Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Colour slide in a mount. Interior, Okayama Prefectural Government Building, Okayama, Japan, 1957 (Architect: Kunio Maekawa.)Made in Australia / 7slide, robin boyd, japan

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Magazine image of the Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model). (Architect: Kenzo Tange.)Made in Australia / 2 / OCT 64M / Encircled 61 (Handwritten)japan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)7japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Image from a magazine of Yamanashi Press and Broadcasting, Kofu, Japan, 1966-7. (Architect: Kenzo Tange.)Made in Australia / 4 / OCT 64M / Encircled 49 (Handwritten)slide, robin boyd

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Image from a magazine of Yamanashi Press and Broadcasting, Kofu, Japan, 1966-7. (Architect: Kenzo Tange.)Made in Australia / 3 / OCT 64M / Encircled 16 (Handwritten)slide, robin boyd

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)12 / B (Handwritten) / Encircled 11 (Handwritten)japan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Rikkyo University Library, 1960, Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 11 / 7 (Handwritten)japan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model) (see also S0594) - image from a page of a magazine. (Architect: Kenzo Tange.)Made in Australia / 5 / OCT 64Mjapan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)5japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Peace Monument, Hiroshima, Japan. (Architects: Kazuo Kikuchi and Kiyoshi Ikebe.)9 / 12 (Handwritten)japan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Kurashiki Town Hall (1960), Kurashiki, Japan. (Architect: Kenzo Tange.)Made in Australia / 20japan, slide

The stadium was opened on the 24th July 1970 by Victorian Premier, Dick Hamer. It was the most famous basketball venue in the 70's & 80's.costing $8mil. The stadium was financed by basketball patrons under the administration of the Nunawading Amateur Basketball Association, a non profit community advancement company.The stadium caters for 7000 players per week (2015).Coloured Photograph of the East Burwood Basketball Stadium, Burwood Hwy, East Burwood. Three people walking away from the complex.basketball stadium - east burwood, sporting venues

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Library 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)16 / Encircled 84F (Handwritten)japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Library, Hiroshima, Japan, 1951-3. (Architect: Kenzo Tange.)15 / Encircled 59 (Handwritten) / Encircled 73F (Handwritten)japan research trip, slide

Class Leader of the R Class Steam Locomotive, designed by the Victorian Railways and manufactured in Glasgow, Scotland by the North British Locomotive Company. One of 70 Locomotives constructed from 1951 to 1954, becoming the last steam mainline express passenger locomotive on the Victorian Railways. The first 4-6-4 wheel arrangement used by the V.R. Replica Builder's Plate for Steam Locomotive R700 Key TagLocomotive R700 North British Locomotive Company Ltd. Glasgow 1950 No. 26994builder's plate, victorian railways, steam locomotive, r class, north british locomotive company

Handwritten note about two boys Ken Bice (13) and David Bice (10) attending the monthly meeting of the Royal Historical Society (Bendigo) on Thursday evening 5/2/70 and donated 20c each to the Central Deborah Restoration Appeal. They also took the opportunity to buy photographs to add to their collection. The president Mr A. Richardson thanked the boys and assured them that their money would be used wisely to restore the mine.mine, gold, central deborah gold mine, central deborah gold mine, ken bice, david bice, the royal historical society (bendigo), mr a. richardson, central deborah restoration appeal

Newspaper article, Friday 3, 2017, Bendigo Weekly. titled 'Gold win for mine' by Sharon Kemp. Fosterville Gold Mine has hit the jackpot intercepting some of the richest gold mineralisation in the world. Article describes richness of Fosterville deposit. Fosterville started operating in 2005 and has been mining underground for 10 years. 'At the current Australian dollar gold price, the three month haul is worth $70 million'bendigo, mining, fosterville gold mine

48 page supplement to Ballarat Courier of 10/06/1997, celebrating 130 (130th) years of publication. many adverts, stories, & social history notes & photographs - black & white & colour printing. Trams - see p30 (horse tram photos) p32 (ESCo era), p33 - (late 1960's, early 70's0 all with trams. Includes reproduction of first issue. Images added 3-12-2016niltrams, tramways, ballarat, the courier, ballarat commerce, ballarat social history, esco

Photocopy A4 size of a foolscap document, missing left hand edge of an advertisement titled "Tram Terminus Estate - West Preston". Auction dated 2/4/1927. Has an image of tram L 104 with a destination of West Preston, 70 sites, 5 shop sites, Gilbert Road and Regent Street. Sales by Coghill and Haughton of Swanston St Melbourne Gives fares from Regent Station and by tram.trams, tramways, auctions, real estate, advertisements, new tramway, regent, west preston, tram 104

A4 notice or poster - with The Met logo advising that route 70, Wattle Park, will be operated without conductors (except during weekday peaks) and the purchase of tickets should be from the driver. Advises that this follows an agreement between the Union and the PTC. Thought to be the first time that trams operated without Conductors following the big dispute. Reg Item 1868.9 gives the date the one person operation commenced as 3/2/1990trams, tramways, ptc, conductors, wattle park, route 70

Approx a 70 page, comb bound, report by TTM Consulting in May 1985, titled "Evaluation of North Balwyn Fairway, Balwyn Road to Harp Road" for the Public Transport Corporation. Evaluates the impact of a Fairway along the North Balwyn tram route. Principal conclusions given on page - tram travel times in both AM and PM peaks were virtually unchanged. Document has many tables at rear, graphs and maps.Stamped on cover and inside page "Discarded from PTC Library 19 Oct 1989" and "1985" in red ink on front cover.trams, tramways, north balwyn, fairways, traffic control, tram priority

Established in 1945, the Australian Railway Historical Society Victorian Division Inc. has a proud history of over 70 years of catering for all who have an interest in the railway history of Victoria. It has a membership of over 500 members throughout Australia and overseas. This item was donated at the Centenary of the Orbost - Bairnsdale Railway exhibition held in Orbost April 2016. This item is a record of the the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. A magazine/booklet titled, NEWSRAIL. It is Vol. 44 Issue 4 dated April, 2016. There is an article on 'Orbost Railway Bridges. The magazine has a cost of $9.50. On the front cover is a coloured photograph of a train passing over the Wairewa trestle bridge on the Bairnsdale - Orbost line.

The Classic Restaurant, located in Swanson Street next to Young and Jacksons Hotel, was one of the many businesses owned by Ithacans in Melbourne's CBD. Nakis Raftopoulos ran the business during the 70 & 80s up until the property was sold and became a fast food chain outlet. The building has since been demolished as part of Melbourne's Metro Tunnel project. Many Ithacans who settled in Melbourne in the early years of the twentieth century opened restaurants In the CBD. From the 1950s onwards the number of these Ithacan owned businesses gradually declined and by the 1970s very few remained. The Classic Restaurant was one of the last remaining establishments in the CBD owned and operated by an Ithacan. A black and white photograph of the Classic Restaurant. It is a two storey building large printed letters spelling out the name of the business on the first floor of the building. Three sedans are in front of the building and two people are standing at the tram stop opposite the building.Painted on the second storey of the building: CLASSIC RESTAURANT/ GROUND FLOOR/ COFFEE LOUNGE.

The East Burwood stadium was opened on the 24th July 1970 by Victorian Premier, Dick Hamer. It was the most famous basketball venue in the 70's and 80's costing $8 million. The stadium was financed by basketball patrons under administration of the Nunawading Basketball Association, a non-profit community advancement company. The stadium caters for 7000 players per week.Coloured photograph of the basketball stadium East Burwood. Cars parked at the front. The East Burwood hall in the distance. Located in Burwood Hwy East Burwood.basketball stadium, east burwood, sporting venue

This film is consists of 1896 Melbourne Cup, 1906 Sydney street scenes and Baldwin Spencer footage of Australian indigenous ceremonial dance. These sequences are repeated several times. This film was included in the longer film item AV004. These would have been selected by Robin Boyd for screening at the Australian Pavilion at Expo 70 in Osaka, where Robin Boyd was Exhibitions Architect.16mm black and white, silent film on reel inside a circular metal canister (185mm diameter) with lid. Duration 7:59 minutesexpo 70, melbourne cup, spencer baldwin, 1906 sydney, robin boyd

Photo shows tram 33 parked in the City loop during an afternoon early to July 1970 The tram has a Twin Lakes sign and the destination of Mt Pleasant, along with an auxiliary board advertising "Alf Garnet at the Vegas 70 Cinema". In the background is the Dickins Food store and Thomas Jewellers. Note the Section Insulators above the tram on both tracks.Yields information about tram operations and advertising July 1970.Colour print - digital printed made 12/22Has notes on the rear of the print about the photographer, address and dates.tramways, tramcars, tram 33, city loop, ballarat, alf garnett, section insulators

This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Surface area of spoon is 10% sediment, 10% original plate, 1o% verdigris, and balance 70% almost black oxidisation. flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, dessert spoons

Part of a collection of photographs donated by Julie Barnett. Photographs taken by Julie's In-laws on their honeymoon in November 1946.229-63 & 64. Black & White photographs of May, Dot & Pat in a dinghy and May, Dot, Roy & Pat in a Dinghy on the foreshore at Newhaven. San Remo and the Suspension Bridge in the background. 229-65, 67 & 70. Black & White photographs of May at Forrest Caves, May & Nancy on steps and Nancy Donnelly. 229-66, 68 & 69. Black & White photographs of Pat & Des Greely on the beach and on the S.S. Reliance leaving Cowes.des & pat greely, nancy donnelly, s.s.reliance, dingy, san remo foreshore, julie barnett