Digital image from the Wal Jack Ballarat Album of an accident involving Ballarat Tram No. 24 running away following a collision with a truck in Drummond St. South and hitting a tree at the corner of Dana St. on 1/12/1941. See also Reg Item 1348 for another photograph and more details. Wal's album notes "No. 24 crashed into tree result of a collision with a motor lorry, Intersection of Drummond and Dana Sts 1-2-41 (8am). Motorman T. Young unhurt. See image i2 for the rear of the photograph with extensive details - the print had been sent to Ken Magor by Wal. See image i3 for high res scan of album photograph. See image i4 for high res scan of negative - on a large format size neg.Yields information about the accident that involved a tram hitting a tree after being derailed and amount of damage done at the time.Set of digital images and a print on Velox paper.Written on rear in blue ink - "1-2-41" on Rear of print extensive details - see image i2trams, tramways, accidents, ballarat, drummond st, runaway, collision, tram 24

Lydia Chancellor (1889-Dec 1979) Her parents were George Pethard and Miriam Peatling. George founded Tarax soft drinks in Numurkah in 1898 before moving to Bendigo in 1902 and establishing a brewing factory there. He also built the home "Taraxville" in Panton St. The factory ceased operation in Bendigo during WW1. After the war, the firm was re-established by George jnr, brewing in Melbourne. Lydia married Norman George Chancellor in 1924 but he died 2 yrs later. Lydia returned to Bendigo to care for her mother and began an extensive collection of Toby jugs. She donated 100 jugs to the Bendigo Art Gallery in 1973. She broadcast weekly on 3BO under the name "Chance" and in this capacity, she delivered tennis results and notesA paper detailing the life of Lydia Pethard, Tarax Cola and her contributions to the Bendigo Art Gallery and Tennis/tarax, bendigo art gallery, lydia chancellor

In 1940, German minefields were laid in east and west Bass Strait which quickly claimed merchant ships Cambridge (British) and the City of Rayville (American). HMAS Goorangai had finished mine sweeping duties and after resupply was crossing from Queenscliff to Point Nepean to seek better anchorage due to impending bad weather. At around 20:30 on the 20th of November 1940 the 10,400-ton MV Duntroon was transiting the South Channel on her way to Sydney from Perth via Melbourne carrying 65 passengers and general and perishable cargo. It struck HMAS Goorangai forward of the funnel on the port side and cut her in two. At about 20:45 HMAS Goorangai sank in less than a minute resulting in the loss of her whole ship’s company, a complement of 24 officers and sailors.HMAS Goorangai was the first Royal Australian Navy (RAN) ship lost in WWII, the first RAN surface ship lost in wartime, and the first RAN surface ship lost with all hands. A memorial cairn was erected at Queenscliff in 1981 and a service of commemoration is held there every year.A severely damaged and corroded aluminium teapot recovered from the wreck of HMAS Goorangaihmas goorangai, wwii, collision at sea

The Rockingham Red Cross Centre in Kew provided convalescence and rehabilitation for war veterans suffering nervous conditions resulting from the Second World War. The building had been given to the Australian Red Cross by the owner of the house, Mrs Syme in 1940. In the early days of the centre, patients performed plays for fellow patients and staff members. This small box of theatrical makeup, or greasepaint, would have been used at the Centre on one or more of these occasions. The donor, Rosemary Lade, worked at the Centre as an occupational therapist, 1971-2 and 1974-7. During these years, play readings were held, but performances were not staged. The Rockingham Red Cross Centre closed in 1977, and following its closure, the donor retrieved the box of greasepaints from the Occupational Therapy Department. A box of greasepaint from the Rockingham Red Cross Centre, Kew. Square wooden box, containing sticks of greasepaint used for theatrical makeup. The used sticks of greasepaint are wrapped in foiled paper, printed with information about the colour and the maker/retailer: L. Leichner (London) Ltd. Leichner House, 30/32 Acre Lane, / London, S.W.2. theatrical makeup, greasepaint, rockingham, rockingham red cross centre, syme family, rosemary lade, occupational therapy - theatre

The 8th Light Horse Regiment was raised at Broadmeadows Camp in 1914 and served at Gallipoli, Sinai, Palestine, Transjordan and Syria. At Gallipoli the regiment took part in the ill-fated charge at the Nek on 7 August 1915 and suffered horrendous casualties including the Commanding Officer Lieutenant Colonel Alexander White. Following the evacuation the regiment was brought up to full strength under the command of Lieutenant Colonel Leslie Maygar VC and went on the participate in all the major actions of the desert campaign culminating in the capitulation of Turkey in October 1918. The regiment was in reserve at Beersheba and came under air attack resulting in the death of Lieutenant Colonel Maygar. The post-war regimental association met regularly until the late 1970s when dwindling numbers brought about its closure.A rare document relating to a Victorian mounted regiment of World War 1 (1914-1918) with the thank-you cards providing a unique method of recording the passing of this proud regiment into history.Blue hardback scrap book containing a roll of members of the 8th Light Horse Regiment AIF Association, some newspaper clippings about Light Horse in the Middle East campaign, collection of return-thanks cards for deceased members of the regiment pasted in, and hand written letter to Matthew (Matt) Maynes thanking him for his sterling service as secretary of the association.8th light horse, association, wwi, world war one

Doug WRIGHT (1944 - ) Born Ballarat Doug Wright studied at the Ballarta School of Mines Art School between 1963 and 1964, followed by studies at the Royal Melbourne Institute of Technology from 1965 to 1966, resulting in a Diploma of Art (Fine Art Painting). Since 1974 Doug Wright has had over 20 solo exhibitions and a survey exhibition in 1993 which travelled Victorian Regional Galleries. From 1975 to 2009 Doug Wright was Lecturer in Painting at State College of Victoria (Ballarat) and University of Ballarat. This item was commissioned for the entrance of the new Administration Building at Mount Helen by the Director of Ballarat University College, is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract landscape with vertical lineal components.art, artwork, doug wright, landscape

Doug WRIGHT (1944 - ) Born Ballarat Doug Wright studied at the Ballarta School of Mines Art School between 1963 and 1964, followed by studies at the Royal Melbourne Institute of Technology from 1965 to 1966, resulting in a Diploma of Art (Fine Art Painting). Since 1974 Doug Wright has had over 20 solo exhibitions and a survey exhibition in 1993 which travelled Victorian Regional Galleries. From 1975 to 2009 Doug Wright was Lecturer in Painting at State College of Victoria (Ballarat) and University of Ballarat. This item was commissioned for the entrance of the new Administration Building at Mount Helen by the Director of Ballarat University College, is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, doug wright, wright, oil painting, painting

This Trust agreement declares the intention of the Trustees, namely Albert William Whiteside, Matilda "Tilly" Ann Aston, William Henry Paterson and Charles Monteath to utilise a gift of War Bonds to the value of 200 pounds to form the Jean Bickford Bequest. The income arising from the Bequest would be used to pay for Board, Lodging and Attention at the Associations Home for Adult Blind at Brighton Beach" of Victorian soldiers who were blinded as a result of the War. Dated 18th September, 1918. Signed by Albert William Whiteside, Matilda Ann Aston (after being read the document by Mary Lawson, signature also affixed), William Henry Paterson and Charles Monteath. 2 signed copies are held of this Trust Declaration, as well as one other copy with typed signatures. 3 typed pages establishing trustalbert whiteside, tilly aston, william paterson, charles monteath, jean bickford, fundraising

Articles include adapting the porch side so that there was space for the electronic Braille typewriter, loss of regular hirers due to restriction on night hours however more enquiries received after ad in Pink Pages, publicity was a new focus with a display was held at Southland Shopping Centre, an Open Day promoted on 3AW by Norman Banks (who also attended), and a demonstration of Portrait Painting by Sir William Dargie. Surplus Christmas card stocks were sold through the Christmas Card Shop in the city, resulting in a healthy profit, all machines (Stainsby, Perkins, Tellatouch, Braille typewriter, thermoform and Crabb-Hulme Press) are regularly used, talking book machines are still under discussion, and Mrs Armytage has been engaged as an Auxiliary organiser with now four organisations raising funds.25 pages of text with drawingsbraille library of victoria, corporation records

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the continued support for Country Concert Parties, the addition of the Brunswick and Coburg Tramway Trust to the Railways Pass concession scheme, appointment of two lady collectors in lieu of a single male collector with very gratifying results, the Association wishes to compile statistics on the sources of blindness with the aid of its visitors, a committee has been formed to inquire on the possibilities of cigarette and cigar making as a light handicraft, a garden party was held to celebrate the 'coming of age' of the Association since it was formed 21 years ago, and the passing of Mr W Hall, who was a vice-president of the Society and placed his devotion to the cause above his physical disabilities, and will remembered by a lasting memorial at the Home.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

Clive Hearne Shield Donor: Will Merritt / Graham Noel The trophy was donated in memory of Clive Hearne who sailed the yacht Leading Lady, and was one of the original supporters of the Wednesday afternoon racing which became known as the Hearnes’ Heroes Series covering alternate fleet and pursuit races. Prior to the donation of the original Hearne's Shield, Wednesday afternoon races were known as the "Mid-week Muddlers", as introduced by Will Merritt. Four series are held each year commencing in July and finishing the following June. At the end of June the four series are then combined with the best result winning the J. Bryan Linacre Award. When the original board donated by Will Merritt filled up, Graham Noel donated a new board in he shape of a Shield. First Winner: Chindrina, Will Merritt 2002 wednesday afternoon, graham noel, clive hearne, will merritt, shield

Purchased by Mr. & Mrs. H. N. Lord in 1970.Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. ICloisonne Chinese bowl. Large brown with blue and yellow floral design on a carved wooden base.bowls

Purchased by Mr. & Mrs. H.N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IOrnamental miniature Chinese cloisonne vase. Has floral patterned design.vases

Purchased by Mr. & Mrs. H. N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IBlue and gold patterned Chinese Cloisonne bowl with lid, with gold lion on top.bowls

The majority of the 2/23rd Battalion's initial intake of volu nteers came from the Albury–Wodonga region and as a result, the 2/23rd became known as "Albury's Own" and were adopted by the city of Albury. In 1946 the2/23 Australian Infantry Battalion Association adopted the children`s ward of the Albury Base Hospital as a memorial ward to honour those who made the supreme sacrifice. Members of the Association continued to raise funds for the hospital, On Anzac Day, 1976 a service was held to dedicate a plaque marking the Children's Ward as a memorial of the 2/23rd Battalion. This is the program from that dedication service. An addition plaque commemorating the efforts of the 2nd / 23rd Australian Infantry Battalion Association in raising funds for the Albury Base Hospital was added on Tuesday 30th November, 1999.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A program marking the Dedication of the Children's Ward of the Albury Base hospital in honour of the men of the 2/23rd Battalion known as "Albury's Own".world war 11, 2/23rd battalion

Official guide to the 2009 Australian Boys’ & Girls’ Amateur Championships, and Australian Boys’ & Girls’ Interstate teams matches. Played at Alice Springs Golf Club, N.T. 8-21 April 2009. Victorian boys' team Manager Bruce Harding, assistant manager Mark Bamford, Coach David Capaldo. The Team: Geoff Drakeford, Nathan Holman, Anthony Houston, William Hume, Sean Ong, Travis Sharpe. This team finished third in Championships at Alice Springs Golf Club. Accompanied by a memo for team managers, conditions of play, a course guide for Alice Springs GC, 2 blank Alice Springs GC score cards, draw sheets, results sheets, reports by Bruce Harding, a media release. Grace Lennon (HGC) played for Victoria in the Girls’ Team event. Former HGC President Bruce Harding was involved with Victoria's Junior teams from 2000-2010.Booklet 28 p., black text, illus. (some col.). Includes photographs of players. 2 copies. Score cards tri fold, colour. Course guide: 19p., colour maps.bruce harding, australian junior amateur championships, junior golf

The vineyards exhibition was mounted by the Sunbury & District Heritage Association in the former George Evans Museum from August 1996 to January 1997. It featured the establishment of the vineyards and the wine industry in Sunbury from the 1860s to the present day. From the early days of European settlement in Sunbury, it was found that the soils and climate suited the growing of grapes, especially the east facing slopes along Vineyard Road. A number of people of German origin established vineyards along there. By the end of the nineteenth century and limited spending power as a result of the 1890s depression, the demand for wine declined in Victoria with beer being the preferred beverage.While Phylloxera destroyed the vines in many areas of Victoria, Sunbury's grapevines were not affected. As the demand for wine increased in the 1960s - 70s, some vineyards in the Sunbury area were replanted.The vineyards established in Sunbury in the 1860s were one of the earliest agricultural pursuits taken up by European settlers in the area and remained an important industry for 40 years.A non-digital coloured photograph of a display board advertising an exhibition of vineyards in the Sunbury area.vineyards, sunbury, vignerons, wine production

This is a typewritten account of the history of Port Fairy from 1810 to 1890. It was written by William Earle (1850 -1902). In an addenda at the back of this folder there is a note from William Earle which indicates that the booklet was written in 1896 ‘as a result of a prize offered by several residents in a Schedule issued in connection with a local Industrial Exhibition, which Prize it secured’. Does this refer to the 1896-7 Warrnambool Industrial and Art Exhibition? No evidence of this has yet been found. As this folder was given to the ShipLovers Society of Victoria Library in 1963, some ten years before Earle’s history was reprinted in 1973, it is an early copy of Earle’s original work and may have been produced in the late 19th century or early 20th century. The original material was first published by the Port Fairy Gazette in 1896.This folder is of great interest as it is an early copy of Earle’s History of Port Fairy, an important historical publication. This is a black cardboard folder containing 120 typewritten foolscap pages about the history of Port Fairy 1810-1890 (written by William Earle). Inside the front cover there is a stamp of the ShipLovers Society of Victoria Library. The front cover has a sheet of white paper stuck on with adhesive tape. It has a black and white sketch of an anchor, a sailing ship and a rope. The pages are attached to the folder with four metal studs. There is a loose sheet inside with a note about the donor of the folder and a name handwritten on the front cover. ‘W.Earle’ ‘Presented by Mr Owen, Warrnambool, May/1963’ history of port fairy, william earle, shiplovers society of victoria

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

Yellow fire fighter helmet with blue logo and orange fittings and reflecting tapeBROWN/Prosperity through service/ 11530/ Brown/ Fireman's helmet/3/Model Pro Helmets/ Size Date Batch (WGT 1215/ N.F.P.A. 1972/1985 Instructions to user : shell and liner constructed of fibreglass and polyethylene lining helmet can be seriously damaged by substances such as petrol, paint, adhesives or cleaning agents. Make no modifications. Fasten helmet securely. If helmet experiences a severe blow return it to the manufacturer for inspection or destroy and replace it. WARNING: no helmet can protect the wearer from all injuries. The manufacturer accepts no liability for injuries resulting from or during the use of this helmet/ MANUFACTURED BY PACIFIC HELMETS (NZ) LTD. WANGANUI. NEW ZEALAND.

X-Rays were first discovered on 8 November 1895. By 18 July 1896 staff members of the Ballarat School of Mines (SMB), were experimenting with the exciting new discovery. The history of x-rays began on 8 November 1895 at the University of Wurzburg in Bavaria. The discovery was officially announced on 25 December 1895. The first radiographs in Ballarat were taken at the School of Mines in July 1896 according to the Ballarat School of Mines (SMB) Annual Report. Frederick J. Martell, the Registrar of SMB arranged for the importation of tubes, while John M. Sutherland, an electrician, conducted most of the experiments giving 6 inch, 12 inch and 16 inch sparks respectively. In a short time brilliantly successful results were obtained, with some SMB Roentgen negatives taken at this time still in existence today. Samuel Ernest Figgis, H. R. W. Murphy, D. McDougall, and Frederick J. Martell carried out experiments at the SMB on Saturday evening 18 July 1896, producing 'perfect' negatives of a hand and wrist. A Roentgen Tube and an induction coil giving a two inch spark, the coil being sparked by the SMB's dynamo, were used to obtain these results. The Courier reported that 'the exposure of five minutes was ample' but concluded that 'the length of the exposure will be shortened as experiments proceed.' The Ballarat Courier reported on 20 July 1896 that: "Thanks to the energy of the staff of The School of Mines, Ballarat, and particularly to Messers F.J. Martell and D. McDougall, the assistance of Rontgen X-rays will soon be available, for the relief of suffering humanity, at this institution." Martell was an ardent amateur photographer, and Duncan McDougall's experience as an electrician has enabled the two gentlemen to carry their experiments on to a perfectly successful issue. At first these gentlemen, together with Professor Purdie and Mr W. Huey Steele, conducted a series of experiments by the aid of a Bonetti glass-plate induction machine which had been constructed by Mr McDougall. The results were very good, the various bones of the hand being distinctly visible. The following people were among those who witnessed the first X-ray experiments to be carried out in Ballarat. Andrew Anderson, President of the School of Mines, a large number of ladies and gentlemen, the medical profession Dr Edward Champion (1867-1929) Dr Gerald Eugene Cussen (1888-1943) Dr William Edward Davies (1868-1928) Dr Charles William Henry hardy (1861-1941) Dr Edward Kenneth Herring(1864-1922) Dr Joseph Lalor (1859-1907) Dr James Thomas Mitchell (1856-1945) Dr Edward Graham Ochiltree (1857-1896) Dr Robert Denham Pinnock (1849-1902) Dr Joseph Francis Usher (c1832-1909) Dr Grace Vale (nk-1933). The staff of SMB Professor Alfred Mica Smith Professor D. J. Dawbarn Mr. F. J. Martell. (http://guerin.ballarat.edu.au/aasp/is/library/collections/art_history/honour-roll/honourroll_X-Ray_pioneers.shtml)Two men, one seated, one standing standing in a room with early electrical equipment. They are conducting pioneer X-rays at the Ballarat School of Mines in 1896. Seated on the left is John Waters Sutherland.A bromide of this images states "Experimenting with X-rays, 1896"ballarat school of mines, x-ray, xray, john sutherland, sutherland, electricity, photography, foto, roentgen tube, medical

The McLeods, were the original holders of the Orbost station. Sir William Clarke bought the station from McLeod Bros. Sir William was a very fine man and noted for his philanthropic actions. He finally cut up and sold the Orbost station and presented 10 acres of land to the people of Orbost for a show and recreation ground. Sir William Clarke had taken over the Orbost run from the McLeods in 1870. (more info. July 2006 Newsletter) When Sir William died the property was owned by his son, Rupert who offered the land for sale at 4 pounds per acre. No sale resulted and the property was leased for a few years until in 1898 it was subdivided and sold to many of Orbost's first families. (info. from In Times Gone By- Deborah Hall) This house was located on the western side of Forest Road. Orbost.This is a pictorial record of one of the first residences in Orbost.A black/ white photograph of a large wooden house. It has a verandah at the front and sides. There are three children two girls and a boy - standing on the verandah to the left of the door. The house is surrounded by gardens.on front - Orbost Home Stationorbost-station clarke-william clarke-rupert

Prior to the sealing of the Princes Highway west of Orbost, the road surface was anything but good, even by C1917 when cars started to use the road. From Orbost the old road via Marlo to Sydenham was abandoned for the new location which traversed more rugged country via Cabbage Tree, Bell Bird and Club Terrace to Cann River, and the reason for this diversion was on account of settlements being established at Murrungowar and Club Terrace, at which latter place there was a temporary rush to obtain gold. This road was constructed by the Public Works department and a maximum grade of 1 in 19 was adopted, and as speed was not to be catered for the grade followed in and out round the spurs and gullies, resulting in a maze of turns and twists which required a good deal of skill on the part of the horse driver to negotiate." - Bairnsdale Advertiser, Friday, May 2, 1947. (More information from Newsletter February 2010)This is a pictorial record of an early road distance sign on a major highway through East Gippsland. The distances are indicated in miles, a measurement standard no longer in use.A black / white photograph postcard of the signpost at the Victorian - New South Wales border. It shows distances to Sydney and Eden on one arrow and distances to Melbourne and Genoa on another. on front - Vic - NSW Borderprinces-highway-east-gippsland road-transport road-sign

Prior to the sealing of the Princes Highway west of Orbost, the road surface was anything but good, even by C1917 when cars started to use the road. From Orbost the old road via Marlo to Sydenham was abandoned for the new location which traversed more rugged country via Cabbage Tree, Bell Bird and Club Terrace to Cann River, and the reason for this diversion was on account of settlements being established at Murrungowar and Club Terrace, at which latter place there was a temporary rush to obtain gold. This road was constructed by the Public Works department and a maximum grade of 1 in 19 was adopted, and as speed was not to be catered for the grade followed in and out round the spurs and gullies, resulting in a maze of turns and twists which required a good deal of skill on the part of the horse driver to negotiate." - Bairnsdale Advertiser, Friday, May 2, 1947. (More information from Newsletter February 2010)n the late 1800's early 1900's transporting goods by road was difficult and at times impossible because roads as thoroughfares did not exist.The means of travelling along the roads in the 1800's was by bullock wagon, horse pulled dray, pack horse or simply by foot. This road is still in use in East Gippsland as a part of many four-wheel-drive touring routes.A large black / white photograph of two horse - drawn wagons on a narrow sandy bush track. It is surrounded by scrub. There is one man standing beside a horse not harnessed to a wagon.on front - "The Coast Road to Mallacoota from Orbost JPC"

In the 1830’s, European pastoralists started moving south from NSW into the Alps. In 1836, cattle grazing began around Omeo and the runs spread out into the foothills. The higher country was used for summer grazing and huts were built for shelter and storage during stock mustering. The lure of gold brought many people to the Alps from around 1850 to 1900. Bushfires destroyed the forests around Melbourne in 1939 and the boom in house-building after World War II ked to increased demand for timber from the Alps. This resulted in the building of a network of roads which helped open up access to the Alps. The early 1940’s brought the first of many workers to the Alps for the planning and construction of the Hydro-Electric Scheme. These were the pioneers and early settlers of the Kiewa Valley and provided a wealth of characters and a tapestry of stories and adventures to be handed down to future generations.These 3 posters, which were most likely produced for promotional purposes provide a glimpse into the early lives of the pioneer families of the Kiewa Valley through pictures and verse. They show their lifestyle and outline the hardships they had to endure in living and working in the Alpine region. They also highlight the early arguments regarding grazing in the high country which would ultimately lead to the end of the long traditions of the high country cattle men. Set of 3 A4 size posters with black and white photographs and text and colour background depicting various parts of the history of the Kiewa Valley. 1. Titled - ‘Life wasn’t meant to be easy’ Describes early life for Kiewa Hydro workers. 2. Titled - ‘Cattlemen of the High Plains’ Describes a brief history of life of the cattlemen of the high plains 3. Titled – ‘There are Places I’ll remember’ Depicts early photographs of residents of the Kiewa Valley, also includes the words from a John Lennon song as per poster title. Printed on each poster – Poster designed by Dyanne Photography - Wodonga 1. Printed at bottom of poster – Sources: G Napier and G Easdown “The Kiewa Story” 1993. Southern Hydro Archives, N Hetherington and R Hollands. G Gardner “The Kiewa Kids” 1998. 2. Printed at bottom of poster – Sources: D Purland. Handwritten at top of poster- Poster 4 3. Printed at bottom of poster – Sources: B Roper, W Davies, D Higginson, H Ryder. Handwritten at top of poster- Poster 3 kiewa valley; tourism; lifestyles

This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue. This is a sample box provided by the manufacturer as an advertising and promotional method of prospective customers becoming aware of the product. This type of promotional avenue brought results and ensured that this type of advertising and inducement by manufacturers would be ingrained as a lasting avenue through to the 2nd Millennium This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer.This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The front(has "Sample" on top) the rest inscriptions are the same on each cover both and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering.

Moira Bird Oliver (nee Good) daughter of Rev Good of St Jude's Carlton first met Frank Oliver circa 1915. They were engaged for some 7 years while Frank did wartime service and then on return to Melbourne completed a Theology degree at Trinity College and was then ordained. They married on the 18th of July 1925 at St Jude's Church in Carlton. Frank Oliver was then naval chaplain on the HMAS Platypus. After various postings the married couple eventually arrived and were appointed to the Chaplaincy to the Mission to Seamen based at 717 Flinders St from 1930-1960. The Olivers weathered many significant issues between 1930 and 1960, a depression, WW2, strikes and waterfront unrest in the 1950s and financial struggles resulting from changed shipping patterns. This photograph was gifted by a descendant who told us that Mrs Oliver was a very enthusiastic photographer. Mrs Oliver was a well loved and respected woman and is memorialised by a window in the Mission Chapel. It is possible she is one of the many anonymous photographers who contributed various photographs especially of the 1930s and forties that make up a substantial part of the Mission Heritage Collection. Mrs Oliver died in 1969 see elsewhere this database for memorial plaque and window.Mounted studio b & w photograph portrait of a bride in white dress and trainpadre oliver, reverend good, st. jude's church, reverend frank leslie oliver, moira bird good, moira oliver, hmas platypus, royal australian navy, r.a.n. chaplain

The can(product) of powdered Mortein was used throughout Australia and especially in rural regions where environmental conditions of crops, cattle and other livestock resulted in greater amount of "invasions" from insects. The eradication of unwanted invaders into the homestead required either manual extermination or a relevant poison which in low doses would not affect humans. Fly squats were still a good measure of eradication of flying pests however those lurking in cupboards or "hard to get at" locations needed a method, such as the Mortein powder to do the deed. This product and especially this can was used at the fore front of pest eradication. Powders and pellets are still in use 100 years later and the core ingredient is still environmental friendly and meets health conscious modern Australians. The basic product has survived the passage of time and was invented by a German immigrant to Australia in the late 1800s.This can and what it represents to rural households and outhouses, is in some ways immeasurable to the peace, health and tranquility within the household of all the families within the Kiewa Valley. Although small in size the relief of those within the sanctity of the home from annoying pests is enormous. The relief not only physical but also mentally to those residents, from the sometimes grueling and painful rural existence in a "sunburnt" countryside cannot be truly expressed in words. Kiewa Valley residents are part of the sometimes harsh rural environment where the introduction of helpful products such as this powder are noticed and used more prolifically. Any product, especially invented within Australia, which allows for a easier existence is of a great significance.This small cylindrical can contains powder of crushed the chrysanthemum flowers(pyrethrum extract) and has two circles of small circular perforations in the lid (to allow contents to be sprinkled onto other surfaces). It is constructed of mild steel with both ends crimped onto the main cylinder. A paper information label has been adhered to the outside of the cylinder.Printed on the outside label is: 1st line "MORTEIN!" 2nd line "THE GREAT INSECT DESTROYER" underneath "(Registered)" and underneath "It is without doubt the best and most reliable Insect powder in the World" underneath this line "In order to use Mortein with profit it is best to get a Mortein spreader through", next line "which by pressure of the hand the powder is ejected and well diffused." An inflection mark appears over the e in "Mortein" as to signify that the word "mort" is french for (dead) and the "ein" is german for "one". The word "mortein" therefore is diffused and translated into "dead one". A thin line separates the above from the list of insects which the powdered contents will kill together with the suggested application targets. T the bottom of the instructions is printed the manufacturer "J. HAGEMANN PTY. LTD., MELBOURNE," Below is "Sole Proprietors"natural insecticide products, environmentally friendly products, household pest dispensers, australian inventions

The Bryant and May Factory is located in the suburb of Cremorne in Melbourne, Australia. It was constructed in 1909 as the Empire Works to a design by prolific Melbourne architect William Pitt. It was purchased soon after by British safety match manufacturer Bryant and May who significantly expanded the building adding an additional level and the landmark clock tower. Bryant and May were unique in that they operated as a model factory providing workers with conditions and amenities which even today seem generous. These included a dining hall and sports facilities such as a tennis court and bowling green which were constructed in the 1920s. Bryant and May ceased Australian match manufacture in the early 1980s as a result of import competition. Their iconic Redheads matches are now imported from Sweden. The complex has since been converted for use as offices and showrooms but is extremely well preserved. It is listed on the Victorian Heritage Register. Source: www.wikipedia.org Local social history of Bacchus MarshMetal matchbox holder for a matchbox-one side has a photo of a local cricket team, the other side has a caricature of a man's face when held one way up is smiling and when turned up the other way the face is looking unhappy. The cover is blue with yellow. The matchbox cover is made of a thin veneer wood. The makers inscription is in blue and red.Cover/spine: Strike The Border Inn Bacchus Marsh for a good spot Phone 16 Cyril Jones, Proprietor. Cover/side: This man always calls in at the Border Inn. This Man wishes he did Matchbox:Bryant & May's "Crown" Safety Matchesbox, souvenir, sport, item, cricket, match, team, cyril, jones, border, inn, cover, novelty