Photocopy of Certificate of Title Vol 5807 Fol 1161261 to Carl Julius Otto Draeger for four acres of land being part of Crown Portion 93 at Forest Hill; with verso of C/T Vol 1900 Fol 37984 recording transfers to Lydia Esther Lovell, Lillian Sarah Frances Lovell, William John and Mabel Jessie Brown.Photocopy of Certificate of Title draeger, carl julius otto, canterbury road, forest hill, glen valley road, lovell, lydia esther, lillian sarah frances, brown, william john, mabel jessie

This book was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This book is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. The Book of Common Prayer. Small book, dark fabric hardcovers, both embossed design on cover incorporating a cross. Owner's name written in black ink inside the cover, also four brown stamps of a cross inside cover. Titled "The Book of Common Prayer and Administration of the Sacraments and other Rules and Ceremonies of the CHURCH according to the use of The Church of England". Printed in Great Britain. Book has 730 numbered pages. Inscribed with a signature inside the front cover as well as brown stamps of images of a cross.. This is one of the original items in our St Nicholas Seamen's Church Williamstown Collection.Written in black script inside the front cover "Anne Ambrose". Stamps of a cross symbol, brown ink, on the covers and some of the pages throughout the book. Inside front cover, in pencil, "602" "CH 34" Inside the back cover in blue pen are the numbers "271 / 291 / 24"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, prayer book, the book of common prayer, church of england prayer book, anne ambrose, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, flying angel club

Items in collection of K W Peatling. Refer Cat 5140.2, Box 173, for his service details.Cotton cover, Green Camouflage, octopus shape. Under side is brown camouflage. Fabric has slits to secure ends inside the helmet."The Big D'. WWVa, X 13 Dec 69, X January 70, X February, X March, X April, X May, X June, July, Auguest, September, October, November, December 12" written in black ink (August spelt wrongly). Stamped on brown side COVER HELMET CAMOUGLAGE CONTRACT NO 9005, 8415 - 261 - 6833. Written in black ink COWARD DO NOT DELAY NHA TRANG PLEIKU BIEN HOAuniform, vietnam

255 p. : frontispiece illustrationchildren's fiction

This felt deer was made by Helena warren of Newmerella. The deer was exhibited in the Royal Melbourne Show in the 1950's. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This object reflects the needlework skills of women in the early to mid 20th century. This item also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A handmade felt toy fallow deer which is light brown with darker brown spots. It has dark brown antlers, dark brown feet and plastic eyes.handcrafts needlework warren-helena

Poster gives a brief outline of the history and growth of Gilpin organization.Light Brown paper with dark brown writing and images.gilpin, drapery, ironmongery, chain stores, advertising

A BROWN CONICAL GLASS BOTTLE WITH BROWN GLASS TOPlocal history, medicine, surgery, medical

The Epson HX-20 (also known as the HC-20) is generally regarded as the first laptop computer, announced in November 1981, although first sold widely in 1983. Hailed by Business Week magazine as the fourth revolution in personal computing, it is generally considered both the first notebook and handheld computer. The typist could hear the message and check that it was correct. Used by visually impaired people who could not read Braille. Talking typewriter with brown keys in brown plastic case'Keynote" on left hand side.audio equipment, assistive devices

Chloroform was a popular anaesthetic agent in the early period of medical anaesthesia.Empty brown bottle of chloroform, with brown glass stopper.Printed on manufacturer's label: CHLOROFORM / B.P. / ANAESTHETIC / POISON / CHLOROFORM SHOULD BE KEPT IN A COOL / AND DARK PLACE. / W. J. BUSH & CO., LIMITED / MANUFACTURING CHEMISTS / ASH GROVE, HACKNEY, LONDON / MADE IN ENGLANDchloroform, anaesthesia, w.j bush & co., london

This handmade pinafore was worn by the donor, Ellen Brown, at her christening in 1905. It was made by Ellen's grandmother, Mrs Beeching, for the first daughter born in the Fagg family. The pinafore was a treasured family heirloom, and was not worn again. It is a rare example of a modest, homemade christening costume. Most costumes were gowns, but this humble pinafore still shows loving attention to detail.The connection between milestone moments and the wearing of a particular garment carries great significance. The christening gown represents the rites of passage: great importance is placed on the clothing, as well as the ceremony.This is a white cotton infant's christening pinafore, round neck with a flounce, sleeveless with a sash attached at the front and tied at the back. There are lace inserts and lace at the hemline. Tucks are machined as embellishments and a tie at the back of the neck.lace, celebrations, handmade, white, brown, ceremony, textile, cotton, bacchus marsh, brown family, 1905, mrs beeching, fagg family, pinafore, infants clothes, rituals, fagg, costumes, family heirloom, christening, ellen brown

8072.1 - Brown ink well 8072.2 - Brown ink well with no flat bottom 8072.3 - Brown ink well

Pte HARRY THOMPSON No 69437 New Zealand Expeditionary Force WW1. Refer 2027 for his service details. Illustrated certificate, brown & black ink printed on cream paper, mount in brown & green cardboard & brown frame.The Great War 1914 - 1918 Certificate of Service in the NZEF for Pte Harry Thompson 69437 Stamp on back: Bethany Gallery 116 Bridge St Bendigodocuments - certificates, military history-service records

Councilor Alexander Nicholson was elected to council in1863 serving until1868. He was appointed President in1864-65 of which he only served part,(Conucilor J.Laidlaw serving the remainder) and 1865-66.Original Historic Photo.Photo of Alexander Nicholson is sepia in colour and is in a dark brown moulded frame, inner edge is a lighter brown and mount is dark brown with lightefr brown surounding the oval photo.Councilor Alexander Nicholson,Shire President, Shire of Ballarat.1864-65 (part),1865-66.ballarat shire council, nicholson alexander 1863 1868

Embossed information on the side shows it to be the property if H.M. Leggo (1869-1938), a Bendigo merchant and manufacturer of grocers’ sundries that included pickles, sauces and condiments. In the 1920s the company expanded into chemicals such as arsenic, rabbit poison and pest sprays. Leggo’s bottles for condiments and preserves tended to be made of clear glass. The square base and tapered body is similar to the J Kitchen & Son brown phenyl bottle, and the Leggo bottle may have also contained a household chemical substance. It was found in the sea or on the island.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Brown bottle with four flat sides. It tapers up, beginning with a small square base widening out and tapering to a narrow neck with a thread for a screw top. The bottle has a screw rim top, collar, short neck, four shoulders and a tapered body leading to an edged base.On side, "THIS BOTTLE IS THE PROPERTY OF H.M.LEGGO & CO LTD." On the side,"Reg.No 9376"

Three photos showing Stawell Shire Hall after trees removed in 2011. The building is painted a brown colour and in all 3 photos the Australian flag is flying on the flag post out the front. The three photos show different views of the building. One of the photos on page 29 Album 14 shows a deciduous tree also planted on the right side of the building. Three colour photos of Stawell Shire Hall taken in 2011 showing the building without the Norfolk Island Hibiscus trees. The Shire Hall is painted a brown colour and show the brick veneer addition on the left. The three photos are in Album 14 pages 26 & 29 showing the new deciduous tree planted out the front and the brick veneer addition on the left of the Shire Hall. stawell

The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth

Made for children of Camp 3 by German Officers.Dark brown, light brown and red leather, brown star. Red diagonal strip across front fixed to wallet with buttonhole stitch. Brown tab fastener, edge laced with brown leather. 1 pocket inside. Cream lining.wallet, leather, griffin h, camp 3, ww2 camp 3, accessory, helga girschik

This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat

One of a collection of seven photographs of Amygdales, polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White Photograph of an Amygdale Stone. Circular image with multi patterned interior."Phillip Island Amygdale. Magnified 5 diam. Colours chiefly brown and yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon

Pure wool, tan in colour, fine knit cardigan. Revere collar and five button opening. Two smaller buttons at each wrist. A 10.5cm wide ribbed panel extends from the chest to the lower band. Two rows of this rib also trim the cuffs together with the two small buttons. A flap pocket, also ribbed sits on each rib section on each front. Two cm cuff at wrist and a lower band.John Brown. Made in Australia PURE NEW WOOL M to Fit 38costume, male, cardigan

8697.1 - Small wooden box with a metal latch used to house the small weights. 8697.2 - Brass weight. 8697.3 - Brass weight. 8697.4 - Brass weight. 8697.5 - Brass weight. 8697.6 - Brass weight. 8697.7 - Brass weight. 8697.8 - Brass weight.8697.1 - NAG BROWN MAKERS - Melbourne - Scientific instruments - Fine weighing machines

Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art

Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art

Born: Melbourne, Victoria, Australia 1855; Died: 1917Heidelberg SchoolLedger Gift, 1980Landscape with house, golden hills and trees. Painted bronze gesso frame.Recto: Signed “F McCubbin” in brown paint in l.r.c of composition; Not dated; Not titledlandscape, rock, house, australian art

Born: Kyneton, Victoria, Australia 1860; Died: Surrey Hills, New South Wales, Australia 1940 Heidelberg SchoolLedger Gift, 1984Rural landscape and rustic house surrounded by trees. Gold painted timber frame.Recto: Signed "C. Southern" in brown paint l.r.c of composition; Not dated; Not titledlandscape, rural, house, trees, australian art

Born Morges, Vaud, Switzerland 1814; Arrived Australia: 1865; Died: Victoria 1888ColonialLedger Gift, 1986Sailing boat on river in middle of landscape and sheep are grazing. Gold painted timber frame.Recto: Signed " L Buvelot/ 1870" in brown paint l.r.c of composition; Not titledwaterscape, boat, river, animals, house, colonial, landscape, australian art