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Clunes Museum
Memorabilia - INVITATION AND ENVELOPE
INVITATION FOR THE MAYOR AND MAYORESS OF CLUNES TO ATTEND A RECEPTION AT THE NATIONAL GALLERY IN MELBOURNE, IN HONOUR OF H.R.H. THE DUKE OF GLOUCESTER, GOVERNOR-GENERAL OF AUSTRALIA AND H.R.H. THE DUCKESS OF GLOUCESTER, ON 23RD FEBRUARY 1945..1 INVITATION TO THE MAYOR AND MAYORESS OF CLUNES .2 ENVELOPElocal history, document, invitations, events and celebrations -
Nillumbik Shire Council
Photograph: Dena ASHBOLT (b.UK, arrived 1982 AUS), Dena Ashbolt, Waking Time, 2012
'Waking Time' is part of the series ' So when do you throw the flowers out?', which exhibited at Melbourne's Alcaston Gallery from 8 May - 1 June 2012.In this series Dena Ashbolt used photographic pigment prints, video and Raku Nu ceramic funery urn drawings, to explore time as evidenced by movement and references the beauty of aging. Ashbolt has a continuing interest engaging with the concepts of time, its flow and passing - as evident in this series. Ashbolt has been a regular finalist at the Nillumbik Prize Contemporary Art and in 2009 was awarded the Prize for the video drawing 'Wet Feet Under the Pier'. Ashbolt is a inter-disciplinary artist whose practice ranges from photography and printmaking through to filmmaking and collaborative performance projects.Pigment Print on Hahnemuhle Paper Edition of 7AK18136 PNT817dena ashbolt, photographic print -
Nillumbik Shire Council
Photograph: Dena ASHBOLT (b.UK, arrived 1982 AUS), Dena Ashbolt, Countless Daughters, 2012
'Countless Daughters' is part of the series ' So when do you throw the flowers out?', which exhibited at Melbourne's Alcaston Gallery from 8 May - 1 June 2012In this series Dena Ashbolt used photographic pigment prints, video and Raku Nu ceramic funery urn drawings, to explore time as evidenced by movement and references the beauty of aging. Ashbolt has a continuing interest engaging with the concepts of time, its flow and passing - as evident in this series. Ashbolt has been a regular finalist at the Nillumbik Prize Contemporary Art and in 2009 was awarded the Prize for the video drawing 'Wet Feet Under the Pier'. Ashbolt is a inter-disciplinary artist whose practice ranges from photography and printmaking through to filmmaking and collaborative performance projects. Pigment Print on Hahnemuhle Paper Edition of 7AK18137 PNT809photographic pigment prints, dena ashbolt -
Federation University Historical Collection
Photograph, Clare Gervasoni, Perseus, 28/01/2004
Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Various photographs of a marble sculpture of Perseus when at Camp Street. Perseus was the son of Zeus who was the most supreme Greek god of all.perseus, statue, marble -
Federation University Historical Collection
Photograph - Photograph - Colour, Lisa Gervasoni, Perseus at Camp Street, Ballarat. 2006, 2006
Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Marble statue of Pegasus at Camp Street, Ballarat, outside the former Ballarat State Offices.pegasus, statue, sculpture, camp street -
Ararat Gallery TAMA
TU, Melbourne, Evening ensemble (dress and coat), c. 1965
This ensemble was not owned by Lady Barbara Grimwade unlike the rest of the garments in this collection. It was donated to the Gallery by Mrs Jessie Briggs after she became aware of the Gallery’s extensive Tu collection. Mrs Briggs (Krongold) wore this ensemble to the marriage of her son, Lionel Krongold, at the Kew Synagogue, Melbourne. To compliment this outfit, Mrs Briggs wore gold shoes and a small Italian gold bag with the gown, a pair of diamond drop earrings, gold chain with diamonds, a gold bracelet with four diamonds and a simple Omega gold watch. -
Federation University Art Collection
Painting, Veronica O'Hehir, [Unknown Title] by Veronica O'Hehir, pre 2000
Veronica O'HEHIR After graduating with a degree in fine art and a diploma in education, Veronica established herself as a practicing and exhibiting artist in Melbourne during the ‘90s-2000s. Veronica co-founded and directed RIPE gallery then later founded and directed KRAM gallery, she was also part of the Maribyrnong River Edge Arts Movement (MREAM); the studio where she met and worked alongside Faye. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paintingart, artwork, veronical o'hehir, flora -
Robin Boyd Foundation
Postcard, Moffat, Moffat to Patricia Davies, 01.04.1991
Postcard and thank you note for an evening and Hamlet from Moffat to Patricia Davies. National Gallery of Victoria postcard depicting Australian Blue Day in September 1986 painted by Lloyd Rees. -
Australian Army Museum of Western Australia
Diorama, 2015
This diorama is the introductory feature in the World War 2 Gallery - South West Pacific area. A private soldier is shown cautiously advancing down a jungle track outflanking Allied defensive positions1:1 scale diorama showing soldier of Imperial Japanese Army advancing through jungle in Malaya January 1942fall of singapore, 8th australian division -
Friends of Ballarat Botanical Gardens History Group
Work on paper - James Oddie, Benefactor. the Ballarat Courier, April 21, 1890, Ballarat Philanthropists, April, 1890
James Oddie had returned from travels abroad and gave a speech at the Ballarat Art Gallery concerning the pleasure and importance of being a benefactor during one's lifetime in the light of Christian beliefs.The article indicates the esteem in which Oddie was held and notwithstanding other benefactors' contributions to Ballarat. Even if they were not as wealthy, their contributions were not forgotten.Two pages of small black and white print in columns.Bottom of the page, "Courier" is written in blue birojames oddie, benefactor, ballarat art gallery, ballarat botanical gardens, the ballarat courier, thomas stoddart, james russel thomson, frederick moses claxton, wealthy citizens, christian example, ballarat star, ballarat courier, john garner collection, gardens, ballarat, oddie -
Federation University Historical Collection
Book, Powell & Co, Guide to Ballarat the Beautiful, 1906, 1906
A book highlighting Ballarat and surrounds for visiting tourists. Green, black and red soft covered book of 50 pages. The book includes many illustrations and advertisements. Themes of the book include: Ballarat and district, Lake Wendouree, Ballarat Botanical Gardens, Statues, gold and mining, Ballarat gold nuggets, Eureka Stockade, Ballarat School of Mines, Hepburn Lagoon, Emu River, race courses, Art gallery of Ballarat Advertisements include: Dr Lem Chinese Practictioner, Eureka Aerated Waters & Brewing Co., Sunshine Harvester, Gordon Bros., Long's biscuits, South Street, Grand National Eisteddfod of Australia, Lake View Hotel, Carlyon's Hotel, Clarendon Ladies' College, J.E. Sang Chinese Doctor and Herbalist, Reid's Ballarat Coffee Palace, Robert Sim & Co Timber Merchants, Cobb & C0 livery and stables Ballarat, Eagle Foundry, Fred A. Reed Tobacconist, Heinz bros butchers, J.J. Goller & Co. Illustrations include: Craig's Royal Hotel, McBride's Boots, John Lavis Cordial Manufacturer, R. Graham & Sons tanners, Lester's hotel, Sun Foundry, Central business College, Edwards Pyrites & Ore Reduction Co., George Farmer, Sturt Street (colour), Lake Wendouree, Ballarat East Town Hall, Lake Burrumbeet, Queen Victoria Statue, Fairy Land, Ballarat Botanical Gardens, Lal Lal Falls, Moorabool Falls, Kirks Dam, Lake Wendouree and paddle boat, Lydiard Street, Bopeep Creek, Star of the East Mine, Peter Lalor Statue, great Equatorial Telescopu at Oddie Observatory (Ballarat Observatory), Boer War monument, Entrance to Art Gallery of Ballarat, interior of Art Gallery of Ballarat, Old Curiosity Shop, Angus Rialto cafe, Ballarat Brewing Co, Royal Standard brwery, Phoenix Brewery Warrenheip, John MacLeod and Companyballarat, ballarat school of mines, buninyong, burrumbeet, cobb and co, eureka brewery, ballarat brewing co, sturt street, m1604, chinese, chinese medicine, d. lem, j.e. sang, brewery, tanners -
Phillip Island and District Historical Society Inc.
Booklet, Phil De La Haye, The Family of Rurric Alexandre & Fanny Charlotte ( nee Dear) De La Haye by Bernie, Murray, Jennifer & Mel De La Haye, 2010
The family lived and farmed on French Island from 1902. They later moved to Phillip Island, dismantling and transporting their home to be re-erected in Findlay Street Cowes. It later became Findlay Art Gallery.25 page typed booklet. Includes black and white and coloured photographs. Section of the book, “The De La Haye Dynasty” Edited and printed by Phil De La Haye of Hastings in 2010The family of Rurric Alexandre & Fanny Charlotte (nee Dear) De La Haye by Bernie, Murray, Jennifer & Mel De La Hayelocal identities, de la haye family, findlay art gallery, french island, rurric de la haye, seaweed farming, shire of phillip island, grocery shop cowes, cowes shopping centre -
Glenelg Shire Council Cultural Collection
Painting, Nancy Malseed, Environment III, 1969
Art CollectionThe picture depicts trees with emus hiding amongst them. The trees are a cluster in the middle of a white background that gradually gets darker around the bottom and top edges. Mounted on a wooden backing which extends further then the picture, giving it a natural frame. No glass.Front: Malseed (brown paint, lower left.) Back: 1969- (Yellow circle sticker, top) 114 (small white sticker, top) Portland Art Gallery Trust (just short of top, white chalk) Nancy Malseed Environment 111 (1969) (strip of white paper, printed, top right) Malseed Environment 3 N.F.Scema, portland artists society -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Souvenirs Australia Pty. Ltd, A Ford on the Acheron River, 1881, Post 1995
A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone.A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone. The original painting is oil on canvas and was donated to the Broken Hill City Art Gallery in 1948 by Mr. O. Von Rieben. This postcard was produced by Souvenirs Australia Pty. Ltd. in Glynde, South Australia as a souvenir of Marysville.H.J. JOHNSTONE/ A FORD ON THE ACHERON RIVER, 1881/ OIL ON CANVAS, 171cm x 245cm/ BROKEN HILL CITY ART GALLERY/ DONATED BY MR. O. VON RIEBEN, 1948 Made in/ Australia by/ Souvenirs Aust./ Pty. Ltd./ Adelaide/ BHG 2 ADDRESS Published by/ Souvenirs Australia Pty. Ltd./ Glynde/ Copyright A PITT CARDacheron river, oil painting, h.j. johnstone, broken hill city art gallery, mr. o. von rieben, postcard, souvenirs australia, souvenir -
Queenscliffe Maritime Museum
Photograph - Sepia photograph of Henry Freeman, lifeboat man, Henry Freeman portrait, unknown
Lifeboat equipmentLifeboat equipment userSepia photo of Henry Freeman - lifeboat disaster survivorReverse - " Gift from Henry Reid 6/11/86 - Artboard AB 57 - Frank Meadow Sutcliffe 1853 - 1941 - Henry Freeman - A portrait of Henry Freeman. Lifeboatman for over forty years & sole survivor of the Whitby lifeboat disaster of 1861 in which twelve men were drowned close by the West pier. Henry Freeman was the only one wearing a newly designed Ministry Life Jacket. - Reproduction by courtesy of the Sutcliffe Gallery, Whitby. - Hand finished photographs printed from Sutcliffe's original negative available from The Sutcliffe Gallery, 1 Flowergate, Whitby, Yorks White. Write for details. (c) Camden Graphics Ltd 1977 43 Camden Passage London N1 01-226 2061 ".historical references -
Geoffrey Kaye Museum of Anaesthetic History
Vase, Glassware, Robert Wynne, c.2012
Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm -
Eltham District Historical Society Inc
Artwork, other - Sketch, E. Foreman, Old property at Eltham Station, c.1980
Situated at 965 Main Road adjacent to the Eltham Railway Station, the Country Art Store was originally a hairdresser and Tattersalls agency In 1968 Pam Robinson and Caroline Shenton opened a small shop on the corner of Main Road and Napoleon Street. Four months later a damaged fire hyrdant flooded the store and ruined all their stock. The pair moved to the former hardresser shop at 965 Main Road, adjacent to the Eltham Railway Station, opposite the Stationmaster's house and opened the Country Art Store and adjacent gallery. At the time the only other shop selling pottery was the Potters Cottage in Warrandyte. During the 1970s the gallery was the Wiregrass Gallery. In 1993, after 25 years operating the Country Art Store, the pair decided to sell up and move to warmer climates. During the course of their business a number of craft shops and galleries opened and closed in Eltham. One such shop was Bimbadeen, next to Ansell and Muir's chicken shop opposite Eltham Lower Park. That business run by Don Brown, then a local artist was taken over as River Clay run by Leo Haanappel and Coeny Dommers but ultimately sat in a flood plain and was demolished. When the Country Art Store became available in 1993, Leo Haanappel and Coeny Dommers took it over. The premises became Platform 3095 cafe around 2015.Old Property at Eltha Station E. Foremanart store, country art store, country art store (eltham), eltham railway station, platform 3095, restaurants, shops, wiregrass gallery -
Tatura Irrigation & Wartime Camps Museum
Booklet, Streetscape, 1998
Printed in 1998 as a record of the exhibition held at Shepparton Art Gallery, July, 1998. Booklet deals with early architecture in Shepparton Region, includes maps, plans, photographic images and catalogue of 100 years of progress. Soft cardboard, light grey background with Shepparton Post Office fascade and first floor plan on front cover, view of the building from Wyndham Street and ground floor plan on back cover. The word "streetscape" printed across front seven times. early buildings, shepparton art gallery exhibitions, shepparton architecture, shepparton photographic images -
Whitehorse Historical Society Inc.
Article, Jan McBride, May 1973
An article stating pupils of Nunawading artist, Jan McBride will give an exhibition at the Mitcham Arts Association in June 1973non-fictionAn article stating pupils of Nunawading artist, Jan McBride will give an exhibition at the Mitcham Arts Association in June 1973mitcham repertory group, mcbride jan, mitcham arts association -
Kew Historical Society Inc
Headwear - Navy Straw & Silk Sun Hat, R & M Dower, 1949
R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed navy blue fine straw woman’s hat retailed by R & M Dower of High Street, Kew, with red, white and apricot coloured fabric flowers surrounding the crown of the hat.Label: R & M Dower 146 High St., Kew. Phone WM 8527r & m dower, milliners, hats, australian fashion, women's clothing -
Kew Historical Society Inc
Headwear - Multicoloured Silk Floral Hat, R & M Dower, 1960s
R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Small brimless woman’s hat retailed by R & M Dower of High Street, Kew. The structure of the hat is made of stiffened net, covered with multicoloured flowers, leaves and a purple ribbon.Label: R & M Dower, 146 High St., Kew. Phone WM 8527.r & m dower, milliners -- kew (vic.), women's clothing -- hats, headwear -
Kew Historical Society Inc
Headwear - Black Felt and Grosgrain Hat, R & M Dower, 1960s
R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A circular black velvet brimless woman’s hat with a ribbed grosgrain strap at the back. The hat includes a small label identifying the maker as R&M Dower of 146 High Street, Kew.Label: "Phone WM8527 / R&M Dower. 146 High Street Kew"fashion accessories, hats, women's clothing, r&m dower -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SNIPPETS OF BENDIGO HISTORY
Bendigo Weekly from Friday November 16,2001. Snippets of Bendigo History - The View Street Story - continued by Edith Lunn. This article look at the Temperance Hall which was built in 1860 for the Bendigo Total Abstinence Society and its neighbour extending up the hill. Temperance Hall was designed by Vahland and Getzschmann. The building next was also built by Vahland and Getzschmann as a residence for Robert Strickland, later it was acquired by Dr. Oliver Penfold who extended the building and set up his medical practice . The building is now the Penfold Gallery of the Arts. The clip is in a folder.newspaper, bendigo, bendigo weekly -
Bendigo Historical Society Inc.
Document - BENDIGO AGRICULTURAL & HORTICULTURAL SOCIETY CERTIFICATE OF MERIT, 1890
Bendigo Agricultural & Horticultural Society Certificate of Merit. Awarded to Miss. H. Maru for Third Prize for Crochet work. 15th & 16th October 1890. Signed by President and Secretary. Photos of animals on front. DR 282 on back. On small accompanying card - From Glasier & Watts (late D.G. Coope) established 1871 Carvers & Gliders. Picture frame manufacturers etc. Old frames repaired and re-gilt. Map plans mounted & varnished plaques plush & ornamental work. Art Gallery. Bath Buildings. Mitchell street. Bendigo.document, certificate, personal -
Bendigo Historical Society Inc.
Book - ARTISTS OF THE BENDIGO GOLDFIELDS 1852 - 1864, 1989
Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers. -
Ballarat Tramway Museum
Photograph - Colour Negative, Colour Print, David Endacott, 1971
Colour positive (negative) of SEC tram No. 30 south bound in Lydiard St. North, with the destination of Sebastopol between Mair St and Sturt St. Has the Fine Art Gallery buildings, Post Office and Mining Exchange building in the background of the photograph. Photo taken after the tram has passed the photographer. A colour laser image of this negative made on 10/1/2000 using a Canon Laser printer has been placed on file at 01-01-57. Original film image scanned at 3200dpi 12/5/2020.ballarat, lydiard st. nth, fine art gallery, tram 30 -
Ballarat Tramway Museum
Memorabilia - Event Materials, Immigration Museum and Museum of Victoria, 7/07/2003 12:00:00 AM
Printed invitation for the opening of the Trammies Exhibition, Immigration Museum, Access Gallery prepared for Warren Doubleday. Invitation featuring a MMTB 6d ticket on the front, giving basic details of the exhibition and on the rear, opening details. Features Connies Performance Troupe logo, BTM logo and VicHealth Smokefree logo. Used on Thursday 20/2/2003. Opened by Peter Batchelor MP, Victorian Minster for Transport. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2454 2455, 2457 for other parts of the exhibition.trams, tramways, trammies, exhibitions, immigration museum, connies -
Bendigo Historical Society Inc.
Slide - Images by Arthur Pulfer, 1957-58
Many images from by Arthur Pulfer copied to slides. Twenty Slides of Bendigo images: Les Penna's Plane February 1970 'Music to the People' Rosalind Park Bendigo 1956 Bendigo Art Gallery View Street 1957 View from the lookout in Rosalind Park Bendigo 1957 Charing Cross Bendigo March 1972 Stramit Board Works - Allingham Street Golden Square Bendigo 1957 Penna's starting gates Bendigo 1958 Bendigo Conservatory Gardens Autumn Flowers Easter 1957 Youth Sunday Bull Street Bendigo 1957history, bendigo, james lerk collection, bendigo conservatory, brass bands bendigo, rosalind park bendigo, bendigo art gallery, stramit board works bendigo, les penna's plane, penna starting gates, conservatory gardens bendigo -
Bendigo Historical Society Inc.
Document - THEATRES COLLECTION: THEATRICAL TRADITIONS - STAGE AND SCREEN IN BENDIGO
Twelve pages document titled: ''Theatrical traditions - stage and screen in Bendigo. The document details the history of theatres in Bendigo from the early days. Paragraphs titles are: The Shamrock Hotel, The Criterion Theatre, Abbott's Lyceum, St. James Hall, The Royal Princess Theatre, The Masonic Theatre, Open air picture Theatres, The Lyric Theatre, Plaza Theatre, Eaglehawk pictures. The Golden drive-in Picture Theatres in decline, Contemporary cinemas, Community traditions, Bendigo Regional Arts Centre, Ulumbarra Theatre. The document was prepared for the Post Office Gallery exhibition and is marked Confidential.entertainment, theatre, post office gallery -
Eltham District Historical Society Inc
Painting, Lindsay Edward, The Malt House, 1942c
Artist Lindsay Edward and wife Jan built a house designed by Alistair Knox at 151 Old Eltham Road, Lower Plenty. See article on home designed by Alistair Knox for Lindsay Edward, teacher, at 151 Old Eltham Road, Lower Plenty. The home was originally featured on the cover of the January 1953 issue of Home Beautiful magazine and was revisited in the March 1969 issue. See registration record No. 01649. Lindsay Edward Biography: 1919: 26 August Lindsay Maurice Edward was born in Melbourne. 1937: 4 – 9 May Exhibition - Heidelberg art exhibition (SLV collection) 1939: Art student at the National Gallery of Victoria 1940: 7-14 October Exhibition Heidelberg art exhibition. (SLV collection) 1941: November - Exhibition Heidelberg Art Exhibition 1942: Lindsay was an art student living at this 14 Park Cres. Fairfield. Occupation Art student. He most likely painted this painting around this time. c.1942 – 1944: Enlistment for military service in World War 2 in Casino, NSW. 1944: Rank of Sergeant. 1944: Exhibition Seddon Galleries (Melbourne) 1945: Exhibition Seddon Galleries 1946: Exhibition Exhibition of Past Students of the National Gallery of Victoria 1947: Submitted “Self- portrait in the Archibald Prize, Art Gallery of NSW 1948: Lived in London for a year and married a fellow artist ? Knox. 1949: Returned from London 1949: Electoral Roll Residence– 16 Mount Street, Ivanhoe 1950: October Exhibition Stanley Coe Galleries, 435 Bourke Street, Melbourne 1951: 19 Nov. - 9 Dec. Exhibition An exhibition of present day art of Victoria Victorian 1951 Commemoration Committee in conjunction with the Victorian Artists' Society, 1951: (SLV Collection) 1953: October Exhibition Melbourne Contemporary Artists Exhibiton 1954: Exhibition Melbourne Contemporary Artists Exhibition 1958: Victorian artist and educator Lindsay Edward won the £500 prize for the wall decoration of the Queensland Library - . Edward was born in 1919 and had studied at the National Gallery of Victoria. In 1958 he was head of the painting section of the Royal Melbourne Technical College (now RMIT) and had only recently begun experimenting with mosaic. The Centennial mosaic covers a wall 68 feet (20.72 metres) in length and 14 feet (4.26 metres) high. In a Melbourne Age article in July 1958 Edward described the mural as ‘not a literal subject’ rather as ‘a basic formation of organic forms indicating growth and development’. 1960: Exhibition Eltham Art Show (SLV collection) 1963: Exhibition October 28-November 17 - Argus Gallery, 290 Latrobe Street, Melbourne and at Hassall's Roadside Gallery, Eltham and at Gallery A and at Russell Davis Art Gallery. (SLV Collection) 1963, 1967, 1977 and 1980: Electoral Rolls – Residence Old Eltham Road, Lower Plenty. Occupation Teacher 1966: Exhibition Art Show -Austin Hospital Appeal (Heidelberg) (SLV collection) 1970s: Head of Art Department RMIT where he established a fine art collection. 1982: Exhibition Bolitho Gallery Canberra http://nla.gov.au/nla.news-article116467780 1988: 28 July – Exhibition Recent Paintings Darwin Performing Arts Centre (SLV Collection) 1993: Exhibition Solander Gallery, Canberra 2007: January Died and is buried in Eltham Cemetery 2007: Obituary in Age Jun 2, 2007 - LINDSAY Edward's retirement as head of the fine art department at RMIT in August 1979 signalled the end of an important chapter in the art Sources: ART CONTEST. (1939, March 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article12103185 ART EXHIBITION AT HEIDELBERG (1941, November 25). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article8218682 ART EXHIBITIONS (1945, October 3). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article205639922 EX-GALLERY STUDENTS' SHOW (1946, October 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 3. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22386440 https://www.artgallery.nsw.gov.au/prizes/archibald/1947/ Art World Busy (1949, February 26). The Argus (Melbourne, Vic. : 1848 - 1957), p. 12. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22706197 http://nla.gov.au/nla.news-article22781141 ART NOTES (1953, October 13). The Age (Melbourne, Vic. : 1854 - 1954), p. 2. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article206462733 Design, color in art show (1954, October 5). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article23453359 https://artcollection.its.rmit.edu.au/?p=rmit-gallery-about Cinema (1993, October 7). The Canberra Times (ACT : 1926 - 1995), p. 7 (Good Times). Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article127509819 Queensland Centenary Artwork (includes image) http://queenswharf.org/places/former-queensland-state-library-wall-decoration-and-sculpture/ Eltham Cemetery http://www.elthamcemetery.com/index.php/search oil on paper board 31.5 x 37.5 cm signed "Edward" lower rightInscribed on back "The Malt House Lindsay Edward 15 Park Cres Fairfield"fairfield, malt house, lindsay edward, home beautiful, home beautiful magazine, alistair knox