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Ballarat Heritage Services
Photograph - Digital photographs, Cussen Memorial in the Boroondara General Cemetery, Kew, Victoria, c2005-2015
The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, cussen -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, boroondara general cemetery Henty, c2005-2015
The Boroondara General Cemetery is registered by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty -
Unions Ballarat
A figure of speech: A political memoir (Don Woodward Collection), Freudenberg, Graham, 2005
Graham Freudenberg's memoirs. He was a speech writer for Gough Whitlam and Arthur Calwell. He wrote the campaign speech for Mark Latham in 2004. The book includes his associations with Australian leaders from Menzies to Howard and observations about international relations. Political - Australia - Labor. Autobiographical interest.Book; 305 pages. Dust jacket: black and white photograph of the author; red, white and black lettering; author's name and title. Cover: black background; silver lettering; author's name and title. btlc, ballarat trades hall, ballarat trades and labour council, freudenberg, graham, government staff, labor memoirs, menzies, robert, calwell, arthur, whitlam, gough, howard, john, alp, australian labor party, wran, neville, carr, robert (bob), keating, paul, hawke, bob, vietnam war, latham, mark, kerr, sir john, liberal party australia, lpa, politics and government -
Unions Ballarat
Pattern of deceit
History and activity of the National Civic Council (an arm of the Democratic Labour Party) and the unions who were aligned with it.Relevant to trade unions and the political climate post ALP split in 1955. Reference to Bob Joshua who was the member for Ballarat and a key figure in the Labor Party split and formation of the Democratic Labour Party (DLP).Book; paperback.btlc, ballarat trades and labour council, unions ballarat, democratic labour party, dlp, political parties, ncc, national civic council, santamaria_bob, mcmanus_frank, joshua_bob -
Ballarat RSL Sub-Branch Inc.
Souvenir - Wooden Carved Figure
souvenirs, ballarat rsl, ballarat -
Brimbank City Council
Marble bust on pedestal, W Taylor JP. The late executive coroner, 1934
William Taylor was one of the original white settlers in the area around modern day Keilor. He had a large amount of land and ran sheep in the area. Taylors Lake and Taylors Creek now bear his name. Figure of local historical significanceMarble bust on pedestalInscription on plinthwilliam taylor -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Armistice Day, 1918
Padre Hayes Collection. A collection of black and white/sepia photographs taken by Padre Herbert Edward Elton Hayes on Armistice Day 1918 in Melbourne, Vic. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white photographArmistice Day 1918padre hayes collection, armistice day 1918, ww1, army, mernda, herbert edward elton hayes -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Armistice Day, St. Kilda Road, 1918
Padre Hayes Collection. A collection of black and white/sepia photographs taken by Padre Herbert Edward Elton Hayes on Armistice Day 1918 in Melbourne, Vic.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white photograph.St Kilda Road 1918padre hayes collection, armistice day 1918, ww1, army, mernda, herbert edward elton hayes, st kilda road, parade -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Armistice Day, 1918
Padre Hayes Collection. A collection of black and white/sepia photographs taken by Padre Herbert Edward Elton Hayes on Armistice Day 1918 in Melbourne, Vic.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white photograph of a crowd of people and cars on the street, on Armistice Day 1918, Melbourne, Vic., photograph (3 of 5) Armistice Day 1918padre hayes collection, armistice day 1918, ww1, army, mernda, herbert edward elton hayes, parade, melbourne street -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Armistice Day, St. Kilda Road, 1918
Padre Hayes Collection. A collection of black and white/sepia photographs taken by Padre Herbert Edward Elton Hayes on Armistice Day 1918 in Melbourne, Vic. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white photograph.St Kilda Road 1918padre hayes collection, armistice day 1918, ww1, army, mernda, herbert edward elton hayes, st kilda road, parade -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Armistice Day, 1918
Padre Hayes Collection. A collection of black and white/sepia photographs taken by Padre Herbert Edward Elton Hayes on Armistice Day 1918 in Melbourne, Vic.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white photograph. Armistice Day 1918padre hayes collection, armistice day 1918, ww1, army, mernda, herbert edward elton hayes, parade, melbourne street -
Whittlesea Historical Society Inc.
Photograph - Copy, Padre Hayes, John Stevens Gawler and his children, c. 1929
Padre Hayes Collection. John Stevens Gawler married Ruth Miller Woodworth, in 1914, and the couple had 5 children: Ruth, Dorothy, Frances, John and David. John Stevens Gawler is the brother of Kathleen Blanche Gawler (WW1 Nurse) who was married to Padre Hayes of Mernda, Vic. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Copy of a sepia photograph of John Stevens Gawler and his 5 children fishing on the banks of the Plenty River, Mernda. c. 1928-30. Printed on the rear, "Bentleigh 27.05.09".padre hayes collection, ww1, mernda, herbert edward elton hayes, kathleen blanche gawler, ww1 nurse, ww1 sister, john stevens gawler, gawler family history, hayes family history, st stephen's church mernda -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, New Year's Day Picnic, Yan Yean, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes at the New Year's Day picnic held at Yan Yean Reservoir, 1927. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On the rear, "Hayes Mernda".padre hayes collection, mernda, herbert edward elton hayes, hayes family history, new year day picnic, yan yean reservoir, yan yean -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, New Year's Day Picnic, Yan Yean, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes at the New Year's Day picnic held at the Yan Yean Reservoir in 1927. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, new year day picnic, yan yean reservoir, yan yean, scottish bagpipes -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, A Cup Day evening, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes. On rear: A Cup Day evening picture Nov 1927. Guides around camp fire after a picnic in Mernda (taken at 6.35 pm.) Hayes photo. Return to Hayes. Mernda.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.A Cup Day evening picture Nov 1927. Guides around camp fire after a picnic in Mernda (taken at 6.35 pm.) Hayes photo. Return to Hayes. Mernda.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, girls guides, mernda girl guides, stone wall -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Scouts meeting at Mernda, c. 1927
Padre Hayes Collection. A photograph taken by Padre Hayes. Scouts meeting at Mernda.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.Scouts meeting.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, stone wall, scouts, mernda scouts -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Stone house at Mernda, c. 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of the backyard of an old stone house at Mernda, 1927. The Cr. Ryans.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.The backyard of an old stone house. Mernda 1927. The Cr. Ryans. padre hayes collection, mernda, herbert edward elton hayes, hayes family history, stone house, ryan family history, ryan family mernda, cr ryan -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, A pool on the Plenty River, Mernda, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of a pool on the Plenty River, Mernda, 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.A pool on the Plenty River 1927. Mernda. Aunty Kath's "Mernda". Padre Hayes collection.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, kathleen gawler, kath gawler, plenty river mernda -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Mernda Township 1927, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Mernda Township, 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.Mernda Township 1927padre hayes collection, mernda, herbert edward elton hayes, hayes family history, mernda township, mernda railway, whittlesea railway line -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Yorkshire Hero peas grown in Mernda, c. 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Yorkshire Hero peas.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.Yorkshire Hero peas 4" long. Plants were over 6 ft high grown in Mernda. Return to H.E.E.Hayes Mernda.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, yorkshire hero peas -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Broad beans grown in Mernda, c. 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Broad beans some over 10 inches long grown in his garden at Mernda.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.Broad beans some over 10 inches long grown in our garden Mernda. Return to H.E.E.Hayes Merndapadre hayes collection, mernda, herbert edward elton hayes, hayes family history, yorkshire hero peas, broadbeans -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Hay harvest in Mernda, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Hay harvest in Mernda. A busy scene on the Mernda Railway Station, Dec 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Hay harvest in Mernda. A busy scene on the Railway. Dec 1927.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, hay harvest, mernda railway station, horse and cart, mernda train -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Loading hay at Mernda Rail station, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes, loading hay at Mernda rail station, 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Mernda Railstation loading hay 1927.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, hay harvest, mernda railway station, horse and cart, mernda train, loading hay, menda station, train tracks -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Sending away surplus hay from Mernda, Dec 1927
Padre Hayes Collection. A photograph taken by Padre Hayes, sending away surplus hay from Mernda Station. Dec 1927. This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Sending away surplus hay from Mernda. Dec 1927. H.E.E.Hayes Mernda.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, hay harvest, mernda railway station, horse and cart, mernda train, loading hay, menda station, train tracks -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Interior of Church at Separation, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of the interior of the deserted Baptist Church at Separation, decorated for the wedding of Vera Benson William Carswell, in 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Interior of deserted Baptist Church Separation decorated for wedding, Vera Benson William Carswell about 1929.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, vera benson, william carswell, bride and groom, baptist church separation, baptist church mernda -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Bears Castle, Yan Yean, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Bears Castle on Bears Hill, Yan Yean, 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Bears Castle A quaint old mud tower on Bears Hill Yan Yean 1927.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, yan yean, bears castle, bears hill, bears castle yan yean, australian flag -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Vera Benson and William Carswell, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of a Bride and Bridegroom leaving the deserted Baptist Church Separation (now Mernda) after being married. Identified as Vera Benson married to William Carswell in 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Bride and Bridegroom leaving deserted Baptist Church Separation after being married. Vera Benson and William Carswell c. 1929.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, vera benson, william carswell, bride and groom, baptist church separation, baptist church mernda -
Whittlesea Historical Society Inc.
Photograph - Copy, Vera Benson and William Carswell
Padre Hayes Collection. A copy of a photograph taken by Padre Hayes of a Bride and Bridegroom leaving the deserted Baptist Church Separation (now Mernda) after being married. Identified as Vera Benson married to William Carswell in 1927. See 375.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white copy of a photograph.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, vera benson, william carswell, bride and groom, baptist church separation, baptist church mernda -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Girl Guides Mernda, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of Girl Guides with a horse and jinker outside the home of Padre Hayes in Hayes Road, Mernda.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Girl Guides Nov 1927.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, hayes road mernda, horse and jinker, girl guides mernda -
Whittlesea Historical Society Inc.
Photograph, 1st Wannon Mounted Brownie Pack
Padre Hayes Collection. 1st Wannon mounted Brownie Pack.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: wishing you a merry xmas & all good things in the New Year/ Mac/ Jess Macdonald/ 1st Wannon mtd Brownie Pack.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, girl guides mernda, ist wannon mounted brownie pack, brownie pack