Showing 3558 items
matching landscaping
-
Stawell Historical Society Inc
Photograph - Group Portrait, Our school Bus
Early school bus 4 boys in short pants, 1 in overalls with patterned jumper holding (unidentified), middle boy with cap and buttoned coat has mittens B/W Landscape Group Portrait 8 Children 6 Boyys, 2 Girls ( 4 Boys in uniform 2 with caps) In front of School bus Paddock behind bus Stawell Bus Servicetransport, education, stawell bus service -
Federation University Historical Collection
Plans, Plans of the Wimmera College of TAFE, 1983, 18/05/1983
The plans were prepared by the Public Works Department VictoriaBook of plans relating to the Wimmera College of TAFE. The book includes developed sketch plans, site plans and landscape plans for the Horsham Technical School site and Langerenong Agricultural Collegewimmera, horsham, wimmera college of tafe, horsham technical school, longerenong, longerenong agricultural college, p. martin, j.t. green -
Churchill Island Heritage Farm
Photograph - Landscape photograph
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins periodSepia photograph white narrow white border of a landscape, with the water and shoreline in the background, trees in the foreground Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans -
Churchill Island Heritage Farm
Photograph - Photograph of landscape and farm
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph looks north through churchill island. Sepia photograph with white narrow white border of a landscape with long grass and row of pine trees. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans -
Wangaratta High School
OC Yearbook -Geronimo, 2001
Blue landscape yearbook with a full page photo of Ovens college students. An OC logo is in the top left and along the bottom is an Australian flag, and white text reading GERONIMO 2001Ovens College GERONIMO 190129012001 2001 -
Wangaratta High School
WSC Yearbook- Geronimo, 1996
Blue landscape yearbook with a large cartoon drawing of a class of rowdy students. Along the top in blue writing are the words GERONIMO '96'. In the bottom left corner is a green WSC logoGERONIMO '96' WANGARATTA SECONDARY COLLEGE 1996 -
Whitehorse Historical Society Inc.
Document, Landscape Submission, c 1976
A landscape submission written for the National Trust of Australia (Victoria) for Blackburn Lake and the Bell Bird Streets.A landscape submission written for the National Trust of Australia (Victoria) for Blackburn Lake and the Bell Bird Streets. Definitions given of boundaries of the Lake area, ownership, housing and gardens. Photographs and map.A landscape submission written for the National Trust of Australia (Victoria) for Blackburn Lake and the Bell Bird Streets.blackburn lake sanctuary, waratah crescent, blackburn, jeffery street, hill street, boongarry avenue, linum street, laurel grove, acacia avenue, city of nunawading, melbourne and metropolitan board of works, furness park, camberwell grammar school -
Glenelg Shire Council Cultural Collection
Painting, George H.L Pentland, Casterton 1889, 1889
Casterton & District Historical Society Inc.Painting, oil on canvas showing a 'bird's-eye' view' of the township of Casterton in the late 19th century. It shows the Glenelg River, the bridge, main street and rolling landscape of the Western District.casterton, oil painting, landscape -
Mission to Seafarers Victoria
photograph - Photograph, Sepia, SS Huntingdon, 1928
Known to have run between London and New Zealand.small landscape sepia photograph of two vessels in the foreground a ferry or coaster moored at small wooden quay and in the distance moored at a pier an ocean going steamship with one stack or funnel.handwritten inscription on album page beneath image: Huntingdonss huntingdon, fan album, ships, port melbourne -
Glen Eira Historical Society
Album - Album page, Kambrook Road, Circa 1972
This page of photographs is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. First 2 images: milkbar and residence corner Kambrook and Balaclava Roads ie south west corner - building named Airdrie 3rd image: https://vhd.heritagecouncil.vic.gov.au/places/43737 - re 26 Kambrook Road and 345 Balaclava Road corner building ie south east corner: A prominently situated two-storeyed complex of late Victorian buildings consisting of "Wybar's Buildings" occupying the Balaclava Road/ Kambrook Road corner and the "Caulfield Bakery" facing Kambrook Road, separated by a driveway from a single storeyed shop. The main building has a comer splay and balustraded parapet with curved pediments, the words "Wybar's Buildings 1887" having been obliterated but "Caulfield Bakery 1887" with the characteristic wheatsheaf surviving in raised cement work. The walls are stuccoed and richly ornamented with bracketed cornices and keystones with masks extending to the Bakery. The main building is further distinguished by the Masonic symbol of the mason's dividers in the pediment whilst the upper level of the bakery is in overpainted brickwork. The single storeyed shop incorporates the bracketed cornice and consoles characteristic of the main buildings and is in other respects a utilitarian structure. 4th image: https://vhd.heritagecouncil.vic.gov.au/places/42415 (on 24/01/2021) - 196 Kambrook Road An imposing late Victorian poly-chrome brick asymmetrical villa with corner verandah and projecting west facing wing with faceted window bay to the facade. Body bricks are red and relieved by cream and black brick banding and by cream bricks to the bracketed eaves. The fretted barge with king post treatment and timber posted verandah are unique in the Municipality and unusual in the metropolitan area and demonstrate an understated appreciation of the emerging Queen Anne mode.345 Balaclava and 26 Kambrook Roads HO91 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43737 (on 24/01/2021) "Wybar's Buildings" at the corner of Balaclava Road and Kambrook Road are important as a prominent late Victorian commercial development incorporating a variety of activities including a bakery and possibly a coffee palace, the latter understood to be unique within the municipality, but characteristic of the period. It is a rare complex of its type in Caulfield and is important also as evocative evidence of the late Victorian Land Boom and the creation of a small now defunct commercial centre at this location by the George Wybrow. 196 Kambrook Road HO122 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/42415 "Glencoe" is situated at no. 196 Kambrook Road, Caulfield North and was built for the boot manufacturer, Robert Bruce Mair, in 1888. It is of historic and aesthetic significance. It is historically significant (Criterion A) as the home of an inner suburban industrialist, notable a boot manufacturer, demonstrating the attraction of Caulfield as a residential location for the manufacturers of the metropolis during the late Victorian Boom period. It is aesthetically significant (Criterion E) as a very early example of a Queen Anne influenced late Victorian villa, comparing at the State level with ''Woodlands'' (1888), North Essendon, generally acknowledged to be one of Australia's earliest houses to fully exploit this emerging style. The ornamental timberwork is especially expressive of the new architectural fashion and compares with the house at 33 Clarence Street, Elsternwick (1888-89).Page 105 of Photograph Album with two photographs of a milk bar and attached residence, one older photograph of Wybar's Building and another photograph of a house on Kambrook Road (all are landscape).Handwritten: 196 KAMBROOK ROAD / 1970 - GAFFNEY MRS S.M. [under bottom right photo] / 100 [bottom left]trevor hart, kambrook road, victorian style, caulfield north, parapets, wybar's buildings 1887, caulfield bakery 1887, architectural features, painted bricks, balaclava road, george wybrow, shops, milk bars, airdrie, polychrome bricks, verandahs, queen anne architectural style, houses, glencoe, robert mair -
Bendigo Historical Society Inc.
Slide - RALPH BIRRELL COLLECTION: EIG SCHOOL, c1966
EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. Bull dozer landscaping the area at LaTrobe University.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. bull dozer landscaping latrobe university -
Bendigo Historical Society Inc.
Photograph - HORSE PUDDLING MACHINE
Photocopy of horse operating puddling machine on barren denuded landscape with wooden cottages in background. Captioned 'Horse Puddling Machine-1861' [779] number unknown relationship. Unknown donor.bendigo, gold mining, puddling -
Bendigo Historical Society Inc.
Negative - ALBERT RICHARDSON COLLECTION: KNIPE'S CASTLE
a. Envelope containing 1 negative. Negative shows landscape view of Bendigo, with Knipe's Castle in background on RH side. B. Black and white print of negative showing Knipe's Castle.bendigo, buildings, knipe's castle -
Nillumbik Shire Council
Painting: Adriane Strampp (b.1960 Wisconsin, USA), Adriane Strampp, Into the Night, 1987
Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp -
Marysville & District Historical Society
Postcard (item) - Colour and black and white photographs, Murray Views, Pictorial Souvenur of Marysville, Vic. 15 Favourite Views, 1950's
A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria.A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria. These photographs were produced by Murray Views in Gympie, Queensland as a souvenir of Marysville.Pictorial Souvenir/ of/ Marysville, Vic./ 15 Favourite Views PRODUCED BY MURRAY VIEWS. GYMPIE. Q. COPYRIGHT SAMUEL LEE & CO., PRINTERS Serial No. R 4152 NICHOLL'S LOOKOUT, MARYSVILLE, VIC. TAGGERTY RIVER, MARYSVILLE, VIC ROAD SCENE, MARYSVILLE, VIC. MAIN STREET, MARYSVILLE, VIC. THE CROSSWAYS, MARYSVILLE, VIC. FRUIT SALAD FARM, MARYSVILLE, VIC. ROAD TO CUMBERLAND VALLEY, MARYSVILLE, VIC. CROSSWAYS CABARET, MARYSVILLE, VIC. TREE FERNS, MARYSVILLE, VIC. STEVENSON'S FALLS, MARYSVILLE, VIC. Looking towards Marysville, Vic. Tourists at Marysville, Vic. Taggerty River, Marysville, Vic. On Buxton Road, Marysville, Vic. Panorama from Black Spur, Marysville Road, Marysville, Vic.marysville, victoria, souvenir, postcard, nicholl's lookout (image 1), taggerty river (image 2), road scene (image 3), main street marysville (image 4), crossways hotel (image 5), fruit salad farm (image 6), cumberland valley (image 7), crossways cabaret (image 8), tree ferns (image 9), steavenson falls (image 10), marysville view (image 11), tourists marysville (image 12), taggerty river (image 13), buxton road (image 14), black spur (image 15) -
Peterborough History Group
Photograph - Four copies of photographs of the Peterborough Old Bridge
Varying views of the old bridge, which was a valuable connection to the East side of the river. A view of the landscape at that time.Historic views of the town and bridge 4 photocopied reproductions of different aspects of the Old bridge at Peterborough, including one which is a copy of The Rose Series Postcards No P2470.peterborough, peterborough old bridge, curdies river bridge, rose series postcards, rose series p2470 -
Torquay and District Historical Society
Copy Photo, Torquay History Exhibition 2016, Produced for the exhibition 2016
A photo of The Esplanade, Torquay in the 1920's before electricity poles and lines were erected to interrupt the landscape.Central Torquay in early days before electrification.Black and white copy photo -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Arthurs Creek near Arthurs Creek township, 1976
Colour photograph of Arthurs Creek near Arthurs Creek township. Hilly grassed landscape with cattle in the backgroundarthurs creek, cattle, farm -
Greensborough Historical Society
Slide - Photograph, John Ramsdale, Rural landscape Mill Park: Slide 9
Photograph shows a rural landscape with a few buildings, possibly east of Plenty Road near Mill Park.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.mill park -
Bendigo Historical Society Inc.
Photograph - HUSTLER'S LINE OF REEF
Black and white photograph of mining landscape with poppet head, chimney and mining sheds (plus timber in stack) in foreground. Other mines in bare landscape on LHS background and housing on RHS background. Inscriptions: on front - 'The Hustler's Line of Reef from Redan Hill Hustler's Tribute Coy', 'Gt. Extended Hustler;s Claim', 'The Old Hustler's Claim, Gt. Hustlers (Late Latham & Watson's). On back - 'A Richardson, 29 Harrison Street, Bendigo'.mine, gold, hustlers reef mine, bendigo, mines and mining, mine, mines, mining, landscape, mining landscape, redan hill, poppet head, old hustlers, mining cottages -
Federation University Historical Collection
Photographs - Black and White, Landscape, and Two children by Paul Gerard
2 black and white photographic images mounted onto cardboard, by 2nd year photography student Paul Gerard .1) Landscape .2) Two children, boy and girl sitting on a chairphotography student, paul gerard, black and white photography, portrait photography, landscape photography -
Orbost & District Historical Society
black and white photographs, 1950s
Dudley Charles Seymour Courtney , with a fellow worker, was trapped on the Orbost Raailwaay Station roof until rescued by an army duck. These photographs were his. He worked on the railway in Orbost from 1942 - 1952 approximately. During the 1952 flood nearly half of Orbost rail way station is washed away. The stationmaster and four members of his staff were rescued by police using army ducks.This is a pictorial record of a significant event in the history of Orbost.Nine small black / white photographs of a derailed train at a railway station. Derailed trucks and floodwaters can be seen. The photographs have a narrow white frame. Some are portrait and others landscape.on back of 3082.8 - hand-written in blue pen :"The floods worked the line from under the trucks in a couple of hours"floods-orbost orbost-railway-station rescue courtney-dudley-charles-seymour -
Victorian Aboriginal Corporation for Languages
Book, Philip L Brown, The Todd journal 1835 : Andrew alias William Todd (John Batman?s recorder) and his Indented Head journal 1835, 1989
Reproduction of the 1835 journal of Andrew/William Todd, recorder and assistant to John Batman, with numerous contemporary illustrations of early settlements and landscapes. Notes on the customs and many incidents with Victorian and Tasmanian Aborigines.maps, b&w illustrations, b&w photographsjohn batman, victorian history, andrew todd, william todd -
Federation University Art Collection
Artwork, other - Artwork, 'Ghosts in the Himalayas (Shot Up)' by Lisa Anderson, 2016
Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available -
Bay Steamers Maritime Museum
Framed Painting, S. T. Wattle, 1998
This is an oil painting of the Steam Tug Wattle after conversion to a passenger carrying vessel. She was a popular tourist outing for people in the Port Philip Bay area. This painting shows that Wattle was appreciated as a historic vessel, a fun mode of transportation and that there was some appeal to seeing images in her likeness such as this painting.Oil painting of the Steam Tug Wattle after conversion to a passenger-carrying vessel.The port side of the ship is shown in an open water landscape, and is moving towards the left hand edge of the frame The painting is signed in the bottom right hand corner " '98 David Carden"oil painting, passenger vessel, tourists, wattle, painting, bay steamers maritime museum, port phillip bay -
Coal Creek Community Park & Museum
Photograph - Photograph, framed, O.Gilpin Store Staff Leongatha, c.1940
Dark wooden-framed rectangular photograph with glass, mounted with cream and black matt board. Landscape-oriented black + white image representing seven women in front of rustic weatherboard building.O. Gilpin Staff Leongatha / Back - Alison Sinnbeck,?, Lorna Backman, Yvonne Courtney. / Front - ?, Mavis Wightman, Merle Griggs.historic record, gilpin store, female staff, leongatha, 1940s, workers, alison sinbeck, lorna backman, yvonne courtney, mavis wightman, merle griggs -
Port Melbourne Historical & Preservation Society
Book, Meyer Eidelson et al, Walks in Port Phillip - A guide to the cultural landscapes of a city, Jan 2001
Book produced under a Federation grant. Five of the trails are associated with benches located on the foreshore.'Walks in Port Phillip - A guide to the cultural landscapes of a city' by Meyer EIDELSON. Small blue soft-cover book with seven guided walks and maps. 2001. 82pp with fold-in back coverSigned by author on title page 'Meyer'piers and wharves - station pier, immigration, piers and wharves - lagoon pier, utilities - gas, swallow & ariell ltd, natural environment - beaches and foreshore, natural environment - lagoon, liardet family, australian aborigines, meyer eidelson, vincenzo coluccio, rosa coluccio, pat grainger, gasworks -
South Gippsland Shire Council
Painting , Framed, Sunrise at Koonwarra Cutting, 1971
Framed oil painting on canvas by B. Polletti. Features a landscape. Decorative wood frame. Engraved brass plaque on lower edge of frame. Signed and dated by the artist lower left corner. -
Glenelg Shire Council Cultural Collection
Painting, Sea Air Near Goose Lagoon, n.d
Art CollectionThis painting depicts a green hill below a cloudy sky, and a sandy landscape below the hills. Towards the left of the hill there are trees and shrubbery. The frame is white with gold on inside, beige mount and glass.Front: Rita M McLean (grey paint, lower right) Back: (no inscriptions) -
Dandenong/Cranbourne RSL Sub Branch
Photograph - 3 Photographs, B&W
Collection of three black and white photographs, all the same size. Two are portrait and one is landscape orientation. Each image depicts a group of servicemen in uniform and/or civilian clothes in outdoor settings.photograph