The book contains the Joint Address to His Most Gracious Majesty King Edward the Seventh from the Municipalities of Victoria, and is dated Melbourne, 30th January 1901. It contains the Cities, Towns, Boroughs, and Shires with the signatures of the chief officers of each and signatures of the Executive and Executive Committee of the Municipal Association of Victoria.A thin hard cover book with a royal blue cover and gold leaf title title with an upright leaf embellishment on the left. Book No.108. 16 pages.With the compliments of the Executive Committee of the Municipal Association of Victoria.king edward v11, municipal association of victoria, royal visit 1901

Large book, blue leather hardcover + bound. Title and author on front cover and sub-title on spine. VICTORIAN YEAR BOOK / 1910 - 1911 / A.M. LAUGHTON / GOVERNMENT STATIST.

Memento or Memento - white cardboard slip over a blue box with lid and padding containing a glass stand containing an image of the first tram leaving Malvern Depot when opened in 1910 and the words "Malvern Tram Depot, Celebrating 100 years' 1910-2010 and the Yarra Trams logo"trams, tramways, pmtt, 100 years of trams, malvern depot, yarra trams, souvenirs

Mounted black and white image. William (or Richard?) Ching and team with horses and drays, creating water dam at Linton, 1910battery dam, dam building, dam workers, dams, horses, working life

Card was possibly sent by Bert Finlay to Albert [Bert] West. HistoricalSepia photo of 4 canvas tents with trees in background. 4 men standing outside each tent. Also a bicycle and items inside tents.Telegraph camp. Phillip Is. 5/12/10 With best wishes for a bright & happy Xmas 1910. From Bert F. Addressed to Mr A. West.Cowes P. O. Phillip Islandbert west, sepia photograph, camping, bert finlay

Black and white photographWritten on back of photograph, "Ringwood Railway Station. Taken on Arbor Day. 1910?"

Coloured card cover with photograph of a brick building Lost & Almost Forgotten Towns of Colonial Victoria A Comprehensive Analysis of Census Results for Victoria 1841 - 1901 Angus B. Watson stawell

The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933

Black and white photographWritten on back of photograph, "Quamby" Nth. Rwd. 1910. "R.F.M. Photo" handwritten on frontagriculture

Charlton Post Office High Street built 1879 to replace the original small post office built in Camp St in 1878. Possibly copied from a photograph in the Weekly Times or the Leader c. 1910Poor quality copy of photograph. Brick building with three arched doorways. Woman in long frock carrying an umbrella standing in central doorway. White picket fence and lamp on footpath. Two posts on footpath. Possibly a clock above the central doorway.charlton post office, charlton, business, industry

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

This is the earliest known photo of an Australian Rules football team in the Bacchus Marsh area. The photo is of 27 men and two boys standing in front of the Evans Pavilion at Maddingley Park Bacchus Marsh. The image shows players, officials and trainers, the players wearing early twentieth century playing guernseys featuring front fastenings. Some are wearing knickerbockers, some long trousers. Trainers have their towels slung over their shoulders. Men in civilian clothes, possibly club officials, are wearing suits and hats. The boys and two of the players are wearing caps, one player wearing a hat. The central figure, possibly the captain, is holding a football which has the initials B M I F C. These initials stand for "Bacchus Marsh Imperial Football Club". At this time, many football clubs used the word "imperial" in their title. This team may possibly have had the nick-name of "Imperials".This item has historic and social significance as the earliest image of one of the early sporting teams of Bacchus Marsh and district. It is evidence of the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It is also evidence of the dominance of the masculine ethos in the Australian culture of this time. The image has strong research value for the information it conveys about this particular club and its early participants.Photographic reproduction of earlier photographHand written below photograph "Bacchus Marsh Football Club 1901." The names Fred Pearce and Jack Bence with arrows indicating the players identified.bacchus marsh imperial football club, australian rules football

Historic BuildingsB/W Photo of original photograph, Tonkin's Grocer and Produce Store, Learmonth St. c 1910, people in front, produce visible on footpath and in windows.buninyong, learmonth st., tonkin's grocer, brydon & hedrick building, bluestone cafe

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Wesleyan Church Choir 1901stawell entertainment

First Commonwealth Parliament 1901stawell

Foolscap handwritten letter with black edge marking mourning for Queen Victoria. Department of Mines & Water Supply Melbourne 28th Feb. 1901 Sir, I have the honor to forward herewith duplicate copies of conrtact forms re contract G.M. IV - one copy together with the specifications to be signed and returned to this office. The drawing underneat separate cove is also to be signed by the contractor and then sent back to me. I have the honor ro be, Sir, Your most obedt Servant. P. Cohen for Secretary for Mines and Water Supplydepartme of mines and water supply, p. cohen, contract, ballarat school of mines, mourning, letterhead, queen victoria mourning

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Cricketer - Thomas – David John (c 1901)stawell sport

Cricketer - Thomas – David John (c 1901)stawell sport