Showing 1095 items
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Bendigo Military Museum
Textile - CROSS STITCH, FRAMED
Trish hand stitched this cross for her husband - ex veteran. It was a birthday present as his birthday was on Remembrance Day.Textile - Cross stitch hand made 'Remembrance Day' picture in colour with 100% cotton and Aida fabric. Light grey, grey and black lettering. Illustration - in colour, poppies with background silhouette of soldier and 4 crosses. Framed - clear varnish on timber, MDF book, glass front.textile, remembrance day -
Bendigo Military Museum
Print - PRINT, FRAMED, "The Landing of the ANZAC's 25 April 1915"
This item was originally hanging over the double doors inside the Billiard Room of the Soldiers Memorial Institute pre being a Museum in 1998. After the renovations to the SMI 2016 - 18 it was placed on the other side of the double doors in the foyer. It is not clear when this item came to the SMI but it was many years prior to SMI becoming a museum.Very large framed black and white print of a painting of " The Landing of the Anzacs, 25th April, 1915" from original by Charles Dixon R.I 1915. Title - Presented to White Hills Reading Room by Vernon Rymer ESQ, November 14th, 1921. Frame - heavy timber, dark brown stain with gold painted inner edge, glass front. Mount - Off white cardboardBelow print/painting - Block printing - title of painting " THE LANDING OF THE ANZACs 25 April 1915 , Presented to White Hills Reading Room by Vernon Rymer ESQ" brsl, smirsl -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Gerhard Inkamala, Untitled (Landscape), n.d
Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting. -
Glenelg Shire Council Cultural Collection
Souvenir - Glass - Merino Bowling Club, n.d
... Cliff Street Portland great-ocean-road souvenir Merino glass ...Clear galss wine galss. Gold rim round top; gold Merino Indoor Bowling Club logo.souvenir, merino, glass -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Household Equipment, Earthenware hot water bottle 'Hoffmann', c1900
Large stoneware hot water bottle also called a foot warmer. The stoneware hot water bottle has a rubber cap, often the original stone cap would be replaced with a cork alternative to seal the hot water. Because they were mass produced and very robust many survived so the antique value is not great. Many stoneware hot water bottles are still in use today and will be for years to come. Stoneware is a certain clay fired at a particularly high temperature and glazed so that it resembles polished stone.The bottle was filled with hot water, close the stopper securely and stand them in a bed, upright, on their small flat ends so that the sheets and blankets formed a tent-like structure over them. The peak of the 'tent' was the special feature of the rounded knob opposite the flat end, which also served as a carrying handle. Used this way, the hot water bottle was supposed to heat more of the bed Josef Hoffmann (1870–1956) attended the Academy of Fine Arts in Vienna and studied architecture under Otto Wagner. As a designer, Hoffmann was creative and prolific. His design portfolio encompassed commissions for buildings and interiors but extended to things as diverse as textiles, umbrella knobs, walking stick handles, tea pots, caskets and book covers as well as glass and ceramics.In 1903, with Koloman Moser and financier Fritz Waerndorfer, Hoffmann founded the Wiener Werkstätte. The collaboration of artists, designer architects and artisans enabled the realisation of the ‘total artwork’. Hoffmann’s designs were based on simple and clear proportions and employed rich, high-quality materials. Everyday objects were conceived as part of a whole living environment and were considered works of art. A large earthenware hot water bottle.HOFFMANNearly settlers, moorabbin mckinnon, ormond, bentleigh, pottery, craftwork, earthenware, pioneers, hoffmann josef, waerndorfer fritz, moser kololan, weiner werkstatte, vienna, austria, brumpton frances -
Glenelg Shire Council Cultural Collection
Souvenir - Set of wine glasses - Portland souvenir, n.d
2 Clear, small, wine glasses, pictorial re-enactment of First Fleet, coloured picture of sailing vessel, gold rim. Identifying numbers 6049 a, b Measurements each glass each - 13cm x top 5.8cm x bottom 6cm -
Glenelg Shire Council Cultural Collection
Domestic object - Domestic Object - Champagne Flutes, c. 1996
Boxed set of 2 glass champagne flutes with original Glenelg Shire logo embossed on each flute in white. Dark blue box, clear front, box divided in two internally. -
Glenelg Shire Council Cultural Collection
Souvenir - Pen, n.d
Pen, biro, royal blue and clear plastic, white lettering.Front: 'Hook, Line and Glass by Darryl G. Tresize' - white -
Kiewa Valley Historical Society
Bottle - Beer, 1930s
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of the bottles changed. Bottles were recycled remaining the property of the manufacturer who paid for their return. History of the Richmond Brewery.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown bottle with heavy embossing. The bottom half has straight sides. The top tapers to the opening. Half way up the sides it is heavily embossed with R.B. and underneath these letters R. The face of a tiger features in heavy embossing on the side of the bottle. At the bottom around the circumference and on the base is embossing. There is a broken cork sealing the bottle. Sides: R.B. and underneath this R. with a head of a tiger. Bottom around the circumference: 'The property of Richmond N.S. Brewing Co. Pty. Ltd.' Base: '650'beer, drink, bottle, richmond brewery, richmond -
Kiewa Valley Historical Society
Bottle - Chemist
Bottles were bought locally or at larger cities on a shopping expedition. The shape of bottles changed. Bottles were re cycled remaining the property of the manufacturer. History of Clinton Williams Pty Ltd.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shapeClear brown bottle with straight sides three quarters of the way up tapering to the opening screw top. The base is rectangular. The front is embossed horizontally.Front: 'This bottle / Always Remains / the Property of / Clinton Williams / Pty Ltd.'glass bottle, clinton williams pty ltd -
Kiewa Valley Historical Society
Jugs x 3 - water, milk and shaving
Ron White owned these jugs during his lifetime. Popular circa 1940s.Ron White owned these jugs. See KVHS 12821. Water Jug - tall glass jug with thin pale green 'plastic?' 'coating' wrapped around it. The cover has painted in colour -flowers and leaves. The lip is wavy with a clear plastic cover pulled over it. The handle is attached to the top half in the shape of an ear.The base is wider than the the top.Handblown. 2. Milk Jug - Unusual shaped small rectangular cream coloured jug with a handle at one end and a pouring lip at the opposite end. It sits on a four legged base and is decorated with coloured flowers and a cottage on each side. 3. Shaving Jug - Solid ceramic cream coloured jug with 7 holes in main area with a handle on one side and a pouring lip on the other. The jug is decorated with 3 small pictures of the countryside. The lip of the jug is defined in blue.1. Nil 2. At the base: "Hampton/ Ivory/ Swinnertons / England" 3. At the base: "Empire / Ivory ware/ England" and embossed also at the base "261 / England / 12?"ron white, ceramic and glass jugs, kitchenware, bathroomware -
Warrnambool and District Historical Society Inc.
Mixed media - Toy, Marbles, Late 19th century
There is evidence of the game of marbles in the ruins of Pompeii and the tombs of Egyptians as well as early American Indians. The earliest marbles were simply rounded stones which had been polished but this was refined to handmade versions made of clay, stone and glass. It was in the late 19th century that mass production began and it gives testament to the popularity of the game that the Dyke factory of Ohio could produce 1,000,000 marbles a day. It was around 1915 that the mass production of glass marbles began. The game reached the height of popularity in the 1920-1930’s. Many were prized for their designs.The game of marbles was one of the most common games played universally, from childhood hence has a strong link with people of all ages and cultures. Five marbles in glass jar. All are various sizes ranging from large yellow streaked with red and blue, black striped with white, marbled tan, clear with multi coloured streaks and bright blue. Shapes are roughly spherical. Materials range from glass to glazed and stone. Three have pontil marks either on end.The lid of the jar has Nestle vacuumed sealed for extra protection. Use special key to open. Old sticker on base with 173 written in black lead pencil. toys, marbles, children's games, warrnambool, handmade marbles, glass marbles, clay marbles, agate marbles -
Orbost & District Historical Society
bottles, late 19th - 1930s ?
... Six large glass bottles - four clear and two green. All... these glass bottles. The items have a clear association with Orbost ...These bottles were used at the pharmacies in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Six large glass bottles - four clear and two green. All have narrow necks with glass stoppers and are clearly labelled with black print on a white background. Each of the the two coloured glass bottles have a fluted surface. These apothecary bottles were used to dispense medications and also for show or display purposes. The labels under glass bottles had a recessed section that the label was placed into. The label was then covered with a thin piece of glass to prevent the label from becoming damaged by the bottles contents. 3210.1 - "MIST ; OXYMELLIS : CONC : 1 TO 4" 3210.2 - " OL : CARBOL : 1 IN 10" 3210.3 - "SPT. CAMPHOR" 3210.4 - "MIST : CASCARA: CONC: 1 - 4" 3210.5 - "MIST : STRYCH: c. AC : PHOSPH CONC : 1 - 4" 3210.6 - "PIG : MANDL : ": bottles-pharmaceutical chemists-orbost medicine -
Orbost & District Historical Society
cardboard containers, second half 20th century
These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Four rectangular cardboard medication boxes. 3210.17 is orange with red print. It has a small white price sticker from "Zimmer Phcy Orbost $1.02". it contains a tube of unused cream with an information sheet. 3210.18 is white with blue and black print. It has a small white price sticker from " Zimmer Phcy Orbost $4.19". It contains a tube and information sheet. 3210.19 is yellow and white with green print. It contains ten yellow tablets in cellophane. 3210,20 is a red cardboard box with black and red print. It contains a glass atomiser and instructions, a box with ASPAXADRENE in a brown glass bottle with a white lid. there is a price sticker " TORLEY'S PHCY Orbost- $6.75"3210.17 - MORRHUOL ACRIDINE CREAM (M.A.C.) HAMILTON LABORATORIES PTY LTD..." 3210.18 - AKILEINE - PROFESSIONAL FOOT CARE SUPERACTIVE CREAM FOR ROUGH DRY FEET.....distributed by George Hagley Pty Ltd.... 3210.19 - 10 Reliable Efficacious Valuren Sedative J McGloin Pty Ltd...... 3210.20 - CAUTION S3 to be used strictly as directed - ASPAX ATOMISER and ASPAXADRENE INHALANT A,H, CRUNDALL PTY LTD......medications orbost-pharmacies zimmer-john containers-medications -
Orbost & District Historical Society
medications, mid to second half 20th century
These items were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Seven packaged medications / ointments.Inside 3215.1 is a small brown glass jar with a white plastic lid. It is labelled " Zimmer's Cuprese Ointment". The contents are unused and have a use by date label June 95.The box is white with black and white print on bands of blue and green. 3215.2 is a white cardboard box with red and black print. It contains a 60 g unused tube of "Akileine ionisee". 3215.3 is an orange and white cardboard box with black print. It contains a narrow green glass bottle of oil with a black plastic lid and is labelled "OLBAS".3215.4 is a glass jar with a white plastic lid. It is labelled "NAPRASH CREAM". 3215.5 is a small brown glass jar with a white metal screw lid. On the label is "SKIN BALM". 3215.6 is a very rusted round tin with a painted label on the front "French Corn Cure" in gold print. 3215.7 is a rectangular shaped tin with rounded corners. It is light green with a painted label on the lid "SIMPSON"S CAMPHOR ICE".pharmacies-orbost medications chemist skin-remedies -
Orbost & District Historical Society
medications, 1940s - second half 20th century
These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Seven containers. Six are cylindrical and one rectangular. 3217.1 and 3217.2 are pale green cylindrical 50 g containers with metal lids labelled "GRANTS ASTHMA POWDER" in red and white print. 3217.3 is a white glass jar with a green metal lid and a paper triangular label with white and navy print label, " REXONA OINTMENT".3217.4 is a small white cylindrical container with a red label with white print on green, "GREEN LABEL PILLS". 3217.5 is a white cylindrical plastic container with blue print, "JANOS JUNIPER CELERY MINERAL SPRINGS SALTS". 3217.6 is an empty narrow cylindrical blue and white container labelled, "DEWITTS PILLS". 3217.7 is a rectangular cardboard box, mottled brown with a white label and gown print,"6 X 2ml AMPOULES ANAEHAEMIN".medications-orbost-pharmacies containers-medications chemist pharmaceuticals -
Orbost & District Historical Society
glass containers, 20th century
These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Eleven glass containers - some with contents. All have labels and lids. More details are in catalogue folder.pharmacies-orbost medications drugs chemist medicine containers-medications -
Orbost & District Historical Society
containers, 20th century
These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Thirteen containers, twelve glass and one cardboard. More details in catalogue folder. -
Orbost & District Historical Society
bottles, first half 20th century
... Four glass bottles. Three are clear and one (1528.3... gippsland Australia was not self sufficient in glass making until ...Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. These bottles have an aesthetic element in that the shapes , colours and textures are visually appealing. They reflect the type of glassware that was in circulation in the first half of the 20th century.. Four glass bottles. Three are clear and one (1528.3) is brown. They have non threaded necks with molded rims.bottles -
Orbost & District Historical Society
bottle, first half 20th century
Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This medicine bottle was filled with a mixture made by the chemist. This item reflects the changes and development in over-the-counter-medicine over the last century.A clear rectangular bottle with a screw top black plastic lid. It is labelled "peppermint and ginger mixture" on paper label. There is a patent number inside the lid.label : "The Mixture Dose one tablespoonful Shake The Bottle Peppermint and Ginger Mixture" Phone MF 1691 On base: F1837 Inside a capital A is S above the letter M. Mbottle pepper-ginger medicine -
Flagstaff Hill Maritime Museum and Village
Painting - Watercolour painting, Early 20th century
FALLS of HALLADALE - History The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She had a sturdy construction, built to carry maximum cargo and maintain full sail in heavy gales. She was one of the last of the ‘windjammers’ that sailed the Trade Route and one of the first vessels to include fore and aft lifting bridges, which kept the crew safe and dry in as they moved around the decks in stormy conditions. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles, 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items (a list of items held at Flagstaff Hill Maritime Village is included below). The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not to technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire.The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Watercolour painting behind glass, framed in the Art Deco style - stippled cream painted wood. There are some age marks under the glass. The painting depicts the Falls of Halladale with its stern under water. The back of the painting contains facts about the shipwreck handwritten in a similar style to the artist’s signature. The artist’s signature is not clear enough to identify. Inscription on the back: Pasted on typed text: Peterborough Handwriting: Falls of Halladale 2085 tons 4 masted iron barque wrecked Saturday November 14th 1908 Captain Thomson crew of 28 !st mate F Pearson 2nd mate T Griffinflagstaff hill, warrnambool, flagstaff hill maritime museum & village, maritime museum, maritime village, shipwreck coast, 1908 shipwreck, falls of halladale, peterborough, peterborough shipwreck, great ocean road, captain thomson, 1880s sailing ship, cargo vessel, 1st mate f pearson, 2nd mate t griffin, watercolour painting -
Blacksmith's Cottage and Forge
Bobbins - lace making, Untitled, early 20th century
These bobbins were given to donor by her aunt and were part of the set on which the donor learned to make Nine Pin edging when she was 8 years old. (approx 1911) 2 wooden lacemaker bobbins, decorated on ends with coloured glass beads attached with wire. Bobbin one has 4 red beads, 4 clear beads, 2 black beads and 1 white bead with green and red colour band. Bobbin two has 2 brown beads, 2 blue beads, 1 black bead and 1 clear bead. Bobbins have shaped and turned shafts. bobbins lace, wood turning, hand craft -
Gippsland Vehicle Collection
driving lights, c 1930's
Optional Automobile accessory lights added to vehicle to improve hight vision.'Notek' Driving Lights (pair), oval shaped, with clear 'Road Master' circular lens & blue glass centre insert.Chrome plated rim. Stud post mount at base.British Madenotek, driving lights -
Federation University Historical Collection
Book, Guide to Ballarat the Beautiful, 1923, 1923
The image of Ballarat Trustees relates to a building on the corner of Mair and Lydiard Streets. In 2010 it was used as Cuthberts law firm.Grey/green soft covered book. Includes photographs and map. Themes include: Ballarat History pre gold, mining, Eureka Stockade, Lake Wendouree, South Street, Grand National Eisteddfod of Australasia, schools, Black Hill, Lake Burrumbeet, Creswick, Buninyong. Illustrations and advertisement include: Sturt Street,James Smith, Ballarat Town Hall, Ballarat East Town Hall, Rowlands, Ballarat brewing Co., Royal Standard Brewery, steam train, Lake Wendouree, J.S. Vickery & Son, trout, Berry, Anderson & co., Ballarat Botanical Gardens and hot houses, Claxton Memorial Fountain, statues, New Imperial Gold Mine, Art Gallery of Ballarat, St Patrick's College, Ballarat Grammar School, Ballarat School of Mines, Ballarat College, Sunnyside Woollen Mills, Ballarat Agricultural High School, Passenger Steamer on Lake Wendouree, Moorabool Falls, Lal Lal Falls, Grosvenor Square, Netherby, Buninyong, Ballarat Motor Garage.ballarat, cuthberts, ballarat trustees, sturt street, tram, trams, ballarat town hall, crag's hotel, sun foundry, eureka aerated waters and brewing co, d. lem, chinese practioner, chinese herbalist, hugh v. mckay, sunshine harvester, gordon brothers, central business college, george hotel, edwards pyrites furnace, long's biscuits, ballarat eisteddfod, george farmer, ballarat botanical gardens, eureka stockade, lake wendouree, ballarat school of mines, moorabool falls, kirks reservoir, ballarat post office, hepburn lagoon, star of the east mine, emu river, ballarat observatory, statues, angus' rialto cafe, carlyon's hotel, clarendon ladies' college, j.e, sang, ballarat coffee palace, stansfield and smith, ballaray brewing company, phoenix brewery, rotal standard brewery, john macleod co, robert sim and co, cobb and co\eagle foundry, j.j. goller and co., mt buninyong lookout, ballarat town hall ballarat east gardens, hot house, glass house, statuary pavilion new imperial gold mining co.,, art gallery of ballarat, st patrick's college, ballarat agricultural high school, lake wendouree steamer, grass trees at mt clear, mount clear, lake burrumbeet, newlyn reservoir trout, lal lal falls, grosvenor square, netherby, ramelli's motor garage, buninyong gold obelisk, memorial, imperial gold mine, botanical gardens lily pond and fernery -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle with pens, Early 20th century
... of aqua glass rather than the more common clear glass. This set ...This handmade, aqua glass ink bottle's design is sometimes called a ‘boat’ shape. The base was mouth-blown into a rectangular mould, evidenced by the lack of seams, the pontil, crease lies and the uneven thickness of the glass. The shoulder section was mouth-blown into a two-piece mould and then cut off from the blowpipe. The lip is sometimes referred to as a 'burst-lip, which was often filed to be smooth. This method of making bottles was often used in the mid-to-late 19th century. The bottle would then be filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pens are a common item for that period. Pen and ink have been used for handwriting since about the seventh century. A quill pen made from a bird’s feather was used until the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy.The ink bottle is of interest, being made of aqua glass rather than the more common clear glass. This set of ink bottles and pens is significant because of the bottle's method of manufacture, which is representative of a 19th-century handcraft industry that has now been largely replaced by mass production. The bottle and pens are historically significant as tools used for handwritten communication until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and mechanical typewriters became part of standard office equipment.Victorian 'Boat' ink bottle, small rectangular, aqua glass ink bottle with grooves along the long sides for pen rests. The base has a pontil, no seams, and the glass is uneven in thickness. The shoulder has two side seams and there is a ridge where it is joined onto the base; there are round indents on each of the shoulder, on the short sides, four in all. The mouth has rough edges. The neck leans to one side. The glass has impurities, crease lines and bubbles. There is dried ink in the bottle. Two pens with metal nibs are included with the ink bottle. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, copy ink, aqua glass -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Loch Pearl
... Ship model Loch Pearl 3 masted ship in glass case... Loch Pearl 3 masted ship in glass case with clear rigging. Has ...Ship model Loch Pearl 3 masted ship in glass case with clear rigging. Has 4 flags at rear end, bow is black with white line and ship is leaning to one side because the tissue paper is damaged. Has backdrop of lighthouse and sky.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Binnacle Lamp
Nautical Binnacle oil lanterns (2), brass with glass hinged door, ventilation holes in base. Wooden handle, removeable brass fuel tank, internal reflector, clear door has a sliding catch. Lamp has a new ceramic wick-holder inprinted with "Sherwoods Ltd" and "Sound". Used in Binnacles to light at night.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nautical binnacle, nautical binnacle oil lanterns, sherwoods ltd, binnacle -
Federation University Historical Collection
Instrument - Scientific Instrument, Petrographic Microscope
This microscope used in SMB/BIAE/BCAE geology laboratoriesOptical Microscope, petrographic type, with 4-lens objective turret. Black enamel frame, chrome-plated accessories. Cream, plastic container with clear plastic speciman jars. Small, brown Reichert case containing objective and glass plate. Housed in a polished wood case. REICHERT, ser. No. 273065 Inside storage box "3" in red marker pen. On microscope frame a self-adhesive sticker "Ballarat CAE Geology". Also riveted to base frame a label "Supplied by H.B. Selby & Co Pty Ltd, Australia". Inside carry case door a card giving visual magnifications.microscope, reichert, selby, laboratory -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Framed poster, Tim Walker, Loch Ard Shipwreck, circa 2010
Tim Walker’s work is an eye-catching array of shipwreck artefacts and associated items. They help tell the story of the 19th century ships that travelled across the world full of people and cargo that are now part of our history. The work was commissioned especially for Flagstaff Hill and highlights the famous story of the 1878 ‘Loch Ard’ shipwreck. The images also include two small items from the 1981 ‘Fiji’ shipwreck. Timothy “Tim” Walker was born in Britain in 1970. He is a self-taught artist who began with a desire to use his talents for full-time work. He moved to Warrnambool in 1990 and became involved in the Warrnambool and District Artists’ Society, where he has served for a period as President. In 2010 Warrnambool Art Gallery hosted an exhibition “Nine Lives” with works from nine local artists including Tim Walker. The ‘LOCH ARD’ 1873-1878 - brief history The clipper ship ‘Loch Ard’ was a built in Scotland in 1873. In 1978 the ship was sailing to Melbourne with 54 people on board as well as a mixed cargo of items, some of which were bound for the 1880 International Exhibition in Melbourne. On June 1st 1878 it was very close to its destination when it crashed into Mutton Bird Island, east of Port Campbell. Only two people survived. The wreck was re-discovered in 1967, almost a century later, and the site continues to provide evidence of the range of goods imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The famous Loch Ard Peacock was also on board. The ‘FIJI’ 1875-1891 – brief history The barque ‘Fiji’ was built in Ireland in 1875. The sailing ship left Hamburg in May 1891, bound for Melbourne with a crew of twenty-five plus the captain. The ‘Fiji’ had almost reached her destination after a trip of 100 days at sea when, on September 5th 1891, she struck rock 300 metres from the shore at Moonlight Head, near Cape Otway. Eleven men lost their lives but with the help of locals including members of the Rocket Rescue Crew, the rest of the men were saved. In anticipation of Christmas, the cargo had included a wide variety of children’s toys, amongst which were dolls with china limbs, wooden rocking horses, miniature ships, and red and white rubber balls. There were also cases of dynamite, pig iron, steel goods, spirits, sailcloth, tobacco, fencing wire, concrete, 400 German pianos, concertinas and other musical instruments, artists’ supplies, porcelain, furniture, china and candles. This artwork has historical significance as it shows a small sample of the variety of items on board the late 19th century ships bound for Australia in the Colonial and late God Rush period. The cargo contained personal luggage, items intended as gifts, and goods ordered for domestic, commercial or industrial use. The wreck sites of both vessels, ‘Loch Ard’ and ‘Fiji’ are classified on the Victorian Heritage Register as significant and are now protected by government law. The sites are popular with divers and provide interpretive material regarding social and maritime history. Framed poster of a watercolour painting by Tim Walker, gilt frame, behind glass. Subject is a group of objects, most of which are connected with the 1878 shipwreck Loch Ard, such as items recovered from the shipwreck and the famous ‘Loch Ard Peacock’. Two items are from the wreck of the ‘Fiji’. Inscriptions on ingot, a handwritten letter, bell, clear bottle, and small plaque.On ingot: “PONTIFEX & WOOD. LONDON”. On letter: “Presented to Mr. Thomas Pearce”. On small ingot: “TIM WALKER”. On bell: “LOCH ARD”. On clear bottle “THE SINGER MANUFACTURING COMPANY“. On plaque: TIM WALKER”.warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, flagstaff hill, loch ard, fiji, watercolour, timothy walker, tim walker, warrnambool & district artists’ society, warrnambool art gallery, poster, henna street picture framers, cargo, print -
Bendigo Historical Society Inc.
Photograph - BILL ASHMAN COLLECTION: SCALEBUOY VEST POCKET UNIT
Two black and white photographs of Scalebuoy Vest Pocket Units. Very clear photos of the Scalebuoy with its glass bulb on the end. Handle on the other end. Teal and white label on the back Reg. V. Brock of Bendigo and the photo number.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, reg v brock of bendigo, scalebuoy vest pocket unit