Diggers & Mining. The gold licence. The Government Camp. As well as government escorts, there were a few private gold escort companies operating in the early 1850s. One of them carried gold from the Ovens diggings to Sydney. In 1852, the South Australian government established a gold escort service between Mount Alexander and Adelaide. Why? Markings: 25 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Notes, some taken from the Bendigo Advertiser 10/71895, 12/7/1895, and 23/12/1885. Items mentioned are: Snakes of the Whipstick, Science Society, Elliott's Reef Company, Sandhurst Museum, Snakes common to Bendigo, Snake Bite, The Whipstick Water Supply - Bendigo Advertiser 23/12/1885, Are Slides guides to Mining, Mr Wilson Froggatt's return from New Guinea, Death and a short obituary of Dr MacGillivray, Some of the work of watercolour and pencil artist, Mr R H Nancarrow, of Neilborough, and a description of Dr Mac's new residence on the lower corner of Rowan and Forest Streets.bendigo, history, early bendigo, peter ellis collection, bendigo advertiser 10/7/95 pg 3 & 12/7/95, snakes of the whipstick, school of mines, r brough smyth, science society, dr macgillivray, eaglehawk prospecting committee, elliott's reef company, sandhurst museum, prof halford, mr r bloomfield rees, professor mccoy, mr vahland, mr robshaw, the whipstick water supply, bendigo advertiser 23/12/1885, mr nancarrow, mr wilson froggatt, sir edmund strickland, geographical society, paul howard, isabella shields, sandhurst mining board, mr r h nancarrow - artist - watercolour & pencil, arnott's patent ventilators

Manilla Folder containing reports from various mines in Bendigo and surrounding areas. 1. 4 page typewritten report on the Balaclava Hill Mine at Rushworth and some newspaper clippings about the mine with a plan of the underground workings; 2. Page from the Árgus' dated 2nd August 1900 featuring an article on the survey of the Garden line of Reefs; 3. 5 page report with maps on the Tooleen Gold Field; 4. Single page report about an unnamed mining area claimed to be on the southern end of the Deborah line of reef. (this could be the 'Three Jays' mine in Sedgwick. P. Wilkin); 5. Hand written report on the Coronation Mine, 2 miles east of Walhalla.; 6. Hand written report dated 1935, of the Queen Mary mine, St. Arnaud.; 7. 1932 report on the North Neangar lease.; 8 4 page report on the Kings Prize Gold Mining Syndicate.; 9. Description of the plant of the Marong Alluvial Company? Also a guide for marking out leases.; 10. Crushing details (1 page) from the 'Enterprise' Mine South of and adjacent to Perseverence.; 11. 1 page crushing details from Rowe Brothers, Mosquito Mine, Fryerstown.; 12 hand written report mentions Arthur Hatfield, Scarsdale.; 13. Map with lines of reef showing the position of the New Moon Consolidated and the New Moon United shafts.; 14, Large scale map from Harrison/Victoria street to Havilah Road showing the positions of the Carlisle, North Garden and Unity Shafts.gold mining, miners' safety cage, sundry reports, mining. bendigo, rushworth, balaclava hill, garden line of reef, toolleen, coronation mine, walhalla, queen mary mine, st. arnaud. north neangar, kings prize gold mining syndicate, marong, enterprise mine, perseverence, rowe brothers, mosquito mine, fryerstown, arthur hatfield, scarsdale, new moon consolidate, new moon united, carlisle, north garden, unity.

Manilla Folder containing correspondence and consents relating to the following Gold Mining Leases; 10819, 10027 (North Virginia Gold Mining Co.);, 10370 Great Eastern (Bendigo), includes map; 10014, South monument; 10059 North Neanger, with map; 10072 ; 10104; North Virginia; 10068 New Don Company with Map; 10032 New Balaclava, Whroo; 10026 East Clarence Gold M/C. Dated 1933 - 34gold mines, bendigo, gold mines, north virginia, great eastern, south monument, north neanger, new don, east clarence, new balaclava

Trifold invitation. On front cover is gold coloured image of rock strata. Written underneath: 'The Objective, to bring gold back to Bendigo'. On bottom of front page 'Bendigo Mining' with poppet head logo. Inside on first page: Your invitation- Peter McCarthy, Chairman Bendigo Mining Limited and Doug Buerger, Managing Director and Chief Executive Officer, request the pleasure of your company for the official opening of Bendigo's Mine at the kangaroo Flat site by Hon Steve Bracks, Premier of Victoria, on Friday 20 October, 2006. Colour photos of a gold pour, underground mining and a miner, on other pages of invitation. environment, kangaroo flat, goldmining, , environmental impact, exploration, mining, bendigo mining, doug buerger, peter mccarthy

Bookl of pamphlets for Ingersoll-Rand rock drills, dating from early 1900s. Includes booklets on the Sergeant Tripod, Sergeant Rock drills, electric air rock drills, tie tamping outfits. Light brown covers with fabric covering. Written on top of front cover 'H. Palmer' Ingersoll Rand Company Melbourne. Please Return. Previous owner's name and address crossed out(W. L. Riley?) Booklets published between 1912 and 1921 by Ingersoll Rand Co. 11 Broadway New York.bendigo, gold mining, rock drills, bendigo, gold mining, ingersoll-rand, rock drills, electric rock drills

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Township of Walhalla’ : Views of Victoria (General Series) No.37 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This romantic Township is situated near Stringer’s Creek in Gipps Land, not far from the celebrated Baw-Baw Mountains. The Long Tunnel Gold Claim has proved a great source of wealth to this small out-of-the-way place, yielding sometimes between 2,000 and 3,000 ounces of gold per month. The population, which is mostly a mining one, reaches nearly 2,000 inhabitants, and are scattered about among the creeks and gullies of the neighbourhood. Until recently, the road traffic was limited to pack-horses, in consequence of the precipitous hills which surround the Town.‘nicholas caire (1837-1918), walhalla, landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria

Upper Main Street east of Patrick street, looking East c 1867 with Big Hill Mining in Background. J McGee's Shamrock Hotel. Jennings Western Turf Hotel. R Lorimer & Co. Photo c 1867 McGees Shamrock Hotel centre. R. Williams Dining Rooms, Jennings's Western Turf Hotel. Situated in upper Main Street (Opposite Monaghan's Estate Office) Mr. George Jennings was proprietor until the late 1860's when he went to live at "Mayo Park" Lubek. The Hotel had Various owners until it was delicensed in 1909 and became a boarding house. It was demolished in 1921. R. Lorimer & Co general Store near corner of Patrick Street.Streetscape of South Side of Main Street East of Patrick Street. Two wagons in street. Showing J. McGees Shamrock Hotel, R Williams Dining Rooms, Jennings's Western Turf Hotel and R. Lorimer & Co. Mine Engine Chimney is on left of photo. Big Hill in Background with Waterloo Reef Company Whim at centre.stawell streetscape

B/W photo Jubilee Open Cut Wonga Company Cyanide Gold Recovery 1899Open Cut with sections of rail track bottom left. Ore cart at right of photo. stawell mining

Jubilee Dam in foreground that supplied water used in the Cyanide process.B/W photo looking at plant across damstawell mining

B/W photo Wonga Company 1899 showing how ore is taken up an incline in ore trucks..Rail tracks with ore trucks pulled by cable moving up incline to processing plantstawell mining

B/W photo Jubilee Open Cut - Wonga Company ore body 1899Rock wall of open cut.stawell mining

B/W photo Jubilee Open Cut - Wonga Cyanide Gold Recovery Company 1899.Open Cut with light rail tracks and ore truck in foreground.stawell mining

Paul Raphael MONTFORD (1868 - 1938) Paul Montford moved to Australia to carve four buttress groups in granite for the Melbourne Shrine of Remembrance. In 1924 he was teaching at Geelong Technical College. Professor Alfred Mica Smith was a long term lecturer at the Ballarat School of Mines. The sculpture was commissioned by former Students of the Ballarat School of Mines working in Western Australia. One of those former students, William Corbould, remembered his first encounter with the professor fondly:- 'From the Registrar's Office I was led to be introduced to the Professor of Chemistry, one Mica Smith. The initial encounter gave me little encouragement - his large laboratory was filled with hundreds of bottles bearing strange labels with queer symbols on them. My heart sank. At the first opportunity I grabbed my hat and made for the door, but the good professor called me back. I pointed out that I was never any good at school ... so it was no use pretending to be clever enough to understand all those weird symbols! The Professor told me not to worry about that and took me to one of the benches where he found a blowpipe and a charcoal block. Mixing together two powders from bottles on the shelf he transferred a sample to the charcoal and directed the bunsen flame onto it. Soon it began to melt and a white bead appeared in front of my eyes. He then took a test tube and added a little colourless liquid from each of two bottles. A beautiful dark blue colour appeared. My interest was won.' Alfred Mica Smith was the well-loved Professor of Chemistry and Metallurgy at the Ballarat School of Mines between 1881 and 1922. Upon reaching the age of 78 Mica Smith retired having influenced generations of miners. At the time of his death Ballarat School of Mines Students’ Magazine reported: "In the annals of the School, the year 1922 will be noted chiefly as the last year in which Professor Mica Smith taught here. With his retirement, a memorable epoch closed. The Professor has served the School for 42 years with a service, the length and thoroughness of which are unique. … It is not quite realised in this city how famous the School became throughout the world, nor to what extent the Professor was responsible for its high position in the mining and metallurgical world. … This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Marble bust of Ballarat School of Mines Professor Alfred Mica Smith by Paul Montford. The bust is mounted on a jarrah pedestal made from timber donated by the Millar Timber and Trading Company. The bust was formally presented to the Ballarat School of Mines on Saturday 13 December1924 in front of Alfred Mica Smith and a large gathering. It is signed 'Paul R. Montford, Sc, 1924' at the back.Professor A. Mica Smith, 1924, Presented by His Old Students Associated with Western Australia as a Token of Affectionate Esteemart, artwork, ballarat school of mines, montford, paul montford, alfred mica smith, mica smith, marble, bust, sculpture

Donald Clark Collection. A monochrome photograph depicting sandstone miners at Llanelly. Copy photograph. mining

The Maddingley area of Bacchus Marsh was surveyed for brown coal deposits in the 1930s. By the early 1940s brown coal in large quantities was being extracted and was transported to Melbourne where it was used to fire boilers for the Australian Paper Mills (APM) company. By the 1970s APM was using natural gas instead of coal. Maddingley brown coal was then used to fire boilers for the CRA/VISY cardboard factory at Bacchus Marsh. This factory closed down in 1990. During the 1990s the mine was acquired by the Calleja family company who ran transport and waste management operations.The Maddingley Brown coal mine was a major industry in Bacchus Marsh for 50 years. A sample of coal from the mine is a reminder of the importance of this local industry over an extended period of time.Two cylindrical plastic containers mounted on rectangular baseSample of pulverised brown coal produced from Maddingley brown coal deposit located at Bacchus Marsh Victoria, October 1981. Moisture content 12% - Specific energy - 22 GJ/Tonne - Particle size - 25% +90 Microncoal mines, mining, brown coal, maddingley brown coal mine

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 591 Canterbury Rd., Vermont This property is listed as having sold for $110,000 in 1993 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a weatherboard house. A footpath leads from the foreground into the midground toward the front door. In the foreground is a low brick fence enclosing a front garden. There are two hole punch holes just below centre of the upper edge591 Canterbury Rd., Vermont Margaret Picken -93 Woodards - .B/Burn.whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $351,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house, with steps from the footpath leading up to a raised porch. In the foreground is a stone retaining fence enclosing a front yard with garden bed edging. There are two hole punch holes just below centre of the upper edge125 Jolimont Rd., Vermont Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 1/455 Canterbury Rd., Vermont This property is listed as having sold for $233,500 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house with a driveway on the left leading into the background, and curving right toward a built in garage in front of the house. In the foreground in a picket fence, enclosing the property. 1/455 Canterbury Rd., Vermont Margaret Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 12 Gallus Cl., Vermont This property is listed as having sold for $425,000 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a two story brick house with muntin windows, with a driveway on the left leading to a built in double garage. To the right of the house is a tall picket gate, while in the foreground is a front yard with garden beds and decorative trees. There are two hole punch holes just below centre of the upper edge12 Gallus Cl., Vermont M.Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

BHS CollectionGreen cover, maroon binding on spine, 93 pages of which 11 are used. Dates of invoices from 1911 to 1913. 'Bendigo Tailings Company, No Liability, Invoice Book" bendigo, gold mining, tailings, bendigo tailings company, invoice

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 15 Arcady Gve., Vermont This property is listed as having sold for $178,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house from a angled birdseye view, on a left to right diagonal. On the left, a horizontal driveway leads to a connected carport, with the main of the house of the left. Wrapping around a central decked courtyard. There is a backyard in the background in the upper right corner. There are two hole punch holes just below centre of the upper edge15 Arcady Gve., Vermont Margaret Picken -93 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 14 Worrell St., Nunawading This property is listed as having sold for $130,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black white line drawing line drawing of a single story weatherboard house with large verandah and porch. On the right is a driveway leading to a connected carport in the background. In the foreground on the right hand side is a front yards with shrubs. There are two hole punch holes just below centre of the upper edge14 Worrell St Nunawading Margaret Picken -92 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading