Very pale green Miner's Right No 13568 issued by the Colony of Victoria, Series B. It cost five shillings and was for Sandhurst, dated 21 September, 1868. Across the top is a crest with a lion and a unicorn holding up an oval piece with a crown and a lion on top, In the oval is an illustration with two men and a woman and sailing ships in the background. It was issued to Mr John ?.document, gold, miner's right, miner's rights, miner's right no 13568, john ferres

The Ballarat Junior Technical School was part of the Ballarat School of Mines.P [Peter] Chatham was the brother of Philip Chatham's father, John [Jack] ChathamFoolscap, charcoal green book with red leather binding and marbled edges. In date order each student who received a certificate from the Ballarat Junior Technical School between 1914 and 1939 is listed, along with their results. ballarat junior technical school, certificates, guido brelaz, noel brelaz, harold adair, norman anstis, howard beanland, allan bernaldo, g. g. callister, francis capuano, j.e. capuano, peter chatham, arthur coates, leslie crouch, richard dale, francis davis, henry dodds, jack dulfer, john dulfer, donald furlong, john garner, bennett gluyas, otto hauser, r, haymes, graham hopwood, arthur h. hoskin, r.m. kittelty, carl krahnert, larkin, michael, leask, james, leech, george, fred longhurst, john martin, john mcnabb, harold morton, g.g. netherway, harry o'bern, h. pitman, keith rash, percival a. trompf, percy trompf, harold g. wakeling, harold waller, robert h. warnock, thomas wasley, george webb, albert williams, john a. garner, walter button, jack kopke, b. bernaldo, a. snowden, g.c. callister, a.l. brittain, w.j. bassett, j.k. kneeshaw, ronald ditchfield, l.a. chung

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. The book belonged to G. Holmes.A blue-green cloth covered, hard bound book with the book name, author and publisher printed on the spine in dark blue. The book was owned by G. Holmes.Written in pencil on inside page - G.Holmes, Humour, Courage, Resourcefulness, Wisdom, Large mindedness, Opinion of Blacks, Christians, Rem Joan O'Donohue & the budge Written in pencil on Title page - What is D. Bates answer to the problem of the treatment of the Aborigines? Do you think it tis the best answer?g holmes, the passing of the aborigines, daisy bates, chatham-holmes family collection

Pale green soft covered magazine with red and black ink. 56 pages including advertisements. 1. Fourth Term, 1907. Included an article on Cornish Mining. 2. 1946 3. 1945 4. 1949 5. 1950 6. 1951 7. 1944 8. 1942 9. 1941 10. 1960 - School Council, Members of staff, Editorial, Principal's Page, Literary Society, That First Day, Prominent Personalities, Conferring of Diplomas, The Begonia Parade, Efficient Reading?, The Sporting Pages, Enter the Modern, Tradition, The Ceremony, Roll Call - List of Students' 11. 1939 12. 1909 13. 1908 ballarat school of mines, robert norton, c. t. tay, n. delosa, bill boggs, alan bethune, janis erdmanis, alan rock, peter agrums, gail trewanack, tony white, norm nash, graeme "curly" williams, chong thung "jack" tay, noel whitcher, malcolm peel, k. blee, roberta pittard, margaret timmins, i. menner, r. nicholson, g. titheridge, g. johnson, p. agrums, d. pope, r. wollermann, g. hall, g. hart, n. nugent, a. bethune, k. penna, s. white, t. white, j. pollock, k. rogers, l. campbell, n. bromley, t. scanlon, j. davis, j. miller, k. kirton, b. hickey, w. moore, m. mckinnon, i. weir, r. coutts, g. thurling, anthony yeung, y. kwong, r. champneys, j. erdmanis, a. webb, d. taylor, j. rash, n. nash, c. tai, s. chand, t. gan, k. e. ooi, c. poh, m. mallett, l. rawlings, a. patterson, g. le couteur, m. hewitt, e. grummett, a. rock, r. miller, g. ikstrums, b. lonsdale, d. holmes, g. leishman, r. norton, t. brauer, n. whitcher, p. lockyer, lois morris, eric mcgrath, helen ross, g. cornell, i. menz, l. j. matthews, l. j. groat, o. n. hails, p. j. davis, n. l. nash, s. mason, mr and mrs barry singleton, john wolfe, brian duthie, cornish mining, j. skuja, s. rowe, a. kinnane, w. maddox, sturt street ballarat

HMAS Sydney (III) played a significant role in the Vietnam War, primarily as a transport ship carrying troops, equipment, and supplies from Sydney to Vung Tau. The ship made 25 trips to South Vietnam between 1965 and 1972, earning the nickname "the Vung Tau Ferry"A ship model with ratio of 1:75 of HMAS Sydney. The ship has lime green deck which has two helicopter standing at the front with text P214, 1 helicopter at the back and 3 boats hanging on a side.Ship Model, c1990s HMAS Sydney A 1:75 scale model of HMAS Sydney, a Majestic class light aircraft carrier operated by the Royal Australian Navy (RAN) from 1947-1958, when she was placed in reserve. The need for a sealift capability saw the ship modified for service as a fast toop transport, and re-commiessioned in 1962. In 1965, she sailed on her first voyage to Vung Tau, transporting soldires and equipment to Vietnam. Sydney made 25 voyages to Vietnam between 1965 and 1972, earning the ship nickname "Vung tau Ferry"model, hmas sydney, ran, aircraft carrier, vung tau ferry

Collection of photographs of staff and some Research Fellows. Some labelled with position at the time and some identified by Ala Shtrauser (former Asst. Librarian), Andrew Smith and Ross Payne. (1-4) Ross Payne (Engineering Technician). (5-6) Ed Smart (Lecturer). (7-8) James Will (Lecturer). (9) Mark McNamara (Librarian.) (10) Rosemary McConnell (Librarian). (11) Kevin Blaze (Lecturer). (12-13) David Aldous Lecturer). (14) Peter McSweeney (Senior Lecturer, Co-ordinator of BAS(H)). (15) Andrew Smith (Gardener). (16) Dr. Cassandra McLean (Senior Lecturer). (17) Sally Cullwick (Librarian). (18) Kat Frame (Librarian). (19) Michael Nechwatal (Handy Person). (20) Ala Hires (Shtrauser) (Library Assistant). (21-22) Peter May (Deputy Head of Campus). (23-25) Geoff Connellan (Senior Lecturer, Horticultural Engineering, Co-ordinator MAS(H)). (26-27) John Rayner (Lecturer). (28) Jamie Pearson (Lecturer). (29) Rod McMillan (Lecturer).(30) Graham Sterry (Printer). (31) Michael Green (Lecturer). (32) Suzanne Trajstman (Counsellor). (33) Greg Moore (Principal). (34-35) Greg Moore, Peter May, Geoff Connellan. (36) Greg Moore, Peter May, David Aldous. ((37-38) John Brereton (Lecturer, Co-ordinator AC(H)). (39-41) Nick Bailey (Lecturer).(42) Karen Van Laak (Admin). (43) Ruth Beilin (Lecturer). (44-46) Clive Sorrell (Lecturer). (47) Jayne Lindholm (Lab. Asst.). (48-49) Phil Kenyon (Arboriculture Lecturer). (50-51) Ross Hall (Lecturer). (52-55) Catherine Jaggs (Admin. Officer).(56) Robin Haylett (Gardener, Amrad). (57-59) Robina Duygen (Office Manager). (60) Julie Cocksedge (Nursery). (61) David Morales (Landscape)? (62) Tony Westmore (Lecturer). (63-64) Stuart Miller (IT). (65) Trish Mooney (Gardener) (66) Michael Looker (Lecturer). (67) Kerry Howard (Lecturer). (68) Alan Shaanks (Nursery, Field Station Tractor Driver). (69) Brian Shields (Lecturer). (70-73) Ian Winstone (Lecturer). 74 Tom Karapidis (Cleaner). (75-76) Ken James (Lecturer). (77-79) Jim Stafford (Property & Services Manager).(80) Kelvin McKenzie (Carpenter). (81-85) Kylie Cannon (General Administrative Officer). (86) Melanie Conomikes (Lecturer). (87) Dr. Sally Stewart-Wade (Lecturer). (88) Geraldine Fay (EH & S Administrator). (89) Rowan Reid (Lecturer). (90) Romduol Buruma (Finance Officer). (91) David Morales (Cleaner). (92) Tony Westmore (Lecturer). (93) Clare Scott. (94) Bata Thomas (Caretaker). (95-96) Nicholas Osborne (Nursery Assistant). (97) John Hensley (Cleaner). (98) Jill Kellow (Environmental Horticulturer Technician). (99) Nicky Jacobs (Counsellor). (100-102) John Delpratt (Lecturer). (103-105) Alex Campbell (Nursery Technician). (106) Christine Gregory (Clerical Assistant). Stamped, "Victorian College of Agriculture & Horticulture-Burnley, Burnley Gardens, Swan St., Richmond Vic 3121 2/1984." (107) Jenny Wilson (Typist) Stamped as previous "2/84" b/w. (108-112) Unidentified. Not scanned. (116) Dr Yue Wang (Research Fellow). (117) Simon Murphy (Senior Forest Researcher). (118) ? (119) Carmel McPhee at Como. Includes 2 different Staff Listings, 1 dated 03 January 1990 with years employed and Last Position.staff, research fellows, ala shtrauser, andrew smith, ross payne, ed smart, james will, mark mcnamara, rosemary mcconnell, kevin blaze, david aldous, peter mcsweeney, cassandra mclean, sally cullwick, kat frame, michael nechwata, peter may, geoff connellan, john rayner, jamie pearson, graham sterry, michael green, suzanne trajstman, greg moore, john brereton, nick bailey, karen van laak, ruth beilin, clive sorrell, jayne lindholm, phil kenyon, ross hall, catherine jaggs, robin haylett, robina duygen, julie cocksedge, david morales, tony westmore stuart miller, trish mooney, michael looker, kerry howard, alan shaanks, brian shields, ian winstone, tom karapidis, ken james, jim stafford, kelvin mckenzie, kylie cannon, melanie conomikes, sally stewart-wade, geraldine fay, rowan reid, romduol buruma, tony westmore, clare scott, bata thomas, nicholas osborne, john hensley, jill kellow, nicky jacobs, john delpratt, alex campbell, christine gregory, vcah, burnley gardens, jenny wilson, yue wang, simon murphy, carmel mcphee, como house

Wedding dress was made and worn by donor's mother, Jean Margaret Mathie, school teacher, who married John Caldwell Wells, farmer of Burwood N.S.W. On 17 December 1954, her daughter, Margaret Eleanor Wells, married Kevin William Mayes and wore the late mother's wedding outfit1929 Cream satin wedding dress; V-neckline, dropped waist, skirt cut on cross, draped long sleeves, long train at back. Headdress is a circle of waxed flowers and green leaves with green cloth ties on the end. See also NA3485.1.2 - Gloves; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in bridal dress (1954 wedding)costume, female

Two items relating to the Ormond Uniting Church (former Thomson Memorial Presbyterian Church): 1/ a book named "The Ormond Faith Story - The History Of The Ormond Uniting Church Centenary Edition 1903 – 2003". The front cover includes a colour photograph of the Church and the back cover includes a list of the Ministers during that time period. The Contents include several black and white photographs and an Appendices written by Rev Bill Morgan, Rev. Rod Horsfield, Rev. Robert Mcutchen and Rev. John Lamont, on what Ormond means to them. 2/ a black and white photograph of three ladies inscribed on the back as "Ormond Uniting Church Drop-in Centre, Cnr North & Booran Rds., Caulfield. Sept 84"A5-sized printed book of 64 pages plus colour back (photos of 9 men around Uniting Church insignia)and front (in red border is a colour photo of the Church) covers, with black and white images on the inside of these covers. It is mostly printed text with a number of black and white photos.ormond uniting church, anthony street, centenary edition, merton hall, anglican, maud street, presbyterian, wheatley road, methodist, ocean street, saint cuthberts, beattie james rev., jones hugh rev, chalinor john rev., hadley vincent rev., broughton david rev., morgan william rev., mcutchen robert rev., lamont john rev., horsfield rod rev., tregear george rev., kirkside independant living units, uniting church inaugurated, kids of the uniting church australia, kuca, after school program, saint kevins catholic church, father crimin, caulfield adult learning centre, daley daniel rev., green kevin rev, probin david rev, glen orme avenue, ormond, caulfield, plaza cinema, north road, manse, booran road, sunday school, glen orme, ladies church aid, ladies guild, dromana, playgroup, ucaf, booran road hall, fraser street hall, mordialloc, ormond park, new hall, reid christina rev., lamont john rev, cricket, tennis, glen orme avenue methodist church, ormond presbyterian church, st kevin’s catholic church, glen huntly presbyterian church, malane's corner, market gardens

Air Force flying helmet. white and green markings, oxygen mask attached, mounted on a wooden base. A replacement for one lost in jungle after ejection. Air force cloth badgeCertificate Of Martin Baker Clubhelmet, downing, pilot, flying helmet, raaf, john downing

Small greyish? Covered book with green inside front and back titled ' Victorian Police Guide' by John Barry, Senior-Constable, Sandhurst. Printed in Sandhurst by J. W. Burrows, Printer, Williamson Street. 1888. Written in pencil at the top of the front page is: William Kerr's Police Guide. On the page next to the index is written in ink is: Presented To William Kerr, Cons By John Barry Senior Constable Bendigo 1st May 1889.John Barry, J. W. Barrows, printer Williamsons Street, Sandhurst.essential services, police, victorian police guide, john jones collection - victorian police guide, john barry, j w burrows, william williams, john johnson, robert thomas, a bee, william jones, thomas brown, john richards, james williams, j h abbott, william kerr

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Book has no dustjacket, is bound with olive green book cloth and has black text on the spinenon-fiction'This book is a simple one, though it does not deal with trivial things. It is offered as a contribution to Australian literature : reflections on travel, literature and science. There are two sections in the book: Travel notes from an Australian viewpoint, which I have put firsts; and Science notes, which I have put second; with two or three chapters that are of neither travel nor science.' [Excerpt of Foreward by the author]charles fenner

Illustrated book bound in green cloth. On the front cover, stamped in gilt, is a coat of arms featuring a lion and a unicorn (City of Prahan), there are also four parallel lines embossed at top and bottom. On the spine alternative title 'the History of Prahan 1836-1924' author's name, publishers name and four lines at the base, are stamped in giltnon-fictionA history of Prahan from 1836 up until1924prahan, victoria-history, alfred hospital (melbourne)-history

Collected by National Serviceman Pte D J Kerslake from the site of an ambush initiated by 1 RAR in 1968. This is part of a collection that was donated by Private Daryl John Kerslake (3792440) who was a National Serviceman with the Australian Army with the Royal Australian Infantry Corps. He served in Vietnam with 1 Australian Reinforcement Unit from 22 Jun 68 to 30 Jun 68 and 1st Battalion, The Royal Australian Regiment from 1 Jul 68 to 28 Feb 69.Olive green plastic with coloured filters stored in handle. The torch is modified in that the front red plastic filter has a star shape cut out of it to identify it as Viet Cong for night identification.MX 9914.0 Bright star, Trade mark reg.torch, flashlight, vietnam war, viet cong, north vietnamese, nth vietnamese, field torch, pte daryl john kerslake, 3792440, australian national serviceman, royal australian infantry corps, 1 australian reinforcement unit, 1st battalion, the royal australian regiment

8 page cream coloured programme with black typing and red and green headingsCantorion Cymreig Victoria. Conductor: Jeff Beynon. Deputy: Bill Mead. Accompanist: Jenny Jenkins - WITH Margaret Nisbett m.b.e. Soprano - Merv. Preusker Trombone, accompanied by Ms. Judith Stanton. Programme by donation. Pages 2 & 3 - advertisements. Pages 4 & 5 - The Programme - Performers and arrangers include Bruce George, W.T.Davies, Merv.Preusker, Margaret Nisbett, J. Hughes (Soloist: Terry Thomas), John T. Davies, Emrys Jones, J.M. Capel, Arr. Doris Arnold, Compere: Cyril Platt. Pages 6 & 7 - Advertisements, Page 8 - THE CHOIR - A thank you from the choir and a brief description of their short history and the interests that have brought them together

Illustrated book with dustjacket. Book is bound in brown cloth with abbreviated title, author's name and printer's mark embossed in gilt on spine. Dustjacket has title printed in white and green and author's name in white print on a black and white photograph of a man with dark hair, wearing glasses and a white coat (Walter Florey), Abbreviated title (in white) author's name (in green) and printer's mark (in black) are printed on a brown background on the spine. The back of the dust jacket has a black and white photo of Penicillin notatum growing in a petri dish."Rise Up to Life" follows Howard Florey’s career from his university days in Adelaide, through the period of his greatest research projects at Oxford, Cambridge and Sheffield which culminated in his success with penicillin, to the final years of his life when he was the first Australian to be elected President of the Royal Society. But this biography goes beyond exploring with insight and sympathy the life of a great scientist to give the reader a vivid and dramatic picture of the scientific processes that led up to a new discovery and a new era in medicine.howard florey, penicillin, history of medicine-biography