fronting Anderson Road. Guttering and driveways have been formed on one side of the road.housing developments, anderson road, george evans collection

The series of 5 photographs feature different views of the Woodlands housing development which opened up land bounded by Gap and Anderson Roads, Cornish Street and Elizabeth Drive in the early 1990s. It was a large housing development built close to Sunbury township.A view of the northern boundary of the Woodlands housing development in Anderson Road. A paling fence divides the estate from the 'Malley' factory, now 'Storage King' which is on the corner of Cornish Street and Anderson Road. A 'For Sale' sign is in the foreground and a partly built house is in the middle distance.housing developments, anderson road, george evans collection

The Photo Album was created by Hans Beck, who interned with the donor's father (Wilhelm Eckels). The Photo Album depicts wool buying and sheep station related life between 1927-1939. Each photograph has been individually labelled.Straw coloured booklet with gold cursive writing on front cover spelling 'Photo Album'. Inside are 18 pages containing 63 photographs, each individually captioned. Internal pages show signs of age with discolouration, particularly in areas of previous adhesive application.Lettering, Front: Historic Interest Before WME arrived - 1930-1934 Wool & Sheep Photo Album Lettering, Internal by Page: Page 1 - Bottom Left Conner: Table from right:/ O. Hilbert sen. / WW. Richter, W. Ehrig/ Sampler: C. McCarthy/ at desk: E.S. Bottom Right Corner: 1927/ Wool Sample Room/ O. Hilbert/ Terranora Buildings/ Reiby Lane Page 2 - Bottom Middle: 1931/ Opening Sale/ Sydney Page 3 - Bottom Middle: 1934/ Opening Sale/ Sydney Page 4 - Bottom Middle: 1933/ Wool Auctions/ Brisbane Page 5 - Top Left Corner: 1930 Escapade/ Sydney to CAIRNS/ via Bourke, Central/ Queensland, Hinter-/ land & Atherton/ Table Lands Top Right Corner: Dubbo: Main Street/ (1st Night)/ 31.7.1930 Middle Right: 1st Night-"OUT"/ Stranded 11 miles/ from Bourke. (Red/ Dust in Carburettor Bottom Right Corner: Our "ERSKINE'/ hits Culvert &/ breaks both King-/pins. 1 1/2 miles from/ CUNNAMULLA SW-Q. Page 6 - Top Right Corner: "Rosevale Station"/ via Cunnamulla SWQ/ "Gidgi" country/ Gidgi Creak &/ Warrigo R. Middle Left: STAN HILL Page 7 - Middle Top: Blackhall/ Tattersall's Hotel/ Yarning at Cross-/roads. Middle Left: FO Wool Sales/ 22 Horse team Middle Right: Roadsign to:/ ISIS DOWNS &/ Homestead (Fart Page 8 - Middle Top: Muster: 3000 sheep/ Semi-circular/ Shearing shed/ ISIS DOWNS Page 9 - Middle Top: Shearer/ Water Tower/ Counting out/ pens Middle Bottom: Shearers Cook/ Hot Water & Soup/ Cake for Shearing/ Shed Charity Ball Page 10 - Middle Left: Isis Downs Home-/ stead with fire// flood Lookout./ Artesian Borewell Bottom Right: Manager: Moore/ & Alfred Loh-/ mann with kills/ Ducks & Emus Page 11 - Top Middle: PORTLAND DOWNS/ Muster: 10,000/ Sheep Bottom Left: Manager:/ Mr. Luck/ with A.L./Moore Page 12 - Middle Top: ROOKWOOD Station/ near/ HUGHENDEN/ Central NWQ Page 13 - Top Middle: 'HINTERLAND"/ Cattle country/ Spear Grass/ Tracks Bottom Middle: Crossings:/ Creeks: Quick/ Sand/ Rivers: rocky Page 14 - Middle Right: Lyndhurst stat/tion/ Head Stockman Middle Left: -Valley of la-/goons/ Station Bottom Right Corner: Master Atkinson/ saves/ Petrol shortage Page 15 - Top Middle: ATHERTON TABLELANDS/ LAKE BERRINE Middle Centre: Tropical Rainforest/ near/ Lake Berrine Page 16 - Top Middle: ATHERTON TABLELANDS/ Timber Country Bottom Middle Edge: CAIRNS/ Imperial Hotel Page 17 - Hans Beck with/ Betty Hilbert/ Lapstone Hill 1931 wool - transportation, wool sales, wool growing, wool growing agriculture farming, wool industry, wool sales - sydney, wool sales - brisbane, dubbo, 1930, bourke, cunnamulla, isis downs, shearing, shearing - lifestyle, portland downs, muster, hughenden, hinterland, lake berrine, cairns

Catalogue of Sale of "Tooram" Estate, Allansford, 21st Oct, 1897, by Dennys Lascelles, Austin & Co and Archibald Macfarlane & CoT P WALSH annotationspastoral industry - history land enclosure, dennys, lascelles, austin & co archibald macfarlane & co, tooram, allansford, pastoral industry - history, land enclosure

The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed

Photocopies of sale brochure of 'McClare's Paddock' adjoining Canterbury Road, Vermont. Agents: John McEwan & Co. Includes train timetable to Mitcham.sale brochure of 'McClare's Paddock' mcclares paddock, mcclares road, vermont, land subdivision, canterbury road, mcewan, john, williams, s

Sale brochure for 'Mitcham Hills Estate', 74 sites bordered by McKeon and Quarry Roads, to the order of Commander H.E. Turner and Mrs Turner. Agent: Drake & Co.. With 'List of Sale Prices'.Sale brochure for 'Mitcham Hills Estate',land subdivision, mitcham hills estate, mckeon road, mitcham, quarry road, endeavour street, moresby street, beaufort street, turner, harold exton, cmdr., (mrs), drake & co.

Real Estate Agent's advertising pamphlet for sale of 2.5 acres of land in Baker's Road, Blackburn on 28/4/1934 advertising pamphlet for sale of 2.5 acres bakers road, blackburn, real estate

Colour sale brochure for 20 Milton Street, Nunawading, 3 bedroom weatherboard. Agent: Noel Allen Real Estate. No date given but 1998.Colour sale brochure for 20 Milton Street,land sales, milton street nunawading. no 20.