Annual report on activities and financial performance of Kelaston, including the need to increase the size of Kelaston through new and redeveloped buildings, Maureen Davey winning the Tattersall Achievement and Enterprise Award, retirement of Harry Hitchcock, opening of a new day centre in Avoca, floral art introduced to the Kelaston Day Centre by Trish Zukauskas, six residents attended a holiday in Queenscliff, four residents celebrating their 100th (or more) birthday and profiles of a Kelaston resident (Joan Elliott), staff member (Shirley Richards), volunteer (Alan Wright) and three Day centre attendees (Clare Searle, Vi Munro and Jeanne Prior).1 printed volume with illustrationskelaston home (ballarat), association for the blind, corporation records

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of the children with floral wreaths on the steps of the Shrine in 1970. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1970.Photo is stamped with the Copyright of the Herald and Weekly Times in light blue ink. Stamped "The Property of Legacy' in purple ink. Date '24-4-70' written in blue pen. anzac commemoration for students, wreath laying ceremony

Part of the "Robert H. Baron", No. 3596 and Cooper Collections. See catalogue No. 1981P for details of R.H. Baron's service.Gold coloured metal medallion. Obverse side features an Australian Coat of Arms in the middle. Above the Coat of Arms are two clasped hands. Encircling the Coat of Arms are two rifles and a floral chain. A small ring is attached at the top to hold a chain. Recipients' details are engraved on the back. Hallmark stamped on bottom of back.Engraved on reverse side: "Presented by the Shire of East Loddon to R.H. Baron in grateful appreciation of service rendered in A.I.F. in the Great War." Stamped on reverse side at bottom "Hallmark Symbols".robert h. baron, cooper collection, badge, shire badge.

This serving meat plate/platter dates to the 1914 to 1930's period in time. This was a period when fine bone china and crockery was imported from England or Europe (mainly Germany). It was highly regarded not only as good crockery but also a linkage to "mother" England and showed a that the family was "well to do". This plate has important relevance to the socio- economical "atmosphere" of rural life (Kiewa Valley) in the early 20th Century. The quality of good English merchandise and the "British best" attitude of the Australian psyche of this period, especially in rural regions, was strongly entrenched into the population. However after World War II this psyche changed drastically as European refugees from war torn Europe "invaded" the mainly "British" based cultural mores. This was the beginning of cultural diversity and rolled out onto multi-culturalism of the latter 20th Century. This large bone china oval shaped serving plate has a green floral pattern around the the base extending up the sides, similar to the "Brussels" pattern. The top edge is delineated with a swirling pattern emphasised with gold leaf. On the rim and detailing 15mm before the edge are oyster or scollop like bubbles in three rows.manufacturers stamp (dating manufacture 1914-1925) and numbered "36" domestic kitchen crockery, english crockery, serving plates and platters

The family of Mrs Nancy Maggs were early settlers in Moorabbin ShireCirca 1940/1950. Child's small tin-plate toy sewing machine. The body of the sewing machine is painted black with red and gold floral decoration - some loss of paintwork. The flywheel is cast, with a wooden handle. Some workings are made of steel. The manufacture is such that the machine could actually be used for sewing small articles. toys, sewing machines, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners, maggs nancy, maggs geoff, f

British manufacture XMAS card with Celluloid front - showing floral and vine leaves decoration - reading 'Good luck To Greet You. Xmas message inside. Enclosed in small cardboard box with a one penny Australian Postage stamp .Addressed to Miss Ada Bailey Dudley House, View Street Bendigo, Victoria.British manufactureephemera, mementoes, miss ada bailes dudley house , view street bendigo , victoria

Postcard showing views of Bendigo within the design of a footprint with native floral motif in top right corner, images of Alexandra Fountain and Pall Mall/Charing Cross. Also on front quotation 'A Foortprint of Memory'. Written on reverse side, Published by the Rose Stereograph Co, Armadale 3143 Victoria. (The 'Rose' series deluxe).person, individual, basil miller

Book of hymns, a collection of over 100 gems of sacred song compiled by J W Van Dr Venter, published by R L Allan & Son Glascow, Alfred Holness London. Burgundy coloured soft cover with gold lettering & embossed floral design. Written in ink inside front cover A.J.Pethard.J.W.Van.De.Venter.books, music, religion

Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap

Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley

Titled - Enid Gilchrist's 70's Styles. More than 70 basic designs for mature figures. Picture of two women on front cover - one dresses in yellow and the other in a brown & white floral. Paper magazines of 55 pages featuring how to cut out patterns. Costing 75c. Special Reprint.books, magazines

A selection of 15 embroided silk postcards from a soldier named James (Jim). Edges are embossed and a central piece of silk is fastened to each postcard carrying various inscriptions in brightly coloured thread. The designs are mostly floral or patriotic. The silk portion of some postcards contains a pocket in which miniature cards are contained.Front: various including "To my dear mother", "A kiss from France", "To my dear sister" and "From your loving son" Back: various including "My best love to you all at home/from Jim". Postcards addressed to: "Mrs. J Corkish/no. 4 Marsden Terrace/Ramsey" and: "Miss M Corkish" appears to be "C/O Healin (?) Bank/ Revival (?)/Manchester"

"METHODIST CHURCH. In 1881, during the ministry of Rev. W. H. Fitchett, B.A., at Hawthorn, a number of members of the denomination living at Kew considered that the time was opportune for founding a local Church. The Superintendent of the Circuit, the Rev. W. A. Quick of Richmond, met the members and formed them into a society class under the leadership of Mr. A. Brown and a Church was formally instituted at the house of Mr. T. J. Eaton, of Eglinton Street, in December, 1881. Services were regularly held for some time at the same place, and funds for purchasing a block of land were gradually collected, resulting in the present site in Highbury Grove being purchased for £350. Messrs. W. Cleverdon, A. Money, T. E. Serpell, and T. Vasey, of Hawthorn, and Messrs. A. Brown, R. Eyre, and T. J. Eaton of Kew, were appointed trustees. A public meeting was held a the Town Hall, when over £100 was raised. The Rev. John Harcourt, who had just been placed on the supernumerary list, was persuaded to undertake the charge, and commenced services in the Town Hall on 29th April, 1882, which were continued for eighteen months. A Sunday School was started, and altogether the effort progressed so satisfactorily that in October, 1882, the foundation and memorial stones of the present Church were laid by Mr James Huddart. At the tea meeting held in connection with this event nearly £200 was raised and a few months later £250 more was obtained by means of a bazaar. The contract for building Church was let for £1,200. The Sunday School celebrated its first anniversary in June, and the Church was opened on 7th October 1883, the preachers on the occasion being Revs. E. J. Watkin, S. Chapman, and John Harcourt, the collections amounting to £230. Towards raising these sums of money the ladies of the congregation helped very materially. In 1886 the foundation stone of a Sunday school, to cost about £900, was laid by Mrs. H Berry, the building being opened in April 1887. During the same year the Church was enlarged. In 1889 parsonage was erected, and again arrangements had to be made for a further enlargement of the Church, at a cost of nearly £2,000. The foundation stones of the tower were laid by Rev J. Harcourt, and of the transepts by Mrs. Job Smith and Mrs. John Watson. These additions were made during the ministry of Rev. P. R. C. Ussher, the first minister appointed to Kew by conference. He has been succeeded by Revs. Henry Howard, J. de Q. Robin, J. J. Brown, J. G. Wheen, A. E. Albiston, M.A., and F. J. Nance, M.A., who is at present ably filling the pulpit. For the musical portion of the services, the Church has been greatly indebted to the enthusiasm of Mr. C. Gardner, the leader of the choir, and Mr. C. E. Gardner, the organist. The Sunday School has had a number of excellent workers, among whom may be mentioned Messrs. Burchett, Allum, Hillard, Tonkin, Dent, Avery, McDonald, Green, and B. Hoadley, who have acted as Superintendents, and Messrs. Arnall and McCaghern as Secretaries. The present trustees are Messrs. H. Berry, Job Smith, A. Hoadley, F. Vial, C. Powers, H. L. Carnegie, C. H. Green, W. R. Rylah, E. M. Tonkin, S. Gaylard, J. Gregory, J. R. McDonald, T. J. Eaton, F. S. Fitchett, and S. Lamble; Society Stewards, T. J. Eaton and B. Hoadley; Poor Stewards, G. Hinchliffe and G. Fraser; Church Stewards, C. H. Green and G. Hinchliffe; Treasurer, F. S. Fitchett; Secretary, S. Lamble." Source: FGA Barnard, Jubilee History of Kew, Victoria, 1910Commemorative tributes were regularly produced in the 19th and early 20th Century to honour community service. Most were adapted from traditional lithographed models. This example, while created within a formal lithographed border has been transmuted into the equivalent of an illuminated document, hand-painted, and therefore rare. The use of flowers in the design emphasises the sentimental and spiritual aspects of the certificate. The document is a rare unique record of the Kew Methodist Church's history.A hand written testimonial for John Watson Esq from the Trustees of the Kew Methodist Church. The customised colour lithograph includes, at lower left, a turn of the century photograph of the Kew Methodist Church in Highbury Grove. The entire certificate is surrounded by floral art and scroll work. The central text uses neo-gothic lettering.‘Dear Sir … in view of your compulsory retirement on health grounds, from the position of Church Steward, [the Trustees] desire to express their great appreciation of your long service of over 22 years, in that and other offices in the Church. They trust that you will yet be spared many years in fellowship with our Church, and that God’s richest blessing be on you, and your family. We remain, Yours sincerely A. E. Albiston (Minister), S. Lamble (Secretary), F. S. Fitchett (Treasurer), T. J. Eaton (Trustee), C. H. Green and Hubert S. Howell (Church Stewards); March 28th 1907’. john watson esq, kew methodist church, highbury grove, certificates, tesimonials

Small blue hardcover with title and author written in gold lettering in a decorated linear square - Aunt Judith by Grace Beaumont. A blue and brown floral pattern is featured at the top and bottom of the from cover and spine. The title and publisher on the spine is written in a gold box. There are are black and white illustrations on pages at the front of the book. 220p.fictionA pretty tale of a wilful schoolgirl, Winnie Blake. Her brother Dick is mischievious and loveable. They both come under the benign influence of Aunt Judith, who is an author of books for girls and a happy Christian woman and learn some valuable lessons which help them in later years.children's fiction, religious stories, school life fiction

Possibly belonged to Elizabeth Jane Hartnell (1855-1922) whose descendants donated the Turner Collection. Slip found with clothing 'Grandmother Hartnell's shawl". Turner Collection.Clothing belonging to early Kilmore families.Yellow silk shawl, self-fringed on all four sides, floral embroidered borders, some staining present, approx. 1.2m sq. Two stitched "tucks" horizontal 15cm from edge of opposite sides approx. midway. Appears to cover stain /ink. A few small holes otherwise ood condition. hartnell, turner collection

Small elongated framed floral reproduction artwork in dark brown frame with cream window mount with silver edge. Picture depicts chrysanthemums and a hillside on a gold backgrounds with a butterfly at top right and Chinese script at top left and bottom right corners. Black felt rear face with hinged stand. Signs of warping. chinese corporate collection

Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity.Digital image from the Wal Jack Ballarat Album of a photograph featuring the 1939 Floral Tram, Ballarat No. 29 decorated for the 1939 floral festival at the depot looking outwards towards Lake Wendouree with a motor car in the background. Wal's Album notes give the date as 4-3-1939. Very similar to Reg Item 1369, may have been another print of the same photograph that has been trimmed to suit. Printed on Kodak paper, but no other details. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative See Reg Item 7537 for another photo, at the time of the launch with the girls.trams, tramways, floral tram, decorated trams, depot, tram 29

In the words of the donor, Betty Stone, "This gown was originally made by my great grandmother Sarah Ellis (nee Chamberlain) Lees of Wangoom, Warrnambool. Later, the gown was altered by her daughter Ann (nee Lees) Dale who also used it for the christenings of her five children in the 1890's, and later still, for some of her grandchildren. Sarah Ellis Chamberlain, born in Thriplow, Cambridgeshire, England on 31 July 1844, sixth child of Joshua and Susan Chamberlain, was ten years old when she arrived in Australia with her parents and siblings in January 1855. Ten years later, in 1864, Sarah Chamberlain married Lees Lees, a skilled stonemason who had migrated from Saddleworth, Yorkshire. Lees Lees purchased land in McGregors Road, Wangoom, Warrnambool where he operated a successful stonemasonry, contracting business until his death in 1912. The Lees farm, which eventually consisted of about fifty acres, was situated adjacent to both the Chamberlain and Dale farms. Sarah Lees was a meticulous homemaker who also fashioned and sewed clothes for her seven children. A photograph of the eldest child, Anne, taken in 1868, depicts her wearing a dress and pantaloons sewn by her mother. Sarah also crocheted lace curtains for her home in addition to large tablecloths and other articles. According to family legend, the skirt of this christening gown was part of the original gown hand-sewn by Sarah (nee Chamberlain) Lees which was used for the christening of her children. The gown was later passed on to her daughter Anne (nee Lees) Dale who, also an expert needlewoman, replaced the bodice and used it for the christening of her five children born between the years 1890 and 1899. Still, later, at least two children of the third generation (Sarah Lees' great-grandchildren) also wore this gown when christened at Christ Church Warrnambool. Sarah (nee Chamberlain) Lees died in 1932, aged 87 years, at her daughter Anne Dale's home in Latrigg. Anne (nee Lees) Dale died in 1948 aged 83 years, at her home in Latrigg." (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of late-19th-century needlework and handmade domestic items.Christening gown made by Sarah Ellis. White with unusual Broderie Anglaise yoke. The long-sleeved garment has a gathered waist and a long skirt. The front centre of the skirt has a floral Broderie Anglaise and cut work panel insert.Circa 1860's. From the 'Chamberlain Dale Lees Collection’, donated by Betty Stoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, sarah ellis, hand sewn, christening gown, baby wear, clothing, 19th century

The family of Miss carol Green were early settlers in Moorabbin ShireFour piece lady's white ceramic dressing table set. Comprising of a small rectangular tray, and three small lidded-pots - one pot has a knob. There is a hand-painted dainty red and green floral garland decoration on each of the pots as well as the tray. Remnants of gold painted decoration can also be seen.ceramics, ornaments, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners, green carol

Small, oval head and shoulder portrait of a lady. She is wearing a floral dress with smocking on the front and a high collar with lace. She also has a locket on a velvet ribbon around her neck. Photo mounted on dark brown card with rounded corners, gold printing and gold border. Photo area is slightly raised.Stewart & Co., Melbournephotograph, portrait, female, portrait of a lady, stewart & co.

Clothing. Black suede bracelet length gloves, embroidered with floral motifs in the Beauvais style of embroidery, and as stated inside the right glove, ''REAL BEAUVAIS POINT HAND MADE 927 6/14. Embroidery made with a hook. Fifteen tiny flowers in shades of blue, pink, red, green, are scattered across the top of the gloves.REAL BEAUVAIS POINT, HAND MADE 927 61/4 RIGHT GLOVE. MADE IN FRANCE 927,Left glove.costume accessories, female, bracelet length black suede gloves, beauvais is a french term for a form of tambour embroidery, which is decorative needlework technique using a hook.

Clothing. Cream guipure lace collar with floral curvaceous design. A large petalled motif at the centre back (or front) with a peaked effect at the front (or back). Delicate threads and small ''balls'' of cotton thread fill between the larger motifs. This collar is of a quite small size and nay have been worn by a younger adult or teenager.costume accessories, female, cream guipure lace collar

Clothing. Cardboard shape, covered in gathered satin ribbon, and edged with 1.5 cm floral patterned lace.Two silk organza flowers, with six tiny pearls at their centre, trim the lower edges of the horse shoe. One on either side. These have been glued in place, and cover a metal staple, which secures the ribbon in place.''Good Luck'' to you both, love Carol and Maurie. (written on paper and attached to the back with a pin).costume accessories, female, satin ribbon and lace wedding horse shoe

The embroidered initials may be those of Caterina Lamaro or Caterina Lopez who married Favaloro brothers - hence the change of initials to CF. refer 11408.112a and 112bAn ivory coloured large linen bedspread with an 11cm deep crochet lace scalloped trim and a 9cm wide crochet lace band insert 7cm from bottom edge which expands into a triangular shape 32cms deep in the two corners. The embroidered initials CF are centered above the lace insert and are adorned with floral embroidery.favaloro, crochet lace, embroidery

A Wilson Chris Evert American Star tennis racquet. base of head features Wilson logo. Shaft features model name. Base of shaft and butt cap features 'W' trademark. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Plastic, Ribbontennis

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

Laura and Bernard Ashley began printing fabric in their London kitchen in 1953. Commencing with head scarves and place-mats they gradually developed table-ware and bed sheets. In 1960 they entered the Fashion world with blouses and smocks . The ‘swinging sixties’ saw them in great demand for the feminine florals and flounces of the ‘maxi’ fashions and they opened in smart South Kensington, London. In 1970 they opened franchises in Australia, Canada, Japan, San Francisco that sold their range of fabrics, dresses and accessories. In 1980 home furnishings were added to the range. Laura died in an accident 1985, Bernard retired in1993 and the company is now Public Listed on Stock Exchange.‘Laura Ashley’ clothing, fabric and accessories were very popular in Melbourne in 1970’s.A lady’s white cotton half petticoat with crocheted flounce, Laura Ashley Pty Ltdclothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, craftwork, textiles, laura ashley