Showing 1886 items matching "legs"
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The Beechworth Burke Museum
Animal specimen - Grey Currawong, Trustees of the Australian Museum, 1860-1880
This specimen is a Grey Currawong. There are six subspecies of Grey Currawongs and they can sometimes interbreed with other species of Currawong leading to a divergent series of appearances amongst the species. The species can be found in the south western to south eastern parts of Australia, including in Tasmania. It is an endangered species in the Northern Territory although the reasons why are not yet known. They prefer a wide range of habitats including coastal to arid and can also be occasionally found in suburban areas. This specimen was misidentified as a Grey Crow in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Currawong has mainly grey plumage with a white tail tip and darker undercarriage. It has yellow irises, made of glass, and brown claws. The bill is dark in colour. This specimen has been placed upon a wooden mount in a downwards facing position. It has a paper tag attached to its right leg.16a / Grey Cro [torn] / See Cat / [torn] /axidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey crow, grey currawong, currawong -
Bendigo Historical Society Inc.
Document - DEBORAH MINE - DEBORAH MINE MACHINERY & EQUIPMENT
Handwritten notes on machinery and equipment at the Deborah Mine. Reference: Mining & Geological Journal July 1938, pages 28 & 29. Items mentioned include: Poppet Legs, winding engines, boiler, suction gas plant, electricity, battery and surface plant. J. J. Caldwell name on the paper. Also, a typewritten copymine, gold, deborah mine, deborah mine machinery & equipment -
Bendigo Military Museum
Uniform - FLYING SUIT INNER, RAAF, 1943
Refer to Cat 112P for Service Record. Missing presumed dead.Flying suit inner - brown colour cotton sateen fabric with kapok lining. Metal zipper at front. Tape ties to aqnkles. makers label back below collar.Maker's label - black ink print on white cotton "W>P> 1019 KAPOK LINING/Size 2/Height 5'5" to 5'6"/ Breast 33"/35"/ Waist 30"/32"/ Seat 36"/38"/ Leg 28"/ H174255/ 40/ C.I.L. (D)/ 1941". Faint black ink stamp above label - "(Crown)/ A.M."uniform, raaf, ww2 -
Beechworth RSL Sub-Branch
Jacket Service Dress, 1999
The jacket is indicative of the dress jacket worn by a sailor of the rate of Naval Police Petty Office who has completed 12 years service.Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Naval Police Coxswain Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 111S (short fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4omm x 80mm showing company logo ADI / 1999 / arrow pointed up /NSN: 8405-66-132-2309 / Wool polyester / size 111S / matching / trouser size 101S / chest 112 / waist 102 / inside leg 78 / No / Name / Dry Clean Only / Made in Australia -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORK DRESS, ARMY, Australian Defence Industries, 1963, 1986
1. & 2. Trousers - green colour cotton twill fabric. Plastic buttons - brown colour. 1. Five button fly with two straps with metal buckles at waist, button down belt loops, two side pockets, two back pockets with button flap. Waist and pocket lining green cotton fabric. Left leg side pocket with button down flap. 2. Four button fly, button down belt loops, two side pockets, two back pockets with buttons. Two front of leg pockets with button down flap. Pocket lining - green polyester fabric. Green cotton manufacturers label inside back waist band. Army Work Dress commonly called "GREENS".Manufacturer's label - black ink print. 1. "C.G.C.F./ VICTORIA/ 1963/ SIZE 15/ ^/ REGIMENTAL NO/ NAME" 2. "A.G.C.F./ VICTORIA/ 1986/ 6 / WAIST AND SIZE/ 89/995/ 8405.66.029.0606/ ARMY NO/ NAME". passchendaele barracks trust, uniforms, army, workdress, trousers -
Flagstaff Hill Maritime Museum and Village
Tool - Jointing Plane, Prior to 1950
A long coopers joiner plane is used to to shape the staves that form casks and kegs, with these types of plane reaching up to 180 cm in length. Unlike other planes these are used when lying stationary with the sole uppermost (base). The cooper would push the stave along the upturned sole with the sole towards the cutter. Because of the long length, Cooper’s jointer's were often mounted on legs at the rear and angled at about 60 degrees, with the toe resting on the ground or rabbeted to fit into a floor cleat or bench.A specialised tool used in the making of barrels, this type of tool has been used for many hundreds of years by coopers all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Coopers long Jointer Plane with wooden "A" frame stand, also called "Coopers' Long plane".Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, coopers tools, coopers long plane, barrels -
Bendigo Military Museum
Award - MEDAL, CARD & IDENTITY DISC, 1 & .2) post 16.4.17, .3) post WW1
Thomas William Tuckerman enlisted on 16.4.17 in the Australian Tunnelling Coy reinforcements age 38 years. A Miner at 5 feet 2 and a half inches tall. Embarked for England 4.8.17, hospital on 1.11.17 with scabies, embark for France 14.11.17, transfer to 2nd Aust Tunneling Coy 28.7.18, WIA on 30.9.18 GSW to leg. Discharged from the AIF on 4.5.19. He was also entitled to the War medal 1914-19. Refer 935P for his other two brothers in the AIF..1 Sepia postcard, photo of T.W Tuckerman. .2 Grey coloured metal ID disc. .3 Victory Medal, gold coloured, rainbow ribbon.1 "Postcard photograph of Kia-ora Studio Seymour, Vic" .2 "7318 TW Tuckerman, Tunn. Coy. AIF C.E." .3 "7318 Spr T.W. Tuckerman 2 Tunn. Coy. AIF"medals, photography, identification -
Flagstaff Hill Maritime Museum and Village
Tool - Jointing Plane, Prior to 1950
A long coopers joiner plane is used to to shape the staves that form casks and kegs, with these types of plane reaching up to 180 cm in length. Unlike other planes these are used when lying stationary with the sole uppermost (base). The cooper would push the stave along the upturned sole with the sole towards the cutter. Because of the long length, Cooper’s jointer's were often mounted on legs at the rear and angled at about 60 degrees, with the toe resting on the ground or rabbeted to fit into a floor cleat or bench.A specialised tool used in the making of barrels, this type of tool has been used for many hundreds of years by coopers all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950. Coopers long Jointer Plane with large metal blade metal plate attached to front half.Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, coopers tools, coopers long plane, barrels -
8th/13th Victorian Mounted Rifles Regimental Collection
Book - Document, WWII Diary Thomas H Fagan
Thomas H Fagan of Walbundrie NSW served in 105 General Transport Company during WWII. Following service in Syria and Egypt the unit sailed for home but was diverted to Java, Dutch East Indies where they became part of Blackforce. The Japanese following up their success in Singapore overran Jave and Blackforce went into captivity. Fagan spent a short time at Changi then nearly three years on the Burma Railway. He lost a leg to tropical ulcers but survived the war return to Australia at the end of hostilities.A document worthy of preservation and public access.World War diary typed by the diarist from notes kept at great risk throughout his imprisonment by the Japanese 1942-1945. Transcribed 2018 by Albury historian Jan Hunter and published by Albury & District Historical Society as Booklet No 31 in limited hard copy for district Libraries and Schools.diary, prisoner of war, burma, railway, changi -
Bendigo Military Museum
Photograph - PORTRAIT WW1, FRAMED, Post WW1
Hubert Valentine Gould enlisted as 2nd Lieutenant in the 4th reinforcements 4th Batt AIF on 12.2.15. Promoted to Captain 1.4.16. WIA 25.7.16 remaining on duty. Promoted to Major transferring to 17th Field Coy Engineers 9.5.17. WIA on 6.5.18 shell wound to back and leg he DOW's 8.5.18. This is one of a number that originally hung in the "Gallery of Honour" foyer of the Soldiers Memorial Institute" Pall Mall Bendigo now Bendigo Military Museum. Refer Cat No 8003.Portrait photo B &W of an Officer in uniform no hat re H. Gould. Set on a light coloured background in a dark stained wood frame."H.V Gould"brsl, smirsl, 4th -
The Beechworth Burke Museum
Animal specimen - Golden Whistler, Trustees of the Australian Museum, 1860-1880
The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird -
The Beechworth Burke Museum
Animal specimen - Ural Owl, Trustees of the Australian Museum, 1860-1880
Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc -
The Beechworth Burke Museum
Animal specimen - Australian White Ibis, Trustees of the Australian Museum, 1860-1880
The Australian White Ibis is commonly known by the colloquial names "bin chicken" and "tip turkey" in Australian culture. These nicknames have arisen based on the presence of this bird at garbage locations where it is often seen rummaging through the waste. The Yindjibarndi people of the central and western Pilbara call this species mardungurra. This bird is located throughout the wetlands of eastern, northern and south-western Australia. Initially, it was not seen in urban areas, however, the species has been able to adapt and reduce fear of humans due to the lure of food found in human garbage. They commonly feed on terrestrial and aquatic invertebrates alongside human scraps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian White Ibis has white and cream plumage on its body and a black neck, head, bill and legs/feet. The bill on this particular species has a distinctive long shape which is down-curved. It is a fairly large variety of the Ibis species. This specimen has been stylised in a standing position and is positioned on a wooden platform. 5 C. / White Ibis / See catalogue / Page 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ibis, bin chicken, white ibis, australian birds, australian white ibis -
Glenelg Shire Council Cultural Collection
Tool - Ships Plans / Moulds, n.d
Wooden pattern for mould for boat fitting. Rectangular, one curved long edge, one straight. Two buttress shaped 'legs' attached to underside, reaching from shaped to straight side, then extending at right angles. Two small cylidners of differing diameters, attached to underside, one a top the other. Painted yellow/orange. -
Flagstaff Hill Maritime Museum and Village
Clothing - Combination Undergarment, late 19th or early 20th century
This item of underclothing, called a "combination" is one of several linen and clothing items belonging to the deceased estate of Susan Henry OAM (nee Vedmore 1944 - 2021) that was donated to Flagstaff Hill Maritime Museum and Village. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crotch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. This particular item is made with lawn (a very lightweight fabric) and is sleeveless, making it suitable for hot weather. Although they were worn under the corset next to the skin (and therefore not meant to be seen), they were often decorated with lace or embroidery. This item is an example of the needlework skills of women in the late 19th century - using machine stitching and lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady’s white lawn and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has four buttons in the front and is trimmed with lace on the neckline, armholes, bodice (in a diagonal design) and legs. The left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, great ocean road, combinations, lady's combinations, undergarment, lingerie, handsewn, underwear, clothing, victorian era undergarments, lady's garment, susan henry oam, vedmore foundation -
Bendigo Historical Society Inc.
Photograph - IRONBARK MINE, NEW CHUM REEF, BENDIGO, 1930 ?
black and white photo: collapsed wooden poppet head of the Ironbark Mine, four men on the left hand side., with engine holding down bolts in the right foreground. 'Old Ironbark, New Chum Reef ?' 26.11.1999 Previous mng 39 In pen - Ironbark legs looking from the tram track and sand heap behind it.organization, business, ironbark mine -
Bendigo Historical Society Inc.
Domestic Object - BRASS FOOD WARMER
Brass Food Warmer With Lid (Methylated Spirits) three twist legs Cast Iron base under central conical tapered hole in centre of warmer approx. 15 cm diameter entire item 40 cm wide. Previous Catalogue Number 104 Accompanying tag reads ' Wilson Art Panel Art'.domestic equipment, food consumption, brass food warmer -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL DEBORAH GOLD MINE NL: GUIDE TO MINE, 1985
Document: 2 copies of complimentary guide to the Central Deborah Gold Mine. Details information about poppet legs and shaft, change room, drying room, first aid room, ore bins, boiler, stoke hold, winding engine, boiler feed pump, electric compressor, dteam driven compressor and blacksmith's shop.Central Deborah Gold Mine NLorganization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl, goldmining -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - GOLD MINE, CLUNES
Two red covered auction catalogues for an auction held at the Gold Mine, Clunes on 15 March, 1941. Sale comprised of Winches, boilers, pumps, wire ropes, piping, rails, poppet legs, cages, tanks, trucks and tools, etc. Contains descriptions of the larger machinery. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - gold mines - clunes, clunes goldfields (1931) limited, j h curnow & son, j l jamieson, the cambridge press -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - GUILFORD PLATEAU GOLD MINES
Two red covered auction catalogues for a sale at the Guilford Plateau Gold Mines N. L. on 20 November, 1940. For sale was mining machinery, buildings, plant, tools, tubular steel poppet legs, pumps and piping. Contains description of some of the bigger machinery, etc. Auctioneers were J. H. Curnow & Son.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - guilford plateau gold mines n. l., mr e a arnold, j h curnow & son, the cambridge press -
Friends of Westgarthtown
Washing board
Wooden framed wash board with zinc coated corrugated steel board insert. Wooden frame consists of two legs three supporting wooden rods on back side of tin board and top and bottom wooden slates. Tin board has small holes all throughout. On wooden top the "Advantages of the board" are printed.Printed on wood on top of back side of board. "Advantages of this board. 1. No "Protector" is Needed. The water goes through the holes and never wets the apron of the operator. 2. The holes enable you to rapidly force both air and suds through the fabric, and so hasten the cleaning process. 3. The nicely "arched" surface is much easier to wash on than the orsinary flat surface. 4. Is, light, strong, durable, always retains its shape and never sags. 5. Has no board back to retain moisture and corrode the zinc. 6. Is very easy on the clothes. Do not have to rub them all to pieces to get them clean. Soon pays for itself on this count alone. 7. Is not only THE FASTEST WORKER IN USE, but is already coming into more general demand than any other wash board in the world. 8. If the saving of a womens strength is worth anything the labour saving qualities of this board would make it well worth $1.00. Always RUB LIGHTLY and find how easily the board itself will do a part of the work. TAYLOR, SCdomestic items, laundering, advantages of this wash board, wash board, laundry, cleaning, clothes, taylor, scoot and co., toronto, canada, washing. -
Bendigo Historical Society Inc.
Document - CENTRAL NELL GWYNNE MINE - CENTRAL NELL GWYNNE AREA DEVELOPMENT
Typed notes on the development of the Central Nell Gwynne Area for tourism. Mentions restoration of poppet legs, extending safety braces, erect mining type buildings in their correct positions, engine-house over engine-beds, etc to act as a mining museum and to compile a directory dealing with all aspects of gold-mining on the Bendigo goldfield.mine, gold, central nell gwynne mine, central nell gwynne mine, central nell gwynne area development -
Stawell Historical Society Inc
Photograph, Stawell Cricket Club 1913
Cricket Stawell Club 1913. Taken at Central Park with Curators Cottage in background. There is a granite sand bike track outside the grass oval inside a picket fence.B/W Photo: with 16 People in three rows, Back Row Standing, centre row seated, front row laying down man on right is wearing cricket pads and has a bat over one leg, the man on the right has a young child in front of him. 8 of th emen are wearing hats.Stawell Cricket Club 27.1.13stawell sport -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
Orbost & District Historical Society
chair, 1988-1989
This pole chair was probably made as a display item for the Slab Hut (Orbost Visitor Information Centre).A triangular shaped three-legged pole chair. The chair seat is made from a hessian potato sack - Packed by McDougals of Neerim Vic. The sack is attached by wire. The frame of the chair appears to be made from one solid piece of wood. It is dark brown in colour and has a cross piece at the front and a small strengthening piece on the backm leg.furniture chair -
The Beechworth Burke Museum
Animal specimen - White-Necked Heron, Trustees of the Australian Museum, 1860-1880
The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron -
Flagstaff Hill Maritime Museum and Village
Instrument - Drainage Level, 1750-1795
Adams jnr wrote many elementary scientific works, as well as on the use of mathematical instruments. He often combined in his written works with religious themes and scientific content, often against the prevailing thoughts of the time. According to one popular magazine of the time (Gentleman's Magazine), his works were often accused of "growing errors of materialism, infidelity, and anarchy". He started writing at a young age and developed a love for it, his main interests included math and science, these subjects he often expressed in his written essay's. Notable works from Adams are. An Essay on Electricity, and Magnetism (1784). Essays on the Microscope (1787). An Essay on Vision, briefly explaining the fabric of the eye (1789). Astronomical and Geographical Essays (1790). A Short Dissertation on the Barometer (1790). Geometrical and Graphical Essays, containing a description of the mathematical instruments used in geometry, civil and military surveying, leveling and perspective (1790). Lectures on Natural and Experimental Philosophy, in five volumes (1794).George Adams Sr and Jnr were both notable opticians and scientific instrument makers of the 18th century. Their contribution to scientific innovation and optical development cannot be underestimated. Having one of their early drainage levels in the collection and in extremely good condition is an asset to the Flagstaff collection.Drainage level or optical level. A brass surveying instrument with Achromatic telescope, bubble level and dial fitted to the Tribrach or footplate that has leveling screws. Tripod is wood and brass with adjustable and unscrewable legs (for ease of transportation). Made by "G. Adams Fleet St, London". Used in surveying and building to transfer, measure and/or set horizontal levels."G. Adams - London".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, george adams fleet street london, optical instrument, scientific instrument, technical instrument, surveyors level, george adams snr, projection microscope -
Cheese World Museum
Sports Uniform, Sydney 2000 Olympic Games Cycling Uniform, 2000 (estimated)
Uniform worn by Michelle Ferris, a Warrnambool athlete, who was sponsored by Warrnambool Cheese and Butter Factory. Long sleeved yellow lycra top joined to navy shorts, with a zippered front opening. Australian emblem and Sydney Olympics logo. the left sleeve and right leg have stars of the Southern Cross. The uniform is displayed in a wooden frame.On the frame- in appreciation of continued support of the Warrnambool Cheese and Butter Factory Co Ltd. Michelle Ferris Olympic Silver Medalist 1996 & 2000cycling, warrnambool cheese butter factory, ferris michelle, sydney, olympic games, uniforms -
Cheese World Museum
Butter cutter
No known provenance.Gold-coloured metal butter cutter on 4 legs with winding handle, a box for butter and a wheel on a threaded spindle. The metal handle is connected to a geared cog and when turned pushes a metal plate in the butter box which forces the butter through a star-shaped hole and the wire drops to cut the shaped slice of butter to the determined size.BUT AP ATTAbutter manufacture, butter cutters, warrnambool cheese and butter factory company ltd -
Flagstaff Hill Maritime Museum and Village
Chair
Chair wooden Spindle Back Bent with a pressed foliage pattern to the top rail. The seat also pressed and all supported on four splayed legs with a supporting circular rail. Height 900 mm, Width 470 mm, made from black wood, circa 1880, one of the spindles is broken, bad wood borer damageflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village