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Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, ben joel, 2004
Professor Teik Oh was appointed ANZCA president in 2000 until 2002. The portrait was commissioned by ANZCA to commemorate the presidential term of Professor Teik Oh and was presented at the Anaesthesia Western Australia Annual Winter Scientific Meeting on the 7th August, 2004. The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in national private and public art collections. Oil painting on canvas of Professor Teik Oh seated on a chair at an angle facing left, wearing the Presidential badge without the Presidential gown. Mounted in a plain gold frame.painting, anzca president, oh, teik, joel, ben -
Glen Eira City Council History and Heritage Collection
Map - Map, zoning, Metropolitan Town Planning Commission, "DISTRIBUTION AND USE OF EXISTING PROPERTY. MAP NO. 6.", 1929
The map titled: “Distribution and use of Existing property map No. 6” (Metropolitan Town Planning Commission Melbourne and Suburbs) is of historical significance. It is listed on page 168 of Chapter 4 the Zoning section of the "Plan of General Development Melbourne Report of the Metropolitan Town Planning Commission 1929" - Melbourne's first strategic plan. Map No. 6 is mentioned throughout Chapter 4 of the 1929 Report. It states on page 156 that this Map was created to graphically illustrate the data collected by the Planning Commission. The Map illustrates the general distribution of uses of existing property throughout the metropolitan area. The coloured sections show the areas which were developed or were in the process of development in 1929. The colours indicate the distribution of uses in the developed areas. The pink coloured areas, which include Caulfield, were almost completely residential.1929, metropolitan town planning commission, melbourne, suburbs -
Kiewa Valley Historical Society
Meter Multi General Purpose, circa mid to late 1900's
This general purpose Multi-meter was manufactured after 1950 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to measure very small voltages associated with the operation of the various Hydro Generators. The readings were able to be shown by the resistor in use in the current circuit. During this time period, high quality testing instruments were either sourced from Europe or England. This particular meter was manufactured in the Netherlands. This type of "old" analogue meter was replaced by digital meters whose electronic components are a fraction of the size of the older analogue ones.This analog General Purpose multi-meter is quite a large (for handheld mobile) apparatus which permits the easy monitoring of electrical variations within the large SEC Victoria Hydro Scheme's electrical generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This General Purpose Multimeter is an analogue meter i.e. it has a needle arm that moves across a scale of divisions. This is a large(hand held) device due to the mechanical movement system within and the large size of its electronic components of its circuitry.There are two black bake-lite push buttons operating the wire inserts Positive/negative leads at the top. The meter (protected with a glass window) has clearly marked graduations (top - volts, bottom amperes). Below this are two bake-lite dials (left "potentiometer the right one measuring range selector). Below this is a "dial" switch to input the desired resistance measuring range "V" Front "H&B ELIMA" and to the right Elavi 15n. 0n the front side is a label "STATE ELECTRICITY COMMISSION OF VICTORIA TRANSMISSION DEPT E.C.No." On the bottom of the base is a stenciled layout of the battery "layout" including the fuse . The information notice is presented in five languages starting with German, English,French, Italian, Spanish and Dutchsec vic kiewa hydro scheme, alternate energy supplies, alpine population growth -
Heidelberg Repatriation Hospital
Memorabilia - Memento, Baron, Royal Visit 1954, Circa 1954
Handed out to patients and visitors to commemorate the visit of her Royal Highness Queen Elizabeth II and Prince Phillip to Victoria in 1954 and in particular the Heidelberg Repatriation Hospital. This brought much excitement to the patients at Heidelberg.Recognises a significant Royal visit to Heidelberg Repatriation Hospital. Acknowleges the role of the Hospital in the treatment of War Veterans to receive such a visit and World War II had ceased in 1945, only nine years earlier.Blue cardboard folder of 4 sides, with a single fold containing 1 photo and inscription. Photo is of Queen Elizabeth sitting down and Prince Phillip standing to the left of her in front of a fireplace, with commemorative acknowledgement of the visit.Page 1 shows the Commonwealth Emblem with the words "Royal Visit 1954" inscribed under it. Page 2 has the inscription " Memento of the Visit of Her Majesty and his Royal Highness The Duke of Edinburgh to Victoria 24th February, 1954 to 9th March, 1954 presented by the Repatriation Commission" over a crown and the letters EIIRbritish royalty, 1954, 1954 royal visit, royal visit australia, memento, australian coat of arms -
Heidelberg Repatriation Hospital
Memorabilia - Memento, Baron, Royal Visit 1954, Circa 1954
Handed out to patients and visitors to commemorate the visit of her Royal Highness Queen Elizabeth II and Prince Phillip to Victoria in 1954 and in particular the Heidelberg Repatriation Hospital. This brought much excitement to the patients at Heidelberg.Recognises a significant Royal visit to Heidelberg Repatriation Hospital. Acknowleges the role of the Hospital in the treatment of War Veterans to receive such a visit and World War II had ceased in 1945, only nine years earlier.Blue cardboard folder of 4 sides, with a single fold containing 1 photo and inscription. Photo is of Queen Elizabeth sitting down and Prince Phillip standing to the left of her in front of a fireplace, with commemorative acknowledgement of the visit.Page 1 shows the Commonwealth Emblem with the words "Royal Visit 1954" inscribed under it. Page 2 has the inscription " Memento of the Visit of Her Majesty and his Royal Highness The Duke of Edinburgh to Victoria 24th February, 1954 to 9th March, 1954 presented by the Repatriation Commission" over a crown and the letters EIIRbritish royalty, 1954, 1954 royal visit, royal visit australia, memento, australian coat of arms -
Lara RSL Sub Branch
Photograph, H.M.A.S.ADELAIDE
On 1 September 1939 Adelaide (I) commissioned for war service under the command of Captain HA Showers RAN, and operated on the Australian coast for defence of trade.This is a limited print of HMAS Adelaide. No 6 in a series of 25. Royal Australian Navy 75th Anniversary.White bordered coloured print mounted on M.D.F.board.H.M.A.S.ADELAIDE,an improved Chatham class light crusier,shown during service in the Second World War. No 6 in a series of 25 ROYAL AUSTRALIAN NAVY 75 TH ANNIVERSARYh.m.a.s., navy, royal australian navy, ship, cruiser, ww2, world war two, lara r.s.l. -
Kiewa Valley Historical Society
Booklet - Victoria's Hydro Power x2, Victoria's Hydro Power - SEC, August 1975
The State Electricity Commission of Victoria built several hydro power stations from 1928-1981. This book names each - up to 1975 - with a summary and explanation.The State Electricity Commission of Victoria built the Kiewa Hydro Electric Scheme which included the construction of Bogong Power Station, McKay Creek Power Station and West Kiewa Power Station. It also established infrastructure such as the townships of Bogong and Mt Beauty and the opportunity for tourism in the area Colored green/blue 'splash' of water on front cover with SEC logo in white centred under the yellow printed title. On the back cover is the SEC logo at the bottom in the middle.state electricity commission of victoria; kiewa hydro electric scheme; mckay creek power station; clover power station; west kiewa power station -
RMIT Design Archives
Drawings
Barber House, Carlton was designed by Edmond & Corrigan and built in 1980. The drawing was commissioned by Edmond and Corrigan. This image was published in Transition magazine, No.27/28 1989.This drawing of Barber house by Robert Pearce, who was best known as a fashion designer, broke the mould of how architecture could be represented. Suddenly it was understood as a part of contemporary culture. Illustration of Edmond & Corrian's Barber House, CarltonStamped in black ink, bottom left: 'Robert Pearce'architecture, domestic architecture, illustration, design -
Stawell Historical Society Inc
Photograph, Ledcourt Home Station in the Grampians 1866
Ledcourt Home Station Grampians. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, The Sister Rocks Pleasant Creek 1866
The Sister Rocks Pleasant Creek. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell tourism -
Stawell Historical Society Inc
Photograph, Glenorchy Bridge on the Wimmera River 1866
Glenorchy Bridge Wimmera River. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Grampians Entrance to Halls Gap 1866
Grampians Entrance to Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Creswick Campus Historical Collection - University of Melbourne
Document, Diploma of the School of Forestry, pre 1978
Multiple copies of blank Diploma and Associate Diploma of the School of Forestry Creswick rolled into cardboard cylinder. Sample copy of agreement between trainee and the Forests Commission.Certificate -
Uniting Church Archives - Synod of Victoria
Photograph, c. 1979
Charles Birth was Professor at Sydney University and Vice Chairman of the WCC Commission on Church and Society, the body organizing the 1979 World Conference on Faith, Science and the Future.B&W head and shoulders photograph of Professor Charles Birch.charles birch; sydney university; wcc commission on church and society; 1979 world conference on faith, science and the future; scientist -
Halls Gap & Grampians Historical Society
Photograph - B/W
The photo is of the Fyans Valley, taken from Chatauqua Peak. Lake Bellfield and Mount William can be seen in the background. The photo belonged to the Forestry Commission Victoria.A photo of a valley between mountain ranges. A lake can be seen in the background. A road runs through the middle of the valley with houses on both sides."Fyans Vaslley from Chataqua Peak. Incl L. Bellfield & Halls Gap. photo belongs to F.C.V. Stawell. Return to V. Young, Horsham" written on back in green pencil. The "Chatauqua Peak" has been overwritten in black-lead pencil. "LC.71" is also written on the back in black-lead pencil.scenery, grampians ranges -
Eltham District Historical Society Inc
Greeting Card, Bill Caldwell, Sketch (reprint): Walter Withers House and Studio - Eltham, Bill Caldwell '82, 1982
Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real Estate. The image was also used on the Wiregrass Gallery calendar for 1983Christmas card 10.5 x 21 cmart, bill caldwell, walter withers house, artist, bolton steet, brougham steet, fay bridge collection, neville emerson real estate, sketches, walther withers, wiregrass gallery calendar -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Vytas Serelis, 2006
This is a portrait of Dr. Richard Willis, formally ANZCA President [2002-2004]. ANZCA commissioned the portrait which was unveiled to Dr. Willis on 23 February 2007. Oil painting on canvas of former ANZCA President Dr. Richard Willis seated face on with hands crossed on his lap. He is wearing surgical scrubs with the College gown on a plain hanger behind him and the President's medal hanging off the back of the chair. Plain light blue background mounted in a plain brown frame.[Lower Left Hand Side] V SERELIS SEPT 2006painting, president, willis, richard, serelis, vytas -
Nillumbik Shire Council
Photograph, Siri Hayes, Under the Doona - Luella and Crower 2020: SIRI HAYES
Under the doona investigates the creative potential of observing the domestic environment and connecting with the local landscape within the restrictions of COVID-19 in 2020. The global pandemic is explored from a personal domestic and local position on Wurundjeri Country in Nillumbik in my 5km radius.Universally recognisable as a symbol of hygiene, the Chux cloth was discovered discarded and coated in Nillumbik’s infamous clay on my daily walk. Local Indigofera Australis was used to extract ‘Chux blue’ to botanically dye hand spun silk and Polwarth yarn. Not a scratchy synthetic Chux, my handwoven natural fibre soft cloth positions soothing touch as an all-important sense within the physical constraints of social distancing. My masked daughter holds her pet rooster. My son learns new card tricks using crackers. Family and local surrounds provide close and reassuring comfort. The project values intimacy, touch and local connectedness. On a global scale.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it -
Nillumbik Shire Council
Painting, Fan Dongwang, Pandemic Bodies #1 (Inverted), 2020
My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it -
Nillumbik Shire Council
Photograph, Tyler GRACE, Homebound
Isolation is something I am all too familiar with.In the middle of the last decade, for a period of three years, isolation became my way of living, as due to my health, I physically couldn’t leave the house, or even my bed very often. I would be so desperate to get out of the house at times that it was if I was a prisoner trying to escape the confines of Alcatraz. The isolation experience during the COVID-19 pandemic has brought back many emotions and memories of that time, some of which I would rather not remember.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. -
Nillumbik Shire Council
Textile, Michelle HAMER, Relax We're Doing Great (This is Not Over), 2020
‘Relax, We’re Doing Great’ explores the mixed messages and lottery of language we have been exposed to during COVID19. Sourced from local and global leaders, warning signs and public messages, the text ranges from instructional to in-denial; to even epidemiologically dangerous rhetoric.These works connect into the hand-made, digital and 24/7 news cycles - key coping mechanisms for fears and uncertainty - of this pandemic period. The power and importance of language is highlighted when experienced en masse. The repetition of the layout of these works also allows for the creation of GIFs – mimicking the flickering of LED signage.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. -
Nillumbik Shire Council
Painting, Paul KALEMBA, Leaving Isolation, 2020
Leaving Isolation is play on words; a pun. It is a joke shared with new imaginary friends found while living alone, in isolation. Processing emotions, sanitising theories, engaging in shadow play; these works show individual native leaves that resemble expressive faces collected on permitted daily walks. 30 small, 15 x 21 cm still life studies in ink and watercolour are hung to reference a calendar month during COVID-19. The work considers the nature of ecology in the anthropocene while confronting emergent psychological myth-scapes during Lockdown.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. -
Nillumbik Shire Council
Luigi VESCIO, Score for Multi-Species Partnerships, 2020
Score for Multi-Species Partnerships is a participatory performance and moving image assemblage. The score offers a guided framework to become reacquainted with the everyday, queering notions of community and care through meditative movement practice. Inter-species collaborators partake in a series of propositions which facilitate a ‘becoming-with’, deepening their sense of place and comfort with one another and their environment.Seeking alternative forms of connection during isolation, this global project uses embodied praxis and visualisation to bring together artists and non-artists, humans and non-humans, to consider how we co-exist and affect one another through material and energetic transference. Initiated in April 2020 following the COVID-19 outbreak, participants chose whether to practise anonymously or document their experience and contribute to the visual archive. The private becomes public as intimate encounters in domestic settings are shared, speaking to cultures of performativity and voyeurism in the digital age. Artist/Director: Luigi Vescio. Performers: Adina Kraus, Anna McDermott, Claudia Lomoschitz, Josh Freedman, Luigi Vescio, Martin Lee, Maximilian Bishop, Melanie Cobham, Nathan Dubber, Niharika Senapati, Omar Felix Faber, Pia Lauritz, Rachel Jessie-Rae O’Connor, Shamira Stone, Will Hall, Yuiko Masukawa.Many thanks also to those who chose to participate in private.This project was also supported by Creative Victoria through the Sustaining Creative Workers initiative.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. Video -
Greensborough Historical Society
Pamphlet - Recipe Book, State Electricity Commission of Victoria, Cooking for business girls; prepared by the Home Service Section of the State Electricity Commission of Victoria, 1960s
A collection of recipes using pineapple, published by Golden Circle cannery.Cooking for business girls: prepared by the Home Service Section of the State Electricity Commission of Victoria. Includes a variety of recipes aimed at women returning to the workforce in the 1960s.Part of a collection of recipe books from Laurence N. Lewis20p. Typed and photocopied text, colour cover.non-fictioncookbooks, recipe books -
Mission to Seafarers Victoria
Letter - Correspondence, 16/06/1951
Allan writes of attending a garden party at the British Ambassador's residence in Oslo. All staff working with him at the Allied High Commission Office were invited.Quinn CollectionA self-folding letter written in green ink (0875.a) headed Oslo and dated 16/06/51. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. The return address is Allan Quinn, C/- General Delivery, G.P.O. Oslo. letters-from-abroad, allan quinn, norway, oslo, allied high commission office, oslo, mr wright, british ambassador -
Kiewa Valley Historical Society
Papers - Mt Beauty Householders c 1959, SECV Kiewa Hydro Electric Scheme Householders
Mt Beauty was a construction town built by the State Electricity Commission of Victoria during construction of the Kiewa Hydro Electric Scheme from the late 1940s to 1961This is a list of the original occupiers of the homes in Mt Beauty township. Houses were allocated to teachers, medical staff etc. as well as to SEC workers.14 foolscap papers. Title SECV, KHES, Mt Beauty Householders, Alphabetical List, Name, Address and Sec/Allot. See KVHS 1264mt beauty residents, mt beauty householders, secv employees -
Clunes Museum
Book, THE HUGH WILLIAMSON FOUNDATION, HUGH WILLIAMSON C.B.E. PHILANTHROPIST, 2000
BIOGRAPHY OF HUGH DEAN THOMAS WILLIAMSON C.B.E. 4thFEBRUARY 1901 - 20thDECEMBER 1985BIOGRAPHY OF HUGH DEAN THOMAS WILLIAMSON C.B.E. 4thFEBRUARY 1901 - 20thDECEMBER 1985non-fictionBIOGRAPHY OF HUGH DEAN THOMAS WILLIAMSON C.B.E. 4thFEBRUARY 1901 - 20thDECEMBER 1985local history, book, biography, williamson -
Stawell Historical Society Inc
Photograph, Fountain Head Brewery at Armstrong 1866
Fountain Head Brewery Armstrong's. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell industry -
Stawell Historical Society Inc
Photograph, Housing Commission House in Dawson Street -- Photo & Newspaper Clipping
The first Housing Commission homes of brick and tiled roof built after WW2 in Stawell Dawson Street c 1950's. Also in the file a Newspaper clipping from News, Saturday, October 11. 1947. "George Mitchell Square" the first Housing Commission homes built in Stawell. George Mitchell was a member of Borough Council for 40 years and Mayor for 4 years. The housing estate was named in his honor. The architects "Buchannan Laird & Buchanan Geelong.Black and white photograph of a street scene. The photograph shows a line of brick houses along the street with timber fences. Four electric power lines are along the street with 2 in the distance. The street also has curb and guttering. The street to the right has a street post with "George Mitchell St" written on the street sign.stawell -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Margaret Baskerville, Edith Cavell, c. 1926
Edith Cavell was an English nurse based in Belgium who had been killed by German officers for conspiring to help in the escape of allied soldiers. This work is a plaster maquette of a large memorial marble bust by Margaret Baskerville that is located at Kings Domain on Birdwood Avenue, Melbourne. Although commissioned in 1917, the memorial was not completed until 1926 due to both the difficulty of obtaining Carrara marble from Italy after the war and the increasing number of Baskerville’s other commissions.Margaret Baskerville, Edith Cavell c. 1926, plaster, 82 x 49 x 28 cm. Bayside Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.plasteredith cavell, bust, sculpture, nurse, world war i, margaret baskerville, melbourne, berkendael medical institute, red cross, brussels, plaster