Full colour poster printed on a vinyl plasticized based sheet titled "Melbourne Tram Network. Shows a diagrammatic layout of the Melbourne tram system, shows zones, CBD, tram terminuses, train station and hospitals. Has the Yarra Trams and Metlink logos. Provides contact information including a website. Dated Effective April 2011. See also Reg item 721 for Jan. 2014 version. 2 copies held.trams, tramways, yarra trams, metlink, maps

Studio photograph from Yeoman & Co. Royal Arcade, Melbourne. Portrait shows Emma Dorey (nee Biggin), grandmother of Iris Woolrich (nee Dorey) and mother to her father Edwin Charles Dorey. Emma is wearing a very intricate lace collar in the photograph. The photograph is framed in thick cardboard.Handwritten on back: Emma Biggin Pitts. Dad's Mother. Granma Dorey.emma dorey, emma biggins, iris dorey, iris woolrich, iris woolrich, edwin dorey

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This dress was made by Mrs Dorothea Fush, the mother of the donor, and won an award for dress making at the Royal Melbourne Show. The award certificate is kept with the dress.Ballerina length black sheer evening dress with shoe string straps. women's clothing, australian fashion - 1960s, cocktail dresses, thea sartori

Shows the excitement of the Royal Visit in 1954. This was Queen Elizabeth II's first visit to Australia since ascending the throne.An example of the importance of Royalty to Australians at this time.2 page newsletter from the Myer store in Melbourne. Cover illustration shows the Bourke Street store decked out to welcome the Queen and Duke of Edinburgh on their first visit to Melbourne.queen elizabeth 2, house of windsor, duke of edinburgh, royal tour of australia 1954, myer melbourne

Produced by Sands and McDougall Pty Ltd of Collins St Melbourne. Map - folded sheet of paper 5 sections wide x 6 sections or folds deep contained within a dark grey paper cover titled "Map of Melbourne and Suburbs showing Tramways, Railways, Streets, postal districts, Quarter-Mile Radii etc", showing both cable and electric tramways. verted, but not Market St to Port Melbourne or South Melbourne. Shows the Collins St line being constructed. Collins St routes were opened late 1929, map produced during the early 1930's prior to the closure of Market St - Port Melbourne. Has a detailed list of the postal districts.trams, tramways, maps, melbourne, cable trams, tramways, railways

Full colour poster printed, A3 size, on laminated sheet - titled "Melbourne Tram Network. Shows a diagrammatic layout of the Melbourne tram system, shows zones (2 zones), CBD, tram terminuses. Has the Yarra Trams and Metlink logos. Provides contact information including a website. Dated Effective September 2006. Second copy added 8/5/2019 from donation of Colin Withington of 10/10/2009.trams, tramways, yarra trams, metlink, maps, metcard

Full colour poster printed on a vinyl plasticized based sheet titled "Melbourne Tram Network. Shows a diagrammatic layout of the Melbourne tram system, shows zones, CBD, tram terminuses, train stations, low floor tram priority routes and hospitals. Has the Yarra Trams logos. Provides contact information (PTV) including a website. Dated Effective - January 2014. See also Reg item 718 for the April 2011 version.trams, tramways, yarra trams, metlink, maps, ptv

RAILWAYS COLLECTION- photo of Railway Postal & Telegraph Map of Victoria 1887- aged map showing the various Country Lines and insets show Melbourne and vicinity, Ballarat and vicinity and Geelong and vicinity.Picturesque Atlas Publishing Companyphotograph, railway postal & telegraph map of victoria 1887-

This felt deer was made by Helena warren of Newmerella. The deer was exhibited in the Royal Melbourne Show in the 1950's. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This object reflects the needlework skills of women in the early to mid 20th century. This item also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A handmade felt toy fallow deer which is light brown with darker brown spots. It has dark brown antlers, dark brown feet and plastic eyes.handcrafts needlework warren-helena

In 1947 Shire President Cr. Charles F. Pollard called a public meeting for the purpose of discussing the forming of an Agricultural Society to raise funds for the proposed Wodonga Hospital. Cr. Pollard was the inaugural President of the Wodonga Show Society and was joined by seven past Shire Presidents as part of an original 25 member Wodonga Show Society committee. In addition to the committee, there were 150 members of the inaugural Society. The first Wodonga Show was held on Saturday 6 March 1948. The first Sun-News Pictorial Miss Show Girl competition was held in Victoria in 1957, an annual tradition that lasted into the 1990s. Most country shows held heats to find a local winner before the final was judged at the Royal Melbourne Show each year. The first Miss Wodonga Show Girl competition was held in 1958. It was open to all girls between the ages of 16 and 23, born in Australia or naturalised Australians. Judging will be on the following basis of deportment, dress sense, grooming, general appearance, personality. Wodonga Show Society presented a prize to the winner who was accompanied to the final judging on People’s Day at the Melbourne Royal Show. This sash was awarded to Miss Wodonga Show Girl in 1966. The winner of the Senior Section was Ludmilla Bartosz of Wodonga. The Junior Show Girl section was won by Sue Maddison of Bandiana. First prize in the Senior section included this sash, $20 in case and a first class return rail fare to Melbourne for the final judging at the Royal Melbourne Show.A blue sash with gold trim and lettering and a fringe trim.WODONGA SHOW 1966 MISS WODONGA SHOW GIRL SASH DONATED BY PENNANT PRODUCTS MELB.wodonga agricultural society, wodonga show, miss wodonga show girl

Items in the collection relating to Lt Col Jack Swatton M.I.D. Regt No 4905, refer Cat No 6719.2P for his extensive service record and RSL.These are miniature black and white photos from WW1 scenes. They apparently were collected from cigarette packets. They are numbered, these are definitely not the full set. Each photo has a number and one line description of scene.On the rear of each is an advert for Magpie cigarettes, stating these are the copies of official war photographs. originals are from Australian War Museum, Melbourne. it shows prices for enlargements and proceeds to go to War Memorial funds.passchendaele barracks trust, ww1, australian war memorial, fundraising

Mary Joyce Abbott made the quilt in 1972 in Bendigo. The quilt was constructed on Mary’s old Singer sewing machine with knee-action drive. Mary gifted the quilt to her daughter Sandra who used it on her bed for about a decade then retired it when she purchased her first doona. Mary was an excellent seamstress and a very early winner of Melbourne Show quilt prize with two single log cabin style quilts. In the mid-1980s Sandra roughly stitched Mary’s name and the date onto the back of the quilt.The quilt is constructed out of crazy quilt blocks, machine sewn, and made from factory offcuts of velveteen in a kaleidoscope of colours. The top end has squared edges and the bottom end has rounded edges.Mary Abbott \ 1972 (sewn into back of quilt)quilts, textiles, bed, sewing

Riding crops are used as a controlling mechanism by horse riders – to regulate the speed of the horse etc. This one was owned by J.C. Lumsden was a jockey in Warrnambool. JC Lumsden or John Calder Lumsden lived at 7 Nelson Street Warrnambool with his parents, father also JC Lumsden. John junior was an amateur jockey in 1950's and sixties and was also a distinguished show rider in "flag races"and the like, winning at local shows and the Melbourne Show. He was also a leading race horse trainer at Warrnambool. This item may well have been his fathers. Although we have no record of where this item came from the following information has recently been uncovered. JC Lumsden or John Calder Lumsden lived at 7 Nelson Street Warrnambool with his parents, father also JC Lumsden. John junior was an amateur jockey in 1950's and sixties and was also a distinguished show rider in "flag races"and the like, winning at local shows and the Melbourne Show. He was also a leading race horse trainer at Warrnambool. This item may well have been his fathers. This is a horse riding crop. It has a rounded wooden stick with interwoven material around one section and the remains of a string handle. The end of the stick has a leather tongue or keeper. There is a knob at the top end of the stick with a brass disc inserted with the name of the owner. The riding crop is much worn and stained. ‘J.C.Lumsden’ ‘Merck & Co.’ horse riding, history of warrnambool, john calder lumsden

Articles in annual report include: a public educational program speaking to doctors, nurses, teachers, occupational therapists, service clubs and rotated displays through public libraries, RVIB stand won a prize in Community and welfare section at the Royal Melbourne show, difficulties with Mr and Mrs Tye's estates are resolved and plans to build an educational complex at Romsey, acknowledgement of volunteer involvement with Cubs, Guides, Ham Radio and Model Train clubs available to residential children, and the United Kingdom Hotel in Clifton Hill raised over $8000 to become the top hotel fundraiser again.1 volume of text and illustrationsroyal victorian institute for the blind, corporation records

Shows Melbourne Water and Municipal area boundaries, with boundaries of registered aboriginal parties, in central Victoria.Printed in colour one sideMap reference 20180746aborigines victoria, water supply, melbourne water

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4851)

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Unframed painting with cardboard border.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style using the traditional motifs of her people blended with contemporary interpretation. Cultural Map of Melbourne shows significant sites across Melbourne. These include scar trees, corroboree trees, stone quarries, bush tucker sites, significant rivers, fresh water wells and traditional campsites.

The Mural is a picture in wool of the origin of the Ballan district and is made of pure wool donated by local growers.The centre panel is a reproduction of a sketch by Emma von Stieglitz in 1852 of the Ballan General Store. The ram's heads symbolise the importance of wool to the area and the circular shapes the transport of the day. Mrs Grace Slocombe designed the Mural, fifty-three local craftswomen (and one man) began the work in November 1981, and the finished work was exhibited at the 1982 Ballan Arcadian Arts Festival. The Mural was also exhibited at the 1982 Royal Melbourne Show then went on a tour of of various country areas in Victoria. It now hangs in the Ballan Old Courthouse.The Mural is significant to the local area.A text document on the story of the Wool Mural made for the Ballan Arcadian Festival in 1982.ballan art and craft society, grace slocombe, kathy diamond, enid swan, jessie mclean, joyce strickland, margaret young, cynthia ranken, dorie young, wool, wool mural

Articles in annual report include: the retirement of Mrs Esme Dunell MBE - former matron (nurse) of the nursery worked since 1960, 1971 she was awarded Churchill fellowship to investigate work for blind child in other countries, supporting the Anti Rubella Crusade, Margaret Fialides staff member awarded Churchill Fellowship study tour of major libraries and production centres for talking books in Europe, UK and USA, occupational centre in Raleigh Street keeps 36 people employed, establishment of a Vocational Development department, purchase of high-speed duplicators for the library, and the RVIB stand at Royal Melbourne show won 1st prize in their section.1 volume of text and illustrationsroyal victorian institute for the blind, corporation records