The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Monochrome postcard showing two men in a rowboat on the River Yarra at Kew in the area of Macaulay's Boat Shed.Handwritten later annotations: "Reg No KH-384. Yarra towards Fairfield. Macaulay's Boat House, Kew"postcards - kew (vic), river yarra - kew (vic), sport and recreation - kew (vic), recreation - kew (vic), boat sheds - kew (vic)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.One of a series of pictorial postcards showing a woman on a bicycle near to the River Yarra in Kew.Polychrome postcard of the River Yarra at Kew, showing a woman with a bike (right) looking away from the River.My dear friend I suppose you will think I am a "beauty", but I have no excuse to offer for not writing, only the longer I put it off the longer I want to. I hope the change did you a lot of good & that you feel quite well & strong. Everything here is something about the same. Our two new ministers are nice but I like Mr Dowsing better so far. The weather lately is glorious, just the thing for long walks. Jane Rowe & I go for a walk after church on Sunday nights. That is the most walking I do lately. No room for more. Love from your friend C.G.[sic]postcards -- kew (vic.), postcards -- yarra river -- kew (vic.), colour postcards -- kew (vic.)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Commercial postcard produced by Little Residential showing the Kew War Memorial, the QPO Restaurant and the former Kew Court House.The reverse includes details about the company and its services (see image)postcards, qpo restaurant, kew post office, kew war memorial

The Armstrong Cannons were originally placed at Fort Gellibrand, located at the southernmost tip of the Williamstown peninsula. The Fort was developed during the 1850s as part of a defensive system for the city and port of Melbourne. The importance of the Fort batteries declined from the 1890s, when they were effectively replaced by new facilities at Queenscliff and Point Nepean, but they were still used for gunnery practice. Local residents, through the Williamstown Town Council, complained to the Acting Minister for Defence that the concussion from the guns damaged windows, walls and foundations of buildings. The Armstrong Cannons were moved from Fort Gellibrand to the Gardens in 1906. A primary source of evidence of the cannons being in the Gardens. The cannons are remembered fondly as play equipment for the local children. Many tales have been told of climbing over them and pretending to be shot out of them A collection of seven black and white photographs documenting the removal of the cannons from the Gardens Photo 1 (a) Black and white landscape image. View is looking through the main gates looking at the front of the truck, which has the name Walter Wright across the front bumper, the crane and canon. The gates and fence are painted a light colour, probably white. Photo 2 (b) Black and white landscape image. Back of loader with cannon on it. Man standing on top of the cannon bending over either tying or untying ropes. Trunk of a palm tree is on the left side of the photo with a top of a palm tree in the background. Photo 3 (c) Black and portrait white image. A cannon being loaded by the crane on to trailer. Palm tree is in the background and fronds from a palm tree can be seen in the right top corner. Photo 4 (d) Black and white landscape image. Side on view of a cannon on the truck parked outside the grounds of the Gardens. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. A second cannon can be seen in the background. A bus is in the background on the middle right side of the image. Photo 5 (e) Black and white landscape image. Truck with cannon on the back leaving the ground of the Gardens. Tree on the right side of the image and power pole is behind the truck. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. ‘WALTER WRIGHT’ is on the front bumper Photo 6 (f) Black and white landscape image. Cannon tied down on the back of the truck as it is being driven across the street. Three houses in the background and two cars, one is a Volkswagen Photo 7 (g) Black and white landscape image. Cannon on the back of the truck which is parked over the street from the Gardens. Three houses are in the background. Two trees bare of leaves. The front of a car in in the foreground – it has a sun visor and the steering wheel is a light colour.armstrong cannons, williamstown botanic gardens, hobsons bay city council, 1970, walter h wright / transport pty ltd

The British Arts and Crafts Movement was a major influence on handcrafts made by the Leviny women at Buda. This Movement spread knowledge of craft techniques in the decorative arts and encouraged women to partake in fields that had traditionally been the domain of men, such as metalcraft and woodwork. The Leviny women studied art, design and craft techniques at the Castlemaine School of Mines from the 1890s to the early 1900s and this boot stool, hand-carved by Gertrude, is an example of the influence of the Arts and Crafts Movement on her decorative art. See: Zilles, Lauretta (2010), Buda and the Leviny Family, Castlemaine: Buda Historic Home & Garden Inc.This is a rare example of a unique hand-carved boot stool made in Australia by Gertrude Leviny in the British Arts and Crafts Movement style at the turn of the twentieth century.Timber boot stool, hand-carved by Gertrude Leviny. Made using the 'chip carving' technique, with dragon heads on upright at one end, and plant design in relief on the seat. Timber finish has a blackened effect.'K/40' (Old Registration Number)gertrude leviny, wood carving, arts and crafts movement, buda, castlemaine, dragon's heads, c1900, domestic furniture, castlemaine school of mines

This photograph is believed to have been taken in the 1890s at the Crosier property at Happy Valley (the Crosiers lived along the road leading to the Happy Valley School. Crosier descendants still live on this site). People in the photo are thought to be, L-R: Nell Crosier, Mary Crosier (née Hogan), Maggie Crombie (née Crosier), Jack Crombie. Mary Crosier was the second wife of Henry Crosier (1825-1901), a miner and farmer at Happy Valley. They had eight children. Their oldest daughter Maggie Crosier (1865-1932) married John Charles (Jack) Crombie in 1893. The Crombies farmed at Durham Lead.Black and white copy of original photograph showing a small weatherboard house with climbing plants along the verandah. Standing in front of the house are two women, with an older lady sitting between them, and a gentleman standing on the right, next to one of the women.crosier family home, miss crosier, mrs crosier, jack crombie, maggie crombie (nee crosier), happy valley

A number of Plumbing tools dating from 1880s-1970s and used in teaching at Collingwood Technical School then also at Preston Technical School and at Northern Metropolitan College of TAFE's Heidelberg campus. Includes: Kerosene blow torch X 2 (1930s-); Stillson Grips; Pipe Cutter; Mash hammer; Adjustable spanner X 3 different sizes; Caulking tool; 5 way tee, 2X3 way tee, 4 way tee (1930s-); Old Handmade lead traps (student work) X 2; Metal tool tray holding; Offset adjustable spud spanner; Pear shaped lead working mallet; Bossing tool for lead work (1880s-1920s); Soldering iron (1920s-); Set square; Large screwdriver; Also Plumbing texts: • Problems for elementary physics, new rev. edn., by Thomas Tasker and Alexander Boden, Science Press, Sydney, 1966. • Gasfitting. Printed and published by McCarron Bird Pty. Ltd. [Melbourne] • Trade science for plumbing apprentices, Education Dept. Victoria, 1954 • Sanitary Plumbing and water supply, Dept. of Labour • Gasfitting, produced by members of the Colonial Gas Association Limited, Gas and Fuel Corporation of Victoria, and the Technical Division of the Education Department of Victoria. Rev metric edn. 1976 • Mechanical world year book 1953, Manchester Emmott & Co., 1953 collingwood technical school, preston technical school, northern metropolitan college of tafe, plumbing tools, plumbing texts, nmit

This flag was used by Esperance Girls School, a private school based in Brighton from 1894-1956. Esperance was established in 1894 at 6 Normanby Street by Misses Emsie, Marion, Gussie and Daisy Beaver. The four sisters came from a formerly-prosperous land-owning family that had suffered badly as a result of the depression of the early 1890s. At a time when few occupations were open to gentlewomen, running a school provided the sisters with a respectable means of supporting themselves. Notable teachers at Esperance during the 1890s included elocution mistress Miss Jeannie Taylor, who would later become better known as the author Mrs Aeneas Gunn. In 1924 the school was sold to Miss Marian Taylor and Miss Christina McMillan, who had previously served as joint principals of Alexandra College in Hamilton between 1909 and 1913. Both women had strong family connections to Brighton: Christina was the granddaughter of early pioneer Archibald McMillan and Marian was a relative of long-serving town clerk J. H. Taylor. The new principals relocated the school to a large two-storey house on the corner of Park Street and Esperance Avenue, where it remained until its closure. They operated the school until 1950, when they sold it to a Miss Bury, who in turn sold it to the local Baptist Church in 1956. Following this final sale, the school continued for another four terms before closing.Navy blue flag, both sides featuring a large yellow-gold crest in centre, containing image of an anchor and surrounded by semicircular scroll with the motto "SPES ANCORA ANIMAE". Background features horizontal green stripe across centre, containing smaller red stripe and bordered on each side by yellow stripes.esperance girls school, flag, school flag

On loan from John Mundy family. Searching for gold in the Orbost district began in the last half of the 19th century and continued until circa 1930s. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. This item is reflective of the late 19th -early 20th century gold mining era in East Gippsland.A small square bottle with a push-in cork stopper. This bottle contains specks of gold or gold dust. mining-gold

This photograph is part of a donated sub-collection relating to the history of the Ladies Harbour Lights Guild. This photograph is presumed to be of two sisters named Lillie and Olive Duncan, who were members of the Guild in the 1930s & 1940s. Their father David Hood Duncan was a farmer. This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the LHLG and the activities carried out by that organisation. The image is also significant as an insight into the childhood of these two young girls.Sepia photograph of two young girls in white long-sleeved dresses and wide ruffled white hats tied with a large bow under the chin. The photograph is mounted on a brown cardboard.Inscribed on base edge of mount "Wherrett & Co." "The Studio: SALE" ladies harbour lights guild, lillie duncan, olive duncan, girls, lhlg, sale

These visiting cards have been commercially produced for those who have suffered a bereavement and wish to leave a visiting card when calling on friends, business acquaintances etc. They would have been used in the 19th century and up to about the 1930s. These cards have no known provenance but are of interest because they are a good example of bereavement customs a hundred years ago and earlier. These are two packs of visiting cards, white with black borders. They are made of lightweight card and enclosed in an open cardboard envelope and these are further contained in another cardboard envelope. Originally the envelopes contained 50 cards each but there are now 49 in one box and 41 in the other. The boxes are white with black and white printing and ornamental decorations. On front and back of box – ’50 Extra Superfine Queens Thin Ivory Black Bordered Visiting Cards’ bereavement customs, visiting cards

Autobiography of a leftist playwright. From the cover notes: This is an insider's portrait of Australian bohemia of the 1920s and the 1930s and in particular of the establishment, under the magnetic influence of painter/​philosopher Justus Jorgensen, of the artists' colony Montsalvat at Eltham, Victoria. Cover image: Pool at Montsalvat325 p. : ill., ports. ISBN 0868061700betty roland, justus jorgensen, montsalvat

Advertisement for the Majestic Private Hotel, 151 Fitzroy Street St Kilda. The building was constructed in 1912 as a block of flats, designed and built by JR Daley, and was renovated in the 1930s. After a fire in 1981, most of the rear of the building was demolished and replaced by modern apartments.White paper printed in black on both sides, and some teal, and laminatedmajestic hotel, fitzroy street

Photograph of the Federal Mills basketball team who were runners up in the A section. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Robert Pockley / GEELONG Robert Pockley Vicky / Florie Allie / Mavis Nellie / Dot Sheila / N. Alsop 'A' Runners-uptextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Photograph of Federal Mill basketball team players Phyl Bryant and Jess Kemp. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Phy Bryant / Jess Kemptextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Queen Alexandra and Queen Mary were photographed holding these fans.|In 'Feather Fans - Collectors Guide to Fans' by Susan Nayer - 'In1880 feather fans returned to fashion -- remained in use until 1930s at court presentations. Also known as Japanese Fans.`Women's fan. Blue and green peacock feathers in circle. Handle wrapped in blue ribbon. Used indoors beside the fire to protect a ladies complexions against the heat.costume accessories, female

The heritage listed Fairfield Bridge was originally constructed for the Outer Circle Railway to bridge the Yarra River between East Kew and Fairfield stations. In the 1930s it was converted for vehicular traffic. In the 2010s a new concrete bridge was erected beside it to increase vehicular capacity.Print copy of the Chandler Highway Bridge, [formerly the Fairfield Viaduct of the Outer Circle Railway] showing the original position of the walkway beside the bridge. The POV is from the Fairfield side looking towards Kew. CHANDLER HWY BRIDGE OVER YARRA / OCTOBER 1977 / ORIGINALLY BUILT FOR OUTER CIRCLE RWYchandler highway bridge, outer circle railway viaduct, bridges -- kew (vic.)

Eight poems written by Legatee Eric Serman on various topics, written in the 1930s. The titles include: The Tree; My Lady; My Garden; In Georgian Days; Sunset at Lakes Entrance and The Gate. Some are on Legacy letterhead. Eric Serman was president in 1928.A record of Legatee Eric Serman a past president of Legacy.Handwritten poems by Legatee Eric Serman - President 1928-29.past presidents, eric serman

This trophy is one of several from the 1930s that were awarded as part of the inter-church indoor sports competitions held in Warrnambool. One of the sponsors of these competitions was Fletcher Jones, the well-known clothing manufacturer. The head office and major factory of the Fletcher Jones business were in Warrnambool. This trophy was awarded to the Congregational Men’s Institute for deck quoits. The game of quoits consists of competitors throwing four or five rings or hoops on to a raised spike some metres away. The hoops are generally made of plaited rope and the game is said to have been started or popularized by sailors on board ship. In deck quoits the raised spike is usually replaced by concentric circles drawn on the playing surface. This game became very popular on ocean liner cruises from the 1930s on. The Congregational Men’s Institute was a leading men’s activity group in Warrnambool in the 1930s. A Congregational Church was opened in Liebig Street in Warrnambool in 1864 and transferred to Henna Street in 1940. This Henna Street church was sold to the Salvation Army in 1979 when the Congregational Church merged with the Methodist Church to form the Uniting Church. This trophy is of interest as a memento of the now-defunct inter-church sporting competitions held in Warrnambool in the 1930s.This is an electro-plated nickel silver cup with two side handles, a thin stem and a silver base. The cup is mounted on a Bakelite stand. ‘I.C.I.S.A. Deck Quoits Championship Won by C.M.I. 1935’congregational church, warrnambool, inter-church sporting competitions, warrnambool, history of warrnambool

This cup is one of several from the 1930s that were awarded as part of inter-church indoor sporting competitions in Warrnambool. One of the sponsors of these competitions was Fletcher Jones, the well-known clothing manufacturer. He had his head office and major factory in Warrnambool. This trophy has been awarded to the grand aggregate winner of 1934, the Congregational Men’s Institute (C.M.I.), a leading church activity group for men in Warrnambool in the 1930s. A Congregational Church was opened in Liebig Street. Warrnambool in 1864 and transferred to Henna Street in 1940. This Henna Street church was sold to the Salvation Army in 1979 when the Congregational Church merged with the Methodist Church to form the Uniting Church. This trophy is of interest as a memento of the now-defunct inter-church sporting competitions held in Warrnambool in the 1930s. This is an electro-plated nickel silver cup with two side handles and a narrow stem on a silver base. The cup is mounted on a Bakelite stand. ‘Inter-Church Indoor Sports Association Cup Grand Aggregate Won by C.M.I. 1934’ congregational church warrnambool, inter-church sports competitions, warrnambool

This is a book by Jean McDonald (nee Henderson) telling of her childhood experiences. Born in 1924 Jean McDonald was one of seven children who grew up at Rivery Park, a dairy farm in Grassmere in the 1930s and 40s. She went to school in Cooramook and Warrnambool. This book is of interest as it describes the life of Jean McDonald in Grassmere. It is an important social history of the life and times of a local woman. This is a soft cover book of 189 pages. The front cover has a coloured photograph of three children near a stream and the back cover has an extract from the book and some comments on it. The book contains ten chapters and many black and white photographs. ‘M. Jansen’ jean mcdonald, grassmere, cooramook, rural life in the western district

This is a souvenir jug showing an image of the boat sheds (Proudfoots) at the mouth of the Hopkins River, Warrnambool. It would have been purchased in the 1920s or 1930s. These boatsheds were erected for Thomas Proudfoot in 1885. At that time the sheds housed the boats of the local Gordon Rowing Club. This jug is of interest as an example of the type of souvenir available to tourists and locals in the Warrnambool district in the 1920s and 30s. This is a lustre ware china jug with a black handle and a black lip and black edging around the opening. The jug has a squat spherical shape and has gold colouring with an image in black and grey of the boatsheds at the mouth of the Hopkins River, Warrnambool. The lettering is in black and on the base are the maker’s symbols. ‘Boat Houses on the Hopkins, Warrnambool ’23 R.K.G. Made in Cechoslov (sic)’ proudfoots boatsheds. warrnambool, hopkins river, warrnambool, history of warrnambool

These cameras were made in Japan by the Canon Company which dates from the 1930s. Canon cameras were, and still are very popular as they are compact and have a simple ‘point and shot’ mechanism. The taking of family photographs has been a hobby for over 100 years.These cameras have no known local provenance but are retained for display purposes. .1 This is a Canon Elph Camera. It is rectangular in shape and mainly silver-coloured with a black lens. A black cord for holding the camera is attached. The camera is in a grey cloth bag. .2 This is a Canon Sprint camera. It is rectangular in shape and has a black body. A black cord for holding the camera is attached. The camera is in a buff-coloured cloth bag. This is slightly scuffed. .1 Canon Elph Canon Inc. Made in Japan 3104104 .2 Canon Sprint Approved JC11 canon cameras, history of warrnambool

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat.Go There was a newspaper published especially for tourists, and covered Ballarat, Daylesford, Castlemaine, Kyneton, Malmsbury, Trentham, Greendale, Hepburn Springs, Bendigo, Guidlford, Newstead.ballarat, daylesford, castlemaine, kyneton, malmsbury, trentham, greendale, hepburn springs, bendigo, guidlford, newstead, newbury, waterwheel, waterwheel farm, jack smales, val henderson, ken lock, advertisements, castlemaine market building, weerona tropical aquarium, maldon, merlo, newstead pottery, trevor whelan, welshman's reef, newstead butter, eureka swimming pool

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat.Newspaper advertisement for Prince Regent Service Station and Milk Bar.prince regent service station and milk bar advertisement, main road ballarat east

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat.Bright green textured paper with navy blue printAddress: 62 Bridge Street Ballarat 3350zilles printers, ballarat, serendipity of ballarat

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat.Gold colour metal plate with black sectionszilles printers

The Spot Cafe was in Elizabeth Street, Melbourne and owned by Athanasios Raftopoulos, Michalis Mavrokefalos and Anastasios Flocas. It was one of the many cafes owned and run by Ithacans in Melbourne's CBD in the 1930s and 1940s. Arthur Raftopoulos and Hector Andrews are standing 2nd and 3rd left in the photograph. Many Ithacans established businesses throughout the CBD and inner suburbs. These establishments also provided employment for other family members and friends as during the first half of the twentieth century migrants from Southern Europe were often unable to find employment in the wider Australian community.A black and white photograph mounted on grey board with a darker grey border of the interior of a restaurant. Tables set out with white tablecloths are in the foreground with four men standing behind them and a man and two ladies are standing in curtained cubicles in the background.ithacan businesses.

Photograph of Margaret Hooper who was in charge of the Unity Club which was situated in Malop Street. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Margaret / Hoopertextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff