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Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, was the stretch of the Yarra at Studley Park. In selecting this view he concentrates on the tranquility of the river and the remnant vegetation that lines the banks. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.) -
Melbourne Tram Museum
Functional object - Exhibition Material, Monash University, "Return; the way back home", Sep. 2019
Exhibition materials from Monash University's "Return; the way back home", about the story of Sir John Monash and the return of troops from WW1 and the issues that arose and how some of the problems were attempted to be resolved. Consists of the pamphlet printed by Monash for the exhibition, an e-mail from Geoff Brown and a photo of two tram seats that were loaned by the Museum to Monash.trams, tramways, monash university, tramcar equipment, melbourne tram museum, world war 1 -
Federation University Historical Collection
Letter, Letter from Young Anglican Fellowship - Ballarat Zone Council to Ballarat School of Mines, 02/04/1958
The Ballarat School of Mines was created in 1870, and developed to become the educational facility it is today. Richard W. Richards was Principal of the school in 1958. This letter is from the Young Anglican Fellowship, Ballarat Zone Council's secretary Ian Thompson, thanking Principal of the School of Mines, for the loan of a work-bench to create a Begonia Festival float. The Begonia Festival is an annual Ballarat Festival, that began in 1953 to celebrate the eponymous flower. Letter from Young Anglican Fellowship - Ballarat Zone Council to Ballarat School of Mines, with pen annotations and signatures. ballarat begonia festival, school of mines, young anglican fellowship, ballarat zone council, ian thompson, work-bench, letter, principal, thanks, 1958, sebastopol, richard w richards, dick richards, r w richards -
National Vietnam Veterans Museum (NVVM)
Card, Christmas card
Christmas Card from South Vietnamese Government 1964 presented to Major Ian McKeown Australian Army Training Team Vietnam (AATTV). The inscription inside the card reads: The Government of the Republic of Vietnam Presents To the Representatives of Friendly Nations its best wish for a Merry Christmas and A Happy New Year. And renews the grateful feelings of the Vietnamese people for their dedicated assistance. On loan courtesy the collection of Ian McKeownChristmas card from the South Vietnamese Government 1964. Inscription inside. Printed picture on front cover. Corded. Artist M. Longsouth vietnamese government, christmas card, aattv, australian army training team vietnam (aattv), maj mckeown -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Rodney Sire Council 1984
Loaned for digital copying. Rodney Sire Council 1984.|Back: Bernie Fitzsimmons; Royden James (Dep. Shire Sec.); Alan Clement; Ted McCracken; Andrew Crawford; Kevin Ryan; Dennis Hunt (Dep. Shire Eng.);|Front: Patricia Maher (Typiste); John Gray; John Purdey (Shire Secretary); Edward Davis (President); Norma Bear; Arthur Knee (Shire Engineer); Frank Pullar. -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Plate of cakes
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts -
Whitehorse Historical Society Inc.
Photograph, Australia Post delivering Post Box, 1/09/2000 12:00:00 AM
This item was originally acquired by Harold Bakes, together with a Fire Hydrant Stand And a petrol pump , from the P.M.G. depot in Hawthorn in the 1970s . It was stored in the City of Nunawading Council yard in Station Street, Nunawading, and later loaned to the Australia Post Mail Exchange in Rooks Road, Nunawading. On the closure of the Mail Exchange, it was transferred to the Australia Post Museum in Dandenong. After proving ownership it was returned to back to the Society's Museum.Coloured photo of an Australia Post delivering restored Post Box to the Society's Implement Shedaustralia post, bakes, harold arthur -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Williamstown Botanic Gardens, c1900-1910
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Postcard in colour of main entrance gates, one of the cannons can be seen through the pedestrian gate on the right. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘Gates, Williamstown Gardens’. Reverse: Vertical on left side of card ‘O Rippon Se..es’ [name of the publisher is unclear]. Top centre of card: ‘POST [logo of card publisher] CARD’. Left side of card: ‘This space may be used for communication.’ Right side of card: ‘for Address only.’ Left bottom corner: ‘Printed in ……..’ [name unclear]. Top right hand corner: a red one penny Tasmanian stamp with a depiction of Mount Wellington. Bottom right corner in pencil ‘1908’ believed to be inserted by the vendor. The card is dated 15.5.10 by the sender. It is addressed to Miss E G Holford of Launceston, Tasmania and sent by Addie.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, 1910, 1908, tasmania, tasmanian-stamp -
Glen Eira Historical Society
Plan - North Road, 631, Ormond
Documents concerning valuations for mortgage on the house at 631 North Road Ormond. Includes letter requesting valuation from Union Trustee Co. of Australia Ltd to W.V. Scott from Mrs. L.E. Leahy’s loan dated 08/11/1955, valuation with detailed description and plan dated 17/11/1955. Also a valuation by W.V. Scott dated 06/03/1961 for Mrs. L.E. Leahy’s mortgage.ormond, north road, brick houses, leahy lucy e., wustemann-howgate a.e., ormond station, hore f.h., union trustee company of australia ltd., australian catholic assurance co., land values -
Vision Australia
Administrative record - Text, Seventh Annual Report of the Association for the Advancement of the Blind 1902, 1902
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the closure of the Industrial Depot due to its inability to break even, loans were made for blind people to learn a calling, employ an instructor and help a young man start a business as a hawker, free postage was granted for Braille and Moon articles through an Act of Parliament, and blind voters being able to vote in Federal elections.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Melbourne Legacy
Poster, Join the AIF now!, 1941
A framed Australian Commonwealth Military Forces Second World War recruitment poster by Richard Haughton James (source AWM). The poster is an offset lithograph on paper framed by a blue border, mounted in a black frame. It is an early example of the work of the Commonwealth Advertising Division, set up in 1941 within the Department of Information, primarily to advertise recruitment drives for men's and women's services, munitions work, war loans and national savings campaigns.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Black and white sketch of a wartime lady holding a soldier's hat used as a recruiting poster in a black frame.Test of the poster "Mister, here's your hat! JOIN THE AIF NOW!"world war two, recruitment, aif -
Bendigo Historical Society Inc.
Document - BASIL WATSON COLLECTION: LETTER (FROM LARKIN AIRCRAFT SUPPLY CO LTD TO K MUNRO), 1929
Letter, lemon envelope and paper, from Larkin Aircraft Supply Co Ltd, Melbourne Aerodrome, Dudley Street, Melbourne, addressed to Mr. Keith Munro, Wilkinson & Lavender, 444 Collins Street, Melbourne, dated 3rd September 1929. Re: thanks for loan of material re aeronautical career of Basil Watson. Signed: Bernard Cronin, Publicity Officer. Parcel and letter delivered by hand.person, individual, basil watson -
Kew Historical Society Inc
Photograph - Macauley's, Kew, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of Macauley's boat sheds on the Yarra River at Kew. It is also one of the earliest views of Carnsworth, a notable mansion in Studley Park. Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of a stretch of the Yarra River at Kew. In the foreground are the boats of Macauley's Boat Sheds. On the horizon is the red brick tower of J Lewis Carnegie's house 'Carnsworth' in Stawell Street. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds, carnsworth -- stawell street -- kew (vic.) -
Kew Historical Society Inc
Photograph - Yarra River, Kew, c.1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 6 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This is a photograph of Orlando Henry Beater Christian (c.1853-1930) in his row boat on the Yarra River at Kew. Orlando Christian was a founder of the Willsmere Swimming Club and the father of the photographer. "Yarra Rvr / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, orlando henry beater christian -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph was taken during a flood year when the Yarra encroached on the grounds of the Abbotsford Convent. In the distance, the Johnston Street Bridge separates the viewer from the industrialised landscape of Fairfield."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, fairfield, kew, johnston street bridge, studley park -
Kew Historical Society Inc
Photograph - Dight's Falls, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is of Dight's Falls on the Yarra River from the Kew side. Dight's Falls separates the saline and fresh water sections of the river. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.), dight's falls -
Kew Historical Society Inc
Photograph - Yarra River below Dight's Falls, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is below Dight's Falls on the Yarra River from the Kew side. Dight's Falls separates the saline and fresh water sections of the river. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.), dight's falls -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is of a small section of the Yarra River at Studley Park. The still water and the reflection is the most noticeable aspect that he sought to capture in the image."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.) -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is of a small section of the Yarra River at Studley Park. The still water and the reflection is the most noticeable aspect that he sought to capture in the image."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.) -
Lilydale RSL Sub Branch
Badge - Framed appeal badges, Appeals
Timber frame containing Appeals badges, tokens, ribbons for various commemorative days including Red cross, War Chest, YMCA, St John's, Relief Organisation, Lord Mayor's Patriotic Fund, Liberty Loan, food For Britain, Medical Aid, Anzac Memorial Bursaries, Tin Hat, Return Soldiers Fund, Soldier's Dependant, Home For Soldiers, Legacy, ANZAC, Poppy Day etc. -
Kew Historical Society Inc
Container, Model Dairy, Milk Bottle, Twentieth Century
The Model Dairy was founded by the Kew pioneer, James Venn Morgan. The dairy had a number of different locations in Kew depending on the time period. Its final incarnation was on the north side of Cotham Road, between Ridgeway Avenue and Kent Street, Kew. The final factory was designed by the architects Bates, Smart and McCutcheon.Kew was a major milk producing district in the Nineteenth and early Twentieth centuries, with three major dairy farms lining the Yarra between Studley Park in the west and Burke Road in the east. In addition to these dairy producers, there were also a number of accredited dairy retailers in the suburb. The largest and most enduring of these was the Model Dairy founded by the Kew pioneer James Venn Morgan. Milk bottles that include the name of the producer or retailer are historically significant as they represent a period in Kew's history before the mass production of milk in the second half of the Twentieth Century. A number of these named bottles have the additional attribute of rarity.Milk bottle - Model Dairy Kew. Pressed inscription: "Model Dairy Ltd Kew." Reverse: " This bottle contains milk bottled for sale by Model Dairey Ltd and always remains their property. It is loaned & cannot legally be used by others. One Imperial Pint. This bottle differs from 1981.0010 in that it has two pressed rings on the neck of the bottle.milk bottles, model dairy (kew) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Yarrawonga and Moravian Loading at Portland Pier, n.d
As the Port of Portland understands it (see letter), Mr John Francis arranged for this photograph enlargement (unframed), from Council funds, and it was loaned to the Port of Portland Authority Marine Social Club. The Marine Development arranged to have the photograph framed. For further detail talk to John Francis about photograph and the NWST Tug Crews (contact either Mr Bill Fellows or Ken Whistler) with regard to any notation they may wish for with respect to the photo and the frame.Front: (no inscriptions) Back: (no inscriptions)port of portland archives -
Bendigo Military Museum
Manual - TRAINING MANUALS
1. An instruction manual outlining the structure of a military exercise to practice Battle activity at a Brigade level. 2. An instruction manual outlining the proper way to read a map and the logic of it's structure. 3. Illustrative guide on what leaders should expect in relation to their soldiers. Items in the collection re Col J Swatton, refer Cat No 6719.2P for his service details.1. Green cover, 16 page booklet titled " Operation Firepower" . Dated March 1959, which planned an army exercise at Brigade Level. Outlined aim, Tactical setting, maps and plans. 2. Loose stapled 28 page manual on reading maps. Yellow paper with three folder holes punched in left size. Contains instructions and pictures and examples. 3. Brown covered manual, yellow faded pages, 60 pages inside with pictorial content displaying the do's and don't's of the behaviour of a good soldier.1. Maps have some notations, images of vehicles/weapons on front. 2. Titled " Map Reading - Supplement A.T.M. (AUST) No 12". Written on top " Colonel J.W. Swatton". 3. Titled "Right or Wrong": Element of Training and Leadership illustrated 1937". Stamp on back saying "on loan" but now donated.passchendaele barracks trust, training manuals -
Kew Historical Society Inc
Container, Model Dairy, Milk Bottle, Twentieth Century
The Model Dairy was founded by the Kew pioneer, James Venn Morgan. The dairy had a number of different locations in Kew depending on the time period. Its final location was on the north side of Cotham Road, Kew between Ridgeway Avenue and Kent Street. Its final factory was designed by the architects Bates, Smart and McCutcheon.Kew was a major milk producing district in the Nineteenth and early Twentieth centuries, with three major dairy farms lining the Yarra between Studley Park in the west and Burke Road in the east. In addition to these dairy producers, there were also a number of accredited dairy retailers in the suburb. The largest and most enduring of these was the Model Dairy founded by the Kew pioneer James Venn Morgan. Milk bottles that include the name of the producer or retailer are historically significant as they represent a period in Kew's history before the mass production of milk in the second half of the Twentieth Century. A number of these named bottles have the additional attribute of rarity.Milk bottle - Model Dairy Kew. Pressed inscription: "Model Dairy Ltd Kew." Reverse: " This bottle contains milk bottled for sale by Model Dairey Ltd and always remains their property. It is loaned & cannot legally be used by others. One Imperial Pint. This bottle differs from 1981.0009 in that it does not have two pressed rings on the neck of the bottle.milk bottles, model dairy (kew) -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: CONTRACT OF SALE
Brown manilla envelope dated 11th July 1961. Four items labelled. Contact of Sale -Girl Guides -Wine & Spirit Store. Agreement re Loan Money-McKay, Taverner & Irwin of Ararat. Australia New Zealand Bank re Shares Cohn Bros -certificates etc Title cigarette service. Cohen Kirby & Co -List of Securities held. Documents listed enclosed within envelope.bendigo, industry, cohn bros brewery -
Ballarat Tramway Museum
Photograph - Colour Print/s, Theo Dunstan, Aug. 1971
Colour prints from a scanned slide image, loaned by donor and three black and white prints of the same image of No. 32 at the City terminus with the Post Office in the background. Tram has the destination of Lydiard St. North. Colour Prints made by commercial machine printer direct from images on Kodak Xtralife Paper. Taken late August 1971? For high resolution image from slide see btm3248h. sturt st, post office, tram 32 -
Kew Historical Society Inc
Photograph - Dight's Falls, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 6 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This is a photograph id of the. Yarra River at Dight's Falls. The point of view is from the freshwater section of the river looking across to the cliffs on the Kew side of the river. Standing on the cliffs is a tiny figure of a man. "Yarra Rvr / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, dight's falls -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This is a photograph of the Yarra River at Kew in the vicinity of one of the boat sheds. On the right river bank is a small ferry or launch that carried passengers from Melbourne to Heidelberg, stopping at key locations en route. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra ferries, boat houses, boat sheds -
Kew Historical Society Inc
Photograph - Yarra River, Studley Park, 1924
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph shows a covered tourist ferry moored on the river bank at Studley Park. Tourist cruises traversed the Yarra between Princess Bridge and Heidelberg, stopping at scenic points along the journey. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, kew, ferries, tourism, studley park -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan