Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat

Purchased from Demigod Antique Prints (Malvern) at Ballarat Heritage weekend.An engraving (engroved with name 'B. Turner.' taken from a late 19th century publication thand coloured.) The engraving shows north Bluff Portland, back rear, sea on right, sea gulls foreground right. Sky grey clouds, with rays of sunlight. Wooden vessel on sand, front left, man sitting on sand leaning against it. Two small buildings, man, woman and child walking on beach. Set in cream folder, narrow green matboard.Front: Front- North Bluff, Portland

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fourteenth in a suite of 16 in Admella Rescue Series. Printed in black on white archival paper Depicts a man with a rope around his chest and under his arm pits, being hauled up the side of the 'Lady Bird'. Two members of the Portland life boat also visible, watching procedure from lifeboat.Front: 'Linocut Bob Stone 2009 ... on arrival at Lady Bird some 3 or 4 were in the last stage of existance. Portland Guardian 15th August 1859' - hand written in black ink.admella, portland lifeboat, shipwreck

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Eighth in a suit of 16, of the Admella Resue Series. Depicts a man with a lantern, standing in the bow of the Portland Lifeboat, as it is being launched by several men with ropes. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'During the night the Portland lifeboat was launched.' - hand written, black penadmella, portland lifeboat, 150th anniversary, linocut

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Thirteenth in a suite of 16 in the Admella rescue series. Printed in black on white archival paper. Depicts 3 men on Admella, with a rope from them to the Portland lifeboat.Front: 'Linocut Bob Stone, 2009 Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859' - Handwritten, black ink.admella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Second print in suite of 16 in the 'Admella Rescue Series. Depicts a hand rising from the sea. Printed in black on white Archival paper.Front: Front - 'Linocut Bob Stone 2009 - Hand written, black pen. 'Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859'

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fifth in a suite of 16, in the Admella Rescue Series. Depicts 5 distressed people on the deck of the Admella, surrounded by rough seas. Printed in black on white archival paper.Front: Front - Linocut Bob Stone Many a heart will bleed to think of what must have been suffered.... SA Advertiser 9th August 1859 - handwritten, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Eleventh in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts man reading telegram to group of men and women.Front: 'Linocut, Bob Stone Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.' - hand written, black penadmella, portland lifeboat, shipwreck

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck

Casterton based artist, member of Artists of the Valley.Painting, acrylic on board. Titled 'Woof'. Image of head and shoulders of a kelpie. White mat board, black wooden frame, wire hanging.Back: white printed label, artist's details in red

Polished scrimshaw whale's tooth depicting a traditional whaling scene on one side and on reverse, labelled 'Portland 700 tons of oil harvested', inscribed with date '1836.

Drawing, pen and ink, black on ecru background, whit mount, black wooden frame, reflective glass, wire for hanging across width of frame on backFront: 'Kenneth Jack 1963' black ink (signature) 'BOATSHEDS ON GLENELG RIVER, NELSON' hand printed in black ink, bottom left corner

Lithograph, orange / yellows, white, grey, white double mount, black wooden frame, reflective glass, hanging wire width of frame, on backFront: 'Lake Surprise 4/40 No.1 Vocanic Plains of Victoria Kenneth Jack (signature) - pencil, in border between lithograph and mount Back: Black stamp 'KWD JACK P/L P.O.Box 1 Doreen Vic 3754' - centre back '79' pencil, bottom Left Hand corner

Lithograph, black and white, couta boat, crane, Fishermens Breakwater, Portland; off-white mount, matte black wooden frame, reflective glass, silver hanging wire on back.Front: 'K. JACK 54' - part of lithgraph, top left hand corner. 'KENNETH JACK' - embossed lower right hand corner beneath lithograph Back: Black stamp 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754

Watercolour, view of Portland from Battery Point, white mount, matt black wooden frame, rflective glass, gold metal hanging wire on backFront: 'Portland from Battery Point' - hand written, in black ink, bottom left hand corner of painting. 'K. Jack (signature) 18.1.48' - hand written in black ink, bottom right hand corner of painting Back: Black stamp centre. 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754 No '27' in pencil bottom left hand corner

Lithograph, sepia, view of Portland, showing steam train at Portland station; goods shed, Post Office and Customs House at rear. Off-white background, white mount, matte black wooden frame, reflective glass, wire for hanging, on backFront: 'Portland, Victoria' 'Artists Print' 'Kenneth Jack' (signature) Pencil beneath lithograph 'KENNETH JACK 1954' -bottom left hand corner of lithographkenneth jack, portland

Red vinyl cover. Maroon vinyl spine. Gold lettering on cover. U on spine.

Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.History of Englandenglish history, 1992 to 1801

Light brown coloured leather-bound spine and cover corners. Paper covered board cover: marbling, greens, red and yellow ochre. History of England, BC.55 to AD1815. Gold texta and graphics on spine.history of england

Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.english history, 1760 to 1784

Health Regulations for barbers and hairdressers, according to the Health Act of 1919. Printed paper on backing card and laminated.

Light green cloth-covered spine and cardboard covers. Text and graphics on spine (black). A section of the dust jacket attached to front cover and first page.Story of early colonial Australia

White cardboard. Black print. View of All Saints Church & Harbor. Reverse: Souvenir of 150th Anniversary of the Foundation of Portland and the Centenary 1984 of the Arrival of Loreto Sisters 1884-1984. "Work with Constancy & Courage". (Mother Mary Mackillop).

Green grained cover. Maroon leather spine and corners. Brown/Black/Red marbled fly leaf.

Red blotchy vinyl cover. Red leather spine. Gold lettering on front cover.

Booklet. Executive summary of the 1989 Regional economic Strategy Report for Portland Victoria. 28 pages, covers red card, blue print on red and white striped front cover