Bendigo Advertiser ''The way we were'' from 2000. Reef United Mine, depth at 2300 feet, paid dividend of 559,035 pound, circa 1908. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Buff coloured document, flimsy. Statement showing the deduction to Lessee. Issued to William Beebe, A/10062, Estate of E. Bissell ( Decd), A48111. UCV of land 16,946 pounds.person, bendigo, william beebe

Golden Eagle rolled flour mills and grain stores. Invoice dated Bendigo May 3rd, 1920 for 3 pounds. Stamped in the middle Bayliss 7 co. Late.bendigo, business, golden eagle

Document, W.D.Mason Collection, Receipt from The Bank of Australasia, Commonwealth Bank of Australian Consolidated , Treasury Bonds to the value of ten pounds on account of Walter David Mason.dated 11.10.1945.Sands & McDougall Pty. Ltd., Printers, Melbourne.business, retail, w d mason

Valuation of land, North East corner of Canterbury and Middleborough Roads, part of C.A. Parish of Nunawading, 44 acres, weatherboard house on property and outbuildings. Value 5,400 pounds.Valuation of land, North East corner of Canterbury and Middleborough Roads, part of C.A. Parish of Nunawading, land values, ellingworth, john roger, middleborough road, blackburn, canterbury road

New BACE Executive Jessica Tarpy, Don Ripper, Peter Millard, Eric Tabuteau, Bill Hope in back Jenny Pound, Esther Barton in front. Bairnsdale Victoriaemployment

1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 110 RM/C 2PR No1. Inner area under shell - 1941 113 11-41anti-tank, gun shell, trench art, 1941, vase

1941 40mm 2-pounder brass anti tank gun shell case made into a vase with 5 splayed points at top the casing with the collar insignia badge on front.Insignia - Australian Commonwealth Military Forces (collar badge). Outer edge under shell - 1941 LOT 113 RM/C 2PR No2 Inner area under shell - 1941 110 11-41 No/2 MK1gun shell, anti-tank, trench art, 1941, vase

Victoria once had well over one hundred fire lookouts and firetowers. Fire lookouts, or observation posts, were often just a clearing on a hill or a vantage point, whereas firetowers were definite structures. There are at least three categories of firetowers… (1) tree perches, (2) four-legged towers made of either wood or steel, as well as (3) hilltop cabins and observatories. Many were established by the Forests Commission Victoria (FCV) in the 1920s, but the network was expanded rapidly in response to recommendations of the Stretton Royal Commission after the 1939 Black Friday bushfires. The wooden towers were often built by bush craftsmen like legendary FCV overseer Clem Heather from Orbost. But advances in aerial reconnaissance and radio technology led to the gradual reduction in the number of fixed towers. FFMV now operates 72 firetowers. The CFA, Melbourne Water, Hancock Victorian Plantations (HVP) also operate some, the Army has one at Puckapunyal overlooking the live-firing range. Only two remaining fire towers of this design remain in Victoria (Mt Little Dick and Big Tower in the Mullungdung State Forest). Mt Nowa Nowa and Stringers Knob burnt down in the 2019/20 bushfiresLarge model of an Reef Hills fire tower. Presumably used for instructional purposes. Traditional FCV four legged design with three landings and closed cabin.bushfire, forests commission victoria (fcv)

Conditions of sale by private contract dated 29th November, 1949 between E. G. S. Rasmussen (vendor) and E. Simmons (purchaser). Property: land situate Havlin Street, Bendigo at present occupied by the purchaser, being part of Crown allotments 392 and 393 section H, Parish of Sandhurst City of Bendigo, land described in certificate of title volume 5514 folio 1102695, together with 5 room weatherboard dwelling and all sundry outbuildings. Price 1,200 pounds. Attached 4 hand written notes plus 1 letter dated 29th November, 1949 and signed by Mr. Rasmussen detailing the payment to Mr. Simmons the sum of 300 pounds on 10th January, 1950 and a further 100 pounds on 25th February, 1950. Also a letter dated 29th November, 1949 signed by Mr. Simmons acknowledging receipt of the sum of 400 pounds being part of a loan.organization, business, h.a. & s.r wilkinson real estate

Used in kitchen to measure quantities up to one pound.Kitchen scales, painted cream with set of 5 weights and aluminium dish (not original)1 oz, 2 oz, 4 oz, 8 oz, 1 lbscales, kitchen scales, balances

James R. Pound was a staffmember at the Ballarat School of Mines. Brown softcovered book of poetry.Handwritten inside front "With the authors compliments"ballarat school of mines, james r. pound, james pound, j.r. pound, poetry, melbourne centenary

The T Model Ford cost him 28 poundsBlack and white photograph of Charles Pettman and William Henry Flukes standing beside Charles T Model Ford on a forest track East Gippslandvehicles, topography

Chatham family flew on a day trip to Wilpena Pound. Polaroid imagechatham-holmes collection, philip chatham, elizabeth chatham, wilpena pound, south australia, plane flight

School desk used in the Common School in the 1920s.Four seater school desk with attached bench, shelf under desk top, groove for laying pens, and four ink wells.school, common school, education, furniture

PHOTOGRAPHS, OF PAYNE FAMILY - PARENTS WITH FOUR DAUGHTERS AND FOUR SONS. .1 Sepia photograph .2 - 4 black and white photographslocal history, photographs, early citizens, payne family

Colour photograph of four adults in period costume and several children seated in four wheel horse drawn wagon in country setting."L-R Jim Mason, Letty Armstrong, Maisie Hart, Kevin Knight, Children: Cameron, Emma and Rohan Nicol. Horse Sam".smythesdale homecomers parade 1981, ldhs activities

A pair of scales or dishes in which objects to be weighed and the weights / masses against which to weigh them are placed is an "Apparatus for weighing. The pan, or each of the pans, of a balance." These common kitchen / dairy scales would be used by the householder to weigh flour, sugar, cereal, vegetables, fruit, meats, butter, cheese etc. prior to cooking or storing . Its parts include a fulcrum, a beam that balances on it, two pans at the ends of the beam to hold the materials to be weighed, and counter-balancing weights.Its parts include a fulcrum, a beam that balances on it, two pans at the ends of the beam to hold the materials to be weighed, and counter-balancing weights.. A set of steel weighing scales with a balance beam that holds 2 brass dishes in which are 7 brass weights. The object/ substance to be weighed is placed in 1 dish and the weights are added to the other dish until the two dishes balance equally on the beam. The base is engraved with '4 lbs' thus indicating that this set will balance up to that weight.scales 4 lbs ( 4 Pounds ) each weight is marked with its weight in Imperial Measure 1 0z = 1 ounce to 4lbmarket gardeners, early settlers, fruit vegetables, farmers, cooking, recipes, scales, weights, measures, brass, balance beam, moorabbin, cheltenham, bentleigh, kitchen scales, dairy products, cereals, wheat flour

This cheque was made out to the proprietor of a local store in Emerald in 1941. It was situated in Monbulk road on the site where the Woolworths store is now, in 2013The cheque was made out to G. Ellwood by a W.T?.Butterfield for Eleven Pounds 17 shillings. It was discovered down between the walls of the store at the corner Monbulk, Gembrook rds. late 1970's during renovations.1941 cheque Chq. No. A026827The English Scottish & Australian Bank Limited. Belgrave Made out to G Ellwood for 11 pounds 17 shillings Signed W Butterfieldcheque. ellwood. es&a bank.

This photograph is a print from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The four-masted iron barque 'Rowena' was built in 1883 by Barclay, Curle & Co. of Glasgow as the 'Cluny Castle', and renamed about 1890 as 'Rowena' by owners Rowena Ship Co.. After consequent owners, the ship was converted to a hulk in 1922 at Port Adelaide. The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Photograph of a print, black and white, mounted onto card. It depicts the four-masted iron barque ship 'Rowena', originally named 'Cluny Castle'. The original painting was by marine artist A V Gregory.Painted on bow "ROWENA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, photograph of rowena, gregory, cluny castle, a v gregory, rowena, iron baque, rowena ship co., barclay, curle & co, glasgow

The seven weights (0008.4 and 0136.3) are circular in shape with a hole in the centre and a groove cut across the radius. They were specifically designed to fit into a weight tube, which allowed movement of the weights that were used for driving the clockwork mechanism for turning the lighthouse lens. They are most likely original to the Chance Brothers system installed in 1913, which was originally equipped with a set of ten, each weighing around thirty kilograms.The weights were moved vertically in similar fashion to the way weights move on a grandfather clock. As the weight fell, the optic clock was driven and the lens was turned. To keep the clock turning, the weight needed to be wound back up to the top of its travel. Lighthouse keepers had to constantly wind the clock to keep the light active, and at least two keepers needed to observe a strict roster of hours. When electric motors were invented, weights became obsolete and the motors were able to turn the optic for as long as there was power to drive them. Wilsons Promontory’s Chance Bros. kerosene operated light, which was turned by a clockwork mechanism, was replaced by small electric motor in 1975, reducing the number of keepers and eliminating the need for weights. Cape Schanck has a set of fourteen weights remaining in situ in the lighthouse weight tube as well as another four detached weights, two of which may be associated with the 1859 mechanism. A small number of detached cast iron weights and two associated rods remain at the Point Hicks Lightstation and one weight is displayed in the lantern room at Cape Otway.The Wilson Promontory weights have first level contributory significance for the insights they provide into the technology and operations of a late nineteenth/early twentieth century lighthouse which has since been superseded. They are well provenanced and are significant for their historical value as part of the lightstation’s Chance Brothers optical system installed in 1913.Four circular disc shaped lead weights, all with a narrow section cut out to the middle of shape. (as in slice of cake)

Taken around 1858, depicting a row of five business buildings on a rocky, sloping hillside at New Town, with a view across to residences and open land. Businesses included, Joseph E. Bishop, Coach Builders; Straughair Duncan, Engineers, Blacksmiths & Farriers; Straughair Duncan, Beechworth Foundry; Wholesale & Retail Est. 1855, Mackenzie Family Store ; and T. Pratten, Grocer. The Mental Hospital can be seen in the background. Mark Straughair and John Duncan, established the Beechworth Foundry, Newtown in 1858 and went on to build an important industry, employing around sixteen men, after acquiring Alexander Roger's New Ford Street Foundry in the late 1860s. Making and repairing mostly mining and agricultural machinery for the Ovens District and a Beechworth brewery, the business continued to function after Straughair's death in 1882, up until the death of Duncan in 1896, when the business folded. This photograph is historically significant because it shows the development of the businesses in Beechworth from the early establishment of the town.Sepia rectangular photograph printed on photographic paper mounted on boardObverse: [Pin holes from circular tacks in all four corners] Reverse: 84.216-1/ Newtown/ 1997.2650/ 21/ BMM3056/new town, newtown, newtown beechworth, local business, 1858, 1850s beechworth, joseph e. bishop, coach builder, coach, mark straughair, m. straughair, straughair and duncan, john duncan, j. duncan, beechworth foundry, mackenzie family store, t. pratten, grocer, beechworth grocers, beechworth mental asylum, beechworth mental hospital, mayday hills mental asylum, mental hospital, alexander rogers, new ford street foundry, 1860s beechworth, 1860s, mining machinery, agricultural machinery, manufacturing, bridge road

All eight photographs have been taken at a workmen's camp erected by the State Electricity Commission to house workmen during the construction of the Kiewa Hydro Electric Scheme. These were established in close proximity to various work centres - Junction Camp at Bogong Village, three camps at Mt. Beauty, West Kiewa, Clover Dam and Clover Flat, Howman's sawmill and Howman's Gap, Rocky Valley, Langford's Gap, Pretty Valley, Mountain Creek and Big Hill. These photos have not been identified as to which camp they are taken but typical of the type of accommodation for wages personnel. They followed a general design and layout. There was a mess and recreation hall as well as a building for general trading and postal facilities (this conducted by proprietors of trading stores in Mt. Beauty and Bogong). Originally the rooms accommodated 2 men but later there was a demand for single rooms - the floor size then being 10 feet x 8 feet and furnished with a bed, small table and chair and cupboard with hanging space. The first camps were erected in 1940 and the last was removed in 1962.These photographs are of historical significance as they show the type of accommodation provided for wages personnel working on the Hydro Electric Scheme between 1940 and 1960.Eight small black and white photographs of unknown person and workmen's camp.All photos have been stamped on the back - Two "965U" in red, four "S80 " in green (indistinct) and two "141" in red.workmen's camps, kiewa hydro electric scheme, accommodation, secv, camps on kiewa hydro electric scheme, west kiewa

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the canteen situated in a corner of the central club space. Shows two seafarers in white uniform at one counter and two men in lounge suits at the other. . Note: Possible heater at far right of picture frame.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sides.mission to seafarers, mission to seamen, seamen's mission, canteen, central hall, club, shop, heater, chairs, seamen, sailors, merchandising, letterbox, photographs, paintings, volunteers, lady, lhlg, shield, football

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. The other reason for creation could be the 1956 MTS centenary celebrations. The photograph was take before 1957 as the bell from the SS Morton Bay is not on the wall yet.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sidesclub, celia little room, sailors, literature, armchairs, flowers, artworks, magazines, reading, seamen, mission to seamen, mission to seafarers, seamen's mission

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne in the 1950s (before Queen Elizabeth's corporation) ready for the dances.Black and white gloss postcard depicts the central club space. Taken facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards and fan-shaped window above doorway on far left wall.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sides.club, stage, mission to seafarers, seamen's mission, mission to seamen, main hall, dancing, events, curtains, royal portraits, king george vi, drums, piano, chairs, music, band