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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, Musorian Tank Company Tactics, 1984
For training purposes "The Enemy" was a notional country called Musoria Yellow soft covered booklet of training notes on Musorian Tank Compay Tactics for use within Armoured Centre. Designed as a guide and basis for discussion for studentsBadge of the Royal Australian Armoured Corpsthe enemy -
Bairnsdale RSL Sub-Branch Inc.
Rising Sun hat badge, Australia, late 19th century
The first Rising Sun badge design is by no means a mirror image of the Trophy of Arms on which it is thought to be designed. But it comes close to being a mirror image of part of the badge worn by the Victorian Cadet Forces circa1890. (WWW.diggerhistory)SignificantRising Sun Badge Seven star with crown surmounted by the word "Australia". First Pattern Hat BadgeSeven Sun Star raidiating lines Australia inscribed over crownaustralia -
Eltham District Historical Society Inc
Negative - Photograph, Smart family home in Bridge Street, Eltham, c.1903
Believed to be Mrs Jane Bailey (nee Matthews) (d. 1904) and her grand-daughter Ruby Jane Bertha Smart (1890-1903) in front of the Smart family cottage in Bridge Street, Eltham, c.1903 Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Ruby Jane Bertha Smart born abt 1890 died in 1903 in Eltham. Her brother Alfred Francis Smart was born abt 1887 and died 1966 in Mont Albert, Vic. (Accessed via Ancestry.com) Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Original print 10.5 x 16.5 cmFor postcard print: Inscribed on envelope: "Return to Mrs H. Butherway, 22 Bridge St, Eltham." Also "Photo Mrs Clark Hampton (nee Smart), original Smart's house - Bridge Street, 95 years ago." Also "Right - Mrs Clark's grandmother Mrs J Smart Left - Her daughter Ruby dies soon after photo taken. Brother Alf Smart died about 6 years ago." Inscribed on back of photo "247 Vincent St, Leederville" It is believed that this inscription may be somewhat mixed up.sepp, shire of eltham pioneers photograph collection, eltham, bridge street, alexander wilson smart, bigamy, bush cottage, early settlers, houses, jane bailey (nee matthews), mary jane smart (nee bailey), murder, ruby jane bertha smart, smart family home, smart home -
Kiewa Valley Historical Society
Hook Button, late 1800's to mid 1900's
This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume -
Kiewa Valley Historical Society
Decanter Glass, circa mid to late 1900's
This "art deco" style of containers were very popular by the "art and trendy" socialites, be they in the city or in rural towns and properties. This style was very popular in the 1940's to 1950's. The octagonal shape provided the stability of the decanter with its "expensive" contents. Because of its style it blended in well with any lavish meal and socio economic "upper" class environment. It was a part of social atmosphere of elegance and wealth be it in the city or on a rural property. This is very significant to the Kiewa Valley rural "society" environment. At the time of its use the wealth of Australia was "riding on the sheep's back", that is rural income(primary producers), on the whole, was well above that in the cities (industrial). It was in a period where large wealthy property owners could spend lavishly on trendy domestic items.This octagonal glass decanter with its egg shaped stopper is made in an "art deco" style and reflects the 1950's style of bold design. The decanter "stopper" has been cut in a "diamond" cut to reflect the sunlight as does a diamond ring. The stopper is tapered down to permit easy placement and removal. The Stability of the decanter is increased by the broad base and octagonal (8) sides tapering going up the sides.decanter, glass, art deco glass ware, spirits container -
Eltham District Historical Society Inc
Photograph, Information Panel: Will Longstaff's "Menin Gate at Midnight"
Installed as part of a stage of renovations to the War Memorial Park in eary 2002. This sign establishes a connection with the First World War by way of the painting "Menin Gate at Midnight". (NL 144) Since this photograph was taken (date unknown) the information panel has been restored and re-erected by staff of the Shire of Nillumbik who replicated the wooden side frame pieces with the same wood-turn design as seen here in the original. Colour photographMENIN GATE AT MIDNIGHT Will Longstaff, 1927 Oil on canvas, Size 135cm high x 254cm wide Collection: Australian War Memorial The artist Will Longstaff was born in in Ballarat in 1879 and died at Littlehampton, Sussex, UK, 1953. Will Longstaff for many years lived in Eltham, his son Tommy, attending school at Kangaroo Ground. As an Official War Artist, will Longstaff depicted in his alegorical painting the Menin Gate Memorial, Ypres, Belgium. The Memorial unveiled on 24th July 1927 honours by name over 50, 000 allied soldiers who fell in the Great War and have no known graves. The names of 6,208 men of the first Australian Imperial Force (A.I.F.) are listed within the Memorial on stone tablets. The painting held huge emotional appeal to Australians when it arrived from England in 1928, attracting an estimated one million viewers, many of whom interpreted the field of red poppies in the foreground as the spirits of the dead rising from their unknown graves. The painting is to be found in the Australian War Memorial, Canberra.menin gate at midnight, william longstaff, kangaroo ground memorial, information panel, shire of eltham war memorial -
Eltham District Historical Society Inc
Book, Eltham Cemetery Trust, Our Eltham: Artistic Recollections, Eltham Cemetery Trust 2017, Eltham, Sep 2017
Pictorial guide to the artwork Our Eltham, a collection of 31 panels celebrating life in the Shire that were collaboratively created by artist Nerina Lascelles and ceramicist, Linda Detoma and commissioned by the Eltham Cemetery Trust. Our Eltham Artistic Recollections is a collection of panels that was commissioned by the Eltham Cemetery Trust as part of its vision to offer the community a fresh and unique relationship to the Cemetery. 31 panels were produced depicting historical images of Eltham and the nearby area with images of indigenous flowers and plants. A majority of the images were provided to the collaborating artists in digital form by Yarra Plenty Regional Library in partnership with Eltham District Historical Society who holds the significant Shire of Eltham Pioneers Photograph collection in partnership. EDHS and YPRL staff (Local and Family History Librarian) provided advice on which images to use and also provided assistance with the provision of information and editing services for this booklet, which is also available electronically. The collection of panels was collaboratively created by artist Nerica Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes with Australian stone and Ironwork by Neil Carter. The panels were unveiled on September 21, 2017Artworks were based on images supplied by Eltham District Historical Society in partnership with Yarra Plenty RegionalLibrarySoftcover booklet; approx 66 pages, 20 x 15 cmnerina lascelles, linda detoma, eltham cemetery, artists, art works -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Eltham Cemetery, 5 Mar 2016
Heritage Excursion - finding out about the proposed art installation "Our Eltham: Artistic Recollections"; 31 panels to be created by artist Nerina Lascelles and ceramicist Linda Detoma featuring historical images and flora in a celebration of life in the Shire for over 150 years; a project designed and constructed by Leigh Wykes with Australian stone and ironwork by Neil Carter.Born Digitalactivities, art in public places, artists, eltham cemetery, eltham district historical society, geoff watt, heritage excursion, linda detoma, nerina lascelles, eltham cemetery trust -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Alan Marshall by Marcus Skipper (1995) outside Eltham Library, Panther Place, 21 May 2014
A sculpture of local author Alan Marshall welcomes visitors in the grounds of Eltham library. Alan loved telling stories and talking to children and his own story overcoming the legacy of polio has been an inspiration to generations of Australians. Marcus Skipper, the sculptor, knew Alan well and the sculpture is said to capture his spirit and appearance perfectly; the jumper was even cast from one of Alan’s own. A realistic depiction (almost life size) of Alan Marshall (1902-1984) cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. It was scupluted by local artist Marcus Skipper (b.1950 Melb. died 2011). HISTORICAL INFORMATION Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians . He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. - Highlights from the Nillumbik Public Art Collection. "The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. .. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". -EDHS Newsletter No. 104, September 1995This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat . The sculpture 'Alan Marshall' has been classified as of regional significance by the National Trust of Australia. - Highlights from the Nillumbik Public Art Collection.Born Digitalart in public places, alan marshall, marcus skipper, sculptures, eltham library -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Regimental Colour, Kyneton District Mounted Rifles, 1861 (exact)
Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton Distric Mounted Rifles. A double sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back to back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Red Ensign, Surgeons' Banner, 1850 (estimated)
Red Ensign 1801 design. - The British red ensign was altered in 1801 to include the change to the design of the Union Jack. British legislation required, with a few exceptions, that all merchant shipping throughout the British Empire fly the British Red Ensign, without any defacement or modification. The ensign is sometimes referred to as the red duster. The Royal Navy stopped using the Red Ensign in 1864. This red ensign was used by the Surgeons of the Kyneton District Mounted Rifles to indicate their location. The Banner is a large red ensign mounted on a 10 foot long polished wooden pike. The Banner was used by the Kyneton District Mounted Rifles, later The Royal Volunteer Cavalry Regiment (Prince of Wales Hussars), then Prince of Wales Victorian Light Horse, ancestor units of the modern day 4th /19th Prince of Wales’s Light Horse Regiment. In the binding is the inscription ‘Kyneton Prince of Wales Light Horse’ and three names: Surg-Major S Smith MRSLE, Dr McMillan, and Maj Thirkettle. These surgeons played a significant role in the military and civil affairs of Kyneton. Dr McMillan Dr McMillan was the first surgeon but left KPWLH 2-3 months after its formation and little else is known of him. Surgeon-Major Samuel Smith 1836 Born, Scotland 1857 Surgeon to the Hon. Hudson Bay Company. Ship “Prince Arthur” from London to Moose Fort, Hudson Bay. June 13 – Aug. 24 1857. 1858 Appointed Medical Officer of large immigrant ship to Port Phillip 1859 Appointed Assistant District Coroner, Castlemaine 1859 Appointed to Castlemaine Hospital 1862 Appointed first resident surgeon and manager of Kyneton Hospital Foundation member of Kyneton District Mounted Rifles 1874 Appointed Surgeon-Major Kyneton Volunteer Prince of Wales Light Horse Conducted a private practice in Kyneton. 1909 Died 8 November 1909, aged 73 years Samuel Smith was a Life Governor of Castlemaine Benevolent Asylum, a member of St Andrews Presbyterian Church, a Mark Master Mason of the Edward Coulson Lodge No 17, Kyneton. He also had a notable collection of stuffed native birds and animals of which he had great knowledge. Major Thirkettle 1855 Major Thirkettle arrived in Kyneton Established a timber merchant and ironmongery business in Kyneton with Robert Burton. 1857 By 1857 he was practising as an architect. His house is still standing in Yaldwin St, West Kyneton. 1860 Joined the Prince of Wales Light Horse 1863 Joined Rifle Volunteers and appointed Captain. On their disbandment he was made Honorary Major. 1864 Won Queen’s prize for rifle shooting. Major Thirkettle was noted for his skill with woodwork. He won many prizes and orders of merit for his models of yachts It is believed likely that he made the wooden pike with its metal head (now missing). He was Tyler of the Zetland Lodge, also Secretary of the MUIOOF and Bowling Club. 1904 Died in Kyneton, aged 75 years Protection for medical services The Surgeons’ Banner indicated the location of the Regimental Aid Post. The use of this device in the 1860’s overlapped the adoption of the Red Cross which became the symbol for the protection of sick and wounded soldiers. In 1864 twelve European nations signed a treaty stating that in future wars they would care for all sick and wounded military personnel, regardless of nationality. They would also recognise the neutrality of medical personnel, hospitals and ambulances identified by the emblem of a red cross on a white background. The treaty was called the Geneva Convention. This Convention was concerned only with soldiers wounded on the battlefield. Over the years, however, it has been expanded to cover everyone caught up in conflicts but not actually taking an active part in the fighting. The Surgeons’ Banner complements the Colours of the Kyneton District Mounted Rifles, also held by the Unit History Room, in presenting the colonial period of the Regiment’s history. Provenance It is believed that the Banner was manufactured in Britain and brought to Australia by Samuel Smith. After the disbanding of Colonial units, the Banner was in the care of the Shire of Kyneton until presented to the 4/19 Prince of Wales’s Light Horse Regiment on 14 September 1986 on the occasion of the Regiment exercising its right of freedom of entry to the city. There are many examples of Regimental and King’s/Queen’s Colours held by various organisations. However A Surgeons’ Banner such as this is rare, if not unique, in Australia. A large red ensign, post 1801 design. - The British red ensign was altered in 1801 to include the change to the design of the Union Jack. British legislation required, with a few exceptions, that all merchant shipping throughout the British Empire fly the British Red Ensign, without any defacement or modification. The ensign is sometimes referred to as the red duster. The Royal Navy stopped using the Red Ensign in 1864. On the binding is the inscription: "Kyneton Prince of Wales Light Horse", and three names - Surgeon Major S Smith MRSLE Dr McMillan Major Thirkettlekyneton district mounted rifles, heraldry, red ensign, surgeons banner -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Specifications, Specifications Army (Aust) 5368 and 368, (estimated); abt 1969-1980
Manufacturing drawings. Specifications for Australian Army metal badges and insignia in two lever arch foolscap files. The drawings are appendices to Specifications 5368 and 368 insignia, badges, specification 5368, manufacturing drawings, defence contracts -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Transmission Assembly, Ferret Scout Car, Daimler, c 1950
The Ferret Scout Car , was developed by the British Army in the late 1940s and came into production in the 1950s. The Ferret first saw service in the British Army in 1952, and a little later in Australia. There were many series and Marks of the Ferret. In Australia two were primarily used. The Mark1, which had no turret and a crew of three, and the Mark2, with a turret and a crew of two. The Australian Army used the Ferrets as scout cars until the 1960s, they were disposed of by public auction in the early 1970s. The Ferret is a light armoured car, intended for light reconnaissance work, they are very mobile and were well suited to their role. The vehicle was designed by Daimler, as a further development on the successful Daimler Dingo of WW2. The Ferret is fully armoured and the standard model of the Ferret Mk2 was further strengthened shortly after its design and became the Mk2/3 (this is the usual model referred as the Mk2). The motor was Roll Royce B60 motor, giving the vehicle a power to weight ratio of 29.35 break horse power per tonne, the vehicle weighs 3.6 tonnes, although a combat weight would be 4.3 tonnes. It is four wheel drive, constant, and has a top speed of 93 k.p.h. (approx 50 m.p.h.). Fuel consumption is only about 34 litres per kilometer. The Ferret is 3.8 metres long by 1.9 metres wide and is 1.9 metres high, not including radio aerials. The ground clearance is .33 of a metre and the track width is 1.5 metres.Ferret Scout Car - B60 No 1 Mk 6A transmission assembly incorporating engine, fluid coupling, gear box and transfer box.Engine Number 12993 List Number 35418 Modification plate marked to Mod 3. ferret scout car, transmission -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Transmission Assembly, Ferret Scout Car
The Ferret Scout Car Mark 2, was developed by the British Army in the late 1940s and came into production in the 1950s. The Ferret first saw service in the British Army in 1952, and a little later in Australia. There were many series and Marks of the Ferret. In Australia two were primarily used. The Mark1, which had no turret and a crew of three, and the Mark2, with a turret and a crew of two. The Australian Army used the Ferrets as scout cars until the 1960s, they were disposed of by public auction in the early 1970s. The Ferret is a light armoured car, intended for light reconnaissance work, they are very mobile and were well suited to their role. The vehicle was designed by Daimler, as a further development on the successful Daimler Dingo of WW2. The Ferret is fully armoured and the standard model of the Ferret Mk2 was further strengthened shortly after its design and became the Mk2/3 (this is the usual model referred as the Mk2). The motor was Roll Royce B60 motor, giving the vehicle a power to weight ratio of 29.35 break horse power per tonne, the vehicle weighs 3.6 tonnes, although a combat weight would be 4.3 tonnes. It is four wheel drive, constant, and has a top speed of 93 k.p.h. (approx 50 m.p.h.).Fuel consumption is only about 34 litres per kilometer. The Ferret is 3.8 metres long by 1.9 metres wide and is 1.9 metres high, not including radio aerials. The ground clearance is .33 of a metre and the track width is 1.5 metres.ferret scout car, transmission -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
bandolier
Designed from the experience of the British Army in the Anglo Boer War 1899-1902 for infantry and mounted troops. Bandolier included as part of the 1903 Pattern Bandolier Equipment ensemble. Dismounted troops very quickly rejected the Bandolier Equipment and it was replaced by the 1908 pattern Infantry web equipment. Australian horse mounted troops continued using the 1903 Bandolier equipment til they exchanged their horses for motorised vehicles in the early 1940's These bandoliers were worn by soldiers of the 4th, 17th, and 19th Light Horse Regiments and their precedent untis from c. 1905 to c.1942. Current 4/19th soldiers wear a bandolier styled on this bandolier when carrying a lance in Parades.Bandolier, 1903 pattern, 90 rounds mk. 2. Leather, Veg. tan, colour brown, brass buckles studs and triangle.M. A. RISK 1915 (Manufacturers mark and date of manuf.)leather, bandolier, 1903, accoutrements, equipment, 9 pockets -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Badge, cloth, 2 BRAAC
Worn on battle dress uniform. Design also displayed on army vehicles as formation sign. 2nd Armoured Brigade no longer exists. The Australian Army no longer has any armoured brigadesCloth badge of 2nd Armoured Brigade, Royal Australian Armoured Corps. Featuring, in black, an armoured right arm holding a battle axe on yellow background. For right sleeveheraldry, army, badges, armour -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Brooch
From effects of Tpr Archibald Smith, 3 Australian Light Horse Regiment. Believed acquired as a souvenir when serving on Western Front in WW1.Souvenir brooch. Possibly brass. Floral scrolls design with "Poperinghe" name strip affixed to front.ww1, souvenirs, poperingh, brooch -
Kiewa Valley Historical Society
Rabbit Traps x3
Rabbits are recognised as a pest in Australia. They were often trapped and eaten especially during the depression years of the 1890s and 1930s but also the 1950s and 1960s. Steel-jaw traps work by snapping shut on the leg of an animal, holding it until a trapper arrives, or until the animal dies or wrings its paw off. They became illegal in Australia during the 1980s on animal cruelty grounds. Some old rabbit traps are valuable.Used by residents in the Kiewa ValleyA steel jaw trap has jaws that are designed to spring together. It is illegal to use them in Australia. 2 of the rabbit traps are 'S. Griffiths 3 stars IXL Ref. "one of the pioneers, well known among long-experienced trappers' Page 21 Farmyard Relics by Ken Arnold. The other trap ha a picture of a bird engrave on it.rabbit traps, steel-jaw traps -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Australian Peace Medal 1919
Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.White metal, circular. Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse)peace medal, world war 1 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, British Korean Medal, abt 1953
The Korea Medal (French: Médaille de Corée), sometimes referred to as the Queen's Korea Medal to distinguish it from the United Nations Service Medal, was a campaign medal created in 1951 to recognize troops from Australia, Canada, New Zealand, and the United Kingdom who had given either one day's service (one sortie) in Korea or 28 days offshore during the Korean War. The medal was physically identical in all countries where it was awarded, save for Canada, where it contained unique elements. As an internationally distributed award, the Korea Medal holds a different place in each country's order of precedence for honours.Designed by Edward Carter Preston, the Korea Medal is in the form of a 38 millimetres (1.5 in) diameter cupro-nickel disc with, on the obverse, the words ELIZABETH II DEI GRA. BRITT. OMN. REGINA F.D. (Latin abbreviation for: Elizabeth II, by the Grace of God Queen of All the Britons, Defender of the Faith) surrounding an effigy of Queen Elizabeth II, symbolizing her roles as both fount of honour and Commander-in-Chief of her various forces. At the time of the medal's creation, King George VI was monarch and his effigy was to have appeared on the Korea Medal. However, he died on 6 February 1952 and so the image of his daughter was placed on the obverse of the medal, uncrowned, as per custom for sovereigns prior to their coronation. On the reverse is a depiction of Hercules wrestling the Hydra—a symbolic representation of communism—with the word KOREA below. The Canadian version was identical, except it was made of .800 fine silver and bore on the obverse the words ELIZABETH II DEI GRATIA REGINA CANADA (Elizabeth II, by the Grace of God Queen of Canada). The recipient's name and regimental number was engraved on the medal's rim.On rim: 3858806 GNR S G OMEROO RAmedal korea -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medals, Africa Star, abt 1945
The Africa Star was granted for operational service in North Africa from the date of the entry of Italy into the war on 10 June 1940, up to the date of the cessation of operations against the enemy in North Africa on 12 May 1943. The Africa Star may also be awarded for operational service as a member of the Australian Defence Force during the Syrian Campaign in the period from 8 June 1941 to 11 July 1941. Eligibility This medal is awarded for a minimum of one days operational service in North Africa, west of the Suez Canal between 10 June 1940 and 12 May 1943 and in Syria between 8 June 1941 and 11 July 1941. The Medal The Africa Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Africa Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Africa Star ribbon colours represent the desert and the service of the Armies, Naval Forces, Merchant Navy and the Air Forces. Clasps Three clasps were issued for the Africa Star: 8 th Army 1 st Army North Africa 1942-43 Only one clasp is worn and when the ribbon is worn alone a ribbon emblem, ‘8', ‘1' or silver rosette as appropriate is worn to denote the award of a clasp.Full size and miniature Africa Star medals. Miniature has clasps: North Africa 1942-43 8th Army 1st ArmyNo recipient engraved -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, France and Germany Star, abt 1945
The France and Germany Star was granted for operational service on land in France, Belgium, Holland or Germany after the D-Day landings on 6 June 1944 until 8 May 1945, the date of the end of active hostilities in Europe. Eligibility This medal is awarded for operational service on land in France , Belgium , Holland or Germany between 6 June 1944 and 8 May 1945. The Medal The France and Germany Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The France and Germany Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The France and Germany Star ribbon has stripes of red, white and blue that represent the colours of the Union Flag, France and the Netherlands. Clasps One clasp was issued for the France and Germany Star: Atlantic Regulations only allow one clasp to be worn with the Star. When the ribbon is worn alone a silver rosette ribbon emblem is worn to denote the award of a clasp to the medal.Full size medal. Ribbon not attachedNo recipient engraved -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Italy Star, abt 1945
The Italy Star was granted for operational service on land in Sicily or Italy at any time during the campaign from the capture of Pantellaria on 11 June 1943 until 8 May 1945, the date of the end of active hostilities in Europe. Eligibility The Italy Star is awarded for operational service in the Italy Campaign from 11 June 1943 to 8 May 1945. Operational service in the Aegean, Dodecanese, Greece and Yugoslavia after 11 June 1943, in Sicily up to 17 August 1943, in Sardinia up to 19 September 1943 and in Corsica up to 4 October 1943. The Medal The Italy Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Italy Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Italy Star ribbon has stripes of green, white stripes and red, these being the national colours of Italy.Full size & miniature Italy StarRecipient not engravedmedal, italy star -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Atlantic Star, abt 1945
The Atlantic Star was awarded to commemorate the Battle of the Atlantic between 3 September 1939 and 8 May 1945. It was designed primarily for convoys and their escorts and anti-submarine forces, as well as for crews of fast merchant ships that sailed alone. Eligibility Awarded for six months service afloat, in the Navy, the Merchant Navy and by Army and Air Force personnel serving on HM Ships, in the Atlantic and Home Waters. Awarded to aircrew who have taken part in operations against the enemy at sea within the qualifying areas for Naval personnel, subject to two months service in an operational unit after earning the 1939-1945 Star. Qualifying dates are 3 September 1939 to 8 May 1945. The Medal The Atlantic Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Atlantic Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Atlantic Star ribbon has three vertical stripes of blue, white and sea green, shaded and watered. The colours represent the colours of the Atlantic Ocean. Clasps Two clasps were issued for the Atlantic Star: Air Crew Europe France and Germany Regulations only allow one clasp to be worn with the Star. When the ribbon is worn alone a silver rosette ribbon emblem is worn to denote the award of a clasp.Medal, Atlantic Star, miniature, with clasps- Air Crew Europe & France and Germanymedal, atlantic star -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Air Crew Europe Star, abt 1945
The Air Crew Europe Star was awarded for operational flying from United Kingdom bases over Europe between 3 September 1939 and 5 June 1944. A person must first be entitled to the 1939-45 Star before qualifying for the Air Crew Europe Star. The Medal The Air Crew Europe Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Air Crew Europe Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Air Crew Europe Star ribbon is light blue with yellow and black outer stripes. The colours represent the continuous service of the Air Forces by night and day. Clasps Two clasps were issued for the Air Crew Europe Star: Atlantic France and Germany Regulations only allow one clasp to be worn with the Star. When the ribbon is worn alone a silver rosette ribbon emblem is worn to denote the award of a clasp.Miniature with clasps: France and Germany & Atlanticmedal, air crew europe -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medals, Burma Star, abt 1945
The Burma Star was granted for operational service in the Burma Campaign between 11 December 1941 and 2 September 1945. Eligibility The Burma Star is awarded for operational service in the Burma Campaign from 11 December 1941 to 2 September 1945. In addition for: Navy - six months qualifying service for 1939-1945 Star first, then operational service in the Bay of Bengal and in the Malacca Strait; Army - service on land in Bengal and Assam from 1 May 1942 to 31 December 1943, areas of Bengal and Assam east of the Brahmaputra from 1 January 1944 to 2 September 1945 and operational service in China and Malaya from 16 February 1942 to 2 September 1945; and Air Force - one operational sortie for aircrew and qualifying service as for Army for other Air Force personnel. The Medal The Burma Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Burma Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Burma Star ribbon is red with edges of dark blue and orange. The red and dark blue represent the British Commonwealth Forces and the orange represents the sun. One clasp was issued for the Burma Star: Pacific When the ribbon is worn alone a silver rosette ribbon emblem is worn to denote the award of a clasp to the medal. Full size with no ribbon Miniature with clasp: Pacific -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, 1939-45 Star
The 1939-45 Star may be awarded for those who undertook operational service during World War II. Eligibility The 1939-45 Star is awarded for service between 3 September 1939 and 2 September 1945 for: a period of six months (180 days) operational service for RAN and Army personnel and RAAF non-air crew personnel a period of two months operational service for air crew personnel a period of six months service at sea for Merchant Navy provided at least one voyage was made through one of the specified areas of active operations The 1939-45 Star is awarded to Australian Civilian Personnel who served afloat with the United States Army Small Ships Section between 8 December 1941 and 2 September 1945. Eligibility is the same as that for Merchant Navy personnel. See required evidence to support a claim. The Medal The 1939-45 Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The 1939-45 Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The 1939-45 Star ribbon has three vertical stripes of dark blue, red and light blue. The dark blue stripe represents the Naval Forces and the Merchant Navy, the red stripe the Armies and the light blue stripe the Air Forces. Clasps The ‘BATTLE OF BRITAIN' clasp was awarded to eligible air crew involved in the Battle of Britain. When the ribbon is worn alone a gilt rosette ribbon emblem is worn to denote the award of the ‘BATTLE OF BRITAIN' clasp. The ‘BOMBER COMMAND’ clasp was introduced in 2012 and is awarded to eligible Bomber Command aircrew. When the ribbon is worn alone the standard silver rosette ribbon emblem is worn to denote the award of the ‘BOMBER COMMAND’ clasp. Full size and miniature medals with ribbons. Miniature has clasp : Battle of Britainnilmedal 1939-45 star -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Victory Medal
The Victory Medal was authorised in 1919 to commemorate the victory of the Allied Forces over the Central Powers. Each of the Allied nations issued a ‘Victory Medal' to their own nationals with all of these having the figure of Victory on the obverse as a common feature. Australians were awarded the medal issued by Great Britain. A member mentioned in despatches (MID) for service during World War 1 wears a bronze spray of oak leaves on the Victory Medal ribbon. Only one emblem is worn no matter how many times a member may have been ‘mentioned'. When a ribbon alone is worn a slightly smaller insignia is worn as a ribbon emblem. Eligibility The Victory Medal was awarded to prescribed classes of persons who entered a theatre of war on duty between 5 August 1914 and 11 November 1918. The Medal The Victory Medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION', all surrounded by a laurel wreath. The Ribbon The Victory Medal ribbon has a ‘two rainbow' design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. No 19 Farrier Sgt William Stephens, a 26 year old station hand of Drouin, Vic, enlisted RHQ 4 LH Regiment on 21 August 1914.Embarked 19 October 1914, A Squadron 17 April 1916, sick (malaria) 10 Aug 1917, 14 Army General Hospital , Abbassia, 18 Aug, rejoined Regiment 11 Jan 1918, Returned to Australia 15 Nov 1918. Militia service with 13 LH Regt Full size medal with ribbon, unmountedSGT W STEPHENS 4 LHR AIFvictory medal, sgt stephens 4 lh -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Africa Star, abt 1945
The Africa Star was granted for operational service in North Africa from the date of the entry of Italy into the war on 10 June 1940, up to the date of the cessation of operations against the enemy in North Africa on 12 May 1943. The Africa Star may also be awarded for operational service as a member of the Australian Defence Force during the Syrian Campaign in the period from 8 June 1941 to 11 July 1941. This medal is awarded for a minimum of one days operational service in North Africa, west of the Suez Canal between 10 June 1940 and 12 May 1943 and in Syria between 8 June 1941 and 11 July 1941. Clasps Three clasps were issued for the Africa Star: 8 th Army 1 st Army North Africa 1942-43 Only one clasp is worn and when the ribbon is worn alone a ribbon emblem, ‘8', ‘1' or silver rosette as appropriate is worn to denote the award of a clasp. The Medal The Africa Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Africa Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Africa Star ribbon colours represent the desert and the service of the Armies, Naval Forces, Merchant Navy and the Air Forces. Recipient is not engraved on reverse, so, either a replica or not issued to Australianmedal africa star -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal
Awarded by United Kingdom and Commonwealth Type :Campaign medal Eligibility Two months operational flying Awarded for Flying over occupied Europe Campaign European Air Operations 1939 – 1944 Description Six pointed star Clasps Atlantic France and Germany Related Atlantic Star, France and Germany Star The Air Crew Europe Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal Cypher of King George VI, surmounted by a crown. The cypher is surrounded by a circlet containing the words 'The Air Crew Europe Star'. The reverse is plain, although Stars issued to Australian and South African personnel have recipient names impressed. The ribbon for this medal, along with those of the other Second World War campaign stars, is reputed to have been designed by King George VI. The sky is represented by pale blue, night flying by the black stripes on the edges, with the yellow stripes representing enemy searchlights.ww2, medal, air ops europe