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Ararat & District Historical Society (operating the Langi Morgala Museum)
Booklet - Government papers, 1884
Copies of the Local Government Act 1874 (Victoria) were held within the Ararat council chambers for reference during regular council meetings, since inception.Brown covered booklet, with printed label in centre. Official copy of Local Government Act 1874 interleaved with Amending Acts to December, 1884. 148 pages. W. Sommers / Hotel / Geelong .7/- 1884, 1874, government-act, local-government -
Ballarat Tramway Museum
Photograph - Copy - Black & White - Sturt and Grenville Streets Ballarat, 1920s
Photo taken from the store on the corner of Sturt and Grenville Street looking west along Sturt St, shows three trams at the terminus, including the large waiting room shelter. Shows the buildings along Sturt St with few pedestrians. Yields information about the view from Grenville St looking west along Sturt St BallaratCopy Photograph - Black & White - Sturt and Grenville Streets Ballarat Details the image on the rear of the print in ink. "Ballarat - Sturt St, westwards from Grenville St with trams at the City terminus. Note: Large old waiting room on roadway. Tram Nos Left 5 or 6? right - 13? Copy neg Mark Plummer collections ex late John Alfred collection. ballarat, grenville st, shelters, sturt st, esco, tram 13, tram 5 -
Melbourne Tram Museum
Book, Melbourne & Metropolitan Tramways Board (MMTB), "MMTB Electric Tramways and Motor Omnibuses Sections and Fares", Oct. 1955
Dark blue cloth covered bound book, 84 + 6 page glued in section (pages 62A to 62F) pages, plus printed end sheets used in covers, titled "MMTB Electric Tramways and Motor Omnibuses Sections and Fares", dated October 1955, authorised by C. E. Hall, Acting Traffic Manger. Book consists of one sections, bound with sewn cloth binding on the outside with glued white paper end covers. October 1955 Details the various section stages and fares for each tram and bus route, General instructions, concession fares and has photos or drawings of the various special tickets, eg passes or prepaid tickets. Has a number of glued in pages or part pages eg pages 17 (See Reg Item 1206 for the same page), 59, pages 62A to 62F, with an addition on page 62A. 2nd copy - similar but has slightly different additions.Both inside covers stamped "Cond School" of copy 1.trams, tramways, tickets, fares, sections, passes -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Valentine Publishing Co. Pty. Ltd, Entrance to Marysville V.11, 1923-1963
A digital copy of an early black and white photograph of the Marysville-Wood's Point Road at the corner with Murchison Street in Marysville in Victoria.A digital copy of an early black and white photograph of the Marysville-Wood's Point Road at the corner with Murchison Street in Marysville in Victoria. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.marysville, victoria, postcard, valentine publishing co, souvenir, murchison street, marysville-wood's point road -
Melbourne Tram Museum
Negative, 11/11/1885
Copy negative of a photograph of the opening of the Richmond Cable Tramway 11/11/1885 Has the Richmond Town Hall in the background. See Reg Item 4643 for a prints ex Keith Kings and Colin Jones.On rear of Photo ex Colin Jones "Copied 14/2/83" in two locations "150L 76%^ B/W? and on bottom edge "MMTB 1885".trams, tramways, cable trams, mto co, opening, richmond -
Clunes Museum
Painting, WILL LONGSTAFF, MENIN GATE AT MIDNIGHT, 1927
COPY OF MENIN GATE HELD AT CLUNES R.S.L. MENIN GATE WAS UNVEILED ON SUNDAY JULY 24th 1927. A MEMORIAL TO THE ARMIES OF BRITISH EMPIRE WHO STOOD THERE 1914 - 1918. AND TO THOSE OF THEIR DEAD WHO HAVE KNOWN NO GRAVE. WILL LONGSTAFF WAS SO MOVED HE MADE THE PAINTING WHICH WAS UNVEILED JULY 27th THE PAINTING IS NOW HANGING IN AUSTRALIAN WAR MEMORIAL IN CANBERRA.BOROUGH OF TALBOT AND CLUNES.1 FRAMED COPY OF PAINTING "MENIN GATE AT MIDNIGHT" .2 DOCUMENT ENTITLED "THE GHOSTS OF MENIN GATE - THE STORY OF CAPTAIN WILL LONGSTAFF'S GREAT ALLEGORICAL PAINTING" 3. FRAMED COPY OF PAINTING "MENIN GATE" BY WILL LONGSTAFF.3 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED -"MENIN GATE AT MIDNIGHT, COPYRIGHT, RESERVED BY WILL LONGSTAFFWPRESENTED TO THE COMMONWEALTH OF AUSTRALIA BY LORD WOOLLAVINGTON A SECOND BRASS PLATE IS ATTACHED TO THE FRAME AT THE RIGHT HAND SIDE INSCRIBED "PRESENTED TO THE MAYOR CR N. C. FOULKES AND COUNCILLORS OF THE BOROUGH OF CLUNES JULY 1929 .1 BRASS PLATE ATTACHED TO THE WOODEN FRAME BELOW THE IMAGE INSCRIBED "MENIN GATE AT MIDNIGHT"local history, illustration, copy, longstaff, sir john -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram's bid for City Circle", 5/12/1995 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Tuesday 5/12/1995 with photo of launch of 'City of Ballarat' tram 671by the BTM the previous day, 4/12/1995. Includes a colour photo of Richard Gilbert, Len Millar, one other person (possibly Barry Traynor, MP) and Mr. Vern Robson, Chief Commissioner of the City of Ballarat. Article on the front page of the Courier, written by Andrew Laing and picture by Ian Wilson. Accompanying article mentions the tram, the Begonia Festival, running in Melbourne, support by Council for Peter Hiscock's 'City Tramway' and volunteer work on the tramway itself. Item continues onto page 2, at the bottom left hand corner. Second copy added 9-6-2006On rear of 2nd copy "5/12/1995 Courier" in black ink.trams, tramways, 671, btm, city of ballarat, city tramway -
Clunes Museum
Photograph
THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF -NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. ,EARLY SPRING SCENE IN SUSSEY 1916.- SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF, EARLY SPRING - SUSSEX 1916local history, photography, photographs, longstaff, sir john -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, William Day's Flour Mill, 1987 copy
Copy of photograph of flour mill l built by William Day in 1858. The earliest flour mill in the Goulburn Valley. Overlooking the Goulburn River, where a punt carried people, livestock and mill products to and from the mill. Classified by National Trust. Photographs courtesy of R. Day.Black and white copy of photograph of exterior of William Day's Flour Mill, near Murchison. Built 1858.on back: Description taped to back -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Bendigonian, Jan. 2005
Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Charring cross looking from Pall Mall towards High St and the south west corner buildings in the photograph. Features three ESCo trams, 2 x two window and 1 x 3 window at the location. In the background are the buildings on the south west corner of Charing Cross, featuring an advertisement for The Age, Cooperative Distribution centre, Warrens View Point Hotel, Hamptons Newsagency and Connelly & Co. Copied by Keith Kings from The Bendigonian 3/1/1905. On rear in ink " SA776 Tramcars at Charing Cross, Note" 3 window saloon" Copied ex "The Bendigonian 3/1/1905."trams, tramways, bendigo, charing cross, esco -
Melbourne Tram Museum
Document - Tender Document, Melbourne & Metropolitan Tramways Board (MMTB), "Manufacture and Delivery of Uniform Overcoats - Specification - Contract No. 94", Apr. 1920
Tender document - single foolscap sheet - titled "Manufacture and Delivery of Uniform Overcoats - Specification - Contract No. 94". Tender was for 850 items, to be delivered within one month of the order. Badges and buttons supplied by the Board. Sample to be provided with the tender. No drawings provided. 2 copies held.Handwritten notation along the top "Tenders close Monday 26th April at 2pm". Has stamp "Copy Acting Chief Manager"trams, tramways, uniforms, tenders, contracts, gripmen, motormen, conductors, mmtb -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Connor Sisters, 1920's original
Copy of Original photograph of Misses Annie, May and Mary Connors. Annie married W. Groom; May married M. Ransom and Mary married H. Beckwith.Copy of Original black and white photograph of three Connor sisters, Annie, May and Mary. c 1920's. Note hats and costumes. Original L0347on back: Annie, May and Maryconnors family, may connors, annie connors, mary connors, w. groom, m. ransom, h. beckwith -
Clunes Museum
Photograph, MARLENE TOZER - PADDYMELON IMAGES, CLUNES, CLUB HOTEL, 2001
PHOTOGRAPH COPY OF CLUB HOTEL BUILT 1870 AND CLUNES MUSEUM BUILDING 1860. THIS PHOTOGRAPH WAS ON DISPLAY AT SMEATON MILL OPEN DAY 2001. CLUNES HOTELS - NOW AND THEN..1 COLOURED PHOTOGRAPH CLUB HOTEL, CLUNES AND CLUNES MUSEUM WITH FOUR MALE PATRONS AND DOG STANDING ON FOOTPATH. .2 LAMINATED COPY OF THE ABOVE PHOTOGRAPHREVERSE SIDE - ENTERPRISE VISION PTY. LTD. ABN. 95 005 604 544. COPYRIGHT CLUNES, VICTORIA.club hotel, clunes museum -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ron Hann, Jan. 1963
Yields information about the North Bendigo terminus, the level crossing and roof advertisements on the tramcar.Black and white print on heavy matt photographic paper of Bendigo 19 at the North Bendigo terminus, with the conductor walking back to the tram, c1963. The tram has an "Electric Cook" roof advertisement and "Cohns Drinks" advertisement on the front dash panel. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "North Bendigo 1963" 2nd copy has label "Reference 6/212/30" Photo by Ron Hann" and another label "Bendigo North 01.63"tramways, trams, bendigo, north bendigo, tram 19 -
Melbourne Tram Museum
Document - List, Metropolitan Transit Authority (MTA), "Destination rolls", 9/02/1988 12:00:00 AM
Set of 5 foolscap photocopied sheets, lists the destination for each depot and the positioning on the roll. Copied by John Prideaux 9/2/1988. 1 - North South LRT - A class Tram Universal Destination Roll 2 - A class Tram Universal Destination Roll 3 - Z3 class tram - ditto 4 - "B" Roll - Z (1 + 2) class tram - ditto 5 - Universal (A) Destinations - possibly the "A" Roll for Z1 and Z2. See 3634 and 3635 for a c2010 Yarra Trams listing."copied 9/2/88" on the bottom right hand corner of most sheets in ink.trams, tramways, destination roll, the met, a class, light rail, z class, z3 class -
Melbourne Legacy
Booklet, Legacy Club Melbourne Rules, 1953
Rules governing Legatees in 1950 and updated in 1953.Significant in that the Rules are updated as required.Copies of Rule books for Melbourne Legacy. Cardboard cover, (2x light brown, 3x off white) with Legacy logo and white pages with black type.Title and Legacy logo typed in green. There are 3 copies. "As determined at an extraordinary general meeting of members held at The Legacy Club Rooms / 45 Market Street, Melbourne at 7.30 p.m. on Wednesday, 15th November, 1950 Extra ordinary General Meetings of Members held at 1p.m. on Tuesdays: 2nd December, 1952 and 16th June, 1953. There are 2 copies with last line saying 7.30 p.m. on Wednesday, 15th November, 1950 regulations, rules -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints and negatives, Information Branch Victorian Department of Agriculture, Official Opening of Student Amenities Building, 1973
Incorporated the original canteen built in 1961, using funds raised by the College Ladies Committee under the leadership of Mrs. T.H. Kneen. Building designed by the Investigation and Development Group of the PW.D. with Des Bloink as Supervising Architect, Mackenzies Constructions Pty. Ltd. was the builder. Financed by funds provided through the State Grants (Advanced Education) Act 1969.Note by T.H. Kneen "At rear, partly obscured is C.E. Cole Deputy Director of Agriculture."3 copies black and white photograph. A group of men and a student, Brian Ward, Dux, with Hon. Rupert Hamer standing outside the Student Amenities BuildingOn reverse of 1 copy, " Official Opening of Student Amenities Building L-R Dr David Wishart Director-General Dept Agr, Dux of College, Hon. R.J. Hamer Premier, Victoria, Hon. Ian Smith Minister for Agriculture, C. Pymble Cook Chief of Division of Agric Edn., Eric Littlejohn Principal, BHC." and on all copies, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. E206(4).opening, student amenities building, dr david wishart, director-general, hon. r.j. hamer, premier of victoria, hon. ian smith, minister for agriculture, e.b. littlejohn, principal, burnley horticultural college, ladies committee, des bloink, supervising architect, mackenzies constructions pty. ltd., c.e. cole, deputy director of agriculture, canteen, dux, publicity -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1926
Black and white photograph of the construction of track and paving at St Kilda Junction during the conversion of the cable trams system to electric trams. Shows the temporary trackwork that was built to facilitate this during early 1926. Has two W class trams at the intersection with many motor vehicles. Shows many wooden blocks being laid. In the background is the Powell's Conner Hotel and the Junction Hotel. There is a sign on the Corner Hotel advertising the Palais theatre and its pictures. Image from a series held by the PRO, refer Reg Item 3774. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H106. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. Two copies held.Has Department of Infrastructure copy right stamp on rear and number "H 106" in ink on rear and "2-7"trams, tramways, st kilda junction, conversion, trackwork, w class -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Doug Colquhoun, 25/01/1978 12:00:00 AM
Yields information about Bendigo Trust's trams in the late 1970's and the depot.Black and white print of Bendigo Trust 28 at the depot. Two copies. Photo by Doug Colquhoun, 25/1/1978. The tram is in the Bendigo Trust "Talking Tram" livery, with a The Herald" roof advertisement. It has the destination of Gold Mine. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "Bendigo Tramways / 28 / Depot / 25/1/1978 6526 / D.A. Colquhoun" . Copy 2 in pencil on left hand edge "Bendigo Trust Car 28 depot 26.1.79 Douglas Colquhoun"trams, tramways, bendigo trust, depot, tram 28 -
Flagstaff Hill Maritime Museum and Village
Gestetner Machine, c. 1922 - 1929
This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. Gestetner” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, office machine, copying machine, gestetner machine, duplicating machine, duplicator, stencil machine, gestetner cyclograph company, cyclograph, cyclostyle, d. gestetner ltd, gestetner durotype stencils, gestetner cyclostyle, printing machine, office technology, durotype stencils, david gestetner, raymond loewy, roneo, rotary duplicatorten, mimeo, mimeograph machine, roneograph copier -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Bendigonian, Sep. 2005
Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of looking east along Mitchell St towards the Railway Station with tram No. 13 and a double deck trailer - has the centre poles along Mitchell St. in the photograph. In the background is a J. Koch and the Bendigo Supply Stores. Has fountain in photograph. Copied by Keith Kings from The Bendigonian 19/9/1905. On rear in ink " SA782, Bendigo, No. 13 - 3 window saloon Charing Cross. Note:- Crossover in Mitchell St.". Copied ex "The Bendigonian 19/9/1905."trams, tramways, bendigo, charing cross, horse trams, mitchell st -
Stawell Historical Society Inc
Photograph, Stawell Troop No 64. Salvation Army Group c1926
Group of sixteen Salvation Army Troup No 64 c 1920s. Year on the bottom of photo has changed to 1927. 1926 on another copy of same photo. Front Row Avis Reeve, Margaret Banfield, Mrs. Chandler, Ensign, Mrs. Beck, Mr. Edwards, Glad Lee, Amy Clark 2nd Row Pearl Reeve, May Clark, Joyce Reeve, Lily Banfield Back Row Florence Vince, ? Cornwall, Jessie Clark Sepia photograph of a group of sixteen people in uniform. A banner with Stawell Troup No. 64 is held by 2 people seated in the middle of the group.Stawell Troup No 64 Stawell Troup, 1927 (but this year has been changed) or 1926 on copy. Stamped on back W.J. Chapman Photostawell religion -
Clunes Museum
Photograph
THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF OF SIR HARRY LAWSON. NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OF OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF - PORTRAIT OF SIR HARRY LAWSON. 1926local history, photography, photographs, longstaff, sir john -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Heritage tram proposal would end lake trams", 5/08/2002 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, 5/8/2002, titled "Heritage tram proposal would end lake trams", written by Alex Easton. Notes under the Booz Allen Hamilton report, that the proposal for the City Tramway "would put an end to trams at Lake Wendouree". Quotes Peter Winspur (who advised that he was incorrectly quoted {of course}) about the impacts on the tramway, staffing issues and models of operation. Has a small photo of Robert Paroissien standing in the driver's door of No. 671. (Reg Item No. 2022 ) Image and 2nd copy added 12-1-2016 from donation of Kathy Stanley.Second copy - Has date and page number written in under headline in ink.ballarat revival, btm, city tramway -
Melbourne Tram Museum
Document - Report, Tramway Board, "Average Shortest Headway lines north and south of the Yarra", c1916 to 1920
Set of typed sheets and map: .1 - carbon copy on quarto paper titled "Average Shortest Headway lines north of Yarra", giving the average headway for each street, route, eg Collins St, .57mins and for West Melbourne 8.5mins. Has in pencil alongside in pencil, the times for "Royal Commission Report 1911" .2 - ditto "Average Shortest Headway lines south of Yarra" Has a note that these numbers were for ordinary weekday tables, holidays and special traffic excluded. .3 - Map - accompanied these reports, titled "Map showing tramway Lines", which has been marked up in red with numbers and the road names. Not understood what the numbers mean, could be a reference to a report numbering. All documents undated, c 1916 to 1920.1 - has stamp "Copy to Engineer" in top left hand corner.trams, tramways, cable trams, reports, services, map, mto co, royal commission, timetables -
Flagstaff Hill Maritime Museum and Village
Legal record - Charter, Copy of Charter of Bank of Australasia, 01-10-1867
This Copy of the Charter of the Bank of Australasia originated from the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Copy of the Charter of the Bank of Australasia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The Charter is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community. Record book, hard cover, tan black and beige pebble-pattern on front and back, and tan reinforced strip on spine with decorative embossing. Handwritten title on cream paper is attached in centre of front cover. Cream paper pages are lined and have watermarks on each one. Pages are numbered up to the last written page, number 35. The last page is sealed in red with an official stamp and dated 1st October 1867. Inscriptions are on three labels. and on front end page, and red oval stamp inside front cover. It is an official copy of the Charter of the Bank of Australasia.Label with title, handwritten in pen "Copy / Charter / of / The Bank of Australasia" Label on spine, typewritten "COPY / CHARTER" Label on front cover, handwritten in pen "A G / 28" Front inside cover, red oval stamp "AUSTRALIA AND NEW ZEALAND BANK LIMITED - ARCHIVES - " and in the oval, in pen "A G / 28" Front end page, handwritten in pencil "Normal Copy 5 Dec No. 74" Front end page, in pencil "L 28"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender, commerce, banking, roberts & co., james cust, heraldic shield, insignia, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, charter of the bank of australasia -
Waverley RSL Sub Branch
Print Gentlemen The Queen, Gentlemen The Queen
Original Painting in Bendigo Art Gallery PAINTING WON'T HANG IN MESS BENDIGO intends to keep its big oil painting, "Gentlemen - the Queen," hanging in the Shamrock Hotel in Pall Mall. i The painting is on loan to the hotel from the Bendigo Art Gallery. And It's badly wanted at the officers' mess of the Royal Australian Artillery, 3rd Div., in Batman av., Melbourne. A formal application for It was made, In writing, to the Art Gallery by Brigadier W. Hall, commanding offlfncer. But Art Gallery members at their meeting yesterday said "No." Lending it or giving it away would "create a dan- gerous precedent for the Gallery," they decided. . "Any anyway," said Mr. W. Little, the Gallery's curator, "Brig. Hall has erred in thinking the men depicted in the painting are artillerymen. "They're offlfflcers In the Duke of Connaught's Light Infantry." But in Melbourne last night Brigadier Hall, keenly disappointed, said: VI have been told the picture was painted in the Royal Artil- lery mess at Woolwich, In England. "I have never dauhted the men are artillerymen, be- cause they wear the gun- ners' blue mess Jacket, scar- let cuffs and scarlet waist- coat." The Argus Tuesday 8 September 1953 Digitalised http://trove.nla.gov.au/ndp/del/article/23307813/1762840?zoomLevel=3Colour print of a painting by Albert Chevallier Taylor in wooden frame Glass frontedCopy by Survey Regiment 1986gentlemen the queen, argus newspaper, bendigo art gallery. -
Greensborough Historical Society
Books, Collection of knitting books, 1947-1978
This collection of knitting books date from 1947 to the late 1970s and were donated by Helen Bryant. Titles: Patons knitting book no 570, Patons knitting book no 209, Olive Ketel's exclusive knitwear for young folk (1947),Patons Woolcraft, Paragon knitting book number 70.These knitting books are from a time when knitting was a favourite pastime and an essential method of clothing the family.Collection of knitting books. Black and white text, some with colour illustrations.Name of owner on some copies.knitting, patons, paragon, olive ketel, knitting patterns, helen bryant -
Eltham District Historical Society Inc
Photograph, Southernwood, Bolton Street, Eltham, c.1902
Original photograph of house known as "Southernwood". Photograph taken prior to purchase by artist Walter Withers in 1903 showing members of the owners, the Harbey family on the rear verandah prior to extensions. On left is Miss Kate Harbey and Mrs Julia Harbey on right.Sepia photograph printCopy and Restoration Services D817. southernwood, bolton street, eltham, walter withers, artists, houses, harbey, kate harbey, julia harbey -
Moorabbin Air Museum
Viscount 700 Series Instruments Type 701 Instruction Manual
Copy no. 68, Type 701