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Kew Historical Society Inc
Clothing - Drop-Waisted, Cream Lace Dress, 1920s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress was worn by Kew resident Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. Cream-coloured drop waisted handmade dress, using machine made lace and added lace trim. The dress is missing its underdress.women's clothing, australian fashion - 1930s, lace dressses, mcintyre collection -
Kew Historical Society Inc
Clothing - A-Line, Cream Cotton Skirt, 1970s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This skirt is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. Long A-line cream coloured skirt.australian fashion -- 1970s, a-line skirts, mcintyre collection, dione mcintyre -
Kew Historical Society Inc
Clothing - Raw Silk Evening Dress, Margeaux of Melbourne, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long white raw silk dress with beading and sequins applied to a high neck and short sleeves.women's clothing, australian fashion - 1960s, evening wear, mcintyre collection, dione mcintyre -
Kew Historical Society Inc
Photograph - Grand Staircase, Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Grand Staircase of Tara Hall, circa 1957. The central hallway and stairs of Tara Hall, (previously named Byram, Goathland and Lowan). Edward George Kilburn, of Ellerker & Kilburn, designed this Studley Park Road mansion, of which the hallway was a significant feature, for the industrialist George Ramsden in 1888. Tara Hall, one of the great houses in Kew was demolished in 1959-60. Possibly Marc Strizic, photographer (1928-2012). Typed inscription on reverse: "The Grand Staircase of Tara Hall (Royal Women's Hospital, Melbourne).byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Staircase of 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Staircase at Tara Hall, circa 1957. An angled view of the main hallway and staircase of Tara Hall (previously named Byram, Goathland and Lowan). To the right of the staircase in this Studley Park Road mansion, a large inglenook fireplace was located, which was surrounded by stucco decoration. The latter was a characteristic of E. G. Kilburn’s late style.Typed inscription on reverse: "The Staircase at Tara Hall. Above the ornate fireplace is the legend 'Come When You Mind, A Welcome Find'. (Royal Women's Hospital, Melbourne)." byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Drawing Room, 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Tara Hall, Studley Park Road, circa 1957. The front of Tara Hall (previously named Byram, Goathland and Lowan). This triple-storey mansion with its elaborate gabled, steeply-pitched roofs and verandah was set back from Studley Park Road and concealed by a high brick fence. E. G. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Tara Hall at the time it was a home for nurses from the Royal Women's Hospital, Melbourne. (Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Central Hall, 'Tara Hall', Studley Park Road, Marc Strizic, c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Central Hall, Tara Hall, circa 1957. The central hallway and grand staircase of Tara Hall (previously named Byram, Goathland and Lowan). This photograph provides the clearest evidence of the scale and building materials selected by Edward George Kilburn, of Ellerker & Kilburn, for the industrialist George Ramsden in 1888. These include the murals on the second floor, the use of skylights, and the vaulted wooden panelling. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Gable, 'Tara Hall', Studley Park Road, Marc Strizic, c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.A detailed photograph of the main gable on the front of Tara Hall (previously named Byram, Goathland and Lowan). The façade included detailed terra cotta mouldings. The Kew Historical Society was gifted a remnant of this façade (ie. ‘East or West’) in 2013. The use of applied terra cotta decoration by the architect Edward George Kilburn, of Ellerker & Kilburn, is typical of his style of the period. Mark Strizic (1928-2012), photographer. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph, The Vestibule, 'Goathland', 1901-1911
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.The Vestibule, Goathland', 1901-11. The vestibule of Tara Hall (originally Byram, and later Goathland and Lowan). The vestibule was entered through a porte-cochère on the east side of the house. Visitors entered the mansion through the vestibule before progressing to the main hallway. The main rooms of the house were accessed through the latter on the ground and first floor. The photograph gives some idea of the decorative style of furnishings during this era. The Vestibule - "Goathland"byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Drawing - Architectural Drawings [copy], William Pitt, Sir Malcolm D. McEacharn, Kew, 1901
A set of architectural drawings of additions to Goathland (originally Byram, and later Goathland and Lowan). The drawings, by the architect William Pitt represent additions to the size of Goathland. Pitt had previously worked with the original architect of the house, Edward George Kilburn, of Ellerker & Kilburn, who had designed Byram for the industrialist George Ramsden in 1888. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Six black and white architectural drawings by the architect William Pitt for additions to the home of Sir Malcolm McEacharn in Studley Park Road. The original is in the collection of the State Library of Victoria."Sir Malcolm D. McEacharn, Kew"william pitt, malcolm mceacharn, architects -- melbourne (vic.) -- william pitt, architectural drawings, byram, tara hall, goathland -
Kew Historical Society Inc
Slide - Residences, 99 Princess Street, 1 Fellows Street, 1979
One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded. 99 Princes sStreet (1 Fellows Street) was built by the architects Oakden, Addison and Kemp. The Kew Conservation Study (1988) noted that: Erected By Bennie And Olivers, these Two Attached Houses Attracted An Initial Construction N.A.V. of £260. The houses were originally owned and occupied by the architect Henry Kemp, however Kemp appears not to have lived there long because, while he retained ownership for at least a decade, by 1891 George Martin, merchant and bank manager, was recorded as the tenant of No.1 Fellows Street. At that date the N.A.V. for this individual building was £83 and Kemp remained the owner of both properties until at least 1910. Kemp had arrived in Australia in 1886 and this was therefore one of the first of the many buildings he was to design in Melbourne. While late Victorian in date, the houses are of a unified design that is an interesting precursor of the Edwardian architecture produced by Kemp. Somewhat awkwardly composed with steep gables, a rectangular castellated tower and slated single storeyed verandahs projecting from the overall boxlike form, the house contains features common to the 1880s such as the use of polychromy in the brickwork and slates cladding the roof. The building departs from the norm of the time with the use of terracotta tile ridge cappings, and strapwork to the corbelled chimneys.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of the pair of residences on the corner of Princess Street and Fellows Street in Kew. The point of view is the Fellows Street frontage.comaques, historic houses -- kew (vic.), glenferrie road -- kew (vic.) -
Kew Historical Society Inc
Photograph - Kew War Memorial, 1927
... war memorials -- kew -- victoria -- australia architects ...The Kew War Memorial was planned and constructed at the apex of Cotham Road and High Street, Kew. It was built to commemorate those soldiers from Kew who served in the First World War. The Memorial was designed by the architect Harry Tompkins. It was unveiled by the Governor of Victoria in 1925.An early photograph of this iconic Memorial that locates it in its context. Small black and white photographic positive showing the Kew War Memorial in 1927, two years after its opening. The shops, known then as 'The Block' can be seen behind the Memorial.Annotated verso "Kew Memorial"kew war memorial, war memorials -- kew -- victoria -- australia, architects - harold tompkins, cotham road, high street -- kew (vic.), wwi -
Expression Australia
Photograph, Church for the Deaf and Dumb - Jolimont Square, East Melbourne
The Adult Deaf and Dumb Society of Victoria had long wanted its own place of Worship which was realised when this Church built specifically for the Deaf was completed in the Grounds of Jolimont Square, East Melbourne in 1930. This interdenominational chapel was designed by architects Gawler and Drummond for the Society and completed in 1930 in an unusual Romanesque style, although on a much reduced scale from the original design.These photographs are significant as this Church was the first in Australia built speciffically to accommodate the requirement of the Deaf community.16cmHx27cmW and 21cmHx19cmWchurch, jolimont square -
Surrey Hills Historical Society Collection
Book, Enniskillen McAlpin Residence, Feb-09
This report was prepared by historian Robin da Costa-Adams to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on a number of prominent families - the McAlpin family, the Hindson family and the architect, Arthur William Plaisted who designed 'Enniskillen' for the McAlpin family. McAlpin's was a major Victorian flour company in the nineteenth and early twentieth centuries. Owned and operated by J. McAlpin and Sons, the company sold its flour products across Australia and overseas. McAlpin's developed a successful marketing campaign which was pitched directly at housewives. One innovation was the publishing of a free cookbook which had recipes in it that used McAlpin's products. These free cookbooks were published successively from the 1930s through to the 1960s in Australia. Arthur Plaisted also designed the Surrey Hills Medical Centre in Union Road c1911. Some of his work is featured on the State Library of Victoria Collection. Robin da Costa-Adams has researched and written many publications including 'Blackburn a picturesque history, 1978'; 'Land of Gold: Gwlad yr Aur: James Tipping and a Mining Heritage'; 'Address (with signatories) from the women of Ballarat & Ballarat East to the women of England 1864 : against transportation of convicts', compiled and indexed by Robin; and 'Connie's Story : commemorating the Life of Mrs Edward (Plorn) Dickens'. Robin has been a tireless campaigner for heritage protection in Canterbury. This document on 'Enniskillen' was included with Robin's submission for 2 VCAT hearings regarding possible development of the property. Both resulted in a judgement against the proposed developments. In the recent (2021) hearing the document was specifically mentioned in the judgement.A report prepared by Robin da Costa-Adams in 2009 to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on the McAlpin family, the Hindson family and the architect Arthur WIlliam Plaisted family.(mr) arthur plaisted, (mr) walter plaisted, enniskillen, shrublands, house names, (mr) francis henty, (mrs) mary henty, (mr) ernest carter, heathfield, (mr) john hindson, (mrs) alice hindson, (mr) william hindson, (mrs) annie west mcalpin, (mr) john mcalpin, mcalpin bakery, (mr) keith matthies, dental surgeon, (mr) william wolf, architects, (miss) mary beacon, robin ca costa-adams -
Surrey Hills Historical Society Collection
Book, Pioneers of Modernism, 2008
Purchased by Sue Barnett on Ebay This book traces the development of the movement from its origins, including key architects who introduced the theories and idioms of the British Arts and Crafts movement and transported them to Australia.This book traces the development of the movement from its origins, including key architects who introduced the theories and idioms of the British Arts and Crafts movement and transported them to Australia. 267p index. illus. biblogarts and crafts movement, architectural drawing, architecture - 20th century -
Surrey Hills Historical Society Collection
Photograph, 'Monserrat' - 26A Wandsworth Road, Surrey Hills - side veranda
The house was formerly known as formerly 'Guildford' and built in 1888 to the design of architect Mr George Jobbins. 1900-1902: Home of Mr William Holmes, later of 'Lugano' in Mont Albert Road. 1906-1923: Home of Mr Phillip Parer and family. Briefly the home of Mr Phillip Dicker and family. From 1988 to March 2019 it was the home of Mr Peter Nicholls and his wife Clare (nee Coney) and their sons Jack and Luke. Peter Douglas Nicholls (8 March 1939 – 6 March 2018) was was born in Melbourne and was an Australian literary scholar and critic. He was the creator and a co-editor of The Encyclopedia of Science Fiction with John Clute.A colour photograph of the front entrance to a brick house showing the lacework on the veranda. Grey and white tiles set in a diamond pattern are set on the veranda and remnants of a vine adorn the left post of the veranda.house names, mont albert road, wandsworth road, surrey hills, 1988, 'monserrat', 'guildford', (mr) peter nicholls, (ms) clare nicholls, (ms) clare coney, (mr) george jobbins, (mr) phillip dicker, (mr) phillip parer, (mr) william holmes -
Surrey Hills Historical Society Collection
Photograph, Artist's impression of The Shrine in the Surrey Gardens
The Shrine was opened on Sunday 7 April 1918. Mrs C H D Steele, President of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the WW1 soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of the Shrine was by John Stevens Gawler, architect of Gawler & Drummond. Both men donated their services. It was one of the first WW1 memorials to be built and is noted for its use of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Surrey Hills Progress Association coordinated fundraising to build the memorial. The photo comes from a souvenir brochure printed for the dedication of The Shrine on 7 April 1918. There is a bound copy of a history of The Shrine by Robin Doble in the collection.Black & white photo of the artist's impression of The Shrine in the Surrey Gardens. The photo is part of a souvenir booklet, a copy of which is also held in the collection.surrey gardens, john kendrick blogg (mr), surrey hills progress association, john stevens gawler, gawler and drummond, the shrine, war memorials, sarah margaret russell (miss), sarah margaret steele (mrs), mrs charles henry dillon steele -
Surrey Hills Historical Society Collection
Photograph, 'Monserrat', 26A Wandsworth Road, Surrey Hills c 1888
This home was formerly known as ‘Guildford’ and was built in 1888. 'Guildford' / ‘Monserrat’ originally fronted Mont Albert Road. 1888-c1900 George Jobbins, architect 1900-04 William Holmes, designer of the electrification of Melbourne suburban railways 1906-22 Philip Parer family - Phillip Parer was one of 5 Parer sons & 3 daughters who came to Australia from Spain from the 1850s onwards. The family set up a catering business. 1922-23 George Dicker family, later of Mont Albert Road After the frontage was sold, the entrance to 'Monserrat' became Wandsworth Road. A black and white photograph of a Italian Boom style house, with a double row of iron lace, and pairs of verandah columns in place of the usual single ones. The roof structure is elaborate and with chimney pots on the substantial Victorian chimneys.wandsworth road, surrey hills, architects, catering business, chimneys, house names, italian boom style, mont albert road, (mr) george jobbins, 'guildford', 'monserrat', (mr) phillip parer, spanish families, (mr) william holmes, (mr) george dicker -
Surrey Hills Historical Society Collection
Photograph, 'Monserrat' - 26A Wandsworth Road, Surrey Hills
The house was formerly known as formerly 'Guildford' and built in 1888 to the design of architect Mr George Jobbins. 1900-1902: Home of Mr William Holmes, later of 'Lugano' in Mont Albert Road. 1906-1923: Home of Mr Phillip Parer and family. Briefly the home of Mr Phillip Dicker and family. From 1988 to March 2019 it was the home of Mr Peter Nicholls and his wife Clare (nee Coney) and their sons Jack and Luke. Peter Douglas Nicholls (8 March 1939 – 6 March 2018) was was born in Melbourne and was an Australian literary scholar and critic. He was the creator and a co-editor of The Encyclopedia of Science Fiction with John Clute.A colour photograph of a house showing two large windows and a veranda to the left. There is decorative iron lacework along the veranda.house names, mont albert road, wandsworth road, surrey hills, 1988, 'monserrat', 'guildford', (mr) peter nicholls, (ms) clare nicholls, (ms) clare coney, (mr) george jobbins, (mr) phillip dicker, (mr) phillip parer, (mr) william holmes -
National Wool Museum
Vest
In 1984 the Scottish the Scottish Australian Heritage Council held a national competition to design an Australian tartan. The winner, Melbourne architect John Reid, designed a tartan using the colours of the Australian landscape: ochre, terracotta, black, white and cobalt blue. These were superimposed on the pattern of the Macquarie tartan sett, appropriately, as Lachlan Macquarie was the first Scottish and civil governer of the of Australia, from 1810 to 1821. In 1996 a vest was designed and made using the Australian tartan, as a uniform for the National Wool Museum's honorary staff. Name tags are inserted into the upper left button hole.National Wool Museum vest worn by honorary staff.SMALLtextile design, national wool museum, tartan -
Brighton Historical Society
Dress, 1975
Mary Owen OAM (1921-2017) purchased this dress in 1975 in Mexico while attending the first World Conference on Women and wore it to the reception there. A dedicated feminist, unionist and activist, she was a vocal campaigner for the empowerment of women, particularly in the fight for equal pay. Mary's involvement in activism began in 1966 when she joined the staff of the Association of Architects, Engineers & Draughtsmen (AAESDA), where she was responsible for advertising, layout and proofreading editorial for its journal 'Blueprint'. Her contact with the union awoke an interest in women's rights in the workplace, and in 1969 after she joined Dr Bertram Wainer's Progressive Reform Party, which advocated for legalised abortion. She joined the Women's Electoral Lobby in 1972 and remained an active member for over forty-three years, representing the WEL on many government committees. She was a founding co-coordinator of the Working Women's Centre Melbourne from 1975 until 1986, a founding member of EMILY's List Australia, an early member of the Melbourne Press Club and an early supporter of the Australian Women's Archives Project. An annual Mary Owen Dinner was held in her honour for twenty years from 1986 until 2007, which brought together hundreds of women each year. Mary was awarded the Queen's Silver Jubilee Medal in 1977 and the Order of Australia Medal in 1984. She was added to the Victorian Honour Roll of Women in 2001.Red, white and black cotton halter neck dress with rows of pin tucking on the bodice and applied horizontal strips of red and black cotton and black lace to the skirt. Label, woven black on white acetate, centre back: Disenado con carino por / GEORGIA CHARUHAS / HECHO / EN MEXICO Label, woven black on white acetate, centre back: Gerorgia's / BOUTIQUE LAS MARIPOSAS / Designer: / Georgia Charuhas / MERIDA YUCATAN, MEXICOmexico, international women's conference, 1970s fashion, georgia charuhas, feminism, mary owen -
National Wool Museum
Newspaper Cutting, Messrs. C. J. Dennys and Co.'s New Wool Store Geelong, 10/9/1872
The Denny Lascelles Wool Warehouse was the first building in Victorian planned to facilitate storage, inspection and marketing of wool in one operation, and upon completion was the second largest store in the colony. CJ Denny's was largely responsible for establishment and development of the wool marketing industry in Geelong and is a figure of significance in the history of settlement in Geelong. The wool store, a basalt structure with cement rendered ornamentation, was erected for CJ Denny's and Co, in 1872 to the design of Jacob Pitman, Architect.Wood cut engraving of the Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong, published in The Illustrated Australian News, 1872. The half page full colour illustration shows the newly constructed Wool Store with a bull drawn cart carrying full wool bales situated out the front of the store.Top margin: THE ILLUSTRATED AUSTRALIAN NEWS 201 Below image: Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong Image signed, lower mid edge: WINSTON Image, on building: C.J. Dennys Wool Brokers 1872 C.J. Dennys & Co. Wool & Produce Warehousedenny lascelles wool warehouse, wool, dennys, wool store -
Federation University Art Collection
Sculpture - Sculpture - welded Metal, 'Organic Form' by Inge King, c1967
Inge KING (26 November 1915 – 23 April 2016) Born Berlin, Germany Arrived Australia 1951 Inge King trained as a wood carver and studied at the Berlin Academy (1937-1939), Royal Academy London (1940), and the Glascow School of Art (1941-1843) . She moved to London in 1847 and began carving organic abstract forms in wood and stone. In 1949-50 she went on a study tour to the United States of America where she was inspired to work in metal . Inge King arrived in Australia in 1951 and she completed several large scale public works. Between 1861 and 1875 Inge King lectured at the Institute of Early Childhood Development, Kew. From 1976 to 1987 she lectured in Sculpture at Royal Melbourne Institute of Technology. She was a founding member of the Ceminal Centre Five group, and she actively lobbied architects, governments and State galleries to include modernist sculptures in their plans and displays. In 1991 Inge King joined the first National Trust of Australia (Victoria) Public Art Committee, advising on public art at risk and worthy of Trust classification. The Australian Women's Art Register describes Inge King as having been at the forefront of developing a non figurative vocabulary in Australian Sculpture. Welded bronzed steel sculpture painted black and red. This sculpture by Inge King was purchased in 1967 with funds raised by staff and students of Ballarat Teachers' College, a predecessor institution of Federation University Australia. During this era a collection was made which resulted in an annual purchase or commission of an artwork of note. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Signed 'I. King' on the lower steel plate. art, artwork, inge king, king, sculpture, ballarat teachers' college collection, welded metal, metal sculpture -
Federation University Art Collection
Work on paper - Printmaking - Lithograph (Limited Edition), 'Modulor' by Le Corbusier, 1956, 1956
Le Corbusier (or Charles-Édouard Jeanneret-Gris) (6 October 6, 1887 – August 27, 1965) Born Chaux-de-Fonds, Switzerland Studied at the local art school Began to study architecture in 1905 With Amedee Ozenfant founded the journal “L’Esprit Nouveau” in 1920 Became a French citizen in 1930 La Corbusier was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, with his buildings constructed throughout Europe, India, and the Americas. (Wikipedia) The Modulor is an anthropometric scale of proportions devised by the Swiss-born French architect Le Corbusier (1887–1965). It was developed as a visual bridge between two incompatible scales, the imperial and the metric system. It is based on the height of a man with his arm raised. It was used as a system to set out a number of Le Corbusier's buildings and was later codified into two books. (wikipedia) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Limited edition lithograph after an original collage by Le Corbusier, probably executed in Mourlot Workshop. art, artwork, le corbusier, modular, mourlot workshop, lithograph, colour lithograph, printmaking, aavailable -
Vision Australia
Plan - Image, RAAF HQ Royal Victorian Institute for the Blind, 14/3/1942
In 1942, the expansion of the war into the Pacific expanded wartime operations in Australia and some of the RVIB buildings were comandeered for house military staff. This plan, drawn up in March 1942 by J.G. and authorised by the Superintending Architect and (W. Dale)Works Director Air Services show the layout of the main building at 557 St Kilda Road as well as that of the babies nursery. Doorways, cupboards and stairwells are annotated in this carbon copy, as well as the layout of Ormond Hall.1 architectural plan of St Kilda Road layoutmyer house, royal victorian institute for the blind, plans, raaf -
Vision Australia
Plan - Image, Proposed additional nurses bedroom to "Myer Home" existing nursery, Blind Institute, St Kilda Rd, 23/8/1949
In 1949 an architect produced this plan to detail the addition of a bedroom for the nursing staff, who looked after children in the Blind Babies nursery. The plan shows a layout of the RVIB site, including the 'Myers Home' (the name of the nursery) where young children were cared for. The south and eastern elevations are detailed, as well as a plan of the nursery, which had 4 bedrooms, a living room, a dinning room , bathroom, 2 kitchen areas and the proposed additional nurses bedroom next to Bedroom 4.1 architectural plan of Myer House and proposed extensionPercy E Everett, Chief Architectroyal victorian institute for the blind, rvib nursery, plans, myer house -
Vision Australia
Plan - Image, Conversion to Administrative offices / Conversion to Rehabilitation centre, 1 November 1962 - 5 April 1963
Over 1962-63, plans were drawn up for the conversion of the main building into administrative offices and a rehabilitation centre. As the children were now located at the school in Burwood, and with funds achieved from the sale of the old factory buildings to the Alfred Hospital, the St Kilda Road building could expand room for its office workers and provide greater floor space to rehabilitation staff. These plans show the proposed conversion from bedrooms to administrative and rehabilitation areas.7 architectural plans and 1 letterJohn F D Scarborough and Partners, Architectsroyal victorian institute for the blind, plans -
Vision Australia
Plan - Image, New verandah & draining to court for the Royal Victorian Institute for Blind, April 1924
In 1924 plans were submitted to the RVIB board for the addition of a new veranda and associated drainage pipes located in the courtyard behind Ormond Hall. Hand written notes on the plan indicate that the tender for materials from Pollards was 330 pounds, asphalt 35 pounds totally a cost of 365 pounds. And that additional costs of 120 pounds, comprising of 20 for G Lavatory (?) and J Famdy (?) 100 pounds.1 architectural plans for proposed verandah and drainageStephenson & Meldrum, Architects Collins Court 374 Little Collins Street Melbourne Phone: 6990royal victorian institute for the blind, plans -
Vision Australia
Plan - Image, Royal Victorian Institute for the Blind Extension to Bulk Store, 27/8/1925 (according to Mosiac entry)
In this undated drawing, believed to have been done in 1925, an existing bluestone store was extended out into the courtyard area. The extensions were on the south and west elevations, and the drawing includes a floor plan of these areas. Noted on the plan is the removal of fireplaces that existed in this building, the location abutting the Alfred Hospital reserve and location of the motor room.1 architectural plan of extension to bulk storeStephenson & Meldrum, Architects 374 Little Collins Street Melbourne Phone: 6990 On the back: Widening of old bluestone store plans & specroyal victorian institute for the blind, plans