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Federation University Historical Collection
Sculpture - Plaster Drawing Prop, Cast of Child’s Head
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast showing the side profile of a child's face.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing from the antique, drawing the human figure from cast, copy, replica -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Brimbank City Council Art Collection
Sculpture - Public Art, Glengala Walk Monument, Unknown
Modern ArtUnknown. Glengala Walk. n.d, sandstone, Brimbank City Council, Brimbank.carved sandstone plinthsglengala walk, monument, glengala, sunshine west, sandstone -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Mould - concrete/death mask, Death Mask, 1940's
Death mask mould found in Camp 13 POW rubbish tip by former Army Garrison guard on a return visit to the camp.Concrete casting/death mask of a face, pitted, soiled, part of nose missingdeath mask, death mask mould, camp 13 rubbish tip -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, My Boys Can Do It, 1945
Depicting five tiny carved figures doing different jobs transferring goods at Tocumwal Railway Gauge Change. Made by former camp 2 Tatura internee after his release in 1942 to the 8th Employment Co. at Tocumwal. Kurt Lewinski was a former Dunera Boy, originally from Berlin, refugee in England in 1938 and transported to Australia in 1940.Wood carving of 5 tiny carved figures - 1 stacking cases, one carrying large filled bag on his shoulders (piece missing when items delivered), one wheeling pallet of large timber boxes, one pushing barrel and one carrying heavy box. Several folded canvases on foreground.8th E.C. Tocumwal My Boys can do it. K. Lewinski 1945 (on back) Base features inlay plaque with inscription.kurt lewinski, wood carvings, dunera boys, refugee in england, tocumwal railway -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Statue, Carved figure, 1940's
made by internees and given to Monte Punshon as a gift. Monte was an Australian warden who had oversight of the women and children in one of the compounds. She spoke fluent Japanese which she had learnt in the 1930's pre the war.Carved wooden figure of a Japanese man in a suit. Attached to a wooden base.internee wood work, monte punshon, statue -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Sandstone Maps of Australia, 1940
2x hand carved sandstone maps of Australia with space for penny in one & metal kangaroo in other. 1. Space for penny in centre. Markings for state boundaries. Creamy coloured stone. 2. Metal (copper?) kangaroo in centre. Pink tinged stone.1. Tatura 1940 2. 1940 Taturatatura;, handcrafts, carving -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - bronze, Elizabeth Pressa, Half Moon Bay, 1997
half moon bay, elizabeth presa, child, boat, water, poem, bayside city council, public art, scultpure -
Bendigo Art Gallery
Sculpture, Ettore Cadorin, Venus Tying her Sandal, 1914
Inscribed on back of marble base "E. CADORIN..." Not dated -
Bendigo Art Gallery
Sculpture, UNKNOWN, Psyche, unknown
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Bendigo Art Gallery
Sculpture, UNKNOWN, Pair of Censers (incense burners), 1860-1880
No marksdecorative arts, incense, sculptural, birds, asian, burner -
Horsham Regional Art Gallery
Sculpture, Ernst FRIES, Power within, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1976 -
Horsham Regional Art Gallery
Sculpture, Clifford LAST, Mandalia, c.1970
Clifford Last Bequest, 1996 -
Horsham Regional Art Gallery
Sculpture, Jeff THOMSON, Untitled (spiral), 1997
Acquired with the assistance of Arts Victoria, 1998 -
Horsham Regional Art Gallery
Sculpture, Jeff THOMSON, Bouquet IV, 2004
Gift of the artist, 2004 -
Horsham Regional Art Gallery
Sculpture, Barbara HEATH, Land race 1: Apple, Land race 2: Briar, Land race 3: Aloe, 2012
Land race 1: Apple purchased through the Horsham Art Gallery Trust Fund with the assistance of the Horsham Gallery Trustees, 2014. Land race 2: Briar and Land race 3: Aloe both donated through the Australian Government's Cultural Gifts Program by Barbara Heath, 2014. -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM, Flutter, 2019
Purchased through the Horsham Art Gallery Trust Fund, 2020 -
Horsham Regional Art Gallery
Sculpture, Dónal MOLLOY-DRUM with Asher ERHARDT, Jake JOLLY, Piyada (Plang) KANSRIVEANG, Jack KEDDIE, Annika LIVINGSTONE, Felicity MACKLEY, Benita PAUL, Jo-Mari PRETORIUS, Matilda RIDDELL and Violet WILLMORE, Untitled, 2020
Commissioned by Horsham Regional Art Gallery for their Artist in Schools Program, a collaboration with Dónal Molloy-Drum and students from Horsham College. Funded by Creative Victoria through the Full House Audience Development Program, 2019 -
Geelong Gallery
Sculpture - Koan 65, DAVIS, John, 1994
Twigs, calico, bituminous paint, cotton thread -
Geelong Gallery
Sculpture - Dame Edna Everage, FORSYTH, Suzanne, 1982
Glazed and lustred earthenware -
Geelong Gallery
Sculpture - Yellow Fort United Bank, PARAMOR, Louise, 2011
Plastic and mirror -
Geelong Gallery
Sculpture - Reclining form II, VASSILIEFF, Danila, 1980.19
Lilydale limestone -
Geelong Gallery
Sculpture - Forward surge, KING, Inge, 1972-73
Painted steel -
Geelong Gallery
Sculpture - Opus 371b 1981, KIPPEL, Robert, 1981
Bronze -
Geelong Gallery
Sculpture - Salome, MACENNAL, Bertram, c1897
Oil on canvas -
Geelong Gallery
Sculpture - Some kinds of duration (Cartridge edition), MANGAN, Nicholas, 2011
Concrete and reinforced steel -
Geelong Gallery
Sculpture - Putting on the ritz, ROBERTSON-SWANN, Ron, 1978
Painted steel -
Geelong Gallery
Sculpture - The artist, UNKNOWN SCULPTOR, Late 19th century
Marble and alabaster -
Geelong Gallery
Sculpture - Moon shadow (black hare), WEAVER, Louise, 2019
hand crocheted synthetic film, Japanese bamboo tape, plastic thread over high density foam, synthetic polymer emulsion, cotton rag paper, wire, hidden talismans -
Geelong Gallery
Sculpture - Moonlight becomes you (silver fox), WEAVER, Louise, 2019
) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass