Photograph shows a 3-lane road with "Federally funded" sign This is Plenty Road Bundoora, near Parade college.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"plenty road bundoora, parade college

Photograph shows a sports ground with cricket nets. Looking toward Partington Flat from Kalparrin.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"partingtons flat, cricket, public reserves

Photograph shows a bridge with van, road is on steep hill. This is the carpark at Middle Gorge Park on Kurrak Road Yarrambat.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"middle gorge park, kurrak road yarrambat, plenty gorge metropolitan park

Photograph shows creek bed with vegetation, upstream from Plenty Gorge.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"plenty gorge, plenty river, mernda

Photograph shows rural view with cattle and trees. This is the scar or canoe tree in Yallambie. Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"scar tree, canoe tree, yallambie

Photograph shows water over ground. This is run off into the Plenty RiverPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"plenty river

Photograph shows road or path over culvert. This is the ford over Plenty River to Partington's FlatPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"ford over plenty river, plenty river, partington's flat

Photograph shows a residential street in Lower Plenty - the Plenty River is behind.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"lower plenty, plenty river, residential development

Photograph shows houses in foreground and further development in background, including Greensborough Bypass near Apollo Parkways.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"greensborough bypass, apollo parkways

Photograph shows a rural scene with gum tree and pylon, looking towards Bulleen from Lower Plenty.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"bulleen, lower plenty

Photograph is looking down on muddy water in the Plenty River.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"plenty river

Photograph shows a post and wire fence with bushland beyond, and example of poorly managed farmland, thistles in foreground.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"weeds, farming

Photograph shows a group of 7 people walking under an overpass - under Greensborough BypassPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"greensborough bypass

Photograph shows a rural view with paddocks and trees, looking towards Bulleen brickworks.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"bulleen

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.A 'real photo postcard' of Mt Feathertop in the Australian Alps, possibly taken from a photograph of Henry Christian. The monochrome postcard depicts three walkers at Mt Feathertop. Kodak Australia Postcard.mt feathertop, postcards - australian alps, christian-washfold collection

Postcard produced by Kodak of the opening of the Geelong Tramway System on 14 March 1912. Shows a speach being made from a tramcar, most likely tram No. 4 as it was the "first" tram. One of the trailers appears to be behind the tram. A large crowd is assembled around the tram. See also item 9055 for another view, 4407 and 5900.Yields information about the opening of the Geelong tramway system.Black and white Postcard divided back, unused. The back of the postcard has been printed upside down compared to the front.In the top right hand corner "Victoria"tramways, trams, geelong, opening, new tramways

Black and white photograph of a young girl seated on a veranda. Photograph is in a folder with a picture of a woman holding a camera on one side, with the word "Kodak" printed below the picture, and a price list for enlargements on the back of the folder.On back of photo: "Edie Rees 1902"edie rees, photography

Print of an original oil painting created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner) and reproduced by Kodak. The reproduction was likely made for the Mission to Seamen from the early 1906 to the 1960s to hang in its chapel. The publisher Reinthal & Newman, New York, was in business between 1906 and 1928. The company originally published postcards, but from 1920 they published prints of art from original works of famous and not so well-known artists. The published items were distributed by the House of Art, NY, which continued on into the 1950s. The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the organisation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The print is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Cornelius von Max.Print of an oil painting representing Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, produced in 1874 by 19th century artist Gabriel Cornelius von Max (GAB MAX). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has two small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire, but this has been replaced. Part of the St Nicholas Seamen's Church Collection.FRONT: Top left :1874” Top right “GAB MAX” [Gabriel Cornelius von Max] Handwritten script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, print, religious print, jesus christ, 1874, 19th century artist, gabriel cornelius von max, gab max, gabriel max, reinthal & newman, oil painting, st nicholas seamen's church, a33 © reinthal & newman pubs. n.y., kodak, house of art

This item is part of a collection of four black and white glass lantern slides previously housed in this box. The slides and this box are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Brown paper box with printed black and red text on top, and handwritten text on top. Labels with printed text are also on the sides and bottom on the box.Top: [handwritten] NICHOLS / LAMB [printed] OPEN IN PHOTOGRAPHIC DARKROOM / Kodak / PLATES / TROPICALLY HARDENED / MADE IN GREAT BRITAIN BY KODAK LIMITED LONDON / TRADE MARK PROTECTED THROUGHOUT THE WORLDnew south wales graziers association, travel, agriculture, j w allen, photography, glass lantern slide, sheep, breeding

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. 2 black and white photographs of Frank Wright and his parents outside the front of their house, Laura Villa at Smeaton. .1) small original photograph probably taken on a Box Brownie .2) Kodak postcard reproduction.1) verso "Mr W. Wright, Frank Wright, Mrs W. Wright, At Laura Villa, Smeaton, 1922., V Holt. (An)"frank wright, smeaton, brass band, miners cottage, william wright, sarah wright, laura villa

The Box brownie camera was invented by Frank A Brownell in 1900 and further improved from 1901. Because it was easy to use, cheap and portable it became very popular. It was used by soldiers in the first World War and other models were marketed to groups such as the Boy Scouts.Many family photos recor It was further modified until the 1950's and have been used until recent times This camera has significance as a very popular model which was used by a wide cross section of people over many decades. It is one of the cameras which made photography accessible to many who would otherwise not have been able to use them. .1 Rectangular black box camera with leather handle attached with silver studs. There is a latch at the top and a winder at the back. There are three circular cutouts on the top and two rectangular ones on the sides.There is a logo imprinted in the base of the camera and a film is inside .2 Small 38 page manual with light card cover. Mainly printed instructions with some diagrams showing aspects of operation. for Nos. 2 A 2C and 3 Brownie cameras..1'Brownie " on the handle.The logo on the bottom reads as follows, " No 2 Brownie Use film No 120 Made in USA by Eastmann Kodak Rochester NY." .2 Published by Eastmann Kodak Rochester NY. box brownie, warrnambool,, kodak cameras, brownie instruction manual

Black leather covered camera, thin rectangle with curved ends (leather missing from one curved end). Concertina lens folds out by pressing button at the side, near film winder, and manually pulling the concertina section outwards. Inside the hinged concertina section there is a lens, view finder and shutter button Camera has a brown leather case of similar size and shape, with long carry strapCamera Case: M Gunn Numurkah Victoria hand written inside Camera: Kodak on outside / No 1a Autographic Kodak Jr. Made in USA Eastman Kodal & co Rochester NY on inside camera, expanding, concertina, kodak

This camera comes from the 1920s and originally belonged to a member of the Shadbolt family but no information has been found on this family. The Kodak junior camera was very popular in the first half of the 20th Century This camera has no known local provenance but is retained as an interesting example of an early Kodak camera This is KODAK junior camera in a leather covering with a leather handle. It has a concertina mechanism. It has an outer leather case with a leather strap and a broken metal catch. The cover is much scuffed and rubbed. The camera is rectangular in shape with curved ends.1. Kodak No.1a Autographic Kodak Jr. .2 Molly Shadbolt Ulverstone Tasmania M.A. Shadbolt Burnleigh Church Terrace Walkerville A Mitchell Hyde Park history of warrnambool, kodak cameras

Apart from the photograph being of local interest to the history of Kew, it is also of interest as it was donated to the Kew City Council by Mr. C. R. du Rieu. Mr du Rieu was closely associated with the Kodak factory which purchased land in East Kew for a factory the plans for which were ultimately rejected by Council. In 1936, nine years after he donated the photograph to Council. Mr du Rieu died. A report in the Melbourne Age on 7 October 1936, p. 14 stated that: "Mr. Charles Richard du Rieu, of "Wonder View." 57 Pakington-street, Kew, formerly manager of the mount department of Kodak (Australasia) Pty. Ltd., died at his home on Tuesday morning at the age of 72 years. Born at Adelaide, Mr. du Rieu was the son of the late Mr. and Mrs. H. L. du Rieu. He is survived by his widow. For 43 years he had been associated with the late Mr. Thomas Baker, at the Kodak works. He retired from the firm in 1928. Among his charitable interests were the orthopoedic section of the Children's Hospital at Frankston, Eye and Ear Hospital, and the Fitzroy Ladies Work Association. He was president of the North Kew Progress Association, and a member of the Kew Bowling Club. In masonic circles he was a past master of the Kent Lodge, Melbourne, and a member of the Travellers' Washington Lodge. The burial will take place at the Boroondara Cemetery Kew, this afternoon. Arrangements are by Le Pine and Son Ltd."The photograph is of historic and social significance for what it tells of popular civic values in the interwar period in Melbourne and Australia which manifested itself on occasions such as Royal Visits.An unframed, mounted sepia photograph of the Kew "Strong Post" on St Kilda Road on the occasion of the Royal Visit of 1927.Caption: "The Kew "Strong Post" St Kilda Rd., / on the occasion of the visit of / Their Royal Highnesses the Duke and Duchess of York / presented by C.R. Du Rieu Esq / May 1927royal visit (1927), duke and duchess of york, the kew "strong post" 1927, st kilda road, kodak australasia pty ltd, charles richard du rieu -- wonder view -- 57 pakington street

From the 1970's onward the relative isolation of regional areas was improving in "leaps and bounds". Social amenities, and life styles were changing at a great rate. Items such as this camera (recreational/life style/non professional) capture of the altering socio economic balance of rural based activities provided the catalyst for greater appreciation by city dwellers to the benefits of rural life. The greater levels of communicative avenues, especially the visual (photography, pictures, television and the internet), from the beginning of this period and throughout the time frame (1970 to the 2000s) has cut the major restraints of what was rural "isolationism".The significance of this type of camera, being a small two lens (normal, telescopic) and portable piece of equipment, allowed non professional tourists, locals or visitors to visually display the uniqueness of the Kiewa Valley and Alpine regions. This method of promotional and intimate visual reproduction of not only physical but also through personal involvement, of the photographer to the audience, a greater psychological impact, by the nature of intimacy involved. This type of photography is one of the most effective stimuli to promote the unique qualities of the Kiewa Valley region.This Item is dual lens (22mm,44mm) camera comprising of an elongated oblong shape, black hard plastic shell. It has a slightly rough surface(for a better fingers grip), two latches are located at the back, one to release the camera from its hinged protective cover and one to move to the next picture frame (film is within a cartridge).On swing cover "Kodak Tele 1 " on back in small print "MADE IN USA" On camera body "KODAK TELE EKTRA 1" underneath "CAMERA" and on slide switch(front) to change lenses:"Tele" and "Norm" kodak two lens camera, photographic hobby usa made camera

Yields information about the Ballarat's bogie trams, in particular No. 38 that was decorated for the Royal visit in 1954.Black and white Kodak postcard of Ballarat tram No. 38 decorated for the Royal visit of Queen Elizabeth II to Ballarat, during 1954, on the depot access lead in Wendouree Parade. Decorated with Red, White and Blue cloth on front and sides of cars and over windows and other Royal motifs. On rear of postcard are the words "Post Card / Carte Postal" and "Kodak" in small typeface on the bottom of the central line. Place for stamp as well. Card printed with rounded corners. See also Reg. Item 412 for a colour slide and 3862 for a black and white photo.trams, tramways, wendouree parade, royal visit, decorated trams

Leather covered camera, thin rectangle with curved ends (leather missing from expanding section). Concertina lens folds out by pressing button at the side, near film winder. Inside the hinged concertina section there is a lens, view finder and shutter button Camera has a leather case with long carry strap of similar size and shape. Original instruction manual inside carry caseCamera Case: E J Berry Bunyip Gippsland hand written inside Camera: Kodak on outside / No 1 pocket Kodak Series 2 Made in USA Eastman Kodal & co Rochester NY on inside

Showcard property of Kodak (Australasia). Inside on the left side a pgoto of a couple walking on a beach and the words kodak Accessories. On the right photo of a woman looking at flowers and the words Kodak Cameras.business, retail, kodak

Kodak Tele-Ektalite 600 Camera. Instruction Book and film 200 KodakKodak 600photography, photographs / slides / film

Black leather-leather look (Vinyl) rectangular box. Main lens and 2 viewfinder lenses on the front. Black leather handle, one view finder and metal opening latch on the top. One view finder and a winder key on the right hand side. Red film counter viewing window on the back, with markings (see below)No.2 Brownie / Use film No. 120 / Made in US by Eastman Kodak Co. Rochester NY