Bendigo Advertiser "The way we were" from 1999. Meeting venue: Temperance hall, View Street, circa 1900. For many years the temperance section of the community was housed in a small building in View Street, Sandhurst. The Temperance Society was formed in 1857 and the foundation stone for a new building was laid in 1895. The new building was designed and erected under the supervision of Mr. J. Blair at a cost of 1,500 pounds. The large hall was used for meeting purposes and the offices were leased out. The free library attached to the hall was upstairs.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Australian natives association hall: the renaissance-style Australian natives association hall in View Street was next to the Masonic Hall and had a frontage of 75 feet. The public hall was capable of holding 500 people and the building designed by William Beebe, cost 4,500 pounds. Demolished in 1970, it was replaced with new ANA offices and a motelnewspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Corner residence circa 1900: Swedish born Karl Van Damme arrived on the Bendigo diggings in about 1852 and established himself as a tobacconist at 85 Pall Mall, next to the Shamrock Hotel. Although he had been living at the corner of View and Valentine streets in Sandhurst as early as 1883 it was not until 1898 that William Beebe designed a Queen Victoria style building erected by G.A. Davey for Van Damme. By 1905, van Damme, recorded as a tobacco merchant and importer, had established a branch at 143 Pall Mall, near Mitchell street. He sold the business at 85 Pall Mall in 1909, but remained at number 143 until the early 1920s. By this time it was known as Pikes Buildings. The business was sold in 1924newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Busy: Bendigo City Market, Williamson Street, 1903 to 1939. Designed by architect William Beebe.newspaper, bendigo advertiser, the way we were

Clothing. Cream silk embroidered sleeveless top with a neckline at front and back, which is edged with a fine rouleau binding. The fine silk binding also edges rhe sleeveless armholes. The fabric is woven with a floral woven design. A 2 cm wide tie attaches to the side seams 13 cms below the armholes.The top is sleeveless, and the hemline which is rounded at the side seams, is finished with a self fabric binding. Silk shadow embroidery trims the front neckline, and extends to the midriff. Embroidery is in a floral design. The pyjama pants are full length, with a fine bound finish - probably at or slightly above the ankles. An 11 cm deep V shaped panel at the front waistline, and an elastic casing at the back waistline. A panel of shadow embroidery decorates the side hemline. A small dart, 6 cm long, from below the armhole on either side of front bodice.SILK and RAYON MADE IN CHINAcostume, female, ladies cream silk pyjamas

Clothing. Deep V neckline, front and back, has a tapered tie, at the shoulder to 4.5 cm, and slanted at the lower edge of the tie. The V neckline has a fine binding finish as do the armholes, and the lower edge of the bodice. Shadow, and pulled thread embroidery, in a floral design, outlines the V neckline in the front. A tiny 10 cm x 10 cm heart shaped pocket is bound at the edges and sits at lower right front. A small dart, 1 cm x 6 cm long is below the armholes, on each side seam. Fabric is cut on the cross to add flair. A two cm x 60 cms tie attaches at each side seam, and would tie at the back. Clothing. Pyjama pants have a V shaped waistband 11 cm deep at front and back, below which is a small 1.5 cm wide pleat on either side of front and back. An 11 cm deep plackett on both side seams - on the left hand side two x 1 cm pearl buttons and buttonholes fasten the plackett. The two buttons on the right hand side are missing. A panel of shadow embroidery decorates the outside lower edge of the trouser leg. Fabric is woven with a floral design. Lower edge of legs are finished with a fine binding. 11 cm peak at waistband. Pants with hem 88 cms, width at ankles 64 cms.Silk and Rayon Made in Chinacostume, female, pink silk pyjamas (bodice)

Light camel coloured silk (in very poor condition). Long sleeves overlaid with fine black lace in a floral design. Stand-up collar, five cm deep is overlaid with the fine black lace, and finished with a corded braid on the upper edge. Sleeves are tightly gathered at the shoulder tapering narrow at the wrist, giving a ''leg-o-mutton'' effect. 12cm wide fine black lace, attached at the neck edge, and shoulders, forms a ''puff'' decorative over the shoulder, and continues in a ''over-panel'' to the waistline. Ten x 1cm diameter plastic buttons, with a floral impression in them (2 missing) and 12 hand stitched button holes form the front opening. From the lower opening, six ''pintucks'' 12 cm deep, open into pleats at the lower edge, giving fullness to the bodice. Four metal hooks are evident on the lower tucked front and seven hand stitched eyelets are indicated, but are now severely damaged. Bodice is boned with ten X 17cm long bones, and is fully lined with cotton.A tiny 8cmX7.5cm, oval-at-one-end, pocket is stitched into the front opening, at the bustline. Back hemline dips to a V shape at centre backcostume, female, victorian bodice - cinamon coloured silk

White china plate with green floral design around scalloped edgeTokio 1790 K&Co Ltd Late Mayers 3-09domestic equipment, food consumption, plates

Small white china jug decorated with floral design in shades of blue, green, black, orange and gold around rim and base & on handle.Made in Japandomestic equipment, food consumption, jugs

Copy of a black and white photo of a tall mine chimney. Coloured bricks were used to form a pattern on the chimney. Article on Poppet legs and Chimneys. Article The Glory of the past. Chimneys using coloured bricks in design.bendigo, history, long gully history group, the long gully history group - mine chimney

Britannia metal shaving mug with fancy scrolled handle, engraved design of fern leaves, divided compartment with drain holes.Regd trade Mark British 122personal effects, shaving, mug

WEDDING DRESS. Made by brides mother, the empire line dress of crepe fabric, with guipure lace trim, in 1972. Long slim fitting sleeves, with a 3 cm wide band of lace in a flower and leaf design, around the wrist. The lace also edges the high round neckline, and defines the curve of the panels in the high empire line bodice, and the centre panel of the long princess-line skirt. The long sleeves have three darts at the elbow. A long zip fastener in the centre back seams. Cream in colour. WITH 11400.1106 AND 11400.1107costume, female, crepe and guipure lace wedding dress

Wedding veil and headpiece. Soft cream in colour, the fine soft tulle is embroidered with a continuous, curvaceous, chain stitched embroidered leaf design. The tulle has been cut to follow the curves of the embroidery.The three tier veil is tightly gathered onto a one cm band, which is stitched to a clear plastic, curved comb 8.5 cm long and which would hold in the hair of the bride. The headpiece is made from cream coloured ribbon and simulated pearls. WITH 11400.1105 AND 11400.1107costume accessories, female, tulle three tier wedding veil and head p

Clothing. 2 cm wide, blue satin ribbon, edged with 1.5 cm wide, blue lace with a floral design, covers the elastic. Satin ribbon 1 cm wide is tied in a bow, with a folded ''extra tails''.costume accessories, female, blue satin ribbon and lace garter

Filet crochet, bib front, waistband extends to tie at the wearer's back. Gathered skirt, edged at the hemline with a 3.5 cms crocheted frill. Bib has a floral design, and shell shaped edging around three sides. Neck strap and waistband/tie are treble crochet. Skirt has the floral design repeated and a border of block and open crochet. The lower frill is edged with a floral shell shaped design. neckband is shaped and curved.costume, children's, child's crochet apron

Rectangular shaped tray cloth/hand towel, edged in 1.25 cm wide cotton lace edging - edging is a braid type, commercially made edging. One end has a 10 cm band of machine - made cotton lace, in a floral design. Lace has been attached to the linen fabric in a zig - zag machine stitch. Cream in colour.manchester, table linen, tray cloth/hand towel

Cream linen fabric, rectangular in shape. One log edge is finished with a 16 cm wide band of lace. This lace has been.machine made, and attached to the linen with a zig-zag machine stitch. The woven pattern in the lace is geometric in style. The other three sides are edged with 1.5 cm wide, woven lace in a scalloped design. Long-edge lace is 15.5 cms wide.manchester, table linen, side-table cloth

Black cotton lace, 50 cms deep, and 115 cms wide. A 2 cm wide band of hexagon shaped lace a 4 cm wide band incorporating a floral design, a 23.5 cm hexagon panel edged with a 21 cm peak edged panel. Oval shapes in edge panel, 12.5 cm deep, have what could be interpreted as a rose in each oval "frame".manchester, trimmings, delicate black lace piece

Ladies collar, with a deep 16 cm peaked front. A round neckline outlined with jet sequins. Outer edge of collar has three peaked sections each outlined with three rows of jet sequins. Outer edge of collar is scalloped. A floral design, on net is sequined and beaded. Another scalloped panel of three rows of jet sequins, separates a net section, scattered with sequins and also has six 3 cm diameter circles of sequins.costume, female, collar

Australian copy book for sixth and seventh grades. Quotations, poetry and prose, commercial, letters and forms. published for the Education Department by Albert J. Mullett. At the top right corner in pencil the name Ida A. Comer. On the back a design of a pupil sitting at a desk with the words: position for writing back view. Underneath the picture the characteristic features of the writing in this series of copy books are as follow: 1- The slope is 15 degrees from the vertical. 2 - the joinings of the letters are made so that the whole word may be written without lifting the pen. 3 - The letters are formed in the same way throughout the series. 4 - The distance between the words is greater than between the letters. 5 - Simplicity has been arrived at by making the loops short, and by avoiding all flourishes. on the inside front cover directions for writing and on the inside back cover two pictures of a girl writing with the words: girl starting and finishing line. The book has 22 pages.books, school, australian copy book

The National War Memorial of Victoria, an interpretative appreciation of The Shrine of Remembrance, with 46 illustrations. This moment was erected by a grateful people to the honoured memory of the men and women of Victoria who served the empire in the great war of 1914-1918. The book has 44 pages. Contents: The Shrine of Remembrance - The call and the response - The past speaks to the present - Dedicatory descriptions - The Greek tradition - General design - Architectural features - The buttress group - Dome promenades - The north and south porticos and the tympana - Floodlighting - Battle honors - The inner chamber - The roll of fame - The king's book - Ambulatory and stairs - The sanctuary - The stone of remembrance - The gleaming bay - The crypt - The final message - Subsidiary memorials - The lone pine tree - Other memorial trees - Birdwood avenue - Historical record of the Shrine of Remembrance.books, military, shrine of remembrance

Black, white and red long sleeved ladies jacket. Light weight nylon fabric with lines and shapes forming a geometric design. Front opening with four X 3.5 cm fabric covered shank buttons. Stand up collar with peaked extension on RHS with button hole to fasten top front button. 6 cm peplum with casing at seam joining to main pieces of jacket. Casing contains elastic to shape at waist. Front opening shaped at waist to form opening at peplum. Long sleeves with 5 cm cuffs fastened with two X 2 cm fabric covered buttons. Two vertical darts from each shoulder on front of jacket.costume, female, ladies black, white and red jacket

Wide neckline, rounded at the back, and a deep V shaped front. Short sleeves, edged with a one cm band of scalloped edge lace. This edging also trims the back neckline. Front neckline is trimmed with six cm deep scalloped edge, broiderie anglaise, featuring an embroidered floral design, and cutwork. A casing at the waistline, one cm wide, appears to contain elastic, which is now perished. Machine stitched side seams, which are slightly to the back, rather than at the sides.costume, female, white linen lace trimmed camisole

Deep round neck, front and back. Sleeveless. Armholes edged wit a two cm band of lace, featuring a diamond shaped geometric design. Lace is spoke stitched to the garment, and has a scalloped edge finish. Two bands of the lace edge - one 2.5cm wide, and one three cm wide. Where they are stitched together, a drawstring of stranded cotton enables the neckline to be gathered in. The lace is spoke-stitched to the fabric, and inserts in circular loops (2) and oval inserts (3) decorate the back across the bustling. One circular shape and two oval shapes decorate the back across the shoulders. Fine, machine stitched, french seams at side seams. Right side seam has a nine cm opening in the seam to the hemline, with a metal hook and hand stitched loop to fasten.costume, female, cotton and lace round neck camisole

All edges (except hemline) ie sleeves, and centre front, including neck edge, are finished in perle thread, buttonhole stitched two cm wide scallops. Satin stitch, and cut work embroidery, in a floral design, are on the lower edge of the short sleeves and on the front bodice.The waistline has a four cm wide band of ribbon, in an insertion design,- but there is no ribbon insertion evident. This would be the only form of closure, from the waistline a slightly gathered panel,22cm deep, gives a peplum effect. Hemline is faced with a 1.7cm wide cotton facing. The ribbon insertion panel has alternating 1.2cm wide floral embroidered ribbon and one cm wide plain ribbon. Magyer sleeves-extending from the side seam just above the waistline - bodice all one piece of fabric - no seams.Accompaning note - No date. The bloomers (11400.931), belonged to Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket would be about the same age.costume, female, white linen bed jacket

Three cards from the Maryborough Golden Wattle Festival bottle competition. The card for First Prize has a blue ribbon attached. the one for second prize has a red ribbon attached. No ribbon on the one for third prize. All three cards have a design of a wattle on the left hand side.

Object. eight ribbed parasol. Black silk satin, and black cotton lace in a floral design. Eight peaks around the perimeter of the umbrella, attached to the double layer of fabric in the main body of the umbrella-an outer layer of silk, satin, and an inner layer of cotton. This lining is hand stitched. Frame, including handle of lacquered wood. Handle is graciously curved and carved like a feather. Top is finished with lace and a decorative satin ribbon-(5cms wide) bow with five loops, and nine cm tails.costume accessories, female, victorian black silk and lace umbrella

A marketing convention badge made by Angus & Coote for a convention in 1955, this was discovered by Q.C Binks whilst he was out metal detecting for gold. Badge is an elongated oval design, with a dark blue background and gold writing. The words say Lever marketing Convention 1955.bendigo, gold mining, qc binks, angus & coote, lever marketing convention 1955.

Folding wooden fretwork corner shelf with a foliage design, 2 mirrors, stained brown with hinges & small hook. Marked on back DI475 also small sticker underneath 733 108K.handcrafts, woodcarving, ornamental

Group of seven postcards addressed to Mrs. A. Stephens. Five of them depict actresses and two have floral design Christmas themes. (a) Miss Gabrielle Ray, (b) and (c) Miss Carrie Moore, (d) Miss Tittell Brune in 'Parsifal' (e) Gabrielle Ray (Christmas theme) (f) Christmas theme with Roses, (g) Christmas theme (flowers).postcard, photograph, actresses, gabrielle ray, carrie moore, tittell brune, actresses, theatre, christmas