Showing 137 items
matching cotton type
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Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WHITE COTTON NURSE'S APRON, 1960's
White cotton, nurse's apron, heavily starched. Three piece skirt, lightly gathered at back, adjoins a 4.5 cm waistband, and bib front which has broad shoulder straps 8.5 cms wide which cross at the back, and button to the waistband, leaving a 10 cm long rounded tab finished end. No buttons evident, which probably suggests removable buttons, fastened with safety pins, or "hair clip" type fasteners. A 3.5 cms tuck has been sewn around the hemline.Two buttonholes in shoulder strap tab end. Three button holes in back waistband. Worn by Merryn Ellison.costume, female, white cotton nurse's apron -
Bendigo Historical Society Inc.
Clothing - CREAM SILK - SATIN LONG SLEEVED BODICE, 1850's
Cream silk satin bodice, with a high round neckline, finished with a seven cm deep, cream lace, boned, mandarin stand up collar - five bones-(one missing) to support the collar. Nine 16cm bones support the shaping of the tapered firmly fitted waist. A ten cm deep yoke at front and back shoulders. Below the yoke is a panel of eleven cm long pintucks right across the front, and on either side of the back. Centre front gathers into a cotton tape band at the waistline. Below the neckline of the centre front, is a panel ten cm deep of cotton lace, then a 13cm deep fine silk, gathered frill, edged with a reinforced silk ruffle. The centre back opening has a double placket, each fastening with alternate hook and eye,hook on either side of opening. Two large hooks facilitate a joining with a skirt.The three quarter length satin sleeves, are a bell shape, and gather into a cream net, eight cm deep band, which fastens with two metal hooks and hand made loops. Over the net is a double frill, 13 cm deep, and edged with a reinforced silk ruffle, as in the centre front panel. This bishop-type sleeve has five X 12cm long pintucks at the shoulderline. A ten cm long row of a feather stitch type of hand embroidery on either side of front bodice-one each side of the gathered centre front panel. Bodice is fully lined with polished cotton.costume, female, cream silk-satin long sleeved bodice -
Bendigo Historical Society Inc.
Clothing - LONG BLACK AND GOLD PATTERNED SKIRT / WITH TRAIN, 1870-1880
Black cotton with all-over gold paisley type floral patterning. Fully lined with brown cotton fabric. A slight train at the back hemline, and two V shaped flaps-one either side of the back opening, which probably accommodated bussell-like padding. The skirt is tightly gathered at the back to facilitate the padding. Front of skirt is flat, with a little easing of gathers. Pocket inside right hand side seam. A dark brown corded piping edges the hemline. Two metal hooks and eyes, fasten the waistband. Relocated to Clothing Box 176 10.2.2022costume, female, long black and gold patterned skirt -
Bendigo Historical Society Inc.
Clothing - INFANT BOY'S DRESS, 1883- 1885
White child's dress of heavy cotton lace. Sleeveless bodice with arm holes edged with 3cm ungathered broderie type lace. High round neckline with 5cm lace flat collar. Back opening to waist with 5 x 1cm white buttons. LHS is seamed with buttons attached. RHS edge has button holes pushed through edge of lace. 5mm cotton tape is threaded through seam at neck line to form ties at the back. Skirt is made up of two layers of fabric gathered onto the bodice. Underneath layer is 25 cm deep - 12 cm plain fabric from waist with 13 cm edge of broderie type lace with scalloped edges. Top layer of 13cm of broderie type lace with scalloped edges. Unlined. Machine stitched. Skirt pieces are single pieces of lace fabric with seam at centre back.costume, children's, infant boy's dress -
Bendigo Historical Society Inc.
Clothing - ONE PAIR OF GREY COTTON GLOVES, 1900-1920's
Grey cotton gloves. Knitted jersey fabric. Three rows of stitching, 8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a press-stud which has a flat grey 1.25cm "button type" finish. Size 9 1/2. May be men's wedding gloves.Cotton, Made in West Germany.costume accessories, male, grey cotton gloves -
Bendigo Historical Society Inc.
Clothing - ONE PAIR OF GREY COTTON GLOVES, 1900- 2000's
Pair of grey cotton gloves. Knitted jersey fabric. Three rows of stitching,8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a metal press-stud, which has a flat round grey "button type" finish on the outside. Size 9 1/2. Maybe men's wedding gloves.Cotton. Made in West Germany.costume accessories, male, grey cotton gloves -
Bendigo Historical Society Inc.
Textile - LINEN AND LACE TRAY CLOTH/HAND TOWEL, Mid 1900's - 2000's
Rectangular shaped tray cloth/hand towel, edged in 1.25 cm wide cotton lace edging - edging is a braid type, commercially made edging. One end has a 10 cm band of machine - made cotton lace, in a floral design. Lace has been attached to the linen fabric in a zig - zag machine stitch. Cream in colour.manchester, table linen, tray cloth/hand towel -
Bendigo Historical Society Inc.
Domestic Object - MERLE HOULDEN COLLECTION: FABRIC POT HOLDER, 1940's-50's
Square shaped pot holder. Centre panel, and back lining are made from pale blue "silky - type" (probably synthetic) fabric. This 9 X 11cm panel is surrounded by a band of yellow fabric, which also forms a binding around the edges. A blue and white check flannelette fabric forms the padding in the pot holder. Folded strips of floral cotton form a decorative band between the small and larger rectangles. This border is decorated by yellow stitchery. A fabric loop at one corner is for hanging purposes.Made by Merle's Grandmother Williamson.domestic equipment, food storage & preservation, fabric pot holder -
Bendigo Historical Society Inc.
Domestic Object - MERLE HOULDEN COLLECTION: FABRIC POT HOLDER - CIRCULAR, 1940's-50's
Centre panel of floral cotton, nine cms in diameter. Surrounded by folded strips of coloured cotton fabric, forming a "flower" type design. A row of embroidery in green stranded cotton edges the centre panel. Padded in the centre, the pot holder is backed with blue floral cotton fabric, and bound with the same around the outer edge.Made by Merle's Grangmother Williamson.domestic equipment, food storage & preservation, fabric pot holder- circular -
Bendigo Historical Society Inc.
Textile - HANDMADE CARDBOARD TRINKET BOX, 1950s
Textiles. Hand made cardboard trinket box covered with heavy linen type material with hinged lid. Embroidered cotton light blue flowers on lid. Cording around edge of lid. Seams of embroidered thread. Lined with light blue satin.textiles, domestic, hand made cardboard trinket box -
Bendigo Historical Society Inc.
Ceremonial object - JOHN FREDERICK HARPER COLLECTION: THREE FABRIC ROSETTES - LODGE REGALIA, 1950-1990's
Object. Hand made from a stiff canvas-type fabric ribbon, on a stiffened cotton canvas backing. Outer edge is maroon in colour 5 cm wide, inner section is a slate blue-ish grey colour, 1.5 cm wide and a maroon fabric button, 1.5 cm in diameter, is central to the rosette.organisation, masonic lodge, fabric rosettes -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LINEN BODICE, 1880 -90's
Clothing. Very fine, cream linen bodice, with two vertical lace inserts either side of front opening, and three angled inserts from each side seam to the vertical insert. All inserts 2 cms wide. Short cap type sleeves are edged with the same lace, and band of this lace also outlines the wide square neckline. An insert between these bands has a fine, ribbon threaded through, which would act as a draw string. There is a 2.5 cm x 3 cm tab of linen at the centre back, but, no markings are evident. Three .9 cm pearl buttons, with three corresponding machine stitched button holes fasten the front. A cotton tape drawstring, and elastic are encased at the waistline giving the lower edge a peplum effect.costume, female, cream linen bodice -
Bendigo Historical Society Inc.
Clothing - GOLD SILK VICTORIAN BODICE ( PART OF SET WITH 11400.76 AND 11400.976), Late 1800's
High round neckline finished with a 2 cm fine striped silk stand-up collar-(this is now severely damaged). One metal hook fastener at the neckline, but no loop remains, although thwere is some evidence of a hand stitched remnant of a loop. Eight rounded buttons (one missing) are bound with silk thread. Sleeves have a fine rouleau piping at shoulder. They are round in shape at the elbow, and finished with a flounce, which is trimmed with 2.5 cm band of contrasting, finely striped silk and a 5 cm wide silver silk braid, as in 11400.975 and 11400.976. A gathered frill and a band of striped ribbon trim the upper edge of the flounce. The striped ribbon, and silver braid trim the front panels, either side of the button opening, and a band of the striped ribbon and silver braid trim the lower edge of bodice.Bodice and sleeves are lined with cream polished cotton, while the lower front panels, which give a peplum type of effect, are lined with cream silk. Centre back panel has a fabric bow, trimmed with the darker striped fabric, and the silver braid bow is 13 cm wide, plus the 5 cm silver braid. Pleated tails of the bow are part of back bodice. An inside 2cm wide cotton tape, with metal hook, and hand stitched loop, fastens around the waistline. Garment is machine and hand stitched. Buttonholes are hand -stitched.costume, female, gold silk victorian bodice -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE COLLAR - WHITE COTTON LACE, Early 1900's
Clothing. Lace trimmed, white cotton fabric, collar with square back, and long peaked 'lapel' type front. Neckline edge is finished with a fine one cm wide lace band. The cotton fabric is scalloped, also edged with the above lace band, which extends into a 5.5 cm band of cotton lace. The 'lapel' shape extends into a wider 'lapel' type circular motif. The lace has a semi-circular shaped design, featuring a five petalled flower in each semi-circle.costume accessories, female, white cotton lace collar -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: COLLAR AND DETACHED SLEEVES, Late 1800's
Clothing. Ladies' collar. Net fabric, entirely sewn into 'pin-tucks' .5 cm deep in the high stand-up collar, and increasing to 7.5 cm at the lower edge of the jabot front. Opening at the back, the jabot is fastened by nine metal hooks, and hand-stitched loops. Collar has a tightly gathered double frill of the tulle fabric, at neck and is held up right by five 'covered' 'bones'. The lower edge of the front and back is edged with a 1.5 cm wide silk fabric frill. Centre lower edge of back has two 59 cm long silk ribbon ties. This ribbon is also attached to the lower edge of the jabot 58 cm and 60 cm long - presumably for the wearer to tie firmly in place. Neckline seam is re-inforced and neatened by an organdie type fabric, hand-stitched in place. Two fine elastic loops (now perished) one 52 cm, one 58 cm would once have helped to hold the jabot in place, with the arms passing through the loops, to keep the jabot in place. Detached sleeves. Net fabric, entirely sewn into .5 cm tucks. Reaching from the wrist to above the elbow. A double net frill edges the wrists, where a 6.5 cm opening, fastens with metal hooks and hand-stitched loops. A cotton tape, .5 cm wide neatens and re-infrces this seam, and a row of chain stitch, in silk thread embellishes the outer side of the seam. Upper edge of the sleeve has a fine binding of silk ribbon.costume, female, cream tucked net collar and jabot -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CRINOLETTE, 1870's
Clothing. Cream polished cotton, full length half slip petticoat. Plackett at the back, fastens with two metal hooks, and hand-stitched loops. The back features a 'crinolette', where two rows of tapes are gathered in to give volume to the back of the garment. As the crinoline started to subside at the end of the 1860's. The centre front panel features 6 angled bands of lace 4.5 cm wide and angled to form a V shape. (1) A 9.5 cm band of pleated linen gauze-like fabric, edged with a 5 cm band of linen lace. (2) A 15 cm double layered frill-top layer 2 cm wide silk like pleats, lined with linen muslin type fabric, and an under frill of polished cotton, pleated in one cm wide knife pleats. The top frill is of fine cream cotton lace. At the top edge is a 3.5 cm wide band of floral cotton lace, and adjoined at the lower edge with a 9 cm deep pleated trim of exquisite cotton "floral and swirls" lace. The top frill is 42 cm wide, and extends over the centre front panel only. A cotton covered " stiffening- possibly bamboo or whale bone, extends 31.5 cm ;long at the crinolette. An unusual 'pocket like bag' is sewn into the right side seam 14 cm below the waist. This has rounded corners, and is 8 cm wide at the top, 17.5 cm wide at the lower edge, which is then rounded slightly. Overall length of the 'pocket' is 38 cms.costume, female, crinolette full length half slip -
Melbourne Tram Museum
Uniform - Blazer - Victorian Tramways Football Assoc, David Lack Pty Ltd, 1960
Blazer used at VFTA events, by tour members.Demonstrates a sports VFTA blazer in 1960 and has a close association with the Mr K Bryne. Blazer, medium size made from wool, cotton lined, by David Lack Pty Ltd Melbourne, large embroidered front pocket with VFTA logo, 1960.Made in Australia, with typed name "Mr K Bryne" and number "6256"uniforms, vfta, football, sports