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RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Diary of William John Stephenson
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...Stephenson departed Melbourne on 3 September 1941 onboard the Queen Mary. Diary runs from departure date until September 1 1942, covering Stephenson's Middle East service and his wounding in action at Alamein. One year later, Stephenson was wounded in action at Buiem River in New Guinea, and a few days later died from the wounds received.WW 2 diary of William Stephenson (VX 51713 2/23 Battalion).william john stephenson, ww11, 2/23 battalion, diaries -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Diary of Charles Alexander Schimmelbusch
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...South Melbourne born Schimmelbusch enlisted in March 1917 and departed Melbourne in June 1917. Diaries cover the 1918 to mid-1919 period and "My Comrades" book notes some fellow 4th Light Horsemen who were wounded or killed - at Beersheba, for example. Dangerously ill (dysentery, malaria) for part of 1918, Schimmelbusch returned to Australia in June 1919.WW I diaries, pay books and "My Comrades" autograph book of Trooper Charles Alexander Schimmelbusch (No. 3639) 4th Light Horse.ww1, 4th light horse, beersheba, diaries, charles alexander schimmelbusch -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Letter of Archibald Ainslie
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...View image 6 (above) for background information relating to the contents of the letter. Archibald's brother, Adolphus, served with the 29th Battalion and returned to Australia in 1919. Two-sheet letter of Archibald Ainslie to his mother dated 6th August 1914 (Edinburgh)ww1, letters, archibald ainslie, adolphus ainslie, 29 battalion, king's own scottish borderers -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Photograph and Souvenir Programme, 31st July 1948
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...RSL interstate football match at South Melbourne Cricket Ground between Victoria and South Australia, at 2.30 pm on Saturday 31st July 1948.Photograph of 1948 RSL Victorian football team at South Melbourne Cricket Ground. Players names listed, and scores and scorers detailed in pencil in programme.rsl; football -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Photographs and Letters of Frederick George & Mary Jane BOXALL
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...George Frederick Boxall (1051 8th Battalion H Company), a miner from Bendigo, embarked from Melbourne on board Transport A24 Benalla on 19 October 1914. He returned to Australia on 8 May 1916, having suffered "shell shock" from a bomb blast on Gallipoli in September 1915.Hustlers Mine photograph inscribed on rear : "at the mouth of the shaft after the accident at Great Extended Hustlers"ww1, george frederick boxall, mary jane boxall, mary jane johnson, william henry johnson, 8th battalion, linton percy clarence rudd, allan tathorn moffat, robert carter, photographs, letters, great extended hustlers mine, shell shock -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Collection of William Alexander Dargie
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...As an official war artist, Dargie produced works in the Middle East, New Guinea, India and Burma. At war's end Dargie was sent to Greece to 'make good, the discrepancies in art coverage of the disastrous campaign that took place in 1941.'WWII Easel, working sketch (1942), trunk and officer's cap of William Dargie (VX 93433)Trunk marked "Wanted on voyage".william alexander dargie, war artists -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Collection of Robert Edward Jenkins
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...Ballarat born Robert Jenkins (6th Field Company Engineers) embarked from Sydney on board HMAT A40 Ceramic in November 1915. Twice wounded ("shell-shocked"), he returned to Australia in April 1919. Robert Edward Jenkins enlisted in the army (V195393) in December 1941 and in October 1942 joined the RAAF. At discharge, he was a Flight Lieutenant in 514 Squadron.Postcards, photographs, flying log book and film negatives of Robert Edward Jenkins (RAAF s/n 419813) and Robert Jenkins (r/n 3295)robert jenkins, robert edward jenkins, 6 field company engineers, 514 squadron, georgina jenkins (nee lynch), philip henry rutlidge -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Collection of Eric Clarence Flewellen
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...Flewellen volunteereed for RAN service in January 1913, and shortly thereafter began training as a "boy" on HMAS Tingara. He then served on HMAS Sydney and in 1914 was a member of the Australian Navy & Military Expeditionary Force to German New Guinea, taking part in November 1914 in the Battle of Cocos against SMS Emden. Flewellen served in the RAN until September 1944.Royal Australian Navy service records, photographs, medals, and miscellaneous papers of Eric Flewellen (o/n 2449).eric clarence flewellen, hmas tingara, sms emden, royal australian navy, ww1, photographs, insignia -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Photograph, Macleod Repatriation Sanitorium, circa 1914
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...The former Mont Park/Bundoora Psychiatric and Repatriation Hospitals Complex consisted of seven hospitals on a site of 185 hectares. The site comprising the Mont Park and Strathallen estates was consolidated by the Victorian government by purchase and transfer from the Closer Settlement Board in 1909 . The Mont Park Hospital commenced in 1910 with the building of the Farm Workers Block . In 1912 the landscape gardener Hugh Linaker was employed to layout the grounds of Mont Park and other State mental hospitals. The other hospitals were gradually split off from the Mont Park administration to form separate entities included among these was the Macleod Repatriation Hospital (1915), An agreement was made with the Defence Department in 1914 for the latter to erect the Mont Park central block (the "Chronic Wards") for use as a Military Hospital, and for it later to revert to the State as portion of Mont Park Hospital. The buildings now known as the Chronic Wards were completed in this way in 1916 and used as the Australian General Hospital no. 16 for the duration of the war. One wing of this building was set aside for mental patients during this period. Silver gelatin photographww1, macleod repatriation sanitorium, mont park -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Pamphlet, Amenities (Sports) A.I.F. et al, A. I. F. Combined Athletic Sports Meeting, 1942
... and Memorabilia Collection Anzac House 4 Collins Street Melbourne ...The A.I.F. Combined Athletic Sports Meeting was held at Gaza Ridge, Palestine on May 16 1942. The list of competitors contains individuals from many different units and states within Australia. This athletics meeting was held during World War II. Lists the names and rank of competitors in the May 1942 A.I.F. Combined Athletic Sports Meeting at Gaza Ridge, Palestine. Pamphlet. Rectangular in shape. Made from paper. Printed text is black in colour. Front cover has text and 'Rising Sun' insignia contained within a border. Other pages only contain text. world war two, world war ii, wwii, gaza ridge, palestine, a.i.f., combined athletic sports meeting, sport -
Orbost & District Historical Society
black and white photograph, C1890
This snagging team is on the Brodribb River, east of Orbost. The Brodribb bridge can be seen in the background of the Photograph. The Snowy River was used for commercial navigation after 1880 and extensive de-snagging A shipping company was formed in 1880, poling barges upstream until the removal of large trees and branches that had fallen into the river was carried out to make the river upstream of Marlo easier to navigate. "The snaggers played an important part in making the river free for transport. By 1880 Captain Collins, R McNair engineer, J McNair and the two Winchesters were at work with a punt on the Snowy and Brodribb. Mr. Jim Winchester took charge soon after. Early snaggers were Johnston, J Renton, Nat Lynch, John Drew, Hatton, J Scott and Harry Wilkinson. The system used was to use a tree on the river bank as a lever and with heavy manila ropes, slowly to haul the snags out. They were piled up around a tree and burned when dry. The snaggers lived in a row of cottages in Snaggers’ Lane." (info. John Phillips Newsletter March 2004)The snaggers played an important role in the early settlement of the Orbost / Marlo district helping bto open it up to commercial shipping.Two copies of a black / white photograph of nine men on a snagging boat, a flat-bottom barge. In the background is a bridge.on back - "Snagging boat on Brodribb with R.McNair"snaggers-brodribb-river snagging-east-gippsland transportation -
Learmonth and District Historical Society Inc.
Photo - Collings F, Unknown, Collings,Frank. Councilor 1926-27
Councilor Frank Collings was elected to council in1919 serving until 1928. He served one term as Shire President in1926-27.Original Historic PhotoSepia photo oval in shape set in brown wooden frame with brown mount and gold around photo. It is of Councilor Frank Collings.,1926-27Councilor Franf Collings,Shire President 1926-27.ballarat shire council, collins frank, 1919 28 -
Flagstaff Hill Maritime Museum and Village
Container - Glass Bottle, W T Rawleigh, 1920s
W.T. Rawleigh's & Co. manufactured various household products in a factory in Collins Place, Melbourne, between 1930 and 1935. The W.T. Rawleigh Company was an American company started by William Rawleigh in 1889. The company expanded to both Canada and Australia with the Rawleigh company specialising in medicines, remedies, food additives, cleaning products and toiletries. Due to increased demand, Rawleigh’s required a larger factory and thus built the factory in Dawson Street Brunswick Victoria and by 1950 the factory had been extended to include 98,000 square feet of floor space. The Brunswick factory ceased production in the late 1970s and manufacturing was moved to New South Wales. During the peak of production, more than 200 people were employed in the Brunswick factory and several independent sale representatives sold their products door-to-door throughout the country. The ‘Rawleigh’s man’ was a regular door-to-door salesman of inter war and post-war suburban Melbourne. Rawleigh’s products are still in production today.A significant item as it gives a snapshot into domestic life and social norms of the pre and post war period in Melbourne and throughout Australia and New Zealand. The item demonstrates how selling house hold products door to door was pioneered in Australia by the Rawleigh’s company in the early 1900s and is still in existence today.Bottle, glass, narrow neck rectangular base with metal screw top.label of Rawleigh's Furniture Polishflagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bottle, rawleigh's furniture polish, furniture polish, rawleigh's, cleaning -
Marysville & District Historical Society
Book, Collins Clear-Type Press, The New Practical Dictionary, 1961
A dictionary.Has a blue cover with the title in silver coloured writing on the front cover and spine.non-fictionA dictionary.dictionary, english, non-fiction, g f maine -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... opening his own opulent studios at number 7 at the top of Collins ...A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... opening his own opulent studios at number 7 at the top of Collins ...A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... opening his own opulent studios at number 7 at the top of Collins ...A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... opening his own opulent studios at number 7 at the top of Collins ...A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
... own opulent studios at number 7 at the top of Collins Street ...A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Flagstaff Hill Maritime Museum and Village
Book
Warrnambool Harbour Board General Revenue Account Book. 1st February 1929 to 1st April 1931. This is used to record money paid into the General Revenue Account held at The Commercial Banking Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool. Manufactured by Arnall & Jackson, 428 Collins St., Melbourne warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool harbour board, the commercial banking compnay of sydney limited, the bank of victoria ltd, warrnambool. -
Flagstaff Hill Maritime Museum and Village
Book, Arnall & Jackson, General Printers, Stationers and Engravers
Warrnambool Harbour Board General Revenue Account Book. 1st April 1931 to 11th March 1933. This is used to record money paid into the General Revenue Account held at The Commercial Banking Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool Manufactured by Arnall & Jackson, 428 Collins St., Melbourne -
Flagstaff Hill Maritime Museum and Village
Book, Arnall & Jackson, General Printers, Stationers and Engravers
Warrnambool Harbour Board General Revenue Account Book. 16th March 1933 to 5th November 1934. This is used to record money paid into the General Revenue Account held at The Commercial Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool Manufactured by Arnall & Jackson, 428 Collins St., Melbourne warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool harbour board, the commercial compnay of sydney limited,, the bank of victoria ltd, warrnambool -
Flagstaff Hill Maritime Museum and Village
Book, Arnall & Jackson, General Printers, Stationers and Engravers
Warrnambool Harbour Board General Revenue Account Book. 17th November 1934 to 15th May 1936. This is used to record money paid into the General Revenue Account held at The Commercial Banking Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool Manufactured by Arnall & Jackson, 428 Collins St., Melbourne warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool harbour board general revenue account book, the commercial banking compnay of sydney limited, the bank of victoria ltd -
Flagstaff Hill Maritime Museum and Village
Book, Arnall & Jackson, General Printers, Stationers and Engravers
Warrnambool Harbour Board General Revenue Account Book. 18th May 1936 to 15th July 1936. This is used to record money paid into the General Revenue Account held at The Commercial Banking Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool Manufactured by Arnall & Jackson, 428 Collins St., Melbourne warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool harbour board, the commercial banking compnay of sydney limited, the bank of victoria ltd, -
Flagstaff Hill Maritime Museum and Village
Book, Arnall & Jackson, General Printers, Stationers and Engravers
Warrnambool Harbour Board Loan Account Book. 28th May 1930 to 19th June 1931. This is used to record transaction within the Loan Account held at The Commercial Banking Compnay of Sydney Limited, with which is amalgamated The Bank of Victoria Ltd, Warrnambool Manufactured by Arnall & Jackson, 428 Collins St., Melbourne warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool harbour board, the commercial banking compnay of sydney limited -
Glen Eira Historical Society
Album - Album page, "Ripponlea", Hotham Street, Circa 1972
... examples, Rippon Lea and the Independent Church in Collins Street ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea -
Glen Eira Historical Society
Photograph - Elsternwick
... Indoor Bowl Centre Larch Street Montessorie School Collins Milk ...This file contains three items. Photocopied and three page retyped article, undated c.1930s and source unknown from Real Estate Agent Philippe Batters 03/09/1997. Three page document from Keith James Smith, undated, on research on Elsternwick and Glen Huntly Road shops and traders. Three articles from THE AGE 13/05/2000 and 15-16/02/2013 and MELB BAYSIDE WEEKLY 03/11/2010 giving snap shots of Elsternwick housing and facts.batters philippe, real estate agents, elsternwick, paddocks, glen huntly road, walter kelly, elsternwick park, slaughter yards, glen eira roads, point ormond, glenhuntly railway station, nepean highway, grange road, holdsworth’s jewellers, staniland grove, coles store, shops, orrong road, fosseys, hattams mensware, woolworths, dalgarnos crockery and kitchenware, chapmans gifts, garth’s shoe store, garth jack, allen’s furniture and auction rooms, elsternwick market, adam’s cakes, mr. green’s pet shop, turner mr., grocer shop, moores lendring library, hopetown gardens, gardens, jack hatheralls butchershop, butchers, chinese laundry, chinese community, laundries, mr. & mrs. darbyshires milkbar, st. johns church, kooyong road, hasseles garage, garages, royal parade, glenhuntly, camden, hawthorn road, blacksmiths, camden town, dolls hospital, caulfield state school 773, independent picture, theatres, camden theatre, southern indoor bowl centre, larch street, montessorie school, collins milk bar, milk bars, collins lin, hartrick miss, armond mr., lennie mr., rothells sausage factory, north road, red bus service transport, furlonger miss, dance studio, moran and cato grocery, cato family, newsagent, tozer brook, furniture store, green gables american style soda fountain and milk bar, hoyts renown theatre, state savings bank, riddell parade, clarence street, aileen avenue, smith keith james, camden town, sports club, peer gary, gary peer & associates, brukarz jack, ray white real estate, real estate agents, classic cinema theatres, st. george’s road, elizabeth street, allison road, gladstone park, myrtle street, victoria street, caulfield, st kilda east, lisbon house, orrong road, house names, rippon lea estate, caulfield south, carnegie, gordon street, carre street, main street, clarence street, elsternwick club, jewish holocaust museum, daily planet, brothels, wesley college, elsternwick primary, st. joseph’s primary, scholem aleichen college, liebler yavneh, hopetoun gardens, harleston park -
Glen Eira Historical Society
Elsternwick
... Camden Theatre Southern Indoor Bowl Centre Larch Street ...This file contains three items., Photocopied and three page retyped article, undated c.1930s and source unknown from Real Estate Agent Philippe Batters 03/09/1997., Three page document from Keith James Smith, undated, on research on Elsternwick and Glen Huntly Road shops and traders., Three articles from THE AGE 13/05/2000 and 15-16/02/2013 and MELB BAYSIDE WEEKLY 03/11/2010 giving snap shots of Elsternwick housing and facts.batters philippe, real estate agents, elsternwick, paddocks, glen huntly road, watler, kelly, elsternwick park, slaughter yards, glen eira roads, point ormond, glenhuntly railway station, nepean highway, grange road, holdsworth’s jewellers, staniland grove, coles store, shops, orrong road, fosseys, hattams mensware, woolworths, dalgarnos crockery and kitchenware, chapmans gifts, garth’s shoe store, garth, jack, allen’s furniture and auction rooms, elsternwick market, adam’s cakes, mr. green’s pet shop, turner, mr., grocer shop, moores lendring library, hopetown gardens, gardens, jack hatheralls butchershop, butchers, chinese laundry, chinese community, laundries, mr. & mrs. darbyshires milkbar, st. johns church, kooyong road, hasseles garage, garages, royal parade, glenhuntly, camden, hawthorn road, blacksmiths, camden town, dolls hospital, caulfield state school 773, independent picture, theatres, camden theatre, southern indoor bowl centre, larch street, montessorie school, collins milk bar, milk bars, collins, lin, hartrick, miss, armond, mr., lennie, mr., rothells sausage factory, north road, red bus service transport, furlonger, miss, dance studio, moran and cato grocery, cato family, newsagent, tozer, brook, furniture store, green gables, american style soda fountain and milk bar, hoyts renown theatre, state savings bank, riddell parade, clarence street, aileen avenue, smith, keith james, camden town, sports club, peer, gary, gary peer & associates, brukarz, jack, ray white real estate, real estate agents, classic cinema theatres, st. george’s road, elizabeth street, allison road, gladstone park, myrtle street, victoria street, caulfield, st kilda east, lisbon house, orrong road, house names, rippon lea estate, caulfield south, carnegie, gordon street, carre street, main street, clarence street, elsternwick club, jewish holocaust museum, daily planet, brothels, wesley college, elsternwick primary, st. joseph’s primary, scholem aleichen college, liebler yavneh, hopetoun gardens, harleston park -
Glen Eira Historical Society
Document - Lempriere Family
Five items about the Lempriere family: 1/Two pages of handwritten (unsigned and undated) research noting their land holdings, taken from the rate books over period 1858-1892. It shows us that John Thompson Lempriere was also Mayor in 1903. 2/Two pages of handwritten (unsigned and undated) notes about Thomas Henry Lempriere and William Geo Lempriere. 3/Photocopied photograph of 'Greenmeadows' on Lemprieres' cow paddock – undated and unknown. 4/Copy of article written by Michael Collins Perse from The Sydney Morning Herald 12/01/2009 on Michael Raoul Lempriere, 'Wool Industry Leader', 11/11/1936-01/10/2008, a descendant of Caulfield's Lempriere family. The article gives a short history of the family involvement in the wool industry. A short family tree history and more about Michael's early life and then his own family and business life. 5/A reprinted family tree from the Australian Dictionary of Biography for the Lempriere family by Justin J Corfield.lempriere thomas h., greenmeadows house, lempriere james, balaclava road, lempriere t.e., hotham street, lempriere john thompson, inkerman street, lempriere carlotta, lempriere mary, lempriere estele, lempriere jane, orrong road, lempriere william, george lempriere, monteiro d’almedin charles charles, stables, outbuildings, graziers, mansions, caulfield common school, committees of management, st marys, blake & riggall solicitors, ratebooks, greenmeadows, cow paddocks, lempriere michael raoul, lempriere bros, lempriere pty. ltd., lempriere peter, lempriere rozel, lempriere william henry, lempriere kathleen, lempriere audley raoul, sportspeople, greene adelaide, lempriere geoffrey, dougall diana, lempriere william, lempriere ben, australian council of wool buyers, federation of australian wool organisations, lempriere lisa, lempriere kristine, persse michael collins -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
... examples, Rippon Lea and the Independent Church in Collins Street ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards