World War 2 commenced in 1939 in Europe. The first controls over the production and distribution of products in Australia were introduced in 1940, partly due to disruption of shipping. In 1942, after Japan entered the War, comprehensive rationing was introduced to manage shortages and control civilian consumption. After the War, rationing was gradually phased out. Clothing rationing was abolished on 24 June1948. The last rationed product was tea, which ended in July 1950.Many young men from the City of Moorabbin volunteered for active service during WW2 .The market gardeners had to manage their farms with reduced labour. Farms and businesses over the whole country were affected so rationing was introduced to control the civilian use of commodities. Pink-coloured card, printed in black with coupons to be cut off from the left side, originally 24 supplied. 2 original, partly used paper ration cards issued in Melbourne 1948. !x Identity Card for Emma Marriott 1) Meat Ration 2) Clothing Ration 3) Identity Card1)If this Card is found it must be returned at once/ to the Deputy Director of Rationing Melbourne/Commonwealth of Australia/ 1948/ B 891314 MEAT/RATION CARD/Rg,D.1/ Issued to/Name Reed G.M/Address 251 Centre Rd/SE14/ tickets -MEAT 104 - 54 2) as above / B891313/ CLOTHING/ RATION CARD/ tickets 1- 56 3) OHMS / Identity Card ...........1942ww2, melbourne, bentleigh, food rations, food supply, farming, market gardeners, city of moorabbin, cheltenham, marriott emma, reed george, william green, kenneth j blackman

Bibliography, index, notes, p.424.non-fictionA total re-assessment of the life of Adolf Eichmann that reveals his activities and notoriety amongst a global network of national socialists following the collapse of the third Reich, and that permanently undermines Hannah Arendt's often-cited notion of the 'banality of evil'. war criminals - germany - biography, world war ii, 1939-1945 - atrocities

Taken in 1908, this photograph, though rather blurry, gives an indication of the location of the early settler properties in the valley in relation to one another. European trees have been planted at 'Kalorama' , the first home of Ellis Jeeves. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph looking across hillside with large trees and rooftops visible. Handwritten description on reverse by John Lundy-Clarke.1908 View over roof of “Kalorama” towards the Falls. Paynter’s house on LOT 29 in low centre (now “Yosemite”). Pimms house on LOT 19 above Paynters and beyond scrub. Logan’s house faint above left of “Kalorama”. Dunbar’s LOT 20 beyond Pimm’s orchard. Gum trees on right were on Price’s LOT 19 now Tosari Rd area. It was one of these that figured in the episode of the runaway log in 1930. It leaped in one bound over Barbers Road at bottom of scrub in centre of picture then over Logan’s house.kalorama, ellis jeeves, jeeves

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Vyse Street Birmingham was once the centre of the jewellery making industry in Birmingham.Jeweller's sample card with samples of Cameo brooches, bar brooches, a necklet and a set of earrings. Design numbers printed below each design. A label glued on to the back reads " WALTER NEEDHAM, PARAGON WORKS, 34, VYSE ST., BIRMINGHAM, ENGLAND.jeweller's designs, cameo jewellery

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. footwear, shoes, overshoes, flarta shoes, mcintyre collection

non-fictionA full-colour catalogue to support the Sharing Bonegilla Stories exhibition at the Albury LibraryMuseum which was curated by Bridget Guthrie in 2009. The exhibition drew from a successful earlier Belongings partnership with the Centre. The catalogue tries to make sense of people’s different memories of, and responses to, Bonegilla.bonegilla, migrant experiences, immigration victoria

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. He also had a vesta (match) case from Belfast, so it is likely he visited there. These scenes include the Guiness Brewery in Dublin and the Belfast Town Hall, and a set of scenes from Killarney. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Postcards x 15 with images from Ireland and Northern Ireland. Most from 'Valentine's Series' printed in Scotland.01136.1 City Hall, Belfast 01136.2 Marble Stairway, City Hall, Belfast 01136.3 Killarney 01136.4 'Tis said that passing angles paused a while / To rest within and bless the Emerald Isle 01136.5 Guiness's Brewery, Lower Level, Dublin 01136.6 Scald Bank (Unloading empty casks) Guiness's Brewery, Dublin 01136.7 Fermenting House (Exterior) Guiness's Brewery, Dublin 01136.8 The Islands, Upper Lake, Killarney 01136.9 On Middle Lake, Killarney 01136.10 Serpent Lake, Gap of Dunloe, Killarney 01136.11 Shooting the rapids, Killarney 01136.12 Ross Castle, Killarney 01136.13 Eagle's Nest, Killarney 01136.14 Colleen Bawn Rock, Killarney 01136.15 Grafton Street, Dublin Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one

Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Bombay which is a stop on the route from Australia to Europe. India was often the first time young soldiers saw a different culture on their way to the first World War. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', (which stopped in Bombay), arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. These places in Bombay, India could have been visited by the first Legatees when they were soldiers in World War 1.Postcards x 7 with images from Bombay in India.01139.1 Bombay - A street scene, Pydowni Junction 01139.2 Bird's eye view of Fort from Taj Mahal Hotel, Bombay 01139.3 Cuffe Parade - Bombay 01139.4 General Post Office - Bombay 01139.5 Bombay - Queen's Road showing palms 01139.6 A woman tapping rubber tree (possibly from Sri Lanka as it was printed in Colombo). 01139.7 Bombay from Harbour Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.4 photographs relating to the McHaffie family. 466-15 & 466-16: Noel Wemyss & Vernon Suter Wemyss McHaffie were grandchildren of the first permanent European Settlers of Phillip Island (John David & Georgianna McHarrie who leased the whole Island as a sheep and cattle run for 45 years until Closer Settlement in 1868 reduced their holding to 640 acres and who are buried at the St. Kilda Cemetery, Melbourne). Noel's ashes are interred at the Phillip Island Cemetery and Vernon's were scattered at Ventnor Philip Island at the site of the original homestead. 466-17 & 466-18: As per the Plaque: "Mulberry Tree: Muberry cutting from original tree planted by John D McHaffie First Settlers Phillip Island 1842. Plaque by courtesy Cherry McFee 1987.phillip island cemetery, nancy mchaffie, edith jeffrey

Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Cover - Australian Olympic Skiers Return Left to Right: Bill Day, Bob Arnott, Gordon Day. Page 111 - FRONT-SPRING CABLE BINDINGS - A note from Bob Hymans advises that he has for sale a number of Front- Spring Cable Bindings made by Ramy, the well-known French maker. In This pattern the spring is attached to the ski in front of the toe-irons and eliminates the weight of the spring around the heel fitted to most cables. It is very popular with ski-racers in Europe for its comfort and control. Bob also advises that his Ski School at Fails Creek will be open during the weekends of June, and from June 30 onwards till the end of the season. schuss journal, bob hymans, front-spring cable bindings

Set of two horizontal format posters about events involving Yarra Trams staff functions. .1 - poster featuring proof photographs and range of photos taken on the day of "Carnivale - A day out fun and festivities - Sunday April 18, 2004" - had the contact name of Grant Cooper, along with Yarra Trams logo. .2 - poster featuring photographs from the launch of Yarra trams under the management of Metrolink - "Metrolink - a new beginning for Yarra Trams - 29 August 1999" - featuring management and staff at the time at a entertainment event. Has the Metrolink logos. In the picture above the cake and others are John Wilson formerly of Metbus, ? and Hubert Guyot the CEO of Yarra Trams. Metrolink was a joint venture between Transfield Services and Europe's Transdev, and was the operating company in the background, "trading as Yarra Trams".trams, tramways, yarra trams, metrolink, launch

Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company

Taken in 1960, depicted is the construction of Lake Sambell, looking west across the lake. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents additional construction to Lake Sambell as a recreational reserve.Black and white reproduced rectangular photograph print on paper.beechworth lake, lake, lake sambell, construction, #beechworth, australian landscape, beechworth 1960s, victoria

This notebook has been used in the Nullawarre Post Office in the mid 1900s. It lists the telephone exchange codes of places in Victoria and also the code for the telephone charges to those places. Charles and Vida Williams were the Post Master and Post Mistress at Nullawarre Post Office during the mid 20th century years. Nullawarre is a small settlement 25 kilometres south east of Warrnambool and is mainly an agricultural area. European settlement first occurred in the late 1860s. This notebook is of some interest as one used in the day-to-day business of the Nullawarre Post Office in the mid 20th century.This is a notebook which was originally set up as a Postman’s Redirection Book but has been used to list alphabetically telephone exchange areas and their codes. The book has an alphabetical index on the side of the pages and printed black lines and hand-ruled lines on the pages. The cover is light brown with blue binding on the spine and the binding is partly giving way. There is black printing and handwritten writing on the front cover. The material on the pages is handwritten in blue ink and pencil. There is a blue stamp and some pieces of paper pasted into some pages. ‘Postman’s Redirection Book’ ‘Telephone Code Dialling & Charge Book’ ‘Nullawarre’

These badges were issued to members of the Warrnambool Racing Club in the 1950s. Horse race meetings have been held in Warrnambool since the early days of European settlement, with the Warrnambool Racing Club formed in 1854. Races have been held on the site of the present day racecourse since the late 1850s. Today the chief event on the Warrnambool racing calendar is the annual three-day May Racing Carnival, featuring the well-known Warrnambool Grand Annual Steeplechase. These badges are retained as examples of the badges of members of the Warrnambool Racing Club in the 1950s. They will be useful for display. .1A metal badge (roughly in the shape of a double triangle) with an image in blue, white, green and gold of a horse and jockey clearing a hurdle. The badge has gold lettering, a metal clip at the back and a metal ring at the top for attachment to a cord. .2 .3. As above except that the colourings of blue, red, green and red are differently placed .4 As above in .1 except that the colourings are black, brown and green .5 A round metal badge with the image as in .1 above, with the colourings being black, white and green. .1 Warrnambool Racing Club Not Transferable Season 1954-55 121 Stokes Melb. .2 Warrnambool Racing Club Not Transferable Season 1955-56 128 Stokes .3 Warrnambool Racing Club Not Transferable Season 1957-58 106 Stokes .4 Warrnambool Racing Club Not Transferable Season 1959-1960 95 Stokes Melb .5 Warrnambool Racing Club Not Transferable Season 1956-1957 123 Stokes warrnambool racing club, history of warrnambool

The Kokoda Track (or Trail) is a single-file thoroughfare that runs 96 kilometres (60ml) overland) - 60 kilometres (37ml) in a straight line - through the Owen Stanley Range in Papua New Guinea (PNG).The trail was First used by Europeans in the 1890s by miners struggling northwards to the Yodda Kokoda goldfields. During the Pacific War of World War 2 a series of battles were fought from July 1942 to January 1943 between Japanese and Australian forces.One of the bloodiest campaigns of World War 2,which has forever sealed the relation ship between Australia and Papua New Guinea began 61 years ago. This Photographic Memorial is dedicated to those Australian and Papua New Guinea forces who fought against the Japanese with courage and fortitude on the Kokoda Trail.Rectangular shaped glass covered picture frame showing a collection of photos,two flags and a Rising sun badge. The Kododa Trail.kokoda track, world war 2, papua new guinea, australian forces, lara r.s.l.

Pincushions or pin pillows date back to the Middle Ages in Europe. The tomato shaped pincushion grew from a Victorian Era superstition that tomatoes were good luck and so they were often given to newly weds as charms and placed on the mantle. When there were no actual tomatoes a fabric token was made and later used for pins. Some pincushions were stuffed with abrasive materials designed to sharpen the pins. This one would have a needlework accessory for an Orbost local.This item is a common sewing accessory reflecting the needlework skills of women in the first half of the 20th century.A soft padded fabric pin cushion. Material is a black background decorated with colourful flowers. It is divided into eight sections by red stitched lines and holds 3 needles and a bent pin.

Ballarat School of Mines Students' Magazine, 1948, List of Full Course Students', Editorial, Principal's Page, Photographic Competition, News and Notes, Editor's Notes, Obituary - S. H. Mayo, Farewells to Staff Members, Alterations in Staff, Science Section. The Literary Society, S.M.B. Yesterday and Today, R.A.A.F. Story, Art Section, Escape from Nazi Europe, Short Story Competition, Senior Sport, The Junior Techs, Students' doing Trade Apprenticeship Courses Green front page soft cover of 53 pages with burgundy and green inscriptions on front coverballarat school of mines students' magazine, staff, sports, h. tozer, v. lancaster, g. murdoch, m. greenwood, a. fenton, c. rook, b. bryan, c. g. fairbank, r. p. flower, c. sanos, d. munro, e. marshman, r. w. richards, dr. j. r. pound, m. k. ashton, w. k. l. murray, s. h. mayo, john c. collins, don johnston, f. g. procter, l. j. hillman, n. d. gardner, arthur c. burrow, p. richards, h. darby, lewis huisman, betty freeth, j. williams, m. treganowan, g. williams, w. archibald, m. callahan, m. ryan, t. downes, d. anderson, m. rowbottom, b. lette, l. greenbank, v. ritchie, b. hutchings, p. reidy, b. tantau, w. brown, w. wilson, d. durant, g. hetherington, j. wilson, m. murray, r. cairns, g. edmonds, j. ballinger, n. edwards, r. rosser, h. graham, k. treloar, j. boag, l. veal, h. fumberger, j. jopling, w. wray, j. dunstan, j. willis, r. davis, g. coward, j. scala, g. searle, n. ludbrook, r. u'ren, r. hollioake, a. vinegrad, h. mcwilliam, b. tippett, j. brokenshire, f. savage, r. spence, j. sawyer, t. lannen, e. lloyd, d. brayshaw, r. b. williams, beryl hutchings, heather coad, margaret ryan, s. shillington, b. duffer, m. mclean, j. catherall, c. beeston, e. shaw, n. silvey, d. stevens, k. adams, t. hewitt, i. lepp, j. mccormack, a. young, l. george, j. terrill, k. spalding, j. watts, w. clarke, g. hindson, d. gilbert, a. hewitt, r. plover, g. murrowood, r. cochrane, j. bethune, j. walton, r. ward, j. blain, r. luke, j. daly, k. ward, i. mcconchie, p. hewitt, j. skilbeck, e. jones, c. hoffman, w. mckenzie, r. phillips, g. allen, k. george, h. saw, c. mayne, b. graham, m. tweedale, d. alexander, r. gluyas, w. rodgers, r. norman, m. horwood, p. hains, m. coleman, g. hannah, r. smith, r. bawden, r. simpson, d. ditchfield, w. d. ditchfield, r.a.a.f. story, avro anson, escape from nazi europe

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking

Postcard written by Slavica Risek at 11 years of age to her grandmother on arrival to Australia from Croatia. She was travelling on the Angelina Lauro passenger ship with her brother, mother and father c.1969. She describes her cabin is located at the first windows at the bow of the ship. The postcard was never posted. This was during a time that Australia was recruiting labourers from Europe. The family left Croatia along with many other immigrants looking for a better life in Australia.This item is of historical significance as a representative example of a young girl immigrating to Australia during the time when Australia was recruiting labourers from overseas.Image of Postcard with photo on front of ship named Angelina Lauro sailing under the Sydney Harbour Bridge. On reverse side is a written message and address in Croatianimmigration, sydney harbour bridge, croatia, labourers, angelino lauro ship, postcard

Every sultan of the Ottoman Empire had his own monogram, called the tughra, which served as a royal symbol. A coat of arms in the European heraldic sense was created in the late 19th century. Hampton Court requested from the Ottoman Empire the coat of arms to be included in their collection. As the coat of arms had not been previously used in the Ottoman Empire, it was designed after this request, and the final design was adopted by Sultan Abdul Hamid II on 17 April 1882. The emblem features an ornate cartouche ensigned by a Tughra. The cartouche is surrounded by various elements of the state including two flags, the red flag of the Ottoman dynasty with a star and crescent and the green flag of the Islamic caliph, largely obscured by a cornucopia. Behind the flags are a number of spears and other weapons. Hanging beneath the lower flourish are the medals of five of the Ottoman decorations.ottoman empire, tughra

The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives

These cards were issued during World War 11 to British subjects who were civilians. This included all non-indigenous adults born in Australia. The concept of Australian citizenship was only introduced by the Nationality and Citizenship Act of 1948. All adults had personal identity cards and were required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.Peter Frawley was a long-time resident of Wodonga. He was a veteran of Gallipoli and Fromelles. For his actions at Fromelles, he was awarded the French Croix de Guerre. After the war Peter became a successful jockey and one of his greatest successes was winning the Australian Steeple Chase at Caulfield in 1922. He was an active member of the Wodonga Turf Club and Bonegilla Race Club and a founding member of the Wodonga Show Society. Peter’s wife Connie was an integral member of the Wodonga Hospital fundraising committee, being awarded a life membership. Nereida Pearl Goyne (nee Emery) lived most of her life in Wodonga. She was actively engaged in the community until 2007 when she moved to Rutherglen where she passed away in January 2009.3 fawn coloured cards with black text, all stamped with the Beechworth Post Office stamp. They are identified as Form C.R.3 Civilian Registration (British Subjects).Written on both sides in ink: Detailed explanation of government regulations. On Card 1 in ink;" V13, M 31 ,30215" Signed "Peter George Frawley, South St Wodonga" Reversed signed by card holder and witness" On Card 2 in ink;" V13, M 02 ,2494" Signed Constance Frawley, South St Wodonga" Reversed signed C Frawley and witnessed P Frawley" Note - Ration book for 3 children" On Card 3 in ink;" V13, M 10 ,12251" Signed "Nereida Pearl Goyne, Bank St Wodonga" Reversed signed by card holder and witnessed by L.C. McCullough" Note Ration book for 2 children"identity cards, civilian registration, world war 2, ww11

This is a badge issued to members of the Warrnambool Racing Club for the 1956-7 season. Race meetings have been held in Warrnambool since the early days of European settlement, from 1848 on, with the Warrnambool Racing Club formed in 1854. The present day race track was first used in the late 1850s. The most important meeting of the Warrnambool Racing Club is the May Racing Carnival held over three days with the main feature being the well-known Warrnambool Grand Annual Steeplechase. This is a local badge and is retained as an example of a member’s badge of the Warrnambool Racing Club in the mid 1950s. This is a round metal badge with gold lettering on a black background and a black, green and gold image of a horse and rider clearing a hurdle. The badge has a metal ring at the top and a green cord with a gold metal fastener is attached. Warrnambool Racing Club Not Transferable Season 1956-1957 139 Stokes warrnambool racing club, history of warrnambool, badge

Civilian Registration Identity Card issued to Ernest Thomas Orford of Irvines Road, Eltham, farmer, signed by subject and witnessed by Elizabeth J. Cox of Eltham. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.1942, civilian registration (british subjects), elizabeth j. cox, eltham, ernest thomas orford, identity card, irvines road, second world war, ww2

Vol. 10, No. 1, Mar-Apr 2005 CONTENTS Comment 2 Clive Dickson 'Plein-air Painting in Europe 1780-1850' 3 Premier Pottery, Preston 1929-1956 7 Tom Dell'Anno at the Eltham Library Gallery 13 CD Reviews 14 Eltham Jazz and Blues Heritage Festival 16 Silent Voices 18 The Warrandyte Pottery Expo 19 Book reviews 21 Poetry 24 Artin' About 28 Wining & dining 30 Listings 32"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 32 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams magazine, tom dell'anno, clive dickson, plein-air painting, david dee, reg hawkins, walter dee, alan james, margaret kerr, eltham library, community gallery, eltham town jazz and blues heritage festival, joe malatji, sutueal bekele althe, warrandyte pottery expo, robyn rowland, peter brocklehurst, margaret orr, brian mooney, jeanie james

Document from unknown author. Sections include: Constitutional history, population growth including ABS data 1943- 1978, notes on the European history of Eltham - about your Council - schools - list of historical buildings. Copy also held at Yarra Plenty Regional Library (Eltham Library). Possibly produced as a resource for students. Also includes single page headed Heritage Week 1983, rural townships, page 3 with refernece to key buildings in Eltham township.30 pages, typed textHG Booklet 17harry gilham collection, pioneers of eltham, population, shire of eltham

The post World War II migration of European "snow skiiers" into Australia combined with the construction of Hydo Electricity Schemes in both the N.S.W.and Victorian Alps regions, opened up these winter snow areas to a greater influx of tourists and holiday adventurers interested in "winter" sports. The ability to project, on a global scale, skiing facilities of international standards to those in the northern hemisphere during their summer has opened up the Australia ski resorts and their facilities to a much greater winter sport orientated population. These cross country skis were purchased by a member of the Bogong Ski Club and were part of a bulk ski stock consignment from Finland in 1966/67. They were introduced into the Victorian Alps to encourage skiers to take up cross country skiing both at Falls Creek and Mount Buller. This initiative spurred on the now annual 42 kilometre cross country "Kangaroo Hoppet" race at Falls Creek. This race is currently the biggest cross country snow skiing race in Australia. These snow skis were made in Finland. They are wooden (hickory) skis and made from four strips (glued and shaped) pieces of wood that are not laminated. There is a painted blue flash on the top of the skis that extends the full length of the skis. The face of the underside of the skis is flat and is coated in black Stockholm tar. Glider or grip wax was applied onto this base. The top body of the skis is tapered from shoe position to both front and back tips.Tapered curvatures from foot radiating to all sides provides the required aerodynamics. Metal boot bindings consisting of a toe plate with adjustable toe clip and a heel plate, both of which are screwed onto the skis. "KILPA, KARHU URHEILUTARPEITA SPORTART1KLAR, Karhu-Valtz Finland. Hickorypohjin"snow skiing, cross country skiing, falls creek winter tourism