Showing 1890 items
matching dry-dock
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Tarnagulla History Archive
Photograph: Simpsons Store and Hotel, Newbridge after flood, Simpsons Store and Hotel, Newbridge after flood, 1909 (original image)
In this image, store merchandise, including drapery, is hung out to dry after the flood. On 20th August,1909 the Laanecoorie Weir broke away and released 18.3 million cubic metres of water through the opening and causing severe damage to all towns downstream. At Newbridge, Petersen's bakery collapsed and Simpson's Store and Hotel flooded to the roof. The billiard table was later found in a tree five miles down the Loddon near Learmonth. Murray Comrie Collection. Monochrome photograph, image depicting buildings in the area near Loddon River at Newbridge after major flood in 1909. This is a very grainy and dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, loddon river, flood, simpson, stores, hotels -
City of Greater Bendigo - Civic Collection
Ceremonial object - Common Seal
Bridgewater is a situated 39km northwest of Bendigo and 170 km from Melbourne. It was established as a crossing point over the Loddon River for gold diggers en route to the Inglewood gold diggings. As gold began to dry up in the district the town of Bridgewater developed due to its proximity to the river which it relied on for industries such as brewing, farming and market gardens. As demand on the water supply grew, the Water Works were established to ensure supply and manage the quality of the water for drinking. Decorated hand operated cast iron embosser with 40mm seal head attached. Gold and orange painted decorations extend from top edge of handle to sides of base. Original knob has been replace with a newer wooden knob. Well used showing all over signs of wear. Seal is for the Bridgewater Waterworks Trust 1927.Bridgewater Waterworks Trust 1927.loddon shire -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: SUPPLIED SPORT PHOTOS, PETER JONES
A sheet of paper that Peter Jones sent to the Bendigo Advertiser requesting that his photographs be returned to him once the Bendigo Advertiser has finished with it. The envelope is also included. The writing: G'day Matt Apologizes for the delay. I tried to scan these and email them to you without success so here they are. One is of Danny Mroz docking Simon McClay (Old) with me cleaning up the scraps. The other is expander Joel Durrant and me of the World Championships in Marseilles, France. Could you please return these when you are done with them? Send to 4 Lucifer St, Balwyn Cheers Peter JonesPeter Jonesrecreations, sports, beach vollyball, bendigo advertiser, matt harrington from peter jones. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Doug Colquhoun, 26/04/1960 12:00:00 AM
Yields information about Ballarat Trams and streetscapes and Wendouree Parade during the early 1960's.Black and white print of Ballarat of No. 31 enroute to Mount Pleasant, turning from Main St into Barkly St. Tram has the destination of Mt Pleasant. Two copies. Photo taken Doug Colquhoun 26/4/1960. Has roof advertisements for Castrol Oils and Footrest of Sturt St furnishings. In the background is a Penfolds sign. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1"SEC Ballarat / 31 / Bridge St / 26/4/60 2101 / D. A. Colquhoun" Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, mt pleasant, main st, barkly st, tram 31 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 18/11/1961 12:00:00 AM
Yields information about Ballarat's trams in the late 1960'ss and the street scape in Victoria St?, Yields information about Ballarat's trams in the late 1960'ss and the street scape in Victoria St?Black and white print of Ballarat 35, northbound to Lydiard St North, crossing the Railway level crossing with Moodys Provincial Hotel and the Ballarat "B" signal box in the background. The tram has a roof advertisement for Ilford film. Note the entry canopy to the hotel. Two copies. Photo by Wal jack, 18/11/1961. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 35 / Lydiard St North / 18/11/61 2920 / Wal Jack " Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, lydiard st, ballarat railway station, level crossings, tram 35 -
Ballarat Tramway Museum
Pamphlet, The Forest City Electric Co. Limited England, "Automatic Tramway and Crossing Signals", c1948
Yields information about the types of tramway signals available for use on tramways systems. The type BY was used by the SEC in Ballarat and Bendigo.Four page Pamphlet or Brochure Forest City ATS1, printed brochure with illustrations "Automatic Tramway and Crossing Signals" – four types noted. Four types: 1. Tramway type "C: Car counting signal, up to 10 cars 2. Tramway type "BY" - non car counting signals 3. Level crossing signal operated by approaching cars 4. Turning Warning signals with notes on rear page of the set up for automatic control signals for rail crossings on roads, docks etc. Date stamped by SEC 20/9/1949 on front cover.Has “218” in biro in bottom left hand corner.trams, tramways, forest city signals, level crossings, signals -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Billings Boats Denmark Aps, Cutty Sark, 1980s
This ship model of the Cutty Sark was hand-built in the 1980s from a model kit produced by Billings, Denmark. It was on display in the Olde Maritime Motor Inn in Warrnambool until it was refurbished around 2015. The Cutty Sark was a famous clipper ship, launched in 1869 for the tea trade from China to London. The ship was designed for speed, with the ambition to be the fastest ship. In the late 1800s, it competed in the tea clipper races. It was eventually sold to a Portuguese company, Ferreria, and took on the company's name. It was sold again and renamed Maria do Amparo. Finally, the ship's name was returned to the original 'Cutty Sark' when it was purchased by Captain Dowman for use as a cadet training ship. The ship continued trading and in 1922 it became the last operating clipper ship in the world. The ship is now a museum, preserved in a dry dock at Greenwich, England, as part of the British National Historic Fleet. About Barry Williams: - The maker, Barry Williams, worked for the Australian Shipping Line, Huddart Packard Ltd., until it closed down in 1960. Williams then worked for Shaw Savill & Albion Co. Ltd., a substantial British passenger and liner company. and subsequently Furness Withy Ltd. (SS&A's parent company). In the late 1970s Williams and two friends established their own ship chartering company in Melbourne, the Harwood Shipping Co. During the early 1970s Williams and his wife lived in London, near Greenwich, and often walked along the river where the Cutty Sark Maritime Museum is located. The fascination of the Cutty Sark led Williams to build model ships of the same era. At one stage Williams lost the rigging plan for the Cutty Sark but one of his partners, on a visit to London, photographed the Cutty Sark on the river, and Williams used these to complete the rigging on the model. Williams found the making of the model a very demanding but also pleasurable exercise.The model is significant for showing a visual representation of one of the most famous tea clippers, the vessel Cutty Sark. The three-masted ship was built for speed and traded tea between England and China. In 1922 the Cutty Sark became the last operating tea clipper in the world. The craft of ship model building has been popular for centuries, especially with people associated with the sea, such as this model builder, whose career was based around the shipping industry.Ship model; clipper ship, the 'Cutty Sark', a three-masted clipper ship, bare rigging, netting below the bowspit, and fine chains hanging from the bowspit. Black hull with two parallel horizontal stripes below the rail. Lifeboats on board. The white figurehead is below the bowsprit. The model comes with a cradle stand. The ship's name is not visible on the model.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cunysark, historic sailing ship, tea clipper, sail training vessel, cadet training ship, commercial trading vessel, cargo sail vessel, ship model cutty sark -
Flagstaff Hill Maritime Museum and Village
Postcard, after October 1805
The British Royal Navy’s warship HMS Victory was once Lord Nelson’s flagship. The HMS Victory was built in 1765 and after serving active duty is now, in 2019, still a ship of the Royal Navy, in dry dock undergoing continuous restoration to preserve her for display as a museum ship, due to the vessel’s significant naval history. Battle of Trafalgar: On October 21, 1805, twenty-seven British ships of the line, led by Admiral Lord Nelson aboard HMS Victory, defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line. During the battle, Nelson was shot by a French musketeer and he died shortly before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. It was prior to this battle that Nelson had issued his now-famous final orders to his ships in 12 separate flag-hoists “England expects that every man will do his duty”. This wood sample is historically significant for its association with Admiral Lord Nelson the Battle of Trafalgar. Through Nelson’s leadership and unorthodox battle tactics, he secured not only a victory against the French and Spanish but reaffirmed Britain's naval supremacy opening the way for Britain to continuing the policy of colonisation of many countries including Australia.Coloured postcard of sailing ship, warship or battleship, deck cannons on the ship and in the foreground, many signal flags flying from the masts. Printed on the front "H.M.S. Victory Flying Lord Nelson Famous Signal". The signal was given by Lord Nelson in 1805.Printed on the front "H.M.S. Victory / Flying Lord Nelson Famous Signal"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, post card, postcard, sailing ship, vice-admiral lord nelson, horatio nelson, lord nelson, oak piece, piece of oak, nelson, battle of trafalgar, maritime technology, ship relics, 18th century warship, british royal navy, sir home popham’s telegraphic code, admiralty official day signal book, october 21, 1805, admiral lord nelson, french and spanish navies, nelson's famous signal, england expects that every man will do his duty, hms victory, nelson collection at lloyd's, lloyd’s of london, lloyd’s patriotic fund, napoleonic battles, british naval history, 18th century warship, 18th century battleship -
Footscray Community Arts
Industrial Hope, De Clario, Emma, 2005 (exact)
Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios -
Bendigo Historical Society Inc.
Document - SUNSHINE BISCUIT PRICE LIST 'B'
Sunshine Biscuit Price List 'B' dated January 1926. Registered Office Ballarat, Phone 53. Depots, Geelong, Bendigo, Melbourne. Terms and Conditions of Sale Listed. Delivery Free on Rails Bendigo. Quotations Subject to Market Fluctations and to goods in Stock. Terms Payment within the Month following Invoice Date. Prices of Various Dry Biscuits, Semi-Sweet Biscuits, Sweet Biscuits, Rich Dessert and Cream Biscuits, Specialties, Holiday Mixture, Cakes, Sunshine Party Packets,Flour, Cough Drops and containers.bendigo, industry, biscuit making, sunshine biscuit co. 1926 price list of biscuits -
Clunes Museum
Container - TINS, ROBERT HARPER AND COMPANY
.1 WHITE SEALED BOX, BLUE SQUARE ON TOP WITH WHITE WRITING AMD WHITE STAR"STAR DRIED MARJORAN, ROBERT HARPER AND COMPANY LIMITED AUSTRALIA ON SIDE: EMPIRE CURRY POWDER AN APPETISING DELICACY MADE FROM INDIAN AND CEYLON SPICES ON BACK: HAVE YOU TRIED HARPERS CUSTARD POWDER .2 WILL'S VICE REGAL TOBACCO, RUSTY TIN, LIGHT AND DARK BLUE FRONT.TIN IS FULL OF BOOT BUTTONS AND TWO HAIR CURLER PINS, METAL STAPLES AND SMALL TACKSwill's tobacco, harper and company -
Bendigo Historical Society Inc.
Document - JOAN O'SHEA COLLECTION: CENTRAL DEBORAH GOLD MINE BENDIGO, 26th November, 1984
Joan O'Shea Collection. Central Deborah Gold Mine Bendigo. Promotional material. Chronological History, Poppet legs and shaft, Change Room, Caretakers or rag pickers room, Drying room, first aid room, carbide light room, Underground, carpenters shed, ore bins and loading bays, stamper battery, wilfley table, berdan pans, laboratory, display room, boiler, stroke hold, winding engine, boiler feed pump, electric driven compressor, steam driven compressor, blacksmith's shop.Photograph Courtesy Philip Beer.mining, marketing, central deborah mine. -
Ararat Gallery TAMA
Functional object, Dried salted fish, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here a whole dried and salted fish (a yellow tail, to be exact) has been wrapped in a sheath of straw and wound with a continuous length of straw rope. The effect is attractively rustic, and the tightly wound rope makes a pleasing pattern. When the fish is to be eaten, it is necessary only to unwind the rope part of the way, slice off as much as is needed, and then close the package by rewinding. This rope-wound yellowtail, makiburi, as the Japanese call it, is a well-known product from the city of Kanazawa, Ishikawa Prefecture, in the Sea of Japan. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Surrey Hills Historical Society Collection
Photograph, Kleinert family at 34 Union Road, Surrey Hills
William Kleinert (Friedrich John Wilhem Kleinert) made wine from the grapes he grew. The house was built in 1905 and was the home of William and Emily Kleinert from 1905. William was a coach-builder, wheelwright and blacksmith. He moved from Prahran to Surrey Hills. His son Ernest worked with him as a coach painter and also worked as a painter undertaking intricate hand painting on early cars. Their other son Martin played for the Surrey Hills Football Club. In return for the support given to the club by Mrs Emily Kleinert, it built a rotunda in South Surrey Park as a memorial to her. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The Kleinert land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. The Kleinert property later became the South Surrey Park. The family sold the land to the Camberwell Council in the 1950s. Ernest and Ida Kleinert lived on the corner of Scotsdale and Warrigal Roads. The donor of the photo Nada Harris, nee Kleinert, was Ernest and Ida's daughter. Ida lived to a good age (> 93 years) and in later life lived in Burwood.Black and white photo of a group of men and women posed against the backdrop of a timber house. Immediately behind the group is a large grape vine and drying racks can be seen to the left of the picture. The group is identified as: Standing L to R: Ernest Kleinert, Rose Kleinert, William and Emily Kleinert, ? (unidentified), Ida Kleinert (nee de Vasey) Seated (L to R): Martin Kleinert, Nada Kleinert (daughter of Ernest and Ida and 1st grand-daughter of William and Emily), great-grandmother Maria Radford, Ivy Kleinert.surrey hills football club, blacksmiths, wheelwrights, coachbuilders, harris, rotunda, william kleinert, vineyard, ernest kleinert, rose kleinert, ida kleinert (mrs), ida de vasey (miss), martin kleinert, nada kleinert (miss), ivy kleinert (miss), friedrich john wilhem kleinert, emily florence radford (miss), maria dina radford (mrs), maria dina aylwin (miss) -
Melbourne Tram Museum
Negative, Wal Jack, c1943-44
Black and white negative, by Wal Jack, of S class 166 (showing Russell St), in Barkly St Footscray. Based on the photograph, the tram is inbound to Footscray Station, as the buildings match the current (12/2020) Google Earth view at 185 Barkly St and Albert St. In the background is - Brown's Dry cleaner, a Millinery shop at 185, W. Adler Tailor, J. Paarons PA (Radio) on the clockface and H E M Burrow? store sign. A horse drawn van is alongside the tram. Photo undated, c1943-44trams, tramways, barkly st, footscray, russell st, s class, tram 166, mmtb -
The Beechworth Burke Museum
Functional object - Vesta Case
Vesta cases are small containers used to keep matches dry and prevent them from being ignited. There three types of vesta cases but the most popular design was the pocket vesta which could be hung from a chain and featured a ribbed bottom to strike a match. It is unknown when this vesta case was created but the lettering on the front of the case suggest that it was create in Boulogne-sur-Mer, France. Boulogne-sur-Mer is a costal city in Northern France and is known for its maritime and trade history.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small white rectangular box. There are 6 nails both on the top and bottom keeping it closed. There is a small inscription on top in cursive lettering. One end is covered in a material used for crating sparks.Boulogne smer/ A01148/matchbox -
Eltham District Historical Society Inc
Newsletter, Newsletter, No. 229 August 2016
Contents: • The Society's 50th Anniversary 2017 by Russell Yeoman • Our Next Meeting - Wednesday 10th August; 'Creators, Makers and Shakers' • Heritage Excursion - Maroondah Aqueduct Walk - Saturday 3rd September • Eltham District's Early History • The Eltham Barrel by Jim Allen • Eltham Taps Run Dry • A Footnote on Shoestring • Membership Subscriptions • The Little Church in St Helena by Maureen Smith • St Katherine's Church in St Helena • Beauty Spots • ... and also • Contacts for the Eltham District Historical Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Kiewa Valley Historical Society
Ink Well
This inkwell was in use up until the early 1960's (especially in schools) and used as a source of ink into which a nib pen was inserted which could hold only a small amount for distribution onto mainly paper. The pen itself did not contain any "self" ink replenishment(such as fountain pens or later on biros ). Writing using this method involved a greater time period and also involved a drying application such as blotter to stop the ink from smudging(blurring or becoming smeared).This ink well is very significant to The Kiewa Valley because it represents a period before "cartridge" fountain pens and biros. It was in a "slower" paced era when written communication was not required to be an "instant" method. This was also a period in time when all forms of communication, especially in a rural settings, had no requirement, because of the facilities available, to be the "now" contingency. The "lay back" environment of semi isolated rural areas can be highlighted by the well used phrase of the times - "she'll be right mate"Brown coloured inkwell. Made of pottery, cylindrical shaped container with a raised neck opening at the top. This item has a flat bottom for positioning on a desk or other flat surfacepottery, inkwell for nib pens, stationery -
Warrnambool and District Historical Society Inc.
Bottle, Sigma Company Limited, Thomas Pharmacy Olive Oil, Mid 20th century
Thomas' pharmacy operated from Fairy Street in Warrnambool, initially from 90 fairy Street on the corner of Fairy and Koroit Streets then later moving to 140 Fairy Street on the corner of Fairy and Lava Streets. Mrs W L Hobson is noted as the pharmacist in the 1970's. Olive oil in the 1970's was used primarily to moisten and cleanse dry skin.It has also been used as a laxative. It is generally well tolerated and considered safe for skin care for babies. A commonly used product which has multiple uses.Clear glass bottle with long narrowed neck. White screw top and dusty blue and white paper label with black text. Small sticker on right side of label. Filled with olive oil. Thomas' Pharmacy Warrnambool Phone 622907 on sticker. Sigma Company Limited Melbourne Australia on bottom of label. 1270 and crown on the bottom of the bottle.thomas pharmacy, warrnambool, olive oil -
Whitehorse Historical Society Inc.
Photograph, Schwerkolt Cottage, 1962
Photo sent to Mary Jack, Pittsburgh USA by Charles Schwerkolt. Accompanying text sent by Charles - 'This is another photo of front side (facing Mitcham township) You see there is a lot of dried grass lying about which is a serious fire risk to the new houses which have been built. The verandah posts on the corner have rotted away and let the verandah down a foot. The roof on the kitchen is in a bad way. You will notice the chimney has a lean of about a foot. Black and white photo of Schwerkolt Cottage showing the Rotting Verandah Posts and Leaning Chimney. Thin Black Border.schwerkolt, charles clarence victor, whalen, rosalie, jackschowsky, mary elizabeth, schwerkolt cottage -
Surrey Hills Historical Society Collection
Photograph, Demolition of Tower House Day and Boarding School, Surrey Hills in 1932 (1)
This building dated back to the 1880s and had previously operated as Delany's Hotel and then the Royal Hotel. It was built near the site of the original Delany's Hotel, built in 1856. The Royal Hotel closed in 1921 after the area voted to be a 'dry area' in the local option poll. Tower House Day and Boarding School operated from 1921 until 1932. Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s; many were associated with events and activities of the Church of England.Black and white photo of a partially demolished building. The roof and part of the second storey are missing. What remains indicates that it has been a large building in the Victorian style. Along one side at ground level there are 4 arches, perhaps entry to a covered veranda, above which is a colonnade, and perhaps an open veranda on the upper level. There is a mixture of treatments to the surrounds of the windows. On the corner, within an arch which may have once been a doorway, is a sign reading: "TOWER HOUSE / DAY / & / BOARDING SCHOOL". There is a car with a retractable hood in the lower RH Corner of the photo.Rear top centre in blue biro "1932" (crossed out); top RH corner "498" in red biro; centre "Demolition of / Tower House Day & Boarding / cr Canterbury & Broughton Rds / previously Tower House Hotel / originally Royal Hotel / See partner photo."; bottom RH cnr "demol (in red biro) / 20-8-32". All in Jocelyn Hall's handwriting.tower house day and boarding school, schools, education, royal hotel, hotels, construction and demolition, dry area, licensing polls, temperance movement, delany's hotel, norman carter -
Surrey Hills Historical Society Collection
Photograph, Demolition of Tower House Day and Boarding School, Surrey Hills in 1932 (2), 20/08/1932
This building dated back to the 1880s and had previously operated as Delany's Hotel and then the Royal Hotel. It was built near the site of the original Delany's Hotel, built in 1856. The Royal Hotel closed in 1921 after the area voted to be a 'dry area'. Tower House Day and Boarding School operated from 1921 until 1932. Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s; many were associated with events and activities of the Church of England.Black and white photo of a partially demolished building. The roof is missing and there is a pile of rubble along the front wall. What remains indicates that it has been a large building in the Victorian style. There is a mixture of treatments to the surrounds of the windows. On the RHS part of a truck can be seen.Original: Top LH corner in blue biro "see matching photo"; top RH corner "498 / spare"; bottom LH corner in lead pencil "N Carter"; bottom RH corner in blue biro "20-8-32" - all Jocelyn Hall's handwriting.tower house day and boarding school, schools, education, royal hotel, hotels, construction and demolition, dry area, licensing polls, temperance movement, delany's hotel, norman carter -
Melbourne Tram Museum
Negative - Copy - Flinders St Station and trams, 4-9-1926
Copy negative of a photograph of Flinders St station building, at Swanston St with two W class trams crossing Flinders St, a cable tram in Flinders St and a horse drawn cab. The Station is advertising Dried Fruits Week and Pasteurised Milk is "Safe" Milk. The top of the negative has written in ink "Flinders St Stn Melbne 4-9-26" . The Swanston cable tram was replaced by an electric tram in Jan. 1926 and Flinders St cable trams during 1927.Yields information about Flinders St station during 1926.Copy negative of a black and white photographtramcars, tramways, flinders st station, flinders st, swanston st, w class, cable trams, milk, dried fruit -
Unions Ballarat
Minutes of meetings of Building Committee, 29 October 1886-15 May 1889
The 1889 London Dock Strike grew from unrest about poor living conditions as a result of the casualised labour force. Money raised in Australia (30,000 pounds) helped to support striking workers to continue the action and feed their families. The strike led to the formation of the General Labourers' Union and strengthened unionism amongst dockers. The 1890 Maritime Strike: marine officers walked out because shipowners would not negotiate terms and conditions of employment whilst the Mercantile Marine Officers' Association was affiliated with the Victorian Trades Hall Council. Union officials proposed to disaffiliate on the condition that employers would agree to meet and reach a compromise with union delegates. The shipowners refusal to meet triggered strike action.The London Dock Labourer's Strike correlates with significant National growth in the trade union movement. The Maritime Strike demonstrates an historical example of an employer's attempt to undermine workplace unionism. Parallels (i.e. employers attempting to weaken union power) have been drawn between this and the Australian waterfront dispute of 1998.Bound, paper, 1 volumebuilding committee, maritime strike, mercantile marine officers' association, general labourers' union, london dock strike, casualisation, strikes, unions, ballarat trades hall -
Bendigo Military Museum
Uniform - SHIRT AND TROUSERS, SERVICE DRESS, ARMY, Australian Defence Industries, 1966
"W.J. BERTUCH" for service details Refer Cat No. 1664.2.1. Shirt - Khaki colour cotton/polyester long sleeve with shoulder epaulettes and brown plastic buttons. Two front pockets with button down flaps. Gold colour metal badge "AUSTRALIA" - on right epaulette. Manufacturers white cotton fabric label inside back below collar and bottom of shirt. 2. Trousers - khaki colour wool/polyester fabric. Service dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Brown plastic buttons and metal fly zip. 3. Belt - light brown colour nylon webbing, service dress style with black colour metal slide buckle. Manufacturers information on labels in black ink print. 1. Top - "CLASS - 8405/ 66-017-2261/ REGIMENTAL NO./ NAME". Handwritten black ink pen "VS38". Bottom "MACHINE WASHABLE/ DO NOT BOIL/ DRIP DRY/ WARM IRON/ SALCO/ VICTORIA/ 1966. Handwritten black ink pen "VS38". 2. Rt side label 'REGIMENTAL NO./ NAME". Left side label "Dry Clean only/ Repress on original crease/ use damp cloth or medium/ TO HOT STEAM IRON/ Mending patch attached." Handwritten - black ink pen "VS38". 3. Black ink stamp - "CGCF D^D 1957? 0108/ 5499". uniform, army, service dress, wj bertuch -
Queenscliffe Maritime Museum
Photograph - B&W photo c1900 of Navy Mines & Layers depot Swan Island, Swan Is. Mines Depot c1900, c1900
Mine storageMine storage facility on Swan Island. c1900B&W photo Swan Island Navy Mines & Layers Depot c1900.Reverse " Naval dock Swan Island 1900 / a safe harbour for fishing boats (with permit) when high seas & strong winds makes when dangerous in usual anchorage / the boats are naval training sailing cutters (with oars)/ there were 2 jetties (one on RH side of the photo) and on the end of one was a cookhouse in bottom LH, a boat moored at the southern jetty (possibly VULCAN a general purpose tug of Navy.) "history -
Melbourne Tram Museum
Slide - Set of 7, Keith Caldwell, 10/03/1960 12:00:00 AM
Set of 7 Agfa Colour slide, cardboard mount, by Keith Caldwell of 10 March 1960 - .1 - X2 677 - at the Williamstown Road terminus of the Footscray tram system. Tram photographed in Somerville Road, showing the return destination of Russell St. In the background are a row of shops. .2 - X1 460 turning from Leeds St into Barkly St. Tram has the destination of Ballarat Road. In the background is the bus stop and tram stop and the Trocadero Theatre side wall. See Image i6 for the Theatre. Has a Gant Motors advert. .3 - X1 467 out bound turning into Nicholson St from Irving St. Footscray with the Rockmans Store in the background. This store was later demolished for the Ring Road. Tram has adverts for Gant Motors and Swing Bridge Motors - Holdens. .4 - X1 460 turning from Barkly St into Leeds St, showing the destination of Ballarat Road. Has adverts for Calders watches and Coca Cola - drive safely. In the background is a cafe advertising Oysters, Grey Cigarettes and Vincents Powders. .5 - X1 464 turnings from Nicholson St into Irving St. Footscray with the Rockmans Store in the background. This store was later demolished for the Ring Road. Also is J. Boltons Chemist shop advertising Kodak film and another shop - ? dry cleaners, Footscray Fish Shop and Kings Hotel. Tram has adverts for Gant Motors and Doods Dry cleaning. There is a PMG truck parked outside Rockmans. .6 - X2 677 turning from Barkly St into Leeds St with the Trocadero Theatre in the background. Tram has the destination of Williamstown Road. Tram has an advert for Bridge and Webster. .7 - X1 467 outbound to Williamstown Road, turning from Leeds St into Irving St Footscray. Tram has adverts for Doods dry cleaning and Gant Motors.All hand stamped "10 Mar '60". .1 - marked "Footscray" .2 - "Footscray (NB curves)" .3 - to .7 "Footscray"trams, tramways, footscray, x2 class, russell st, williamstown rd, leeds st, ballarat rd, barkly st, nicholson st, irving st, tram 677, tram 460, tram 467, tram 464 -
Federation University Historical Collection
Photograph, Lal Lal Coal and Iron Mine, Victoria, 1923
Lal Lal Coal Mine, 1923. Two black and white photographs of the Lal Lal Coal Mine. .1) A man, Bill Thomas of Talbot, stands high on a timber construction. .2) A mine site with poppet head and two chimneys..1) verso: Lal Lal Coal and [Iron?] Mine 1,000 ton hopper or brown coal Designed and Built by D. Mather 1923 [15?] miles of sapplings in the building [Ci?] called and drying [oval] 120' long 45' x 20' wide Bill Thomas shown in this photo, from Talbot.lal lal, lal lal coal mine, donald mather, mather, bill thomas, talbot, mining -
Bendigo Historical Society Inc.
Clothing - SCHOOL UNIFORM DRESS
Blue and white checked gingham waisted girl's school uniform dress. White fabric collar. Short sleeves with fabric cuffs. Skirt has six gored panels. Bodice has front opening with three white plastic buttons. Yoke across front and back. Inverted pleat at centre back. Two pleats on either side of front opening.Matching belt, 11400.261. Two belt keepers at sides.Original cloth label and swing label with care and washing instructions.Inside collar ''Buxwear rgd Quality school wear, Norman W. Buck P/L 12''. Cardboard label stapled to clothing label ''The Beehive'' DC AE 587 $23.99. Blue and white swing tag ''Buxwear Drip dry finish 12 Norman Buck elo P/l.costume, female, gir'ls school uniform dress -
RMIT Design Archives
Textile - Woman's dress, Norma Tullo, Garment Designer, Shirley Lyle, Textile Designer, Woman's Dress
This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion