Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Australian fundraising button for ‘Hospital Day’ in 1919. ‘Hospital Day’ buttons may have been used to raise funds for veterans in military hospitals. The slogan is written in black on a seven pointed star bordered in red. The star sits on a dark blue ground with sprays of wattle."Hospital Day / 1919"hospital day, fundraising buttons, badges

Turner Collection. Wedding dress of Margaret Jane Morrissey who married James Cahill 31 May 1868 at St. Patricks Church, Kilmore KHS holds original Marriage Certificate. Both early Kilmore families.Brown silk damask dress with cotton lining. Front button fastening. Jacquard striped, bustle back. Tearing at armhole, breakage at hem, frayed binding, frayed black braid trim detached in places, staining on collar, accretion on back, pest webbing. Very fragile.wedding, morrissey, cahill

Set of six large gold Coat button and four small cap buttons. Has an eyelet or ring fixed to the back and stamped either "Stokes and Sons Victoria" or "Stokes and Sons Australia" 8 additional buttons added from Ron Scholten 11-6-2022.trams, tramways, buttons, mmtb, uniforms

Used on SECV Uniform coats and great coats.Demonstrates the manufacture of uniform items and their use in uniforms for tramway crews in Ballarat.SEC uniform clothing button 24 diameter, with SEC crest, 1921 and organisation name embossed onto outer surface, with backing piece and brass wire lug for sewing on rear. Nickel plated silver? Has Manufacturers name stamped on rear - Stokes & Sons Melbourne.tram, trams, secv, ballarat tramways, uniforms, buttons

Sepia toned postcard of a young man wearing jacket with square shoulders and long lapels button up vest shirt collar held in place with tie pin under knot of pale coloured tie. Neat short hairstyle with side part clean shaven Victoriafashion

Ref to Cat 5825 Patterson.This is made of jungle green cotton drill. It has one end pointed with two small cords. Inside are two pockets. One pocket is open, one pocket is held shut with the aid of a brown button. Inside the pockets are various loos items such as cottons, wool and needles.Written in ink on the outside is "1734719 Steele"vietnam war, soldiers kit, steele

Uniform issued to "P. Green" No. 32045731. Jacket, Khaki colour wool serge fabric. Battle Dress style, belted at the waist with metal buckle. Dark green plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap, sleeve cuffs. Green colour cotton twill fabric lining to waistband. Manufacturers white cotton fabric label - left pocket lining. Removeable tag on inside collar. 2. Trousers, khaki colour wool serge fabric. Battle Dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Dark green plastic buttons, metal zipper fly. Manufacturers white cotton fabric label - back pocket lining. Green colour polyester lining. 3. Shirt, Khaki colour cotton/polyester long sleeves, with shoulder epaulettes and cream plastic buttons. Two front pockets with button down flaps. Manufacturers white cotton fabric label inside back below collar.Manufacturers information on labels - black ink print. 1. "ADI P/L/ VICTORIA/ 1990/ ^ / 8405-66-025- 6418/BATCH P/ SIZE 102/104L/ ARMY NO./ NAME/DRY CLEAN ONLY/ CREASE UPPER/ HALF OF LAPELS ONLY" 2. "ADI P/L/ SUB-4 VIC 1990/ ^ / 8405-66-025-6183/ BATCH S/ SIZE 84R W.84/ DRY CLEAN ONLY/ RE-PRESS ON ORIGINAL/CREASES SET BY/ SI-RO SET/ MENDING PATCH ATTACHED/ ARMY NO/ NAME" 3. " A.G.C.F./ 1988/ ^/ SIZE 40/84/ 8405-66-088-7098/ SERVICE NO./ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY/ IRON LIGHTLY/ WITH WARM IRON" Handwritten - blue ink pen "3204573/Green" uniform, army, battle dress, p. green

Wool and polyester khaki dress trousers. Two pleats at the front. Fob pocket on the right front. Front zip with metal closure and button tag.. Pockets on the left and right hips. Pocket on the back right side with hidden button and button hole.Seven belt loops on waist band. Four small horizontal loops on the waist band, two at the front and two at the back. Label on the inside on the lining of the back pocket states - A.G.C.F. (Australian Government Clothing Factory) Vic 1989. 8405.66.018.5545. Macquarie 89. Batch U. Size 87.5L W.87.5 IL.82 Army No. Name. Dry clean only. re press on original creases use damp cloth or medium to hot steam iron. White tag on the waist band on the right back stating - Size 87.5L. Tag on the right hand side on the back above the pocket stating - This tag is for identification only. Please remove before wearing. Docket No. 1106512 Order No. 29743836 Size 87.5L Garment No. 20851A Remarks 6I11Manufacturer - A.G.C.F. VIC 1989polyesters, dress trousers, wool polyester

Clothing. White fine linen fabric, trimmed at lower leg with a 2 cms wide cotton , brooierie insertion and a 12 cm wide frill of textured (?) fine linen or cotton lawn broiderie. The front waistband dips to a central 8 cm deep peak. Waistband at side seams, is 4.5 cm deep and back waistband is 10 cm deep at side seams, and the 11 cm deep at centre back. Two 1.4 cm covered buttons close the back waistband. The knickers have a gathered opening panel, called at the time a ''drop-seat'' or ''access hatch'' at the centre back. This panel has a 5 cm deep waistband, fastened at either side by a covered button, and a third button at the centre. These buttons are sewn to the back waistband, and the button holes are sewn, correspondingly on the gathered back. A drawstring tape is also threaded through the back waistband. A 6 cm wide gussett sewn from the crotch extends 23 cms long.Printed in fine black ink on back opening; D.S.R.F. No 11.costume, female underwear, victorian era knickers

Variety of coins, tokens and objects collected by the original owner. Sources not known at this point.Rectangular white card with eleven coins and ten small objects attached, all labelled. Items attached are as follows: 096.1 Token from R. Parker ABT. 1854 096.2 Token, Thomas East, Melbourne 096.3 Token, T Butterworth and Company, Castlemaine 096.4 Coin, 1843 Shilling 096.5 Coin, 1845 Sixpence 096.6 Coin, 1843 Fourpence (Groat) 096.7 Coin, 1856 Threepence 096.8 Coin, 1877 Penny 096.9 Coin, Halfpenny 096.10 Coin, 1878 Halfpenny 096.11 Coin, 1826 Shilling 096.12 Coin, Item found at Union Jack Reserve, possibly a coin with an integrated hole. On either side of hole is marked 1/2. Requires identification. 096.13 Button, T&S Extra Quality button, metal 096.14 Button, Ceramic disc with 'K K..... Wien' marked upon it 096.15 Tiny Pot for melting Gold 096.16 to 096.18 Small unidentified ceramic crucibles? 096.19.2 Musket balls 096.20 Leaf patterned broochcoins, numismatics

Used before the invention of electronic calculators, mechanical adding machines were most often used for long calculations. This calculator was used in the Ballarat School of Mines Physics Department. Addition and subtraction were perfomed by turning the larger side mounted crank forward or backward. the smaller crank lever zeros the two registers. Two buttons are provided to set the machine either to clear the number entry with each revolution of the crank or to repeat the entry. The largest button resets the keybord to all 0s.A calculator with shiftable carriage and digit separator rods between each row of keys.ballarat school of mines, calculator

Sister H. Ford is from the RDNS Moorabbin Centre and is visiting a patient to give her nursing care. She is standing with the lady on her veranda. Sister Ford is wearing her RDNS winter uniform coat which was made of blue/grey herringbone winter material. The coat has a collar and is buttoned at the front. The RDNS curved insignia attached to the top of the sleeve has a royal blue background edged in white and with the words "Royal District Nursing Service" written in white capital letters.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Trained nurses (Sisters) provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.On the left of the black and white photograph is the upper frontal view of Sister H. Ford from the Royal District Nursing Service,(RDNS). She standing with a lady on her veranda. Sister Ford, who has her long dark hair drawn back is smiling at the client. She is wearing her grey uniform coat To her right is a partial back and side view of the lady, who has short dark curly hair and is wearing glasses. She is wearing a light coloured top and has a string of pearls around her neck. A tall wooden fence and flowering bushes are seen in the background.Photographer stamp. Quote No. KY 62royal district nursing service, rdns, rdns patient care, sister h. ford

Button distributed to and worn by Australian Nursing Federation members campaigning against changes to nurses awards. The minimum wages and conditions an employee is entitled to are set out in awards (also known as modern awards). Awards don’t apply when an employer has an enterprise agreement or other registered agreement and the employee is covered by it. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'hands off nurses' awards!' and 'AUSTRALIAN NURSING FEDERATION'.nurses, nursing, unionism, badges, buttons, pins, trade unions, labour history, australian nursing federation, wages, working conditions, employment

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Self portrait of artist.art, artwork, loris button, self portrait, alumni, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut

Part of the small collection of uniforms in DAHC's possession. Like most of these uniform this one stems from the 1950-ies. The shoulder insigne indicate a "Genie" division (Engineering Corps).Many of the 1950's period uniforms came from people that had been discharched after having served in the Dutch East Indies (now Indonesia) during the Indonesian War of Independence.Dutch military field uniform made from heavy greenish material: (1) short jacket and (2) pantsShort jacket (brass, insect eye - like button on each collar, St Joris (St George) patch on shoulder straps, "Prins Alexander" on sleeves, Dutch army emblem with "Je Maintiendrai", the Dutch national motto, on left sleeve), marks inside jacket W MvO 1954, Motecht door MITN.uniform army

The badge was printed to raise funds for the returned soldiers and sold for Remembrance Day April25 1919. The badge was printed by A W Patrick & Co. Arthur William Patrick (1864-1954) A small Celluloid Badge printed to raise funds on Remembrance Day 25 April 1919 for the retuned soldiers.Front Lest we Forget April 25 1919, New Guinea - North Sea - Mesopotamia - Egypt - France - Gallipoli - Palestine. Reverse side: Remembrance Day1919. A W Patrick, Button and Badge Maker, 440 Rae Street North Fitzroy. Printed by A W Patrick & Co, 118 Lonsdale Street, Melbourneworld war one, conflicts, fundraising, badge, button, pin, a w patrick, remembrance day

Waist length jacket ,kahki colour ,Twin breast pockets 'long sleeves buttoned cuffs inner pockets 4buttoning front ,Waist fastening tab& buckle. Woollen fabric outer ......cotton fabric inner pockets &bindings .....9 buttons ....2 insignia on each shoulder 71 JOHNSON .......MAKER EDELSTEIN & KARP Made in Australia . Dry cleaning numbers 001 no 16380 attached to hanging up loop .bomber jacket, khaki, infantry, army

Soldier on the right is Leslie ROBINS of King Street, Bendigo. He enlisted in Bendigo as Machine Gunner?Photo, black / white, head & shoulders portrait of two soldiers. They are dressed in two pocket jackets buttoned up to the neck, no head wear. Soldier on Left has Rising Sun badges on collar. Photo has been touched up. Mounted on white border then cardboard backing.photograph, bendigo

Hat, khaki, felt with old style dent on top. Khaki felt pugaree with single stitching top & bottom. Emu plume attached to buttoned up side of hat. Australian Commonwealth Military Forces badge on turned up side. Leather headband sewn inside hat. “N196 - Sydney Aust. - Size 6-3/4 - 1942 - Fur Felt Hat” pressed on head band.uniforms - army, slouch hat, passchendaele barracks trust

There are no distinguishing features on the item to be able to link it to any one event.Metal bayonet with wooden and medal handle, four screws holding the wood to the metal frame. The bayonet has a release button to free the the blade to a position as required. There is a metal scabbard to house the bayonet blade, there is a metal loop on the scabbard to hang onto a belt. There is a round sight on top of the bayonet.T4 37248military, bayonet, australian army.

Young woman 3/4 length standing studio study. Dark dress with bustle, buttoned up front blouse. Long sleeves, closed neck with white lace handkerchief at neck. Yeoman & Co , 213 Chapel Street Windsor printed on front. Probably England address.Yeoman & Cophotograph, person, female

Garment was worn by female patients at the Sunbury Asylum.Inmate's dress in off-white canvas (?) with red stripe (blue stripe on left arm only). Round neck with front reinforcement and added panel and binding in cream cotton. Bodice and skirt pleated into waistband. Back opening to thigh level with three pairs of button-stitched eyelets.costume, sunbury asylum, george evans collection

Pink and white striped cotton maternity dress. Square neckline with short sleeves. Seven pleats across centre of front with a white pearly button on each side at hip level. Three bands across at neck and another three at hip level. Back of dress is identical to the front.Daly Jones 12costume, female

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button made of pressed metal. The design is of branches of wattle on a dark green background. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide in 1910. Public support for Wattle Day peaked during the First World War, when it was a potent symbol of Australia."Our Own For / Our Own"wattle day, first world war (1914-18), badges, fundraising buttons

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs.Wattle Daywattle day, first world war (1914-18), badges

Standard summer dress shirt indicative of that worn by sailors of all rank post WWII until present time. Summer, tropical dress shirt white worn by from post WWII to present day. Shirt was worn on service duty by CPO (R’td) Craig Duff; This style shirt is still in use by the RANShirt Service Dress White short sleeved with two breast pockets; Insignia embroided Naval Police Coxswain on the right sleeve; shoulder patch embroided in navy blue cotton with the word Australia embroided on both sleeves, Insignia Rank Petty Officer, buttoned down the front.Inside seam right hand side there is laundry instructions label measuring 45mm x 50mm; Collar label 45mm x 68mm/ DNJ9CC/ July 2007/ 8405-66-051-8334/ SIZE 40,/ NAME/ Service No., 65% polyester/ 35% viscose Rayonshirt short sleeved white, shirt white