Yields information about Ballarat's trams at the Sebastopol terminus and the tram operations at the Bell St loop.Agfa blue/white mount, colour slide of tram 21 at the Bell St loop, taken from the rear cab of a preceding tram. In the distance is another tram, most likely going to Sebastopol Tram 21 has the destination of Lydiard St North. On the right hand side of the photograph is the W. Parkin Milk Bar with a Peters Ice cream cone sign. See Reg Item 7490 for another photo of this shop."11-4-71" in ink.tramways, trams, bell st, skipton st, tram 21

Yields information about the use of Wendouree Parade and the milk cart that use to run during the day at the time.Digital image of tram 13 in Wendouree Parade, with a horse drawn milk cart alongside. No. 39 is in the far distance. The tram has the destination of Victoria St and an ANA mutual benefit society roof advert. Photo by John Ward 27 Feb. 1971. Slide title "04410 270269 6926-D SECV Single truck trams 26 & 20 at night time on layover in Sturt St Ballarat Vic"trams, tramways, wendouree parade, horse drawn vehicle, milk cart, victoria st, tram 13, tram 39

The design of this crest was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859. It became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. Four circular cast bronze plaques with City of Brighton crest. The outer border surrounding the central crest includes CITY OF BRIGHTON lettering around the top half, two diamonds on the bottom left and right sides with the British Coat of arms at the bottom centre. The central crest depicts the Brighton coastline in relief, with a pier extending to the water, sail boats and a ship in the distance, a train on the right of the pier, a bathing box and trees on the left.plaque, city of brighton, brighton, crest, coat of arms, municipality, bayside

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished. Original, large sepia photograph showing men, women and children who have gathered on a grassy verge, probably farm land, to look out across the flooded Yarra Valley at Willsmere, North Kew. In the medium distance are three houses that are largely submerged by the flood waters as well as a number of Eucalypts. Judging by the clothes of the spectators, the date might be 1901 or 1916, but probably the latter due to the hats worn by a number of the women. Inscribed reverse: "Gift of Kerrie Woollard (KCC) (P)C.1923yarra river valley, kew east (vic.), floods, willsmere

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of an original mounted photograph showing a worker standing on a ladder in Glenferrie Road, Hawthorn, working on the overhead electric cables that would be used to power trams on the New Kew tramline.Other railway workers are working on platforms or viewing the man on the ladder. The ladder appears to be only supported by one other worker. "The Don Store" at left is immediately behind the old railway level crossing which can be seen in the distance to the south.Annotated verso: "Preparing for electric trams in Glenferrie Road, near Glenferrie Station, showing railway gates / Taken by E.J. Dower 1914"theme --- travelling by tram, theme -- connecting victorians by transport and communications, glenferrie road -- hawthorn (vic.), railways -- hawthorn

Colour-tinted postcard, titled in red upper left: “RIVER YARRA AT STUDLEY PARK, KEW”. On the divided reverse, the card is addressed to “MISS JOLLEY / MELB. TRAM & O[MNIBUS]. CO / BOURKE STREET, MELB”. The sender has dated the card 21.12.08. In the upper right corner, there is a pink Victorian one penny postage stamp; sent from Melbourne on 22DE 08. (The division of the reverse of the postcard, allowing a message to be written on one half and the address on the other, was not permitted in Australia until 1905.) The manufacturer of the postcard is indicated by the initials “W.T.P”, printed in a green floral diamond, printed centre top. This was the trademark of WT Pater, printers & stationers. William Thompson Pater was born in Melbourne in 1861. His business at 271 Little Collins Street offered Christmas cards, booklets, calendars, and leather goods as well as postcards and albums.Hand-tinted postcard of the River Yarra in Studley Park, Kew. The birds-eye view is of a bridge on the Yarra (Johnston Street?) linking Kew and Abbotsford as it appeared in c.1908. On the Abbotsford side of the river, fields lead down to the river, with some remnant trees. The Kew side of the river, in contrast, due to its steep banks, retains its original vegetation. In the distance is industrial development, in what might be Fairfield and Alphington.“RIVER YARRA AT STUDLEY PARK, KEW”river yarra -- kew (vic.), william thompson pater, w.t.p., postcards -- kew, postcards -- studley park, bridges - yarra river -- kew (vic.)

Book read by family members, especially Lance Sebire who was awarded it from Sunday School in 1936Large hardcover children's book for boys with coloured picture on front cover of two boys sitting on a rock, one looking through binoculars and the other pointing into the distance. The title, The Big Budget for Boys is printed in black lettering on the front and spine with an illustration of another boy and the publisher. The back cover is also illustrated in colour with two more boys reading a map. The collection of adventure stories have black and white illustrations throughout.Mrs Les Gaudion's Class - Methodist Sabbath School Wandin Yallock. Awarded to Lance Sebire for Diligence and Attendance. Mr J H Lord Supt. Harold Blanksby Sec. May 18th 1936. The Book Depot, 288 Little Collins Street (Methodist Book Buildings)adventure, young people's fiction, children's fiction, children's book

The phosphoroscope was invented by Alexander Edmund Becquerel and used to measure the amount of time that a phosphorescent substance will glow after being irradiated by a brilliant source of light.The phosphoroscope consists of a round metal chamber with a pair of rotating discs inside, arranged so that no light can pass directly through the chamber. The discs have cut-out windows spaced equally at regular angular distances and are turned by the hand crank linked to a gear mechanism. The sample is placed in a specially designed holder into the small opening near the gearing, and it is exposed to the light source through the large rear condensing lens.Engraved on chamber: 'Phosphoroscope de E. Becquerel / J. Duboscq a Parisbecquerel phosphoroscope, phosphoroscope, optical instruments, phosphorescent, alexander edmund becquerel, jules duboscq, france

‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew)

Also 1 Black and White Photographic copy 12.5cmx17.5cm, fair condition P01154-2Black and White Photographic miniature postcard showing the southern abutment of the North Arm Bridge, town, including Club Hotel and garage, sand, hummocks and in distance, the footbridge across Cunninghame Arm. Workmens huts at bridge approach, motor car and truck parked westside of bridge approach. Boats in western boat harbour. Atlantic Ethyl sign behind Club Hotel, and tanks on tall tankstands. Lakes Entrance Victoriabridges, coast, hotels, boats and boating, fences, transport

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardInscription on reverse: ‘In the distance among the foliage can be seen the New Bridge across the River Watt. Previous to its erection, the only means of crossing over to the township was across the fallen trees, which are of prodigious dimensions. The River, as may be seen, is very rapid, and, though shallow, it contains a great quantity of fish of a somewhat moderate size.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria

Jigs And Reels won the Kick Handicap at Melbourne Showgrounds on the 14 January 1978, followed by Quick Whip and Kazibob. Jigs And Reels owned by Mr G Harrison, was trained and driven by K Allen. Jigs And Reels raced from 1975 (3yo) through to 1979 then went to US and raced until 1985 (13yo). Career: 29 wins 22 seconds 20 thirds 216 starts.Two colour photographs, one small one large in a brown frame. At the top: Kick Handicap/ Showgrounds / 14-1-78 At the bottom: Left corner: Distance 2538 Metres / Kilo rate 1-22-4 Centre: Quick Whip 2nd /Jigs And Reels (Delvin Dancer - Canny Rose) / Kazibob 3rd Right corner: Owner Mr G Harrison / Trainer - Driver K Allenhorses, race, winner, driver, trainer, owner, melbourne, showgrounds, 1978, jigs and reels, k allen, mr g harrison, quick whip, kazibob

Tape measure cases were designed to house a tape measure to enable the measuring of distances, usually for a building project. This case would have been produced after 1877 when John Rabone and Sons were registered. This case probably had a cloth tape measure with inches marked on one side and sometimes they had poles marked on the other (1pole measured 198 inches, or 500cm). The tape was usually pulled out to measure and then wound back into the case Leather and brass circular case. No measuring tape inside. Stitched case.JOHN RABONE & SONS BIRMINGHAM ENGLAND. "Cemetary" scratched on back.tape measure, building, churchill island

Postcard produced by the Rose Stereograph Co. No P 3747, showing the scene at the corner of Moorabool and Ryrie Sts Geelong. Has a tram in the far distance turning out of Malop Street along with many motor cars of the late 1940s. In the view are Bright and Hitchcocks, the T&G building, Bank of NSW, Coles, and the Amalgamated store. Also in the view is one of the Bar neon-type traffic lights that Geelong installed. The rear of the postcard notes that it is a real photograph. Yields information about the view of Moorabool St at Ryrie St.Black and white Postcard divided back, unused. On top right hand rear is "1949"tramways, trams, geelong, moorabool st, ryrie st

Rose Series postcard No. P 3645, titled "Lonsdale Street Melbourne', looking east from Queen Street. Has several cable trams in the far distance at Swanston Street. In the view is the Myer Emporium Lonsdale Street store and the Eastern Hill fire station tower. There are adverts for Dulux, Tribune, Wynss, Fox films, A E Hoad? Stillwell Stephens. The cable trams in Lonsdale Street west of Elizabeth Street closed in early 1935 and the remainder in 1939. Yields information about Lonsdale St c1933.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.Has the 3rd part of a letter to Ken on the rear.trams, tramways, cable trams, lonsdale st, myer

This handheld portable pendulum quadrant scale was used to weigh small paper items such as letters and documents, powdered chemicals or metals like gold, and animal fleece samples. This mechanical scale can weigh up to a maximum of 10 ounces, which is about 285 grams or one-and-a-half cups of brown sugar. The operator holds the scale’s ring and connects the item to be weighed onto the wire clip. The weight of the item causes the pendulum to pivot, and the scale measures the weight of the object, indicated by the arrow. This scale belonged to Dr William Roy Angus and is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Force. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This letter scale is the only one of its type in our collection. It is an example of objects belonging to Dr. W. R. Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Letter scale, a handheld quadrant fixed pendulum scale made from silver-plated metal. This small weighing instrument is shaped like a quarter-circle with a metal ring, a fixed pendulum counterweight and a decorative pivoting arrow indicator. A hanger clip is attached to a short arm of the scale. Measurements are embossed on the arc of the circle, labelled in ounces (oz) and ranging from 0 to 10 at unequal distances apart. The scale is part of the W.R. Angus Collection.Scale measurements, "OZ" (ounces), "0 /14 1/2 1 2 3 4 5 6 7 8 9 10 "flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, mira hospital, w.r. angus collection, scale, weighing instrument, measure weight, postal scale, chemist scale, letter, weigh, post, office, quadrant scale, letter scale, handheld, portable, mechanical scale, pendulum scale, fixed balance scale

Blueprint copy of Survey Map W27 detailing original Selectors' names and property locations between Yarra Yarra River (Warrandyte) and Mullum Mullum Creek (Ringwood). List of Parish map references including property bearings, distances in Links, and markings on trees. Pound Bend area of Warrandyte marked as Reserve For Aborigines. Descriptive remarks include areas marked "scrubby, flat, sandy soil". Several other references faded and illegible.(Map) by T.H. Nutt Feb 3 1841.

1970 National Bank painting reproduction 'Deep Sinking , Ballarat' by S.T.Gill c. 1855 Below the picture title the words - Reproduced by the National Bank in 1970 from the lithograph in the La Trobe Collection , State Library of Victoria , by permission of the Library Council of Victoria .Also on the painting is written -James J Blondell & Co Melbourne 1855. The painting shows mine shafts with windsails and windlasses a horse and cart , three men in the foreground several in the distancepainting, watercolour, gold diggers

The Pace Stick is used to measure the correct length of pace. Rhythm and uniformity in marching is achieved by using the Pace Stick as well as the drum and metronome. Correct pace length is necessary not only for ceremonial purposes, but also to reduce fatigue on long marches and set the standard of accuracy required of soldiers. The Pace Stick is actually two pieces of timber, hinged at the top and able to be set to a particular distance, something like the compass set you used at school.

Yields information about Sturt St streetscape from near Dawson St, after a snowstorm, looking east.Digital image from the Wal Jack Ballarat Album of a photograph of the Sturt St median strip looking east from near Dawson St during a snow storm on 5-8-1941. Has tram 27 in the far distance. On the right hand side are Harry Davies Co and Scott Chemist buildings. Thought to be a Wal Jack photo as it is his handwriting on the rear, but no negative number. See image i2 for rear of photograph.On rear of photograph in ink "Ballarat No. 27 Sturt St, in snow scene 5th August 1941"trams, tramways, sturt st, snowstorm, tram 27

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.Former court room of the Kew Court House. By 1993 when this photograph was taken, the room had been taken over by the Kew Police Station and used for police lockers and as a briefing room. In the foreground the edge of the magistrates' desk can be seen and in the distance the railing used to separate the public gallery from the main section of the court. This railing was repositioned to the foyer during the renovations of the Court House from 2007-11. The magistrates' desk was destroyed. kew court house, public offices -- kew (vic), kew police station

Quamby was built in 1898. From 1900/1903-1924 it was the home of Andrew Sherar and family. From 1924-1960s it operated as Mosgiel Hospital under the direction of Matron Elizabeth Anderson. Until Box Hill Hospital opened most Surrey Hills children were born at Mosgiel or at Nethercourt Hospital in Wilson Street or later in Union Road when Matron Tank moved her hospital here. Mosgiel Hospital was demolished c 1975 after it was sold by Box Hill Hospital. It was replaced by units. Andrew Sherar was conductor of the Wyclif Church choir for many years and was a member of the Melbourne Liedertafel. Isie Sherar was organist at Wyclif Church and also taught piano in Union Road. Connie Sherar was in the Wyclif choir and married Ernest Swan, an elocutionist and orator. Dorothy Sherar was a pianist and accompanist. Elsie Sherar was also in the Wyclif choir and was a soloist; she later moved to Templestowe. Ken Sherar was a boy soprano at St Paul's Cathedral; he later moved to Queensland.Black and white photo looking south down Vincent Street from 'Quamby', located at 293 Mont Albert Road, Surrey Hills. In the centre foreground is a timber house with 2 chimneys and a tiled hip roof. It has a return veranda and is fenced on 2 sides by paling fences and picket fences on the other two. In the background are many more houses. A road lined with power poles runs from the right foreground to the middle distance.quamby, vincent street, edwardian style, topography, andrew sherar, isie sherar, connie sherar, dorothy sherar, ken sherar, elsie wappet

Agfa colour slide, blue / white plastic mount, photo by Keith Caldwell W7 771, northbound in Elizabeth St at the corner with Therry St Melbourne. Tram has destination of North Coburg, Route 19. In the background is the Commercial Bank of Australia (CBA), the Victoria Market Post Office and the city depot of Henderson's Springs. Both corner buildings remain in position. Note the short distance between the tram stops. 25/4/1964In ink "Zone Eliz Nr Vict 25.4.64"trams, tramways, w7 class, route 19, victoria market, north coburg, elizabeth st, tram stops, tram 771

Magdala cum Moonlight Mine. Wide view of mine with Grampians Mountains in background.Mine with snow. The Cyanide plant was constructed in Sept 1900 and became the largest in Victoria. Just in front of the large tree a ramp can be seen and a horse and dray going up the ramp. Just below and to the left of the tree the cyanide vats can be seen. On the right is the poppet head of the Magdala and Oriental and North Cross Mine. The fire station is on the left in the far distance. with the W S Heal & Sons Coachbuilders Corner of Lazelle and Byrne Street businessMagdala Cum Moonlight Mine. Herbert's Studio. Stawellstawell gold mining