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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Lights, candle snuff, c1900
A candle snuffer is an instrument used to extinguish burning candles. This is accomplished by smothering the flame with a small metal cup that is suspended from a long handle, and thus depriving it of oxygen. The use of a candle snuffer helps to avoid problems associated with blowing hot wax. Candle snuffers are still commonly used Churches. Prior to the introduction of gas and electricity, candles and kerosene lamps were used for lighting in households after sunsetEvery Early settlers depended on candlelight after sunset and candle snuffs were a safe, clean and efficient way to extinguish the candle flameThis candle snuff has a brass handle with a turned polished wood tip. The brass cup, that is placed over the flame to extinguish it, is decorated with an engraved brass moth.early settlers, pioneers, moorabbin, bentleigh, ormond, market gardeners, lights, lamps, candles -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Set of Braun's craniotomy forceps used by Box Hill Hospital labour ward, Allen & Hanburys, England
Carl Rudolph Braun (1823-1891) was the inventor of this instrument, as well as a type of decapitation hook. Braun was born and practiced in Austria, and followed Semmelweis as assistant to Klein at the Vienna Maternity Clinic in 1847, before becoming its head in 1856. Braud added a gynaecology section to the clinic in 1858, being convinced that obstetrics and gynaecology should be together. (Source: Baskett, Thomas. 'On the Shoulders of Giants: Eponyms and Names in Obstetrics and Gynaecology'). This device was included with a range of other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Craniotomy forceps, Braun's. Stainless steel forceps, with wingnut. Upper blade has open oval section and ridged grip section on the handle. Lower blade has serrated inner edge and ridged grip section on the handle. Wingnut is used for attaching the upper and lower blades of the forceps. Inscribed "B.H.H.L Ward" on forceps."B.H.H.L Ward"destructive instruments -
Wangaratta RSL Sub Branch
Photograph, 8/9/1945
Instrument of Surrender marking the surrender of Japanese Forces by Vice Admiral Kamada to Australian Major General Edward James Milford on 8 September 1945. After the surrender of Japan, a Dutch military court convicted Kamada of war crimes for the executions of 1,500 west Borneo natives in 1944 and the ill treatment of 2,000 Dutch POWs held on Flores Island. Kamada was sentenced to death and was executed on 18 October 1947.Black and white photograph of documentinstrument of surrender, ww2 -
Robin Boyd Foundation
Audio - Tape, 1970
This audio tape consists of sound effects used in the over 25 exhibit boxes which were attached to the Space Tube designed by Robin Boyd for the Australian Pavilion at Expo '70 in Osaka. The sound effects included are wind, fire, orchestra, scientific instruments, kettle whistling, transport, thunder, pop music, jazz, abc theme music, crowds talking, singing in the shower, racing car, laughing and applause.Reel tape (175mm) with labels. Duration: 11:18 minutesexpo 70, robin boyd, ohm2022, ohm2022_31 -
Parks Victoria - Gabo Island Lightstation
Wind Speed Recorder, "Maximum Gust Register"
Used on Gabo Island to measure maximun gust over previous 3 hours or between weather observations. Information on the back of the device implies that it was battery powered and indicates that it was used in conjunction with a Synchrotac brand anemometer. Its particular function was to measure maximum wind speed over three hours between weather observations. Like the other weather recording instruments in the collection, it became redundant to the Bureau of Meteorology’s needs. It is a good example of its kind and has first level contributory significance for its historic value and provenance to the lightstation.Black metal box with grey metal front. Two chrome plated handles at front. Red plastic square, greenish coloured knob at front with inscriptions under them.On front,"MAXIMUM GUST REGISTER / KNOTS / READ" On back, "for use with a synchrotac anemometer / ANEMOMETER / RESET" On 2 black plastic discs at back, "BATTERY x 4 " -
Flagstaff Hill Maritime Museum and Village
Parallel Rule, 1947-1950
Navigators use parallel rule with maps and charts for plotting a specific course on a chart. One long edge is used with the compass rose on the chart, aligning the centre of the rose with the desired direction around the edge of the rose. The compass bars are then ‘walked’ in and out across the map to the desired location so that lines can be plotted to represent the direction to be travelled. Kelvin Company History: The origins of the company lie in the highly successful and strictly informal relationship between William Thomson (1824-1907), Professor of Natural Philosophy at Glasgow University from 1846-1899 and James White, a Glasgow optical maker. James White (1824-1884) founded the firm of James White, an optical instrument maker in Glasgow in 1850 and was involved in supplying and mending apparatus for Thomson university laboratory and working with him on experimental constructions. White was declared bankrupt in August 1861 and released several months later. In 1870, White was largely responsible for equipping William Thomson laboratory in the new University premises at Gilmore hill. From 1876, he was producing accurate compasses for metal ships to Thomson design during this period and this became an important part of his business in the last years of his life. He was also involved in the production of sophisticated sounding machinery that Thomson had designed to address problems encountered laying cables at sea, helping to make possible the first transatlantic cable connection. At the same time, he continued to make a whole range of more conventional instruments such as telescopes, microscopes and surveying equipment. White's association with Thomson continued until he died. After his death, his business continued under the same name, being administered by Matthew Edwards until 1891 when he left to set up his own company. Thomson who became Sir William Thomson and then Baron Kelvin of Largs in 1892, continued to maintain his interest in the business after James White's death in 1884, raising most of the capital needed to construct and equip new workshops in Cambridge Street, Glasgow. At these premises, the company continued to make the compass Thomson had designed during the 1870s and to supply it in some quantity, especially to the Admiralty. At the same time, the firm became increasingly involved in the design, production and sale of electrical apparatus. In 1899, Lord Kelvin resigned from his University chair and became, in 1900, a director in the newly formed limited liability company Kelvin & James White Ltd which had acquired the business of James White. At the same time Kelvin's nephew, James Thomson Bottomley (1845-1926), joined the firm. In 1904, a London branch office was opened which by 1915 had become known as Kelvin, White & Hutton Ltd. Kelvin & James White Ltd underwent a further change of name in 1913, becoming Kelvin Bottomley & Baird Ltd. Hughes Company History: Henry Hughes & Sons were founded in 1838 in London as a maker of chronographic and scientific instruments. The firm was incorporated as “Henry Hughes & Sons Ltd” in 1903. In 1923, the company produced its first recording echo sounder and in 1935 a controlling interest in the company was acquired by S Smith & Son Ltd resulting in the development and production of marine and aircraft instruments. Following the London office's destruction in the Blitz of 1941, a collaboration was entered into with Kelvin, Bottomley & Baird Ltd resulting in the establishing “Marine Instruments Ltd”. Following the formal amalgamation of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd in 1947 to form Kelvin & Hughes Ltd. Marine Instruments Ltd then acted as regional agents in the UK for Kelvin & Hughes Ltd who were essentially now a part of Smith's Industries Ltd founded in 1944 and the successors of S Smith & Son Ltd. Kelvin & Hughes Ltd went on to develop various marine radar and echo sounders supplying the Ministry of Transport, and later the Ministry of Defence. The firm was liquidated in 1966 but the name was continued as Kelvin Hughes, a division of the Smiths Group. In 2002, Kelvin Hughes continues to produce and develop marine instruments for commercial and military. This model parallel map ruler is a good example of the commercial diversity of navigational instruments made by Kelvin & Hughes after World War II. It was made in numbers for use by shipping after the second world war and is not particularly rare or significant for it's type. Also it was made no earlier than 1947 as the firms of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd who took over from Smith & Sons were not amalgamated until 1947. It can therefor be assumed that this ruler was made during the company's transitional period to Kelvin & Hughes from Smith Industries Ltd.Brass parallel rule in wooden box with blue felt lining.Rule inscribed on front "Kelvin & Hughes Ltd" " Made in Great Britain"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, parallel rule, kelvin & hughes ltd, map ruler, plot direction, navigation, maps, echo sounder, kelvin & james white, lord kelvin, baron kelvin of largs, scientific instrument -
Kiewa Valley Historical Society
Meter Millivolt, after 1950
This milli-volt meter was manufactured after 1950 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to measure very small voltages associated with the operation of the various Hydro Generators. The readings were able to be shown by the resistor in use in the current circuit. During this time period, high quality testing instruments were either sourced from Europe or England.This milli-volt meter is very significant to the Kiewa Valley as it was used by those electrical technicians, who were part of the Kiewa Hydro Scheme. An "off spin" from the Scheme was the beginning of an explosion in "human" resources into the Kiewa Valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both industrial and larger residential community. This evolution in the Kiewa Valley created a change, not only in the "physical" landscape(better roads and infrastructure), but also the socio-economic growth within the Valley allowing other "tourist" based industries to expand within the valley and Alpine areas.This millivolts DC meter was used in the 1950's. It is contained in a wooden box and has two coloured (red/black, positive and negative) screw tight knobs which have bake-lite connections. It also has a covered (black tin) view meter marked from zero to 10 millivolts. Underneath this and within a round bake-lite is a small adjustment screw. The top of the box is fastened onto the main structure by six brass screws. The back of the structure is fastened by eight brass screws and there are four small bake-lite rest knobs.On the face of the millivolt compartment , and at the top "TO BE USED WITH DIAL HORIZONTAL TEMP. COEF. +- .08 % PER oC. Underneath the scale "MILLIVOLTS D.C. F.G." (LEAD RESIS. .05 OHMS)" underneath and to the left "MADE IN ENGLAND BY" "EVERSHED & VIGNOLES Ltd" and to the right "No. 857842" underneath Regd. TRADE MARK MEGGERkiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth -
Australian Jazz Museum
DVD, Nigel- Buesst, Sunrise-Picture- Co, Benny Featherstone - Prince of Good Fellows, 1966
The life and times of a legendary Melbourne musician who lived life with the brakes off. Arguably the first notable Australian jazz improvisor, he mastered many instruments - trumpet, trombone, clarinet, piano. But most of all he was an excellent drummer. Throughout the thirties Benny played hot jazz in a multitude of bands, inspired perhaps by hearing the "hot Harlem rhythms" of the Ellingon and Armstrong bands in London during a 1933 visitA 66 minute film remastered onto DVD-R of Benny Featherstone, a legendary Melbourne Musician, by Nigel Buesst. Housed in a DVD case with a photograph of a Featherstone band in front of a shell stage. piano, trumpet, trombone, clarinet, benny featherstone, prince of good fellows, thirties, jazz musician, melbourne jazz musician, nigel buesst, dvd, drummer, 1930 s -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Circa early 1900's Band in a Park, Circa early 1900's Band in a Park, Early 1900's
Circa Early 1900's: Band in the Park. Photograph is black and white. A music band in a park. There are five rows of musicians. Towards the left side of the rows, there is a drummer and four saxophone players. In total, there are fourteen saxophone players. The rest of the men in this photograph play other instruments. There are 3 men with boater hats, 3 with bowler hats, 6 with stetson hats and three men in soldiers uniforms with white helmets. On the right side of the photograph, there are two boys dressed in white suits, one was taller and the other was little. There was an older man dressed in white in the fifth row, right in the middle. Front base of Mount : Frazer & Vallary (unknown word), Salisbury B (Unknown words) band, park, 1900's, early -
Bendigo Historical Society Inc.
Photograph - LARGE GROUP NEAR STATUE OF QUEEN VICTORIA
Black and white photograph of large group outside. In background are dense foliage and statue (Queen Victoria?). At front of statue, approximately thirty men, mainly bare-headed, mainly wearing three piece suits. At front, sixty five men, mainly wearing sailor's uniforms. Bass drum at centre front. Other band instruments visible. Small child bottom left corner with adult head visible. Mounted on grey board. History: Helen Mainka 06.11.2000 'is this the Queen Victoria statue in Bendigo?.person, group -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Whitish card with gold edged cut out on the front. Outside the gold border is a white border with blue shading outside it. Across the top right corner are some ivy leaves and blue flowers. Underneath on the left is a gold musical instrument with a pink cord tied around it and blue flowers and ivy leaves. On the right, printed in gold is: 'Wishes True'. Behind the cutout is a coloured scene of a house with a snow covered roof beside a stream and a lady walking beside the stream. A pale blue bow is on the left. The insert is glued into the card.Printed in Germanyperson, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: MUSIC BOOK
Copy of a cover from a music book No. 361 Forty Thieves Twostep & Turkey Trot. Arranged by Bert Rache. Founded on the Musical Hits in J. C. Williamson's Ltd. Pantomime Extravaganza 'Forty Thieves'. Has a round drawing of a girl with some large urns and a man in a cellar. A musical instrument leaning on a box has Published by Albert & Son Sydney, London New York. Coloured in black, white and grey. In the bottom right corner is a gruel recipe made from Nestles Milk Food.document, peter ellis collection, miss f? stephens, forty theives, sulan, my southern maid, my turkish opal, what a fool i'd be, bert rache, j c williamson's ltd, albert & son, chas a wenman, andrew maccunn, nestle's milk food -
Bendigo Historical Society Inc.
Medal - Music Award
From attached paperwork: 2 medals awarded to Doreen Hooley by the London college Music for Pianoforte Playing 1924 and 1927. Housed in black boxes with blue velvet lining. Marked JA Restall Jeweller Silversmith and Medallist 82 Cambridge St. Birmingham. Doreen St Clair Hooley b Eaglehawk 1912 Father Chas Wood Hooley Mother Margt Helena McMahon Reg No 29117. Married Anthony Taylor Mutton 1940 Reg No 3223. See The Argus (Melbourne, Vic. : 1848-1954) http://nla.gov.au/nlanews-page440306 Doreen Hooley Music Award: Medal awarded by the London College of Music for piano playing 1924 Medal encased in blue velvet in square box. Medal is circular with personalised inscription and musical instruments on front. The words "London College Music" and an image of a female kneeling are on the back of the medal. The inside cover of the box has printed "J.A.Restall Jeweller Silversmith and Medallist 82 Cambridge St. Birmingham". Medal is attached to blue velvet within the box by a metal loop. The box has a metal rod and hook fastener to open and close.medals, music, piano, london college of music, restall jeweller -
Moorabbin Air Museum
Archive (Item) - Box WP7 Prowse Collection See details under Description Section
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Flagstaff Hill Maritime Museum and Village
Functional object - Bell Bracket, ca 19th century
This brass bell bracket has been carefully shaped to fit around the shape of a bell. Its fitting allows it to swing freely. The bracket allows the bell to be fixed to a horizontal surface such as a s wooden frame, post or base. It may have been portable or fixed to a counter, desk or table. The bell may have been used to sound the time, to draw attention to an event such as a church surface, to signal a time to start or stop, or even as a percussion instrument.This metal bell bracket appears to be handmade and may have been used as a portable signal for a school or public meeting. It could have been used on a ship to signal the watch or the time.Bell bracket; the brass, bracket is bell-shaped with a removable hinged section across the top where the bell swung. The base is composed of a curved and shaped base stand. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bell bracket, bell stand, bell frame, swinging bell, portable bell, bell ringing, signal -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Eight years to clear tram tracks", 22/09/1971
Titled "Eight years to clear tram tracks", about the time planned to remove tram tracks in Ballarat by the CRB on their roads. Notes agreement with the SEC, mentions the Minister for Fuel and Power Mr. Balfour, cost $1.25million, quotes Mr. Oppy of the CRB. Notes that work on the removal of tracks in Sturt St had commenced this week. The second cutting includes a photo of a Mr G Hettich saw cutting the road surface - note the use of the term "instruments" in the caption.Yields information about the starting of track removal in Sturt St Ballarat and later on in other parts of the system, following closure of the SEC operated system.Newspaper cutting from The Courier, about 22/9/1971, about the removal of track in Ballarat and Bendigo. Has the newspaper source on the top edge in ink.crb, sturt st, closure, dismantling, track removal -
Bendigo Historical Society Inc.
Textile - Polo Shirt
The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1White polo shirt with the logo "The Celebrated Emu Creek Bush Band" printed centre front in blue and yellow. In the centre of the logo is d drawing of the head of an emu with one eye open and one eye closed. Clothing label identifies the manufacturer - Centavic Clothing, For Embroidery and Screen Printing. Includes Phone and Fax numbers. Size XXL.colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection -
Bendigo Historical Society Inc.
Textile - Windcheater
The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1Sky blue windcheater with the logo "The Celebrated Emu Creek Bush Band" printed centre front. The Band's symbol of the head of an emu is in a circle enclosed by the Band's name in blue and yellow lettering. Clothing label identifies the manufacturer - "L. Baker,". Includes Phone number. Reverse of label gives care instructions and "Made in Australia".colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection. -
Victorian Bands' League
Programme, Heidelberg Eisteddfod Society : Solo & Party Competitions, 03/10/1952
This small programme is for the Solo & Party Championships, incorporating a C & D Grade band contest conducted by the Heidelberg Eisteddfod Society under the patronage of the Victorian Bands' League. This part of the Eisteddfod was held from October 3rd - October 10th 1952. The program details lists of names of bands people and the instruments they played as well as numerous C & D grade bands that participated. Quite a number of the junior musicians were part of famous school and youth bands of the time. This Eisteddfod program is significant as it details a typical suburban Eisteddfod competition which included brass bands and brass musicians. The lists of names are also significant as they indicate which bands people had their start during this time and which bands they were part of. A small program 8 pages printed on paper.heidelberg eisteddfod society, victorian bands' league -
Warrnambool and District Historical Society Inc.
Document - Music Folio, Mendelsshon Lieder ohne Worte, Circa 1900
This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome -
Kiewa Valley Historical Society
Knife for Ladies Purse, circa mid to late 1900's
This "ladies" pocket knife was used up to the late 1900's by influential and "well off" ladies, not only as a fashion statement but as a practical tool when away from the kitchen/home to peel fruit and provide a cutting instrument for small items. It was a method to show the growing independence of women to skillfully process food away from the home and kitchen. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar)This "lady's "purse" knife was a demonstration of the growing independence of women in Australia and especially in rural areas up to the 1940's. The two World Wars provided the opportunity for women to take over what was traditionally "men's work". This evolution of women's equality in society brought changes to what the traditional role of rural women had been entrenched from first colonisation of Australia. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar). This method of preparation of a good cigar would have been used by wealthy property owners or men of "class"This small one blade knife (lady's) has an "ivory" body containing one small blade. Horizontal lines in "off white" appearance run from one end to the other. One end has a "U" fitting(to provide an anchorage for a chain). This small knife could also have been used by male cigar smokers.ladies pocket knife, small knives, traveller's cutting implements -
Flagstaff Hill Maritime Museum and Village
Book, Physiological Principles in Treatment, 1930
This book was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969.The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Book Title- 'Physiological Principles in Treatment' by Brown and Hilton, 6th edition. Red hard cover book with title stamped into cover. Approximately 464 pages.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, physiological principles in treatment, medical book 1930 -
Federation University Historical Collection
Object, Brown and Sharpe Manufacturing Co, Universal Surface Gauge
Used to lay out Machine work, or to set up pieces on a planer, radial drill, milling machine or boring machine. To set the Scriber the spindle swivels down or up into any position where it is clamped by the knurled nut. There is a fine screw adjustment for the Scriber point (note: this is not original Scriber supplied with this instrument). The base on this Surface Gauge can be set on cylindrical work, using the ‘V’ groove in the base, or by pushing down the two gauge pins. It can be brought square with an edge or T slot. Metal gauge toolgauge, tool, trade, brown and sharp manufacturing company -
Flagstaff Hill Maritime Museum and Village
Calipers, Moore & Wright, 1925-1935
Established in 1906, Frank Moore soon became well known amongst discerning tradespeople for the quality & accuracy of his tools. The Company was acquired by John Shaw & Son in 1945 & James Neill & Co in 1970. Currently part of the Bower Meteorology UK Group, they still produce superb tools & measuring instruments in Sheffield. The subject item is made from high-grade carbon silver tool steel with the patented 'Firm Lock' joint, that identifies the maker as Moore & Wright.A tool used for external measurement of items made by a maker who patented the "firm lock" jointing system now used on many different types of tools in many different industries. These items are now collectible and quite rare as a result are sought by tool collectors in the USA and UK.‘Firm Joint’ external measuring calipers believed made by Moore & Wright. Impressed into the metal "L A J S" (Probably the owner and company that used the item nothing to do with manufacturing) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, calipers, callipers, external calipers, outer caliper, pottery tools, masonry tools, glass making tools, external measurement -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Placenta praevia forceps used by Box Hill Hospital labour ward, Ramsay
Similar to Willett's placenta praevia forceps [see Down Bros Catalogue of Surgical Instruments and Appliances, c1930, p 940]. John Abernethy Willett (1872 -1932) modified an existing pair of surgical scalp forceps for use in bringing down the head of a foetus in the case of placenta praevia. As the safety of c-sections increased and fetal viability became a dominant consideration, these were used only for the dead/pre-viable foetus. (Source: Baskett, Thomas. 'On the Shoulders of Giants - Eponyms & Names in O&G'.) This was included with other obstetric instruments, mostly destructive instruments, from Box Hill Hospital labour ward given to RANZCOG in February- March 1998. The maternity service at Box Hill hospital combined with St Geroge's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pair of long handled forceps, placenta praevia style. Inscribed "B.H.H.L Ward" inner handle."B.H.H.L Ward"destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Gellhorn pessary associated with Dr Frank Forster
This is the 'old' style of Gelhorn pessary, which is similar in appearance to the Matthews-Duncan disc and stem and the Simpson's shelf gutta-percha. "This type of pessary was used in cases of complete procidenture... thus preventing dragging on the posterior wall of the bladder and the associated incontinence of which most patients complained. When wearing a large pessary with a small pessary, the uterus often came down beside the pessary." (Dr. A.J.Helm-Montigue, Down Bros Ltd. Surgical Instruments and Appliances, p. 1038.Black vulcanite pessary . Consists of a rigid short think stem with bulb at the distal end, and a solid flange at the proximal end.intrauterine device, pessary -
National Wool Museum
Machine - Sliding Box Plate Camera, 1866-1882
Made by Cox, F J 1845-1882 (1891), optical & mathematical instrument maker, optician, camera manufacturer, London.Sliding box camera, about 1855. This type of camera was in use before bellows became common. The camera belonged to Hugh Strachan who passed it on to an employee, Charlie Lugg. The Strachan family is distinguished in the Geelong wool industry. James Ford Strachan, born in Scotland, established a very successful wool broking business and his sons carried on his work.Wooden case with brass handle lined with green felt containing one sliding box camera, with a brass fitting for a lense, a removable glass focussing screen, which conseals the removable lense inside the camera. Also two small wooden frames for developping the photographs. Also a linen cape and a leather pouch containing metal filters with gradients. Booklet about the life of Charles Lugg who owned the camera before it was passed to his nephew who then donated it to the NWM. Booklet details Lugg's military service, working life in Stachan's wool stores and life in Geelong and Moriac. Measurements of parts (in centimeters): 27 26 41.5 Carry Case 24.5 36.5 21.2 Sliding box Camera 15.4 .5 17.6 slide frame 11 14.5 9.5 lens 152 71 cape 9 1.5 6.5 pouch 8.5 .1 6.5 5.5 Filter Lense 8.5 .1 6.5 4.5 Filter Lense 8.5 .1 6.5 3.5 Filter Lense 8.5 .1 6.5 1.2 Filter Lense F.J. Cox/ 26/Ludgate Hill/ London (Plaque on top of box) Fred J Cox/26 Ludgate Hill/London (Engraved on side of Lens)charles lugg, fred j cox, james ford strachan -
The Ed Muirhead Physics Museum
Resistance Ratio Bridge, J.L. William
Machine-made/cut, appears to be lathe turned. Electroplated, no apparent decorative elements. 14 rotatable, removable nuts. Surface finish: Brushed metal. “Ratio Resistance’ Handwritten pen on paper adhered with sticky tape on top circular face. Medallion screwed to top circular face: “J.L. WILLIAM/SCIENTIFIC INSTRUMENTS/ SERIAL NO. TYPE/ MELBOURNE - AUSTRALIA.” Machine-made manufacturer’s label, enamel on brass plate (unconfirmed) screw fixed, “Resistance/between/the knobs/as shown/Resistances (+0.05 at most). Handwritten pen on aged paper label attached with coated twine. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, miniature oval hand mirror, c1900
Celluloids are a class of compounds created from nitrocellulose and camphor, with added dyes and other agents. Generally considered the first thermoplastic, it was first created as Parkesine in 1856 and as Xylonite in 1869, before being registered as Celluloid in 1870. Celluloid is easily moulded and shaped, and it was first widely used as an ivory replacement. The main use was in movie and photography film industries, which used only celluloid films prior to acetate films that were introduced in the 1950s. Celluloid is highly flammable, difficult and expensive to produce and no longer widely used, although its most common uses today are in table tennis balls, musical instruments and guitar picks. Celluloid was useful for creating cheaper jewellery, jewellery boxes, hair accessories and many items that would earlier have been manufactured from ivory, horn or other expensive animal products. It was often referred to as "Ivorine" or "French Ivory". It was also used for dressing table sets, dolls, picture frames, charms, hat pins, buttons, buckles, stringed instrument parts, accordions, fountain pens, cutlery handles and kitchen items. The main disadvantage the material had was that it was flammable.. It was soon overtaken by Bakelite.A miniature, oval, Ivorine hand mirror with floral engraving on back. An accoutrement for use in a lady's Evening bag c19thCFloral design engraving on back of mirrormoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, mirors, ivorine, evening bags, celluloids, bakelite, plastics, -
Flagstaff Hill Maritime Museum and Village
Instrument - Accordion, International Accordion Company, 1930's
This MEZON brand button accordion was made specifically for Lyons, Musical Instrument Importer, 207 Bourke Street Melbourne, as can be seen on the embossed lettering on the top of the accordion. The hand inscribed nameplate indicates that the owner was T H Betts. On August 19th, 1903, Michael Edward Lyons applied to the Trade Mark’s Office of Sydney for registration of “The Invented word “MEZON” to be applied to musical instruments. In 1908 he was advertising himself as sole agents for MEZON accordions. He had been at that address for 15 years (since 1893) and was moving to larger premises at 256 Bourke Street, Melbourne. Still at this address in 1925, Lyons advertises MEZON accordions as “The ideal Xmas present, Maker your friends happy, This Xmas let the Present be a MEZON”. There was a choice of three styles: The Organ, The Wonder and The Grand Organ. They came with a Fibre Case with Lock and Key and a Leather Handle. The promise was “They Give Satisfaction”. They were obtainable at all stores or from Sole Distributors in Australia. In 1927 the MEZON was sold by Albert & Sons in Western Australia, Victoria, New South Wales and Queensland as well as by Lyons in Melbourne. The favoured German accordion brands were Monarch and Sterling, which were made by the International Accordion Company in Leipzig, Saxony, Germany. The company was founded in 1871 by Ernest Deines and made a variety of musical instruments. The company closed business in 1834. The International Accordion Company’s accordion range made the International brand and others such as MEZON, Globe, and Dienst. Australia imported the MEZON brand. American companies imported a range of the popular German branded accordions until World War II, when they were no longer available. In general, accordions produced after the war were not as high a quality and not loud enough to be heard over the electronic guitars and the drum kit of the bands. This accordion represents the type of musical instruments used in the late 19h and early 20th century, locally and Australia wide. In colonial Australia musical instruments like this one were imported from Germany as well as other countries. At that time, German made instruments represented good quality. This accordion is significant for being especially imported into Australia by a Melbourne retailer. Music was a part of family and social life, associated with dances, song and general fun.Button accordion with case. Accordion with steel reeds, three bass valves and ten treble valves. It is coloured black with very dark green trim, decorative silver metal reinforcing on main corners, gold reinforcing on corners of the bellows and delicate printed, gold printed patterned trims. Hand support for buttons is made of fabric. Folds of the bellows are light coloured with fine dark pattern. It has a nameplate on the front. Black wooden case has red lining, two brass hinges, two brass hook and eye catches and a swivel brass lock. The base of the case has a loose brass fitting. The top has a thin metal handle. Inscription on hand inscribed name on front, label inside case lid, silver reinforcing, leather on bellows top, and frame of accordion. Manufactured with the brand MEZON in Saxony, Germany, for Lyons of Melbourne. Once the property of T H Betts.Printed on label “MEZON ACCORDEONS.” Impressed in metal corners and reinforcing “MEZON” with logo [circle enclosing entwined capital D and E] “MADE IN SAXONY” Embossed in gold on frame “Made in Saxony”, “MEZON Accordion/ manufactured for LYONS / MELBOURNE, Bourke Street” Name inscribed by hand “T H Betts”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mezon accordion, lyons, made in saxony, t h betts, betts, mezon, squeeze box, musical instrument, button accordion, germany, michael lyons, international accordion company, ernest deines, circle enclosing d e, d e, e d, german accordion