Printed postcard or copy print of a Rose Series, No. P 10399 - "Panorama of Pall Mall, Bendigo Vic" from the City Family Hotel looking over Charing Cross and along Pall Mall with the Town Hall, the Soldiers Memorial Institute now Bendigo Military Museum, and the Shamrock Hotel in the view along with one ESCo tram alongside the Alexandra Fountain. The driver is in position in one of the cabs.Yields information about Bendigo, ESCo trams and Pall Mall.Postcard - black and white, plain back - could be a copy print.tramways, trams, bendigo, esco, pall mall, charing cross

Series consists of colour negatives recording views of Sugarloaf Reservoir, Petty's Orchard, Residential Areas, Shire Offices and New Library.shire of eltham archives, series listing

Associated with - Semco Series Box 545 Buildings - "Shops, Mollison St, Lamps" People - "Sturgess, Mrs E, Sutton Photo"

produce during the 1970s/1980s by Pratt & Whitney Canada, it is manual on the PT6A-series engine being manufactured by Pratt & Whitney Canada.pratt & whitney, aero engines, turboprop manual, maintenance manual, pt6a-series engine

This Series consists of memorabilia items such as plaques, medals, badges, certificates, a seal stamper, wine glasses, flagpoles, a ballot box etc.shire of eltham archives, series listing

View of Harmony Vale, the original Kalorama settlement taken from Barbers Road. Child's sawmill can be seen (centre) with the log yard to the right. Richardson's home "Harmony Vale' is in the orchard above the logs.Black and white photograph copied from a Rose Series postcard showing the area known as "Harmony Vale' - the original Kalorama settlement. Child's sawmill is in the centre.Rose Series Photo of Harmony Vale on the Olinda Creek taken from Logans Lot 28. Link Rd crossing centre Shiloah complex left centre. Richardsons (Jeannie’s) “Mt Calvin” between trees above tree fern. Isaac Jeeves house with the tree fern floor among trees against forest right centre. Mill yard with logs above cultivated flat. Mill to left. “Harmony Vale” homestead among orchard above logs. “Glenrivers” in gully at top of clearing. About 1913. Copied JLC 1973harmony vale, harmony vale, child's sawmill, sawmill, barbers road, richardson, shiloah

Series consists of colour prints taken at the opening of the exhibition , which ran from June 26 - July 4 at the Eltham Community Centre.shire of eltham archives, series listing

Series consists of 16 colour photographs of contractors at work inside the Shire Offices. Includes photographs of CEO Rodney Roscholler and Cr Mary Grant.shire of eltham archives, series listing

Series consists of one "register", made of handmade paper. There are 12 leaves containing photographs and descriptions of significant trees in the Shire. Three leaves are blank.shire of eltham archives, series listing

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Taken c1913, this photograph gives a clear indication of where significant buildings were located in relation to one another. Barbers Road is running through the picture with the guest house 'Kia-Ora' , built by George Barber in the centre. High on the skyline on the left is the 'Mountjoy' guesthouse, indicating the location of The Gap, or FiveWays. The small 'boxy' house above 'Kia-Ora' is 'Iona' built by the Paynter family who also built 'Mountjoy'. The Jeeves property 'Kalorama' is to the right of 'Iona' and this is the area you now look to from the FiveWays Lookout. The man in the photo is wearing a trilby hat so is probably a Rose Series employee - a feature in many Rose Series postcards.Black and white photograph that is a copy of Rose Series Postcard # 156. A man can be seen walking down an unmade road with haystacks to his right. Buildings and crops can be seen on the hillsides. Handwritten inscription on reverse by John Lundy-ClarkeView from corner of Doughty’s and Barbers Road 1913. “Kia Ora” in centre Paynter’s “Iona” near center skyline above “Kia Ora” with “Kalorama” on its right and Peter’s hut of the time below it among orchard trees. “Mountjoy” is on left skyline. W. Haye’s home is centre left. Hay paddock is Barbers Lot 25 Village Settlement.kia-ora, iona, kalorama, mountjoy, guesthouse, guest house, barbers road, doughty's road, paynter, jeeves, george barber

Series consists of 13 colour negatives depicting the opening of the "Goat Shed", a pottery workshop attached to the Living and Learning Centre. This workshop was originally a goat shed.shire of eltham archives, series listing

Copy of Rose Series Postcard number 3762Copy of Rose Series Postcard #3762 showing Bella Vista Guest House at Olinda. This image is c1940s and shows the tennis court in the foreground. Bella Vista was built by Edmund Boulter in 1903. It comprised two large buildings with a walkway linking the balconies at second storey level. Views of Westernport and Port Phillip Bays could be seen from the rooftop lookout. Bella Vista was reputed to accommodate eighty guests. The Guest House operated until 1956, when it burned down.bella vista, guest house, tennis, boulter, rose series

Yields information about the appearance of the intersection of Grenville and Bridge St following the introduction of the horse trams and the terminal arrangements.Digital image from the State Library of Victoria website image No. H92.291/24, a Rose series stereo photograph showing a horse tram just after off loading at the Grenville St terminus. Shows the view along Bridge St with the Nicholl and Allan store, Bucks Head hotel, Reed Chemist and C. Morris Hatter sign. C1895? Has a number of people in the view. The horses are being "run around the tram". Tram has the destination of "Convent", could be No. 6 or 5. See image btm7019i2.pdf for the SLV link - correct as of 31-12-17. See image i3 for a more detailed photograph.trams, tramways, bridge st, grenville st, sturt st, horse trams, stereo photograph, tram 5 of 6?

An antique green hardcover Edwin Landseer and Animal Painting in England book - Vere Foster Series with the title printed in gold lettering at the top right hand corner with a large head of a stag with black and brown lines in the bottom left hand corner.There is a thin black line surrounding the edge of front cover. The spine and back cover are plain green. There is gilt on the edges of the pages. Inside are guidelines for drawing and painting animals as suggested by Landseer and other well known English artists of the time with several reproductions of coloured plates as well as black and white engravings. Stephen T. Dadd gives practical hints. At the back are lists of Vere Foster's water-colour books and Blackie Publications.Pp 84.non-fictionA useful book for artists wishing to learn the techniques of drawing and painting animals by Edwin Landseer and other notable English artists in the early 1890's. The reproduced coloured plates and engravings support the text and advice.painting, art, art books, artists, artworks, etchings

Series consists of invitations to artists, Art Award Committee correspondence, Art Awards catalogue, newsclippings. Set of colour photographs taken at Art Award, c. 1989shire of eltham archives, series listing

Series consists of 42 B&W negatives depicting the swearing-in of new Councillors and the new Shire President Cr John Cohen. Includes a number of portraits of Cr Cohen.shire of eltham archives, series listing

Series consists of 39 aerial photographs and photo maps of the Shire and environs. A separate Item List exists (created on MS Excel spreadsheet), please refer to the attached pagesshire of eltham archives, series listing

Series consists of book of Registration of Brewers /Certificate as Brewer forms. In large format - 470 x 360mm of approximately 25 leaves, only the first few pages used.shire of eltham archives, series listing

View of St Katherine's Church from the path inside the Memorial Gate. Also visible several Mediterranean Cypress trees. A prominent gravestone for the Mapleton and Ellis families visible to the far left of the path. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9.2 x 14 cmSt. Catherine's Church, St Helena, Greensborough, Published by W. M. Butterworth No. 1postcard, travel, rose stereograph company, glass plate negative, greensborough, st helena, w. m. butterworth, st katherine's church, memorial gate, mapleton, ellis, mediterranean cypress, peter and elizabeth pidgeon collection

Series consists of 41 colour photographs recording work on extensions to the Eltham Leisure Centre as well as a number of shots of the completed building and shots taken at a function at the newly reopened centre.shire of eltham archives, series listing

Series consists of: * 59 colour and 21 B&W negatives taken on the night of the award presentation and at Weir St Park in Montmorency. * 24 colour negatives from 1994 ceremony.shire of eltham archives, series listing

The Series 2A Ambulances entered service in 1965 and the winch version in 1967. The bodies were locally built and the type was used in South Vietnam by 2 Field Ambulance at Vung Tau. A khaki green vehicle with a solid canopy fitted to the back. A spare tyre sits on the bonnet. Red cross symbol on 3 sides. ambulance, landrover, vung tau, series 2a

One of a collection of 6 photograps/postcards donated by T. H. HillSepia postcard of Forrest Caves, Phillip Island. Lady on top and lady and man in the foreground. "The KRose Series, P671" "Forest Caves, Back Beach, Phillip Island, Victoria"forrest caves phillip island, phillip island coastline, rock formations phillip island, t h hill

A collection of photographs/postcards donated by Dorothy Hurst. Her grandfather, Rev. Garthshore Stirling Home, was the vicar at the Anglican Church in Cowes - possibly in the early 1930's.235-01. Black & White photograph of Forrest Caves, Phillip Island. 235-02 & 03. Black & White photographs (identical) of two koalas up a tree. 235-04. Black & White photograph of the road to the Back Beach, Phillip Island. 235-05. Black & White photograph of a view of Cowes Pier taken through the trees on the foreshore. 235-06. Black & White photograph of Cape Woolamai Granite quarrie with people on the granite and in a boat. 235-07. Black & White photograph of waves breaking over the rock possibly near the Nobbies, Phillip Island. 235-08. Black & White photograph of The Vicarage at Cowes, Phillip Island - 1930's 235-09. Black & White photograph of a coastal scene at Phillip Island. 235-10. Black & White photograph of a coastal scene of the beach at Cowes. 235-11. Black & White photograph of waves breaking over the rocks near The Nobbies. 235-12. Black & White photograph of The Nobbies with Seal Rocks faintly in the distance. 235-13. Black & White photograph of The Nobbies with Seal Rocks in the background. 235-14. Black & White photograph of The Isle of Wight Hotel in the background. Cenotaph in foreground with a crowd of people, portable organ/piano plus music stands, people standing, children and others sitting on grass for Anzac Day or Remembrance Day. Possibly 1920s from fashions.235-01 Forrest Cave, Phillip Island 235-02 & 03 Native Bear (Koala) 235-04 The Road to the Back Beach, Cowes. 235-05 A Glimpse Thro' the Ti-Tree, Cowes. 235-06 The Quarries, Cape Wollomai, Phillip Island 235-07 The Beach near the Nobbies, Phillip Island. 235-10 The Beach at Cowes, Phillip Island. Valentine's Series M4847forrest caves, phillip island, wildlife - koalas, the nobbies phillip island, seal rocks phillip island, granite quarries, cape woolamai granite quarry, cowes cenotaph, phillip island, cowes pier phillip island, cowes beach phillip island, the isle of wight hotel cowes phillip island, cowes anglican church vicarage,phillip island, rev garthshore stirling home, dorothy hurst

Bellfield was a licensed hotel as of 1924 In July of that year, with the addition of a licensed building brought from Armstrongs, the enlarged establishment was opened as Bellfield HotelGuesthouse with car in foreground Sundial Peak in backgroundThe Rose Series P10079people, johnson, bellfield