A depiction of the MS Nella Dan an active primary vessel built in 1961 by the Aarlborg Shipyard PTY Ltd, and regularly chartered by the Australian National Antarctic Research Expeditions (ANARE) in the 20th C. The ship ran aground in December 1987 and unable to be salvaged, had to be scuttled in deep water off Macquarie Island. See link above, this record. The ship was named after Nel Law wife of the Director of the Antarctic Division, DR Phil Law. "Ib Odfeldt (b. 1944) is a self-taught painter and sculptor spending many years inspired by and interest in ships and marine art whilst working as an engineer in the Danish Merchant Navy. His paintings demonstrate a keen eye for technical accuracy and skill. The balance and setting of his works have attracted interest in many commissions by lovers of marine and shipping works. In 2002 Ib was awarded the Southern Ocean Maritime Art Prize and this acquisition of the Nella Dan is presented in the foyer of the Tasmanian Maritime Museum in Hobart." (The ASMA 2019 National Exhibition - Maritime Museum of Tasmania catalogue). According to the Artist, the painting was part of an exhibition he held at "Melbourne maritime museum " (Polly Woodside) to celebrate ANARE (ARTIC SHOW). He donated two paintings of the Nella Dan. This painting was sold to Mr. Jensen when the museum couldn't accomodate the paintings due to a lack of space. Mr Jensen may have donated to the Mission. Ib Odfledt has also entered the Maritime Art Prize several times. (2012)Maritime ArtFramed , oil on board painting depicting a red hulled , single funnel ship cutting through sea iceArtist signature at lwr right corner PAINTED.: IB ODFELDT 95 At the back: Square loose label: 3076 Leonard Joel Bottom corner on the frame in Pencil: POW 2894 (National Trust accession number)nella dan, anare, antarctica, icebreakers, explorations, merchant vessels, artwork, maritime art, ib odfeldt, artwork-paintings, australian national antarctic research expeditions (anare), hobbies, asma, australian society of maritime artists

"After the war Pipe-Major Duncan McLennan, moved to Ballarat and took up a position as cadet instructor and leader of the Ballarat Highland Pipe Band and the Ballarat Ladies Pipe Band. " (Victorian Historical Journal Vol. 85, No. 1, June 2014) This artwork by Geoffrey Mainwaring, is held in the Federation University Art Collection. Gift of Margaret Bennett, 2019Coloured photograph of taken from a slide depicting a painting by Geoff Mainwaring. Gift of Margaret Bennett, 2019pipe band, ballarat, ladies, ladies pipe band, highland pipe band, photograph, coloured photograph, margaret bennett, slide, geoffrey mainwaring

WW2, H.M.A.S. WhyallaWW2, H.M.A.S. Whyalla painting1. Painting of H.M.A.S. Whyalla on survey duty off New Guinea in 1944 , framed in glass and wooden frame. 2. Separate small framed statement of the painting with details of the action being under-taken by H.M.A.S. Whyalla. hanging from the paniting frame middle/centre.H.M.A.S. Whyalla In 1944, while on survey duty off New Guinea, in preparation for a landing by infantry, H.M.A.S. Whyalla was attacked by by Japanese aircraft. This is a portrayal of the attack, painted by a member of the crew it was presented to Lara R.S.L. in March 1981 by Lindsay Dunsmuir, also a member of the crew. Artist name B. Andeasenww2, lindsay d. dunsmuir,, 1944

Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls

SoftcoverContains painting by Penleigh Boyd, Winter Triumphant, 1920, 45" x 60", Collection of Mr and Mrs Robin Boyd. walsh st library

SoftcoverContains painting by Penleigh Boyd, Winter Triumphant, 1920, 45" x 60", Collection of Mr and Mrs Robin Boyd. walsh st library

An original coloured painting of a Lockhead AC 150 ghost Rider on a dirt tarmach. In front of the Ghost Rider there are three soldiers standing near supplies.painting, soldiers, vietnam lest we forget, lockhead ac-130

Water colour painting of the Alcoa Anglesea coal mine. Painted by Jan Robley.Signed by artist Jan Robley.jane robley, alcoa power station, painting

framed print of Arthur Stretton painting with insert photo of Matron Ida O'Dwyer Australian Army Nursing Servicer

Painting of Tom Goode whilst he was serving in Vietnam. Oil painting of Vietnam Veteran Tom Goode seated on a log in front of bamboo, helicopter in sky in the background. Depicts Tom Goode 'No Longer 19 reflecting back' Plain wooden frameSigned 'Bodaan'tom goode, 9 rar, painting

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

an original painting of Jim Bourke. There are two images of Jim, one as a young soldier and the second in later years dressed in a suit and bow tie. Jim Bourke served with 1st battalion RAR 1965painting, vietnam lest we forget, 1st battalion rar

An original painting of Warrant Office Class 2 Doug Hill in uniform in the background, also depicting the medal awarded for his service to the war. In the foreground is Doug Hill as a civilian in more recent timesDoug Hill, Australian Artillery Warrant Officer Class 2, Australian Army Training Team vietnam 1964-1965 and 1968-1969painting, vietnam lest we forget, aattv

Students Painting Plant Labels identified by T.H. Kneen as Pat Fleming (1951) and Jill Garding (probably Gasking, 1951).students, plant labels, pat fleming, jill gasking, students in class

Painted by former internee in Loveday camp, thought to be Ludwig Winter, and given to Mrs. Gillies. Winter, was interned from Persia, and on his release, obtained a position as Electrical Engineer at the Kyabram Cannery.Oil painting in plain cream chamfered timber frame. Man in foreground with hut, high peimeter fencing and guard tower.Niltatura, loveday internment camp, ludwig winter, illustrations, oil

Herbert James Woodhouse (1854-1937) was born in Essex and arrived in Australia with his family in 1857. A painter-lithographer like his father and three of his brothers, he was a prizewinner in the South Australian Society of Arts exhibition of 1885. He also received commendations in exhibitions at the Victorian Academy of Arts and the New South Wales Arts Society. At an exhibition of his paintings at Scott’s Hotel in Collins Street in 1892, the reviewer for Table Talk noted that the ‘artist paints almost solely in the open air, and his studies are generally carried out during the trips of the Victorian Sketching Club’. One of the paintings singled out for praise was: ‘A very effective river scene at Willsmere, aptly named A Midstream Mirror, ... a picture powerful in its effective reflection of sunlight in the river.’ Herbert Woodhouse died in Geelong in June 1937, aged 82, and was buried in the Eastern Cemetery. A number of his sketchbooks are held in the collection of the State Library of Victoria.Framed oil painting on board of the River Yarra at Studley Park, Kew, by Herbert James Woodhouse (1858-1937). The artist has framed the narrow painting with trees in the foreground and a view of the Yarra River and rolling hills in the background. Verso, written by artist: "River Yarra Near Dights Falls"australian art - 19th century, herbert james woodhouse (1854-1937), yarra river - studley park

Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN

An original coloured painting showing a truck rolled over with its load rations on the ground. One soldier is holding a box and another soldier is drinking from a vessel.2 Transport Platoon RAASC South Vietnam. Rations on their way to Aussie troops in Nui Dat. One truck in the convoy swerved to avoid an American semi carrying ammunitions. The wheels found the soft muddy edge of the rice paddy, and ... into the mud!. My son Trooper barry "Jock" Tiernan is pictured as one of the men rescuing the load from the mud. the other soldier is Ray Heathcote, driver of the truck.painting, vietnam lest we forget, barry "jock" tiernan, ray heathcote

The waterbody was the site of a quarry that existed between Grovedale Road and James Street, Surrey Hills on land owned by J B Maling (senior). Clay from it was used to make bricks for local houses. The quarry became a hazard and after several drownings was filled in. The Grovedale Park now occupies the site. Muriel Hedwig Lucy Pornitz, also known as Muriel Pornett, lived locally. She was born in Melbourne in 1894 and studied at the South Australian School of Arts & Crafts in 1911 under James Ashton and Fred Britton, and at the Australian School of Etching in Sydney. She was also an illustrator and cartoonist. She died in 1982.A small oil painting on canvas board in a dark wood frame of a water body with a clay bank behind and 2 trees above the bank. Lower front right hand corner: "AUST. M P 1927" On the rear upper edge, in ink on badly degraded brown paper backing: " "The Old Quarry" Surrey Hills, Melb." / [Second line of writing is illegible.] A label is stuck to the middle section of the paper backing. It indicates that the painting was framed by Toska Art Studio (N. Cl Colliver, Proprietor) of wyndham Street, Shepparton. Lower rear edge, in ink on badly degraded brown paper backing: "by / Muriel ...... / "Darnok", / 22 Grovedale Rd / Surrey Hills, Melb" painting, grovedale road quarry, quarry, grovedale road park, john butler maling (snr), surrey hills, muriel pornitz, muriel pornett

Oil painting of a bush scene, painted by Phyll Davidson. Adapted from an oil painting by Lloyd Rees.Oil painting with timber frame and glass On label on reverse: "Toward the high country. Adapted from an oil painting by [Lloyd] Rees. Artist Phyll Davidson". Framer's label " Framed by Keith Hoad"phyll davidson, lloyd rees, oil paintings

Maude Glover-Fleay studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupialssignificant as a work of art by a modern era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape with large tree at centresigned: Glover Fleay 30 (lower right)

Painting by Mrs Wehlstawell

One of a series of watercolour paintings by Gordon SmithThis painting is significant as it depicts an important historic building at Falls Creek,A framed copy of a watercolour painting showing skis and poles int the snow in the foreground and St. Elmo's Tow House at Falls CreekBelow painting:- Lunchtime at Falls Creek 1954 Gordon Smithgordon smith, nissen tow, st. elmo

The Circuit was built in the 1950's and opened in 1956. The circuit was closed in 1962 due to lack of finance for repair work to the track. In 1964 Len Lukey purchased the cirtuit and reopened in 1967, but once again was closed in 1978 as not suitable for modern racing. It was used only for Historic Rallies and the like until 1982. In 1985 The Circuit was purchsed by Placetac Pty Ltd. The Circuit was refurbished in 1988. In 1989 The Australian Motorcycle Grand Prix - 1st World Championship Round - was held at the Circuit on 9th April. 2004 the Circuit and surrounding land was purchased by The Linfox Group who still own it to this day (8/10/2016).Black & White aerial view of the Phillip Island Grand Prix Race Track with Bass Strait in the background and painting of 1932 Grand PrixJ. D. Payne - Commercial Photographer, Rice Street, Moorabbin. Phone: XL 3144phillip island g p circuit, grand prix circuit phillip island, len lukey, linfox group, jean parle, bill thompson, keith riordan, bugatti, 1932 grand prix