hand-made open ended spanner; rustyhandmade, hand, made, spanner, open, churchill island, farm, tools, tool

Blacksmith made box spanner with octagonal collar, attached to long iron handle with rounded end. Made from bar stock with collar extension piece added on1 1/2 box, spanner, blacksmith, blacksmithing, smithing, tool, tools, churchill island, farm

double ended open spanner. One end has angled jaw. Other end rounded (for over shaft) with tabs for locking into placedouble, open, ended, spanner, tool, tools, churchill island, farm

double ended spanner. Box one end; open the otherdouble, ended, spanner, box, open, tool, tools, farm, churchill island

open ended cast spanner. Heavy duty. Handle has 2 small drill holes7/8 [on jaw]cast, spanner, heavy duty, tool, tools, farm, churchill island

Alexander Mathieson & Sons Ltd ('& Sons', after c. 1890), of the Saracen Tool Works, Glasgow, advertised as 'manufacturers of planes, mechanical, engineering and edge-tools'. They received 'prize medals' at the London, Melbourne and Edinburgh International Exhibitions of 1851, 1862, 1880 and 1886, in their 'quest for perfection in tools'. Mathieson's vast output included specialised craft implements for coopers, ship's carpenters, tinsmiths and wheelwrights. The firm originated when master plane-maker John Manners opened premises in Saracen Lane, Glasgow, in 1792. 4 Alexander Mathieson (c. 1797–1852) took over his business in 1821, which he gave as the foundation date of his firm. He was later succeeded by his son, Thomas A. Mathieson (1822–1899), a prominent Glasgow magistrate and preceptor of Hutcheson's Hospital charitable institution. In 1854, Mathiesons moved to East Campbell Street, and had opened branches in Edinburgh, Dundee and Liverpool by 1876. The third generation comprised Thomas O. and James H. Mathieson (born 1867), the latter being a Glasgow bailie (councillor), whose estate totalled an enormous £150,939 in 1926. Mathieson's hand- and small machine-tools (e.g. bandsaws and beading machines) were exported worldwide, especially their 'heavy duty auger bits used... for boring railway sleepers'. Wooden smoothing plane with handle. Adjustable via wedge. Borer holes in handle.Ward blade. Plane made by Mathieson & Son Glasgow Best Guaranteed.plane, block plane, hand tools, carpenter's tools, mathieson, churchill island

Angled blade. Elm? Steel blade. Shaped top of wedge. Circle may be what's left of trade mark. Part of a set. Paint spots. plane, moulding plane, hand tools, carpenter's tools

A Spokeshave is an ancient woodworking tool, used to shape items by gradually shaving back the wood. Originally made from stone, they evolved to have wooden handles with a steel blade, and the type varied depending on its purpose. It could be used for wheel spokes, chair legs, paddles, bows, or arrows, and was an essential tool for farming and homesteads. More modern examples are now made entirely of metal.Cylindrical length of wood, with tapered handles at each end. The centre section has a steel insert with a brass guard strip, and there is a small crack on woodwork.spoke shave, woodwork, hand tools

The wood level has been around for over 100 years and this type is called a spirit level. It gets its name from the mineral spirit solution which is inside the level. The level is used to indicate how parallel (level) or perpendicular (plumb) a surface is relative to the earth. The spirit level is placed on the surface, if the surface is level the bubble in the tube will be in the centre between the lines, if the bubble is either side of the lines then the surface has a slope.Paint spots and wear at grooves. Wood, glass bubbles, brass cover over bubble. Round maker's seal missing.level, carpenter's tools, hand tools, churchill island

This mallet is handmade simply from a red gum block and dowel handle. It is complete and has been repaired with screws. Mallets were used to drive timber pieces together without damaging the work.Wooden mallet, with a long dowel length of wood for the handle, attached to a unshaped block of redgum as the head. Small paint stains, and two screws affixed in either end of the handle. mallet, hand tools, churchill island, redgum

This mallet is of a basic construction. It is a rough shaped head which has been reinforced with rivets. The handle is slim in relation to the mallet head. Timber mallets were used to knock timber pieces together.Wooden mallet, with a rectangular replacement handle affixed to a large block of wood. Two rusted rivets are affixed through the top of the block, which is missing a chunk from one side. mallet, woodwork, carpenter's tools, churchill island

This brace would be used to drill into timber. A drill bit would be inserted into one end of the brace and then placed on the timber where the hole is to be drilled. The other end of the brace would be placed against the user’s abdomen, with one hand holding the brace firmly then the free hand would be used to turn the centre of the brace and drill the hole. This type of drilling method was used prior to the use of the electric drill. This brace appears to have been made by the firm of Alexander Mathieson & Sons from Glasgow, Scotland. Alexander Mathieson & Sons Ltd ('& Sons', after c. 1890), of the Saracen Tool Works, Glasgow, advertised as 'manufacturers of planes, mechanical, engineering and edge-tools'. They received 'prize medals' at the London, Melbourne and Edinburgh International Exhibitions of 1851, 1862, 1880 and 1886, in their 'quest for perfection in tools'. Mathieson's vast output included specialised craft implements for coopers, ship's carpenters, tinsmiths and wheelwrights. The firm originated when master plane-maker John Manners opened premises in Saracen Lane, Glasgow, in 1792. 4 Alexander Mathieson (c. 1797–1852) took over his business in 1821, which he gave as the foundation date of his firm. He was later succeeded by his son, Thomas A. Mathieson (1822–1899), a prominent Glasgow magistrate and preceptor of Hutcheson's Hospital charitable institution. In 1854, Mathiesons moved to East Campbell Street, and had opened branches in Edinburgh, Dundee and Liverpool by 1876. The third generation comprised Thomas O. and James H. Mathieson (born 1867), the latter being a Glasgow bailie (councillor), whose estate totalled an enormous £150,939 in 1926. Mathieson's hand- and small machine-tools (e.g. bandsaws and beading machines) were exported worldwide, especially their 'heavy duty auger bits used... for boring railway sleepers'. Iron carpenter's brace, metal handle, rotating knob, thumb screw, rustedATMIEBON (x) Mathiesonbrace, woodwork, carpenter's tools, spofford brace, churchill island

This brace would be used to drill into timber. A drill bit would be inserted into one end of the brace and then placed on the timber where the hole is to be drilled. The other end of the brace would be placed against the user’s abdomen, with one hand holding the brace firmly then the free hand would be used to turn the centre of the brace and drill the hole. This type of drilling method was used prior to the use of the electric drill. This brace appears to have been made by the firm of Alexander Mathieson & Sons from Glasgow, Scotland.Iron carpenter's brace, metal handle, rotating knob, thumb screw ..... rusted.brace, spofford brace, woodwork, tools, churchill island

Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0344).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Daylight scene of Churchill Island shore with sailing boat full sails heading towards shore. In large elaborate faded gold gilt frame matching 0344.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINCE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, oil painting, margaret amess

Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0343).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Moonlight scene of Churchill Island with rowboat on sea in foreground. Pink lower sky, moon full above. In large elaborate faded gold gilt frame matching 0343.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, margaret amess, oil painting

Tin ship's tank also used as a water tank."FOR INSULATED HOLD STOWAGE"/"MURRAYS CARAMELS"ship tank, churchill island, westernport

Used by Harry Jenkins/Margaret Campbell when Churchill Island was run by them as a shorthorn dairy farm.17lb metal cream can, surface rust. Hinged lid with handle. 1 handle either side.Side: "E H JENKINS CHURCHILL ISLD" Top of lid: "E H JENKINS" on one side, "CHURCHILL ISLAND"/"1612" on other side.churchill island, cream can, dairying, jenkins

"It is believed that the SUNDIAL was constructed by Peter Rawlins for Sister Campbell, and it was originally sited on the North side of the Homestead Tree, near the Cannon. The base was 'faced' with rocks from the shoreline, and the Sundial itself is of a slate material. By the early 90's, the overhead canopy of the surrounding trees, began to overcome the Sundial, and it could not be 'read'. It was decided to move it to a more clear sunny site. The Herb Garden was considered the most suitable site, and the Sundial was picked up by Front End Loader, and placed on its present site in 1992." - C Schulz, 1996, 'SUNDIAL TO HERB GARDEN - PROJECT 21'Bronze dial marker with slate face mounted on granite pillar from Cape Woolamai.churchill island, sister margaret campbell, sundial

Cane wheelchair with small metal wheels. Curved arms supported on each side by single strut. Decorative scroll top centre of backrest. Hole in wickerwork of seat. Diamond pattern in backrest. Fold-away solid footplate under seat.churchill island, early wheelchair, amess barn

Handwritten notes in pencil on paper for evening and morning milkings amount and butter fat content for eight cows. Dated 10th August 1944. Assumed author Harry Jenkins.cow milking amount, cow milk butter fat, churchill island, harry jenkins

The Rogers Family lived in Truro (Cornwall), and John Rogers followed his brother to Australia in 1838, at the age of 17. He boarded the Florentia, bringing with him only this sea chest, and after arriving in Sydney John travelled to Victoria where he went to the goldfields. He married Sarah in 1862 when he was 46, and she was 28, and from 1866 to 1872 they lived on Churchill Island, building two cottages which stand to this day. This object is intrinsic to the history of Churchill Island Heritage Farm, as it was the only object that John Rogers - one of the first inhabitants of the Island - brought with him from the United Kingdom. The sea chest is demonstrative of his personal journey as well as a broader pattern of immigration and settlement that occurred throughout Australia in the early nineteenth century. John's travels from Sydney to Victoria, onto the goldfields, and then settling onto Churchill Island - claiming possession of it through 'squatter's rights' - is one that is fundamental to the understanding of the formation of the Island and the development of its modern identity. The chest is now part of the collection of the Churchill Island Heritage Farm and sits on the island’s first building; a cottage Rogers has built himself. It has been part of all Rogers life story and has stayed with the family, passed on to generations until Rogers’s great granddaughter, Helen Sykes, donated it to the museum in 2012. Wooden sea chest with hinged lid, possibly wood Baltic pine (Picea abies). Green paint stain on lidJOHN ROGERS/WANTED ON THE VOYAGEjohn rogers, sea chest, churchill island, immigration, furniture, cornwall, florentia, victoria

Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. The breathable clay ensures that the bread stays naturally fresh for a long time.Large round salt glazed bread crock with two handles set on either side. Brown upper quarter including rim and top two thirds of handles. Cream coloured lower two thirds. Gloss glaze. Stamp X•X• design.churchill island, salt glaze pottery

4 single sided typed foolscap pages. Memoirs of Mr. H (Herbert) E (Eric) Grayden re: Samuel Pickersgill and Charles Grayden snr, H.E.G's grandfathers. churchill island, pickersgill, grayden, phillip island, farming, wildlife, gerald buckley, jenkins, sister campbell, dick hamer