CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society

Y valves were used to split water supplies so it could be directed to a number of locations on a fire. In this case four outlets with two controlling valves. Canvas 1.5 inch hose was normally attached Screw connections rather than twist-camm locksY ValveYarrawonga Forests Commissionbushfire, fire pump, forests commission victoria (fcv)

This pack is made from materials available at the time and was used to carry supplies and equipment for bushwalking and/or cross country skiing. It is designed to protect the contents in all weather and to be as comfortable and practical as possible. The Bogong High Plains was a popular destination for bushwalking and cross country skiing. This backpack is an early example of the equipment used for extended walks and/or cross country skiing. Heavy green canvas back pack with flap at top to cover contents and to attach at base. Sides fold over at the top. The back is attached with zig zag cord with 5 holes down each side. The front piece has 2 pockets with straps to secure them. The sides have a wooden rectangular piece wrapped by canvas to maintain the shape of the pack. There are webbed shoulder straps on an angle attached to the back with adjustable straps. There is a thin metal rod on the outside of each side presumably to enable items to be hung from them. On the inside of the flap: Leon Henry/Trendweth(?)/ West Brunswick/Melbourne/ Victoria/ Australia Previous name and address has been crossed out.backpack; bogong high plains; bushwalking; cross country skiing

Part of equipment issued to all soldiers on front line to be used for both serving food and drink. Belongs to Captain Brian Clerehan VX 91862 who enlisted 29/3/43 and was discharged 17/7/46 from 2nd New Guinea Infantry Batt.1. Light brown canvas carry bag for two metal bowls. Fold out piece with metal stud to open/close and metal hooks on back to attach to kit. 2. Silver metal bowl approx .6 litre capacity with metal folding handles - oval in shape. 3. Silver metal bowl approx 0.5 litre capacity with metal folding handles and oval in shape. Small folding ring attached to bottom. Smaller bowl sits inside bigger bowl sitting in canvas container.2. Has engraved between handles "D^D" & "VD".mess kit, equipment, ww2

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

Diggers & Mining. Stores at the diggings. From the original in the Dixon Gallery, Public Library of NSW. Part of canvas town, Bendigo, 1853. A group or row of stores on the diggings was often called ''Canvas Town''. Slide shows Beauchamp's Australian Stores, Gold bought with a small hut at the rear with a chimney. Second tent - Beauchamp's Australian Store. 3rd tent unnamed. There are goods for sale outside the first tent appear to be cradles for mining. 2 children to the left of picture. Markings: 13 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Peter Ball collection, refer Cat No 4704Kit Bag green canvas with two carry handles with zip top opening along full length, inside has two seperate pouches on one side, details in lettering and other painted on in orange and yellow with a kangaroo.Painted on, “3796117 Pte Ball 1473 AMF”kit bags, equipment

Cpl. Ronald Warren Ellis, EM (VX502517) was born in Brunswick in 1927. His family moved to Lara when he was young, and his schooling took place at the Lara State School. After finishing his education, Ron took up employment at Sims Coopers in Corio. Ron was enlisted in the second AIF at Melbourne, and posted to the 3rd Recruit Training Battalion at Greta west of Newcastle, NSW. After 3 months training, he was sent to the Service Corps Training Centre for driver and maintenance training in Ingleburn, south of Sydney. When this course was completed, Ron was posted to the Australian Army Service Corps as a driver motor vehicle with the 2nd AIF. Rons service with the AIF lasted 425 days, when he was then transferred to the Interim Army for a further 309 days. The duration of his service was in NSW. Ron was discharged from the Army in Melbourne on the 4th of May 1948. In 1957, Ron enlisted in the CMF and served with 22nd Construction Squadron for 17 years with the last 5 as a Corporal, and was awarded the Efficiency Medal for long service and good conduct.Brown canvas booklet that is folded into three. Licence gives details of Army number, name, rank and type of vehicle that is able to be driven. Licence has been issued to Private Ronald Warren Ellis on 24/01/1948. No. 258778 Army No. V?SOL517 Rank: Private Name in full: Ellis, Ronald Warren Unit: Transferred to (unit): Having passed the prescribed tests ... authorised to drive... types of ... vehicles within the Commonwealth of Australia and Territories. Signature of Driver: drivers licence, australian military forces, army, private, ellis, ww2, wwii, world war two, second world war

Flying goggles possibly used by a member of the Flying Corps in the First or Second World War. Unlike other examples, this set does not have fur lined interior suggesting that it may have been used by ground crew rather than those at altititude.Goggles constructed of various materials: rubber edging, metal frames, plastic lens, canvas sides and elastic strap attached via metal buckles. Rubber hand stitched to convas sides. Lens cracked and yellowed in centre.flying, royal australian air force, raaf, flying corps, goggle, eyemask, aviation, equipment, pilot, first world war, second world war

Helmet issued to John Charles Dean No 144278 RAAF. He enlisted on 26.8.43 aged 18 years and was a LAC in 78 Sqd RAAF. He was discharged from the RAAF on 13.3.46.British designed steel helmet painted a khaki colour. The chin strap is made of light khaki coloured cotton webbing and is secured with an adjustable brass buckle. The liner is black coloured and coated canvas with rubber padding on the crown.On the underside of the rim in black handwriting: 'LAC Dean JC/144278/RAAF'uniforms - raaf, helmet, headwear

Andrew John BALSILLIE MBE, JP. Jack as he was known enlisted in the Australian Army near the end of WWII No 31224 age 16 years. He then served in Malaya 1959 - 1961then Vietnam with the rank of Captain with 1st Aust Task Force HQ Light Aid Detachment (LAD) 7.5.1969 - 7.11.1969, HQ Aust Force Vietnam Army component 8.11.1969 - 7.5.1970. He retired with the rank of Major in 1985 after 40 years plus. He was awarded an MBE in 1969 for his services to the Australian War Memorial. Elected to Committee Bendigo RSL 1988 - 1993 with Snr Vice President 1989 - 1993, re-elected 1999 - 2000. Re-elected again in 2002 as Snr Vice President. He was elected to Bendigo City Council 1990 - 1993 serving as Mayor in 1993. .1) Bush hat, floppy, khaki canvas, belonged to Major J BALSILLIE. .2) - .4) Gauze wound dressing in brown cotton pack, 2 rolls per pack. .5) Neck cloth, green cotton..1) Inside hat: Maj J Balsillie. .2) - .4) Labelled: First Field Dressings.headwear, medical dressings

This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts

Brickworks situated on large farming area. Built soon after his arrival on Phillip Island in 1868.Brickworks in rural setting. Slender tree trunks in foreground alongside river. Post and wire fence with slip-rail gate. Large brick building and pavilion-type sheds with canvas awnings. Wood piled up outside.local history, photography, photographs, slides, film, buildings, historic, brick works of robert anderson snr, at phillip island, black & white photograph, mrs emma anderson jacobs

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

This is a photo of the Zumsteins camping area, which was popular with families.The photo shows a group of six people, two standing near, and four seated at, a picnic table. There is a large canvas tent/structure with boxes and tins at the entrance to the left and behind it there is a corrugated iron building. The area is surrounded by bush.recreation, camping, scenery, zumsteins

Army khaki canvas backpack and webbing outside camouflage plastic lined. Webbing handle on top. Padded areas on back with padded shoulder straps. Can be opened at either top or bottom. Loops and attachments for storing articles.backpack

Walter Magilton's professional painting career is highlighted by numerous solo exhibitions, five of which have been in Great Britain. He has also won countless prizes, which include many 'Best in Show' awards. Walter is represented in a great number of private and corporate national and international collections, including ART Bank, in approximately twelve countries.This painting is a one of a series of approximately eight works of the river at Warrandyte and the local creeks, with particular emphasis on the reflections in the water and of the wattle growing along the banks. I was particularly inspired by Penleigh Boyde who did similar work while living in Warrandyte in the early 1920s.'Sunlight and Shadows, Warrandyte' is an oil on canvas painting depicting the Warrandyte landscape, featuring a winding creek with beautiful reflections cast upon it. The colour palate comprises muted green and earth tones, with a vivid aqua for reflective water.walter magilton, nillumbik, warrandyte

The flag was made to replace an existing Legacy flag (at the insistence of Myra Healey) that was stolen. Myra was a member of the Upper Yarra Legacy Widows Club. The flag was flown next to the Australian flag in the RSL Memorial Garden. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country.The Legacy flag was a reminder that Legacy was still active in its work for families of ex-service and serving personnel.Large rectangular synthetic flag with the word Legacy and the torch logo, canvas binding down the left hand edge. Also a short history of how the flag was flown at an RSL typed on white paper x 2 pages.The word Legacy (in blue), underlined in orange. Legacy torch (in blue) on the righthand side of the flag. Lower righthand side of Legacy Torch is registered trade mark symbol.legacy promotion, logo, flags

Black and white photograph of Hazel Walk and Tea Rooms at Kalimna. It shows bush track through natural vegetation leading to rustic weather board with canvas awning on the veranda side of tea rooms. Lakes Entrance VictoriaHazel Walk and Tearooms, Lakes Entrance topography, restaurant

Sailmaker's twine is usually stored on a reel. It is wax coated and ready to use. The twine is made from strands of fibres that are plied together. The wax waterproofs the twine and smooths out the fine hairs of the fibres, making it easier to work with. The waxed twine helps prevent the ends of the rope work from fraying. Sailmakers use twine and needles to sew sails and many other canvas items such as bags and covers. Special tools, equipment, benches and seats are needed to work with the large heavy and thick pieces of canvas. Sometimes the sailmaker with have special-purpose tools made for his unique work. The place of work on shore is often called a sailmaker's loft. However, sailmakers also work on the job, on sailing ships and boats. This twine is an example imperative equipment for sailmakers. Sailmaking was an essential trade in the shipping industry of the 17th to 19th and early 20th centuries. Sailmakers were often part of a ship's crew, making repairs as needed and using their skills for other work such as net making.Twine; reel of brown waxed sailmaker's twine.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, twine, waxed twine, sailmaker's twine, sailmaker's equipment, sailmaking, canvas work

W. F. R. Budge VX 48105 Ref. 2721Satchel - Canvas covered, camel coloured, brown leather strap, silvered metal attachments. 10 coloured pencils 4 black lead pencils 2 erasers scrap paper 2 Protractors Guide to Appreciations and Orders Booklet.Inside - W.F. R. Budge VX48105.passchendaele barracks trust, canvas satchel

Items of equipment in DP camouflage issued to service personnel.Box shaped canvas pouch in DP Camouflage pattern, webbing reinforcement on three sides. Plastic clip lock on 4th side. Two stud air holes at bottom. Plastic belt clip on back to hook onto the uniform.Written in Texta "FRA 392".pouch, accessory, field equipment

Items belonged to Quentin Clifford BINKS, V245016 & VX114178 2nd AIF. Refer Cat No 1835 for his service history..1) Gaiter US Army issue khaki colour made of heavy canvas has 10 metal loop holes and studs with lace. The base has a webbing adjustable strap under the instep of a boot. 2.) Same as above.uniforms - army, gaiters, u.s

John James Davies No VX35280 enlisted in the 2nd AIF on 1.8.40 age 31 years. At discharge on 30.11.45 he held the rank of WO 2nd class in 2/108th Aust Light Anti Aircraft detachment..1) Map case, canvas khaki. .2) Map of Darwin, NT. Scale 4 miles to 1 inch. .3) Map, folded, New Guinea made by Hec Robinson Sydney .4) Map Pine Creek N.T.zippered section marked "J. J. Davies VX35280 108 LAD”maps, canvas case, military

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of people swimming in a canvas pool on board a ship. Behind the pool can be seen part of the ship and water to the right. The ship is the Remo, the place is the Red Sea and the man in the middle of the group is Frank Wright.Written in pencil on the back - Swimming bath on 'Remo' Red Sea, Jan 1940, F.W. in centrefrank wright, ship named remo, red sea, swimming bath, swimming pool, conductor