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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Thomas Borthwick and Sons abattoirs and Australian Estates wool stores, 1968
Port of Portland Authority archives.Front: (no inscriptions) Back: OPEN COUNTRY WEEST OF THE HENTY HIGHWAY AT NORTH PORTLAND JAN 1968/ PORTLAND HARBOUR TRUST COMMISSIONERSport of portland archives -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Greensborough Historical Society
Photograph - Digital image, Frank Robinson, Willows in the Plenty River, looking south west to cliffs, 1954_
Willows in the Plenty River, looking south west to cliffs. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015. Oral history has it that Anthony Beale was the first to bring willow cuttings from the island of St Helena, to Australia.Digital copy of colour photograph.robinson family, blackjack, plenty river -
Greensborough Historical Society
Photograph - Digital image, Commercial Bank Greensborough, 1913_
An early photograph of the Commercial Bank of Australia, Greensborough Branch in Main Street Greensborough, taken before 1914. Teller Walter West stands on the left (according to his grandson John Cramp). The rings on the white posts are for tethering the horses. After service in World War 1 West married the daughter of Greensborough butcher Mr. N. Elliot and moved to a soldier settlement fruit block at Redcliffs.Digital copy of black and white photograph.commercial bank of australia, main street greensborough -
Glenelg Shire Council Cultural Collection
Postcard, n.d
Buff coloured cardboard folder, with a strip of black and white postcard size views of Portland, 6 on each side. Red 21/2 penny stamp. Addressed to 'Miss M. Kerr, "Cherrywood" West Portland'. Inside cover of folder 'Wishing all at Cherrywood a Merry Xmas from Stan, Rae & the girls' - handwrittenFront: 'ROSE SERIES picturesque views of Portland, Australia' For E.M. JENKIN, BENTINCK AND JULIA STS. PORTLAND' -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Tea Towel - Australia's Shipwreck Coast, n.d
Souvenir tea towel, 100% cotton. Australia's Shipwreck Coast - images of ships wrecked in SW Victoria and coastal scenes, including the Portland lifeboat.souvenir, portland, portland lifeboat, south west coastline, shipwreck coast -
Glenelg Shire Council Cultural Collection
Booklet - Booklet - The Seaside Calls, n.d
... Australian border in the west.... on the east to the South Australian border in the west. Booklet ...Sixteen page booklet, issued by Victorian Railways Publicity and Tourist Services, Melbourne. Information on Victorian seaside towns, from Mallacoota Inlet on the east to the South Australian border in the west.Front: 'VIVIAN' - handwritten, biro, top right. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Glass, jar of Mustard Ointment 'Rawleigh's;, mid 20thC
WT Rawleigh (1870-1952) Freeport USA began in 1889 the direct selling method to sell his products, travelling around on horse and cart in the early days from house to house selling his medicines and other lines. Rawleigh's wide range of products includes: Medicinal, Nutritional, Gourmet, Homecare, Personal Care, Animal & Plant Care Since 1889, millions of families around the world have learned to rely upon and keep Rawleigh's reliable medicines and other products on hand ready for emergencies to relieve sickness, pains, injuries and for their daily needs. By 1920, young Rawleigh had built the biggest manufacturing organisation in the world. Mr Floyd George Rawleigh who was the son of David Rawleigh, W.T.Rawleigh's brother, came to Australia, with Mr Jackson, in 1931 and set up the Rawleighs Company Business . Generations of Australians, Canadians and Americans grew up waiting for The Rawleigh Man to arrive at their front door with his sample case of goodies to add spice to their life and to heal their ailments. In World War II, most Australian soldiers posted overseas carried a tin of Rawleigh Antiseptic Salve in their kits to treat wounds and ward off infection The Rawleigh Man brought to family front doors the best materials money could buy from around the world: spices from Sumatra, Java, China, India, Africa, the West Indies; black pepper from the island of Ponapai; lemon and orange oils from California and Sicily and Vanilla from Madagascar and Java; high grade coffee beans from the Andes. Most of the herbs, roots, barks and buds used in making cough medicines and tonics came from Europe, India, Ceylon, China, North America, the West Indies, Jamaica, Honduras and Asia. From Japan came camphor and menthol for making medicines. From Tavenui, the Garden Island of Fiji, came the food grade coconut oil for Rawleigh's gold medal winning Coconut Oil Soap. Rawleigh products are still only available from Rawleigh men and women who carry on the time-honoured tradition of the Rawleigh company to give individuals a go at developing their own business supplying products to people in their homes. Only now they are also doing it in cyberspace. A clear glass jar with a metal screw lid containing Mustard Ointment made by W.T. Rawleigh Co. Ltd. .Melbourne Lid ; Rawleigh’s Front ; Rawleigh’s / Net WT. / 1 ½ oz / COMPOUND / MUSTARD OINTMENT / WILL NOT BLISTER /preferable to Mustard Plaster / MNUFACTURED BY / The W, T. Rawleigh Co Ltd / MELBOURNE. / Left side ; DIRECTIONS …….. , / Right side ; Useful pharmacy, medicines, mustard ointment, w.t. rawleigh company ltd., hospitals, nursing, containers, moorabbin, bentleigh, cheltenham, melbourne, respiratory diseases -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, cigarette papers 'Boomerang', c1946
Cigarette or Rolling papers are small sheets, rolls, or leaves of pre-cut paper made from wood pulp, hemp, flax, or rice straw which are sold for rolling cigarettes either by hand or with a rolling machine. When rolling a cigarette, one fills the rolling paper with tobacco. PROV - The West Richmond heritage overlay - The smaller former Australian Automatic Cigarette Paper Company factory at no.103-05 Hoddle Street Richmond, also retains original Moderne detailing, which includes 'Boomerang' in Art Deco script set vertically within the piers at either end of the building. 'Boomerang' was the brand of the cigarette papers manufactured by the company until 1948. A packet of 'Boomerang' precut cigarette papers Top: 60 LEAVES / BOOMERANG/ RICE / STAINLESS CIGARETTE PAPER/ Back:: 1/3 / 60 LEAVES / BOOMERANG / RICE / AUTOMATIC GUMMED / MADE IN AUSTRALIA . Inside packet: AUSTRALIAN AUTOMATIC CIGARETTE / PAPER CO. PTY. LTD. / MELBOURNEmelbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, cigarette papers, tobacco, boomerang papers, australian automatic cigarette paper co. pty.ltd. -
Geelong RSL Sub Branch
Print, Menin Gate at Midnight, 20th Century
Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial -
Geelong RSL Sub Branch
Military Documents, ?Australia
There are seven (7) items here, the AAB83, AAB 87, A M Form M7, The Australian Soldiers Pocket Book, a New Testament (printed in 1916 at the Cambridge University Press), The Book of Common Prayer (Eyre & Spottiswoode), Diocese of Sydney, Forms of Prayer and Hymns, Form of Service - Church Parades of the AMF, a note book of information collected by Pte Reid.V166315 Pte C R Reid was a Geelong man who lived in Moolap, he enlisted in the AMF on 23 March 1942. All the docume nts are original and belonged to Pte Reid.AAB 83 Record of Service Book, AAB 87 Demobilization Procedure Book, AM Form M 7 Record of Service Book, The Australian Soldiers Pocket Book.Army Number V166315 Pte C R Reid, West Moolap, via Geelong.v166315 pte c r reid, aab 83, aab 87, am form m7 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Julia Street, Portland, n.d
Displayed at History House.Black and white photo. Looking west to east, Julia Street. First 2 buildings have verandahs and 1 chimney each. Double storey, stone building, 4 upstairs windows, 2 chimneys. Small building between 2 double storey buildings. Double storey blue stone with verandah. Small building. 4 double storey buildings.Front: Portland-Julia Street, Looking west to east. Back: State Library of South Australia. Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No. A/6493.street scene, portland street scene, photography -
Halls Gap & Grampians Historical Society
Photograph - B/W, c 1870
Jane and Samuel Delley emigrated to Australia in 1857. By 1870 they and their young family had settled in the area at the entrance of the Fyans Valley and on the west of Fyans Creek. There they built a home and recognising the needs of passing travellers and timber-getters, they established Delley's Inn, providing food and refreshments to all in need.Timber dwelling with bark roof and two chimneys, one at either side of the house. In front stand four men and two women with two wagon drays in the foreground. The area is enclosed by picket fencing close to the house and a rough timber fence on the rear of the boundary. Delley's Inn,1870 on reverse in pencilbuildings, houses, accommodation, delley's inn -
Eltham District Historical Society Inc
Negative - Photograph, Smart family home in Bridge Street, Eltham, c.1903
Believed to be Mrs Jane Bailey (nee Matthews) (d. 1904) and her grand-daughter Ruby Jane Bertha Smart (1890-1903) in front of the Smart family cottage in Bridge Street, Eltham, c.1903 Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Ruby Jane Bertha Smart born abt 1890 died in 1903 in Eltham. Her brother Alfred Francis Smart was born abt 1887 and died 1966 in Mont Albert, Vic. (Accessed via Ancestry.com) Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Original print 10.5 x 16.5 cmFor postcard print: Inscribed on envelope: "Return to Mrs H. Butherway, 22 Bridge St, Eltham." Also "Photo Mrs Clark Hampton (nee Smart), original Smart's house - Bridge Street, 95 years ago." Also "Right - Mrs Clark's grandmother Mrs J Smart Left - Her daughter Ruby dies soon after photo taken. Brother Alf Smart died about 6 years ago." Inscribed on back of photo "247 Vincent St, Leederville" It is believed that this inscription may be somewhat mixed up.sepp, shire of eltham pioneers photograph collection, eltham, bridge street, alexander wilson smart, bigamy, bush cottage, early settlers, houses, jane bailey (nee matthews), mary jane smart (nee bailey), murder, ruby jane bertha smart, smart family home, smart home -
Kiewa Valley Historical Society
Timer Favag, Circa 1950
This Favag Timer apparatus was a part of the first electronic control system -(1960's), in Victoria), which worked using telephone stepping selectors to convey a change in voltage providing a regulated pulse from the control centre(Mount Beauty) to the remote Power Stations opening and closing (stop/start) of various devices at the Power Station and a return signal confirmed the action taken. Testing of this unit was carried out using a "dummy" device at the remote Power Station so as not to disrupt the power plant's operation. This timer was one of many electrical apparatus connected to the large SEC Victoria Hydro Scheme's electrical power producing generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro Schemes was achieved from the early 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce,inclusion of skilled and unskilled, migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This Favag Timer was one of the crucial pieces of equipment that made it possible for the Mount Beauty Terminal Station to control the operations of these Power Stations; McKay, Clover, West Kiewa Power Stations and the Dederang Terminal Station.This aluminium and anodised "FAVAG" (pulse) timer is fastened to a base structure which comes with its own metal cover that is fastened by two metal hooks. From the top of these hooks runs a thick leather "carry" strap.The instrument, itself, a small "micro motor" at one end tape feeding spool on the other. Aluminium metal structures offer a preventative barrier against any electronic spikes from static electricity sources. There are two toggle switches to the bottom right hand side and twelve coloured "pin" connection points.There is a sliding access sleeve which exposes a circuit board.with various leads fastened on each side. In front of one of this slide are two "screw in" fuses, spare fuses are in a small envelope taped above. Circuit diagrams are etched white on black background on the top face of the main structure. At the base of the back section is a two pronged input terminal. There is a fine black rubber layer (cushioning) for the mian top cover.On the cover fastened with two rivets "FAVAG" underneath in small print "Fabrique d'appareils electriques S.A." underneathe "NEUCHATEL-SUISSE". on one end is a "STATE ELECTRICITY COMMISSION OF VICTORIA" metal label screwed on.The back label has manufacturers' type and model number.sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Instrument - Trumpet, Cavalry, Couesnon Cie, 1901 (exact)
The 2nd Light Horse Regiment was raised at Enoggera in Queensland on 18 August 1914. Its recruits came mainly from Queensland but some hailed from the northern rivers district of New South Wales. The 2nd was one of three regiments of the 1st Light Horse Brigade – the first Australian mounted formation raised by Australia during the First World War. The regiment sailed from Brisbane on 25 September and disembarked in Egypt on 9 December. The 2nd Light Horse Regiment deployed to Gallipoli without its horses and landed there on 12 May 1915, joining the New Zealand and Australian Division. It played a defensive role for most of the campaign but did attack the Turkish trenches opposite Quinn’s Post, one of the most contested positions along the ANZAC Line. The first assault wave was mown down and fortunately the officer commanding the attack had the wisdom and courage to call it off. The 2nd was withdrawn from the front line in September and left the peninsula on 18 December. Back in Egypt, the 2nd Light Horse joined the ANZAC Mounted Division. Between January and May 1916, the regiment was deployed to protect the Nile valley from bands of pro-Turkish Senussi Arabs. On 18 May, as part of its parent brigade, it joined the forces defending the Suez Canal. The 1st Light Horse Brigade played a significant role in turning back the Turkish advance on the canal at the battle of Romani on 4 August. In ensuing days the regiments of the brigade participated in the immediate follow-up of the defeated Turks, but were soon withdrawn to rest. The 2nd Light Horse Regiment rejoined the Allied advance across the Sinai in November and was subsequently involved in the fighting to secure the Turkish outposts on the Palestine frontier – Maghdaba on 23 December 1916 and Rafa on 9 January 1917. A stint of protective duty along the line of communications through the Sinai followed. The 2nd’s next major engagement was the abortive second battle of Gaza on 19 April. Gaza finally fell on 7 November, after a wide outflanking move via Beersheba, in which the 1st Light Horse Brigade played a part. With the capture of Gaza, the Turkish position in southern Palestine collapsed. The 2nd Light Horse Regiment participated in the advance to Jaffa that followed, and was then committed to operations to clear and occupy the west bank of the Jordan River. It was involved in the Amman (24–27 February) and Es Salt (30 April–4 May) raids and the repulse of a major German and Turkish attack on 14 July 1918. The final British offensive of the campaign was launched along the Mediterranean coast on 19 September 1918, with the ANZAC Mounted Division taking part in a subsidiary effort east of the Jordan aimed at Amman. Turkey surrendered on 30 October 1918. The 2nd Light Horse Regiment sailed for Australia on 13 March 1919 without their horses, which were either shot or transferred to Indian cavalry units. Events in the daily routine of the soldier were signalled by bugle and trumpet calls. This trumpet is signicant because historically, it was issued to the 2nd Australian Light Horse Regiment in 1912. This Regiment served with distinction in Gallipoli and Palestine in World War 1. It is probable, but not confirmed, that tthe trumpet was used by the Regiment during these operations. Each light horse regiment was divided into four squadrons. Each squadron had a trumpeter sergeant, equipped with a cavalry trumpet, who was employed at the Squadron Headquarters Technically called a cavalry trumpet, this brass instrument can be described as a "simple trumpet" ie. the direct forerunner of the modern valve trumpet. It is in E flat not B flat as is the bugle. Both were carried slung over the player's body by means of green tasselled cords.Crest with inscription: "Exposition Universelle De Paris" with circular logo with inscribed "1900". "Hors Concours Membre De Jury". Logo formed of initials (not deciphered). "Couesnon Cie 94 Rue Dangouleme Paris". Bomb burst type logo with "01" in centre. "W H Paling & Co Ltd Sydney NSW Brisbane" On bell: "Mounted Rifles (2nd ALH)" trumpet, cavalry, musical instrument, 2nd light horse, mounted rifles -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Colour Patch Display, Frontier Military History Services, Australian Light Horse Colour Patches of the 1st AIF 1915-1920 & AMF/CMF 1921-1940's, 24/07/2010
Display board of replica cloth colour patches, mounted in glass fronted wooden frame. Colour patches displayed are those of : 1st Cavalry Division HQ (CMF) Desert Mounted Corps HQ 2nd Cavalry Division HQ (CMF) HQ 1st Light Horse Brigade (AIF & CMF) HQ 2nd Light Horse Brigade (AIF & CMF) HQ 3rd Light Horse Brigade (AIF & CMF) HQ 4th Light Horse Brigade (AIF) HQ 5th Light Horse Brigade (AIF & CMF) HQ 4th Light Horse Brigade (CMF) HQ 6th Light Horse Brigade (CMF) 1st Light Horse Regiment / 1st Royal NSW Lancers 5th Light Horse Regiment / 5th Wide Bay & Burnett Light Horse 8th Light Horse Regiment / 8th Indi Light Horse Regiment 4th Light Horse Regiment / 4th Corangamite Light Horse Regiment 14th Light Horse Regiment / 14th West Moreton Light Horse Regiment 18th Adelaide Lancers 4th Light Horse Regiment / 1st Aust Div Mounted Regiment / 2nd ANZAC Mounted Regiment / 22nd Corps Mounted Regiment. 2nd Light Horse Regiment / 2nd Moreton Light Horse Regiment 6th Light Horse Regiment / 6th NSW Mounted Rifles 9th Light Horse Regiment / 9th Flinders Light Horse Regiment 11th Light Horse Regiment / 11th Darling Downs Light Horse Regiment 15th Light Horse Regiment / 15th Northern River Lancers 21st Riverina Light Horse 13th Light Horse Regiment / 2nd Aust Div Mounted Regiment / 1st ANZAC Mounted Regiment / Aust Corps Mounted Regiment / 13th Gippsland Light Horse Regiment 3rd Light Horse Regiment / 3rd South Australian Mounted Rifles 7th Light Horse Regiment / 7th Australian Horse 10th Light Horse Regiment / 10th Western Australian Mounted Infantry 12th Light Horse Regiment / 12th New England Light Horse Regiment 17th Prince of Wales Light Horse Regiment 22nd Tasmanian Mounted Infantry 11th Light Horse Regiment / 4th Aust Div Mounted Regiment / 24th Gwydir Light Horse Regiment 1st Machine Gun Squadron / 25th Light Horse (MG) 2nd Machine Gun Squadron / 16th Hunter River Lancers 3rd Machine Gun Squadron / 20th Victorian Mounted Rifles 4th Machine Gun Squadron / 26th Light Horse (MG) 5th Machine Gun Squadron / 19th Yarrowee Light Horse 23rd Barossa Light Horse Regiment 12th Light Horse Regiment / 5th Aust Div Mounted Regiment 1st Light Horse Field Ambulance 2nd Light Horse Field Ambulance 3rd Light Horse Field Ambulance 4th Light Horse Field Ambulance 5th Light Horse Field Ambulance 4th Signal Troop / 4th Light Horse brigade 6th Mobile Veterinary Section /1st Light Horse Brigade 7th Mobile Veterinary Section / 2nd Light Horse Brigade 8th Mobile Veterinary Section / 3rd Light Horse Brigade 9th Mobile Veterinary Section / 4th Light Horse brigade 10th Mobile Veterinary Section / 5th Light Horse Brigade 5th Signal Troop / 5th Light Horse Brigade 1st Signal Squadron / NZ & Aust Mounted Div Signal SquadronColour Patch Display No 39. Includes detailed notes about history, usage and design of colour patchesworld war one, ww1, army, aif, insignia, heraldry, light horse, militia, badges, colour patches, cmf -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Colonel E G Keogh M.B.E., E.D, The South West Pacific 1941-45, 1965
A book on war in New Guinea and Islands providing a detailed overview of Australian forces participation in the Battle for Australia. Concise for Kokoda and Milne Bay including copy of battle maps, but also covers Singapore, Borneo, Philippines, Wewak and Bougainville, and more.Hard covered book, 479 pages, WW11 Australian soldier on front cover bearing sub-machine gun and pistolnon-fictionA book on war in New Guinea and Islands providing a detailed overview of Australian forces participation in the Battle for Australia. Concise for Kokoda and Milne Bay including copy of battle maps, but also covers Singapore, Borneo, Philippines, Wewak and Bougainville, and more.history, world war 2, south west pacific, keogh -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medals, Africa Star, abt 1945
The Africa Star was granted for operational service in North Africa from the date of the entry of Italy into the war on 10 June 1940, up to the date of the cessation of operations against the enemy in North Africa on 12 May 1943. The Africa Star may also be awarded for operational service as a member of the Australian Defence Force during the Syrian Campaign in the period from 8 June 1941 to 11 July 1941. Eligibility This medal is awarded for a minimum of one days operational service in North Africa, west of the Suez Canal between 10 June 1940 and 12 May 1943 and in Syria between 8 June 1941 and 11 July 1941. The Medal The Africa Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Africa Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Africa Star ribbon colours represent the desert and the service of the Armies, Naval Forces, Merchant Navy and the Air Forces. Clasps Three clasps were issued for the Africa Star: 8 th Army 1 st Army North Africa 1942-43 Only one clasp is worn and when the ribbon is worn alone a ribbon emblem, ‘8', ‘1' or silver rosette as appropriate is worn to denote the award of a clasp.Full size and miniature Africa Star medals. Miniature has clasps: North Africa 1942-43 8th Army 1st ArmyNo recipient engraved -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Africa Star, abt 1945
The Africa Star was granted for operational service in North Africa from the date of the entry of Italy into the war on 10 June 1940, up to the date of the cessation of operations against the enemy in North Africa on 12 May 1943. The Africa Star may also be awarded for operational service as a member of the Australian Defence Force during the Syrian Campaign in the period from 8 June 1941 to 11 July 1941. This medal is awarded for a minimum of one days operational service in North Africa, west of the Suez Canal between 10 June 1940 and 12 May 1943 and in Syria between 8 June 1941 and 11 July 1941. Clasps Three clasps were issued for the Africa Star: 8 th Army 1 st Army North Africa 1942-43 Only one clasp is worn and when the ribbon is worn alone a ribbon emblem, ‘8', ‘1' or silver rosette as appropriate is worn to denote the award of a clasp. The Medal The Africa Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Africa Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Africa Star ribbon colours represent the desert and the service of the Armies, Naval Forces, Merchant Navy and the Air Forces. Recipient is not engraved on reverse, so, either a replica or not issued to Australianmedal africa star -
Kiewa Valley Historical Society
Photograph Clover Dam, Clover Dam Circa 1940, circa 1940s to 1950s
As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) implemented the conversion strategy from mainly brown coal supply to hydro - electricity. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. This dam was constructed to supply water to feed four turbines (62 mega watts) at the West Kiewa Power Station. This was at the forefront of sustainable "Green" energy. Costs associated with power supplies is still a major incentive of governments, however environmentally friendly alternatives such as wind and nuclear have also made inroads. The Kiewa valley and its surrounding alpine catchment were looked at(Victorian State Government), from the beginning of the twentieth century as a source of alternate power for an every increasing demand for electricity by growing population and heavy industrial ares within Melbourne City and State regions. Construction of dams, such as Clover Dam provided the large quantity holding areas of water required to turn the turbines at the various power stations to provide the electricity needed. The impact of these controls by moderating water run off from the alpine regions is beneficial in reducing flooding from thawing of snow on the alps. This by-product allows agriculture and grazing to be less vulnerable to seasonal flooding thereby resulting in a more stable annual production level.Reproduction (scanned) of a black and white photo of Clover Dam circa 1940. The paper used is KodakXtraLife II paperThe reverse side of photo " KodakXtraLife II paperdams, pondage, hydro electricity, power stations, clover dam, secv -
Eltham District Historical Society Inc
Book, Black Saturday : Stories of love, loss and courage from the Victorian bushfires edited by John McGourty, 2009
The Black Saturday bushfires were a series of bushfires that ignited or were burning across the Australian state of Victoria on and around Saturday, 7 February 2009 and were Australia's all-time worst bushfire disasters. Contributions from reporters and photographers from News Limited. The book is a collection of individual stories, featuring deeply personal contributions from: people directly affected by the bushfires, their friends and relatives; the people who came to their aid - fire fighters, doctors, nurses and wildlife rescuers; accounts from journalists on the scene; and those involved in coordinating the response. Arranged town-by-town, with introductions detailing the scope and impact of the fires on each community. Contents: Kilmore East & Wandong - Strathewen & Kinglake West - St Andrews & Steels Creek - Kinglake - Flowerdale - Marysville--Gippsland -Beechworth & Mudgegonga - the lost ( listing those who perished ) - map of tragedy. Proceeds from the sale of each book was given to the Salvation Army Victorian Bushfire Appeal.SoftcoverYarra Plenty Regional Library identification sticker with name, number and bar code ISBN 9780732290108strathewen, st andrews, black saturday, fires -
Eltham District Historical Society Inc
Book, Dirt Poor - Spirit Rich: A History of the Carrucan Family, 2011
Edited by Jim Martin, Tim Erickson and Frank Carrucan. The Carrucans came from Ireland to Australia in the 1850s, settling in Eltham and living there for many generations. Much of this family history book is set in Eltham and surrounding districts. Contents: Themes - The Wurundjeri in Eltham - The Carrucan Story - The Michael Line - The Emigrants - The Bridget Line - The Patrick Line - The Peter Line - The Denis Line - They serve the Lord - They served their country - Final thoughts. SoftcoverCover: Commemorating the dispersion of members of the Carracan Family from West Clare, Ireland ISBN 9780646552286 [includes a dedication letter from Tim Erickson (for the Carrucan Book Committee) to the Eltham District Historical Society, presenting a complimentary copy of the book, 13 October 2011; there is also a handwritten summary of Eltham references inside the back cover]carracun family, pioneers -
Eltham District Historical Society Inc
Postcard - Photograph, The Rose Stereograph Company, The Bridge, Eltham, c.1939
Looking west across the Main Road Bridge over the Diamond Creek at Eltham, c.1939. The car in the foreground, possibly the photographer's, is a Ford Model C Ten built by Ford UK between 1934 and 1937. The Model C was released in Australia in 1935. The Ford Model C Ten is a car that was built by Ford UK between 1934 and 1937. The Model C was released in Australia in 1935 https://en.wikipedia.org/wiki/Ford_Model_C_TenPostcardValentine Series No.3196diamond creek (creek), ford model c ten, main road bridge, postcard, valentine series postcard, bridge, cars, eltham, eltham south, main road, motor vehicles, rose stereograph, rose stereograph company -
Victoria Police Museum
Police Stations (Amherst)
Amherst, a former gold rush town, is located 13 kilometres south-west of Avoca on the Pyrenees Highway in the Pyrenees Shire in Victoria, Australia. It is 183 kilometres north west of Melbourne. The police station, in Camp Street, opened in 1853 and was originally in the District of Castlemaine. In 1857 it came under the District of Avoca, in 1858 the District of Carisbrook, in 1859 the District of Avoca, in 1866 the District of Maryborough, in 1879 the South Western District, and Central District in 1883. The station closed on 8 August 1892. In 1861 the station was staffed by 1 Mounted Constable, 1 Foot Senior Constable and 2 Foot Constables. Amherst "Outstation" opened in 1854 and was part of the Avoca District until it closed in 1856 An outstation was opened in 1854 and closed in 18561 photopolice stations; amherst police station -
Victoria Police Museum
Police Stations (Altona North)
... Altona North is a suburb of Melbourne, Victoria, Australia... melbourne Altona North is a suburb of Melbourne, Victoria, Australia ...Altona North is a suburb of Melbourne, Victoria, Australia, 10 km south-west of Melbourne's Central Business District, located within the City of Hobsons Bay local government area. Altona North Police Station opened on 7 October 1979 as a new twenty-four police station and was the District Headquarters of Altona District. It comprised a C.I.B. and a Community Policing Squad. It is located at 72 Cooper Avenue, on the corner of McArthurs Road. A new police station is being planned for Galvin Street, opening in 2020.2 colour photospolice stations; altona north police station -
Victoria Police Museum
Police Stations (Apsley)
Apsley is a small town in Victoria, Australia. It is on the Wimmera Highway, in the Shire of West Wimmera, 420 kilometres north-west of Melbourne, and 7 kilometres east of the South Australian border. Apsley Police Station opened on 29th November 1884 and was originally located in Wallace Street. It was staffed by one Foot Constable (motor cycle). The building was described, in 1930, as a four-roomed dwelling with an iron roof, set on a quarter of an acre of land. There was a bathroom, a WC, wash-house and a garage. An office adjoined the house and there was also a lockup. The station moved several times until the mid 1960s when a timber residence was moved onto land adjacent to the Post Office. The building is believed to have been transported from the Stawell area. Apsley is one of a handful of one-man police stations in Victoria and its current location, including residence, is at 19 Splatt Street. Apsley was in the Western District when it opened, then in "L" (Wimmera) District from January 1948 and "M" (Highlands/Wimmera) District from March 1990. 4 black & white photos, 1965 3 colour photos, 1987police stations; apsley police station -
Victoria Police Museum
Police Stations (Armadale)
Armadale is an inner suburb of Melbourne, Victoria, Australia, 7 km south-east of Melbourne's Central Business District, located within the City of Stonnington local government area. Armadale Police Station opened, in Melbourne Police District, on 11 May 1885. Its original location is unknown, but in 1890 it is listed in the Sands & McDougall directory as at 295 Hight Street. From 1985-1920 it was located at 20/22 Auburn Grove, 1925-1930 at 769 High Street and 1935-1946 at 3 Cheel Street. The station closed on 28 January 1946. The sub-division east of Orrong Rd was incorporated into Malvern Sub-district and west of Orrong Road into Prahran Sub-district. In a special 1930 issue of the Victoria Police Gazette the Armadale Police Station was described as a seven-roomed brick dwelling with a tiled roof on land measuring 127' x 104' x 98'. There was also a bathroom and W.C., a wash-house, office, and a lock-up (one cell). This is probably a description of the Cheel Street police station. It was staffed by one senior constable and three foot constables.12 photographs comprising 8 coloured images and 4 black and white images 1 sketch plan of Old Armadale Police Stationpolice stations; armadale police station -
Australian Queer Archives
Uniform - Textiles, Owen Huckel's Roo BC overlay, c.1970s-1980s, c1975
This motorcycle club overlay belonged to former Roo BC [Roo Bike Club] President Owen Huckel, and dates from the mid 1970s. Prior to joining Roo BC, Huckel was a member and President of Australia's first gay motorcycle club, South Pacific Motor Club or SPMC, established in 1970. Among the Papers of Noel Lewington held by the Australian Queer Archives are two large photograph albums compiled by Huckel documenting his involvement in SPMC and Roo BC, including one which documents a trip to the USA in 1972-1973, comprising 366 photographs, maps, and ephemera documenting club runs with many west coast clubs. Sleeveless denim jacket, with yellow ribbon trim around the sleeve holes, with small patches and a metal badge on the chest, and a large back patch on the back.gay, motorcycle club -
Warrnambool and District Historical Society Inc.
Document - Postcard, Wading Birds of Warrnambool, Tapestry commenced February 2012. Postcard printed on its completion
This postcard is a photograph of a section of a large tapestry , 1.8m x 1.9m, which hangs in the foyer of the South West Health Care. This tapestry was funded by the Geoff and Helen Handbury Foundation. It was woven at the Australian Tapestry Workshop, South Melbourne. The postcard “Concerning the Wading Birds of Warrnambool Wetlands” brings to a wider audience, the work of John Wolesley as well as the craftsmanship of the weavers in presenting his original watercolor in a different medium. The tapestry itself was commissioned by Warrnambool Base Hospital.Background is in muted shades of blue and browns with larger birds in foreground and smaller ones in the background. The texture of the tapestry is clearly visible. The back of the postcard has South West Healthcare logo in top left corner and credits in bottom section.South West Healthcare logo, Artist John Wolseley, Weavers, Chris Cochius, Pamela Joyce, Milena Paplinka, Photo credit, Jeremy Weihrauch. warrnambool, warrnambool base hospital, tapestry, john wolesley, south west health care, geoff and helen handbury foundation, australian tapestry workshop, weavers.