Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour, medium size poster on foamboard with title of the exhibition, a quote by Walt Whitman, an illustration, a quote by Kverndal, statement, ackowledgement and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour double sided flyer with title of the exhibition, a quote by Walt Whitman, at the back: statement, date and location of the opening exhibition and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. The high tea held on 29 June 2013 was an opportunity to visit the exhibition.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Slightly pink cream colour flyer An invitation to enjoy an afternoon of high tea and heritage at the Memorial Chapel of St Peter / 2pm-4pm-Saturday 29 June 2013reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

Allan Charles Quinn was a member of the Merchant Navy from aged 16 as well as being a trained photographer. This photograph was taken during his travels through America whilst still being associated with the Merchant Navy.This photograph captures the New York skyline of 1949 in very clear detail. This photograph is part of a larger collection, know as the Allan Charles Quinn collection, which provides a photographic autobiography of the life of an individual seafarerBlack and white photograph of Manhattan and Hudson River showing skyscrapers in the background with other buildings and general cityscape in foreground.Blue handwritten ink on reverse of photograph "10-9-49".photographs, mission-to-seafarers, seamen, hudson-river, skyscrapers, new-york, allan-charles-quinn, manhattan, skyline, cityscape

Photograph of painting by Alan Sartori of the Tom Lane Pharmacy, a Greensborough landmark.Alan Sartori was a local Greensborough artist who captured many images of the local area.Digital image of a painting of a Greensborough landmark.alan sartori, tom lane pharmacy, main street greensborough

Photograph of painting by Alan Sartori called Desert Gums.Alan Sartori was a local Greensborough artist who captured many images of the local area.Digital image of a painting by a Greensborough landmark.alan sartori, eucalypts

Photograph of painting by Alan Sartori called 'Farmhouse East Gippsland.Alan Sartori was a local Greensborough artist who captured many images of the local area and beyond.Digital image of a painting by a Greensborough artist.alan sartori

View of Greensborough Cemetery 26/07/2011. Photograph taken by Jasmin Burge.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. This photo captures the grave of Giles Poulter.Digital copy of colour photograph of cemetery.greensborough cemetery

From 30 Sep and 27 Nov 1916, Bob and Harold Snape worked together in 2nd Division HQ, in the basement of Fricourt Château, snape collection

Black and white photograph taken by Jack Eden at Kennett River, Victoria, in 1964. Image is of a surfer standing next to a VW with surfboards on the roof. Another car and more boards on the ground also appear in the picture. In the background is a peeling wave with a surfer riding it. More surfers sit waiting. Jack Eden was a pioneer of Australian surfing and surf photography. His images capture something of arguably the halcyon days of Australian surfing. Rare image of surfing at remote Kennett Rover along the Great Ocean Road.Black and white photograph taken at Kennett River, Victoria, of a surfer standing next to a VW sedan with surfboards on the roof. Another car and more boards on the ground is to the right of the VW. In the background is a righthand, peeling wave with a surfer riding it.Titled: Australia Jack Eden, Kennett River, Victoriakennett river, surfboards, vw sedan, jack eden, great ocean road

Surfing World, or SW as it is know, first issue appeared Sept 1962. Edited by Bob Evans this monthly magazine was published "in the interests of promoting surfing in Australia and overseas". This issue (Volume 3, Number 3) is one of a series of early 1960's SW's donated as an incomplete collection. SURFING WORLD is still published today and is Australia's oldest surfing magazine.Surfing World was the first major national surfing publication in Australia established in 1962. Its stories and photographs captured the early years of growth of surfing in Australia during the 1960's. The magazine inspired a generation of people to start surfing and provides an important archive into Australian surf culture during the sixties.Surfing World (SW) magazine Volume 3 Number 3, Nov 1963. Surfing World banner in top left over a colour photograph of (possibly) Crescent Head beach with a tree in the foreground and a surfer riding a small wave in the background.

Morning Of The Earth tells the fantasy of three exotic lands: Bali, Hawaii and Australia, where surfers made their own houses, surfboards and lived in harmony with nature. Featuring Nat Young, Terry Fitzgerald, Gerry Lopez, Stephen Cooney, David Treloar and Michael Petersen. The movie soundtrack featured Terry Hannigan, Taman Shud, Brian Cadd , G. Wayne Thomas and many others. The film premiered at the Manly Silver Screen Theatre in 1972.Described by many as the greatest surf film ever made in Australia and one of the most influential surf films ever made, Albert Falzon's stunning surf footage captured the spirit of a timeless period in Australian surf history.Black text on red with iconic black and white photograph of Michael Petersen cutback.Film title, Jonas Mekas quote.nat young, gerry lopez, albert falzon, michael petersen, taman shud, morning of the earth, terry fitzgerald, stephen cooney, david treloar, bali, brian cadd, terry hannigan, g wayne thomas, david elfick

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarephotographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, nicholas john caire, victoria

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Titan Bridge, Warrnambool – The name Titan Bridge is likely to be a reference to the huge Titan crane that was used in the construction of the Breakwater in the late 19th century. Shelly Beach is a popular swimming area with the added attraction of rock pools to investigate and rock formations to climb. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Titan Bridge rock formation with figures on it suggests that the location was a popular place to visit. It captures a time when the rock formation was publically accessible. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows two figures, one seated and one standing, beside the sea on a rough rock beside a rock formation resembling a bridge. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “TITAN BRIDGE / SHELLY BEACH, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, shelly beach, titan bridge, titan, rock formation

After the Eureka Stockade the government offered a reward for the leaders of the rebellion. Peter Lalor's name is incorrectly spelt 'Lawlor' in the poster, which suggests the correct pronunciation of Lalor.A Eureka Stockade reward poster as reproduced in Withers 'History of Ballarat'. The poster is black on white and relates to a 400 pound reward offered for Peter Lalor and Black after the Eureka Stockade. Peter Lalor is described as 5 feet 11 inches in height, age 35, dark hair, whiskers dark brown and shaved under the chin, no moustache, long face, rather good looking, and is a well made man. Black is described as over 6 feet tall, straight figure, slight build, bright red hair worn in a general rather long and brushed backwards, red and large whiskers, meeting under the chine, blue eyes, large thin nose, ruddy complexion, and rather small mouth.ballarat, eureka stockade, peter lalor, lalor, lawlor, black, william haines, haines, ballarat reform league, reward poster

Richard and Amelia (Job) Vincent arrived from Cornwall in 1855. richard was a farmer at Warrenheip. Their children were Richard, Mary, Thomas Job (died in infancy), Thomas Job, Annie, Emily, Selina, Amelia, Ada and George. Annie Vincent married Edward huggins in 1884. Their children were Edith, Robert, Ada, George, Stella, Roy, Lillian, Harold and Ronald. Vincent Avenue, Mount Helen, is named after this family.Provides a record of the descendants of Richard and Amelia Vincent who arrived from Cornwall England in 1855 and became farmers at Warrenheip. Photographs capture dimensions of the life of Councillor Richard Vincent, who became President of the Buninyong Shire Council in 1953.Black and white and colour photographs of people, letters and newspaper clippings depicting dimensions of the Vincent family history .1) Photograph of Vincent family home .2) Photograph of the Bungaree and District Historical Society Heritage Wall .3) Photograph of the Vincent family plaque on the Bungaree and District Historical Society Heritage Wall .4) Photograph of information about the Bungaree and District Historical Society Heritage Wall .5) Photograph of local football l team .6) Photograph of the Mt Buninyong R. F. B. .7) Photograph of haystack .8) Photograph of letter from Shire of Buninyong to Mr R Vincent regarding the naming of Vincent Road .9) Photographs of newspaper clippings concerning Cr Vincent becoming the next Buninyong President richard vincent, haystack, warrenheip, buninyong shire council, amelia vincent, bungaree pioneers wall, mt buninyong rural ire brigade, warrenheip football club, vincent, family history, genealogy

non-fictionThe comprehensive history of the 6th Australian Division Cavalry Commandos – a (now out of print) reprint of one of the rarer Armoured unit history books. This is the story of one of Australia’s most famous fighting regiments during World War II. As an armoured cavalry unit it fought the Italians and Germans in the sands of the African desert and the Vichy French in the mountains of Syria. Later as a dismounted commando unit it fought the Japanese in the terrifying jungles of New Guinea. The heroism of the men in its ranks and the actions in which they engaged are portrayed in a way which makes battle deeds leap realistically from the pages. “To The Green Fields Beyond” is a documented and detailed book which is of value to everyone who is interested in Australia’s story. Seldom before has such a contribution been made to record of our national history. The book has been approved and sponsored by the Australian War Memorial. The 6th Division Cavalry Regiment was formed in November 1939 and, just two months later, was sent overseas to the Middle East in January 1940. Arriving in Egypt, the regiment immediately went to Palestine, where it joined the rest of the 6th Division and trained using machine-gun carriers and, from October, six old Vickers light tanks. At the end of the year the regiment moved into the Western Desert, where it joined British forces ready for the major offensive to commence on 9 December. Two days later the regiment became the first unit of the 2nd Australian Imperial Force (AIF) to go into action when one of its squadron fought a sharp action against the Italians holding Garn el Grein and Fort Maddalina on 11 and 12 December. By 21 December British forces had captured Sidi Barrrani and the desert was now open for the 6th Division’s advance along the Libyan coast. On 3 January 1941 the division attacked and captured the Italian fort of Bardia. The regiment’s A Squadron, under the command of Major Denzil Macarthur-Onslow, who went on to command the 4th Armoured Brigade, supported the attack. Tobruk was the next Italian fort to be captured, with the regiment again in support and covering the 19th Brigade’s advance. The regiment, though, was under-equipped and without its full compliment of vehicles, using only machine gun carriers. To compensate for this, A Squadron was parity re-equipped with captured Italian light tanks, which had large kangaroos painted on the hulls and turrets to distinguish them from enemy vehicles. After Tobruk, the regiment was used as part of the advance guard in the capture of Derna and then Benghazi. In April the unit moved to Helwan, where it was equipped with Vickers light tanks and machine-gun carriers, and operated with British troops in capturing Sollum. Towards the end of May the regiment moved to Palestine, where it came under the command of the 7th Division for the imminent invasion of Syria. The regiment experienced its heaviest fighting during the Syrian campaign, which began on 7 June. A Squadron was attached to the 21st Brigade and advanced along the coast, where the rugged hills made it difficult to manoeuvre the tanks and carriers. The squadron was relieved by one of the 9th Division Cavalry Regiment’s squadrons on 13 and 14 June. C Squadron, meanwhile, was with the 25th Brigade, and advanced along the Rosh Pinna road, engaging strong enemy defences at Fort Khirbe. C Squadron was relieved by B Squadron, which was later attacked by Vichy French tanks that were supported by heavy artillery and machine-gun fire, which forced the Australians to withdrawal. Always willing or needing to improvise during the campaign, A and B Squadrons both operated three captured French R35 Renault light tanks, while C Squadron provided personnel for a horse troop, quickly nicknamed the “Kelly Gang”, to patrol the high, rugged hills near the Mardjayoun–Banis Road. The regiment remained in Syria as part of the occupation force and returned to Australia in March 1942. It was sent to the Adelaide River, in the Northern Territory, and then later to Murgon, in Queensland. In 1943 and 1944 divisional cavalry regiments were reorganised into cavalry (commando) regiments. In January 1944 the 6th Division Cavalry Regiment became the 2/6th Cavalry (Commando) Regiment. The regiment lost its vehicles and became the administrative headquarters for the 2/7th, 2/9th, and 2/10th Commando Squadrons. The regiment remained with the 6th Division and participated in the Aitpae–Wewak campaign, in New Guinea, during 1945. Includes Nominal Rollww2, australian commandos, australian special forces, world war 2

Self-government publication comprising 314 pages with some black-and-white photographs.non-fictionOn September 11, 1944, the British submarine "Porpoise" slipped quietly from Fremantle Harbour, bound for Indonesia. It was carrying the 23 Australian and British members of Operation Rimau who, under the leadership of the remarkable Lieutenant-Colonel Ivan Lyon of the Gordon Highlanders, intended to repeat the successful Jaywick raid of 1943 by blowing up 60 ships in Japanese-occupied Singapore Harbour, 19 days later, the preliminary part of the operation successfully completed, the submarine commander bade farewell to the raiders at Pedjantan Island, promising to return to pick them up in 38 days' time. A handful of Chinese and Malays and the conquering Japanese were the only people ever to see the 23 men again. According to the scant official post-war record, the mission was an utter failure. All of the party were captured of killed - ten of them beheaded in Singapore only five weeks before the Japanese surrender in, it was claimed, a ceremonial execution. The fate of eleven of the others remains officially unknown. After a 31 year search, Major Tom Hall, with the assistance of writer Lynette Silver, has overturned the official version and uncovered the truth. Aided by thousands of Japanese and Allied documents and by the first-hand accounts of several Indonesians and Malays, sole witnesses to the events of 1944, they have established the fate of every member of the party and unravelled the story of "The Heroes of Rimau" - a story that has for 45 years been all but lost, distorted by hearsay and fantasy, by military cover-ups and conspiracy, by official bungling, ineptitude and apathy. This book not only chronicles a feat of extraordinary daring in the face of overwhelming odds - a gripping tale of inspired courage, self-sacrifice and eventual tragedy - it also exposes the appalling sequence of events which has, until now, resulted in the shameful suppression of the truth about one of the most amazing stories to emerge from World War II.

non-fictionThe gripping story of a small force of Australian Special Forces commandos that launched relentless hit and run raids on far superior Japanese forces in East Timor for most of 1942. These Australians were the men of the 2/2nd Australian Independent Company – a special commando unit. Initially stranded without radio contact to Australia, the Japanese declared these beared warriors ‘outlaws’ and warned they would be executed immediately if captured. The Australians drawn mainly from the bush, were chosen for their ability to operate independently and survive in hostile territory. As film-maker Damien Parer said after visiting in Timor in late 1942, ‘these men are writing an epic of guerrilla warfare’. Expertly researched by Paul Cleary, who is fluent in Tetum, the main language of the indigenous group of East Timor, it contains black and white photos.ww2, independent company, timor, world war ii, australian commando

Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans

Postcard, WW1, B&W image of the remains of a German large bore gun. Barrel facing the camera.Two soldiers standing on left of barrel and two on the right. Another soldier leaning over the barrel and another standing on structure at the rear. Copy A2postcard, postcard, ww1, france, german gun, australians

Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives

Index, bibliography, notes, ill, maps, p.528.non-fictionhis sequel to D-DAY opens at 00:01 hours, June 7, 1944 on the Normandy Beaches and ends at 02:45 hours, May 7, 1945. In between comes the battles in the hedgerows of Normandy, the breakout of Saint-Lo, the Falaise gap, Patton tearing through France, the liberation of Paris, the attempt to leap the Rhine in operation Market-Garden, the near-miraculous German recovery, the battles around Metz and in the Huertgen Forest, the Battle of the Bulge, the capture of the bridge at Remagen and, finally, the overunning of Germany. From the enlisted men and junior officers, Ambrose draws on hundreds of interviews and oral histories from those on both sides of the war. The experience of these citizen soldiers reveals the ordinary sufferings and hardships of war. They overcame their fear and inexperience, the mistakes of their high command and their enemy to win the war. operation overlord, world war 1939-1945 - campaigns - europe

Index, maps, ill, p.239.non-fictionMajor-General Urquhart commanded the 1st British Airborne Division in Operation Market Garden, the greatest airbone assault of World War II, the struggle to capture Arnhem and win control of the bridge across the lower Rhine. The story of the 1st Airborne Division at Arnhem involved not only an Airborne Corps of three Divisions but also the bulk of the British 2nd Army in Europe. Gen. Urquhart has told the story of those fateful nine days clearly, frankly and, despite the terrible circumstances, not without humour. great britain - army - 1st airborne division, battle of arnhem 1944

Ill, p.326.non-fictionThe story of an RAAF Lancaster bomber crew shot down over France in 1944. On the evening of 24 February 1944, RAAF Lancaster bomber J for Jig took off from an airfield in Lincolnshire. On board was a crew of seven young men - five Australians, two Scots - whose mission was to bomb factories in Schweinfurt, Germany. But J for Jig never reached its target. It was shot down in the night skies over France. This book is about the seven lives on that aircraft - who they were, what they did, whom they loved, and whom they left behind. Some were to die that night, and others were to survive, withstanding incredible hardships and adventures as prisoners and evaders in a war that was far from over. Crew brilliantly recreates J for Jig's final mission but, more than that, in telling seven individuals' stories Mike Colman has captured the achievements, loss and the enduring legacy of the generation that fought in the Second World War.royal australian air force - aerial operations - europe, royal australian air force - biographies

Index, bibliography, p.201non-fictionThe author describes his life in Victoria during the great Depression and his wartime experiences in the RAAF. He was shot down over France, but evaded capture and joined the partisans with the help of a French family. world war 1939-1945 - personal narrativies - australia, world war 1939-1945 - aerial operations - britain