Portrait of young girl(Example of Costume) 1908 (Margaret May Frawley)stawell

Large group of people gathered at the Navarre Railway Station May 1914stawell railways

Portrait of Irene May Berndt 1908 later Mrs N Maloneystawell entertainment

Photograph of Annie May Medhurst. Born 1884, Annie was the daughter of David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943).who moved to Greensborough around 1898 and ran a store in Grimshaw Street. Annie May married William Partington in 1905.Digital copy of black and white studio photograph.annie may medhurst, annie may partington

Created for the memorial service that was held on friday 20th may 1910, held in front of the shire hall in Heathcote to honour king edward VII who died on the 6th may 1910 at 2.30 p.m. this was arranged by the local ministers of religion at the request of the president and councillers of the shire of McIvor.Believed to be the only one in exsistence, after intesive research have been unable to come up with any information, from the shire, local churches or senior members of the community,only mention was in the Bendigo Advertiser newspaper.research in to archives further afield have not produced another.Piece of cream silk printed on face and inside, screen printed in purple and black ink on front and inside the order of service. details of all ministers of religion and shire dignitries as well as hyms sung. "McIvor Times" Print, Heathcote on left hand side below main print. in black inkvictoria, silk memorial booklet, king edward vii, 1910, heathcote, ministers, of, local, churches, shire, president, mcivor, times

AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers

Opening Heathmont Railway Station in May 1926. The photo shows the audience, including Bill Everard MLA, at the entrance to the railway platform. The Station building was located on the west side of the tracks, near the corner of Heathmont and Canterbury Roads. At the officially opening, the ribbon was cut by Louise Pump, wife of Herman.

A booklet commemorating the coronation of Queen Elizabeth II which was held 2 June 1953. The booklet goes through the history of Coronations in England, detailing the church (Westminster Abbey; includes drawn black and white picture), the Coronation Regalia and the meaning of each piece (photographed in colour), the coronation itinerary and the route to and from Westminster Abbey on the back cover. There is also a black and white photo of Queen Elizabeth II, Prince Philip and their children Prince Charles (now Charles III) and Princess Anne. The front cover shows a printed copy of colour drawing containing Buckingham Palace in the background and the Royal Standard of the United Kingdom in the foreground."A Coronation Booklet Presented to Young People Empire Youth Sunday 3rd May 1953, 1953" 16 page booklet printed on glossy paper. Cover printed and select images printed in colour. Internal pages and back cover contain text and some images printed black and white.Inscription on the first page reading 53. and $4- Original archive number/sticker on back cover - crossed outqueen elizabeth ii, coronation of queen elizabeth ii, buckingham palace, westminster abbey

Photograph - black and white. A photo of a friend of Elma Wells, a nurse named Mabel Anderson. Nurse uniform puffed sleeves, large belt buckle. At the front foot the name Creelman, Sydney. On the back Creelman & Co. Art Photographers, Burlington Galleries, Sydney ArcadeCreelman, Sydney.person, individual, nurse, mabel anderson. elma wells collection. nurse.outfit.

This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family

People - "Stone, Edward; Monti, May Caroline Nee Stone, Monti Child"

Neil. Alexander Edward (Hank) & Edna May Rowland's Wedding photo 1938stawell

Photos of the VAF/RVIB office at Horsham in May 2005 taken by Janet Robins.1 CD with 12 imagesroyal victorian institute for the blind, horsham

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours. The "Magdalene Vinnen" was photographed by Samuel J Hood in a series of photos taken in March 1933. It was a 4 masted steel barque, built in 1921 in Kiel, Germany and for almost 80 years was the largest traditional sailing ship in operation. She was used extensively as a cargo ship. She sailed into Sydney Harbour on 27th Feb 1933, loaded with almost 16,000 bales of wool destined for Falmouth, England. In March 1933 (whilst in Sydney) the German Republic flag (on orders from Adolph Hitler) was lowered and replaced with the old monarchist flag which was then to be the official flag and beside it the Nazi flag was to be flown on all ceremonial occasions. It visited Australia again in 1935 with its cargo being wheat from Port Broughton, S. A. In 1936 it was renamed "Kommodore Johnsen" and in 1945 (after WW2) the ship was awarded to the Soviet Union as war compensation and renamed "STS Sedov". This painting (one of a set of 3 small artworks) is significant as an example of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. It is also important because its creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate. A watercolour painting of a sailing ship called "Magdalene Vinnen". It shows a 4 masted barque with a blue and red steel hull in full sail heading towards the viewer. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. The location and name of the ship is written in ink on the back of the painting.front - "B. C. G. BURNETT. 1933 back - "off Sydney" / "Magdalene Vinnen"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall, sedov, kommodore johnsen

Photograph of Annie May Medhurst as infant. Born 1884, Annie was the daughter of David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943) who moved to Greensborough around 1898 and ran a store in Grimshaw Street. Annie May later married William Partington in 1905.Digital copy of black and white studio photograph.aniie may medhurst, annie may partington

Vista of Belgrave Heights, homes in the far backgroundPhotograph/postcard of Belgrave HeightsFront: Valentine Series No 3829 'Panorama of Belgrave Heights'valentine series, belgrave heights

LithographSigned 'Charles Blackman' to lower right corner under printed image. Title 'Orpheus - Phoenix' centred under print. Edition A/P, lower left corner under printed image.

LithographSigned 'Charles Blackman' lower right corner under printed image. Title 'Orpheus - The Descent' centred below printed image. Edition A/P, lower left corner under printed image.

LithographSigned 'Charles Blackman' lower right under printed image. Titled 'Orpheus - Metamorphosis' centred below printed image. Edition A/P, lower left corner under printed image.

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The second of 8 children of David and Martha Medhurst, Annie May Medhurst was born 1884.Digital copy of black and white studio photograph.annie may medhurst, annie may partington

Notes on the life of Jessie May Partington and her relationships with other members of the Partington family.Brief family notes, typed text, includes handwritten notes.partington family, jessie may partington, jessie scholes, jessie may angus

Competitions and Novelty Events at the Gymkhana held on Friday 3rd May 1946,, and printed in the publication of the?Photocopy of columns out of local paper of the time.gymkhana

Tennis Club. A minister is standing on the end right side, so it may be a church club.Black and white photograph of a large group of men, women and children, some holding tennis racquets. Circa 1900 to 1910 Tennis court markings along the front of the photograph. Trees in the background. Photograph has a patterned green mount. Photographer W.J.Chapman - Stawell.W. J. Chapman - Stawelltennis, sport

This bottle may have held medicine used by a local early settler family. A local resident discovered it when digging his garden in McKinnon 2013. James Hardie immigrated to Australia in 1888 from Linlithgow, Scotland, and created a business importing oils and animal hides. Andrew Reid, also from Linlithgow, came to join Hardie in Melbourne, and became a full partner in 1895. When Hardie retired in 1911, he sold his half of the business to Reid. James Hardie Industries Ltd first listed on the Australian Stock Exchange in 1951 and is an industrial building materials company headquartered in Ireland which specialises in fibre cement products. James Hardie manufactures and develops technologies, materials and processes for the production of building materials. For over 20 years, Hardie has also operated a research and development facility devoted solely to fibre-cement technology. The company was a key player in asbestos mining and manufacturing in Australia through most of the twentieth century. Working with products containing asbestos - including the building material known as "Fibro" - caused people to develop various pleural abnormalities such as asbestosis and malignant mesothelioma. In December 2001, the company shareholders unanimously voted to restructure and relocate the company in the Netherlands as a parent company. This was part of a strategy to separate the company from the stigma of its asbestos liabilities. February 2010, James Hardie moved its corporate domicile from The Netherlands to Ireland, In May 2012 the High Court of Australia found that seven former James Hardie non-executive directors misled the stock exchange over the asbestos victims compensation fundA brown glass bottle, with finger grip handlearound bottom " THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF JAMES HARDIE PTY. LTD. SYDNEY' on base 'IS985 / 7early settlers, pioneers, market gardeners, moorabbin, bentleigh, ormond, mvkinnon, glass bottles, medine containers, medical supplies, james hadie pty ltd. hardie