Copy of black and white photo with Alan Crossley and Doug Weir at the official opening of the Crossley Historical Gallery. Written on the page is - taken 12-3-86.bendigo, history, long gully history group, the long gully history group - memories of area's goldfield history, crossley historical gallery, alan crosslley, long gully primary school, doug weir

Document. Connelly, Tatchell & Dunlop. 1 - 1880's - Document dealing with the Loddon Shire Trust and Serpentine Estate concerning damages done by Water Trust in constructing drain works, channels, weir building etc on Serpentine Estate. Contains statements by:- Raleigh Joseph - Sheep Farmer 'Tandarra'; Coutts George - Farmer & Grazier Fernihurst; Coutts David - Grazier; Stewart James Symes - Arbitrator and Auctioneer at Talbot; Moylan Mr W - Water Bailiff; Southern George Bell - Inspector of Works; McIvor John - Grazier & Farmer; Bryant Henry - Farmer & Contractor; Fleming George - Farmer & Grazier; Carter Samuel - Sheep Breeder & Squatter; Roberts Edmund Jas - Hay & Corn Merchant South Melbourne; Young George - Stock & Station Agent Ballarat; De Caris Elisha Clement - Wesleyan Minister; Starr John Gardner - Engineer to Water Trust; McKay Robert - Clerk in Office Mining Engineer; Manning James - Actuary.cottage, miners, connelly, tatchell & dunlop, loddon shire trust, serpentine estate, raleigh j, coutts geo, coutts d, stewart j s, moylan mr w, southern g b, mcivor j, bryant h, fleming geo, carter s, roberts e j, young g, de caris e c, starr j g, mckay r, manning j

Copy of a newspaper article titled Memories of area's goldfield history. After becoming involved with a special history program at the Long Gully Primary School in 1984 as a guest speaker, Alan Crossley explained to the children the features of local goldfields and took them on several excursions highlighting the significance of the Long Gully area played in Bendigo's early growth. The school built up a collection of material of the long Gully area and the idea of a gallery was born. Accompanying photo shows Mr Crossley and the Regional Director of Education Mr Doug Weir at the opening of the gallery. Written on the photo is: taken 12-3-86.bendigo, history, long gully history group, the long gully history group - crossley historical gallery, long gully's goldfields, alan crossley, long gully primary school, mr doug weir

A black and white photograph of Brig Stewart Weir MC, 1st Australian Task Force Commander (1969-1970) talks to Engineers at a second bridge on Vietnam's National Route 23 which had suffered massive water damage to its foundations. The bridge had initially ben built by 1st Field Squadron Engineersphotograph, brig stewart weir, 1st field sqn engineers, national route 23, gibbons collection catalogue, military cross, engineers

A black and white photograph of Route 23, Northwest of the 1st Australian Tasj Force (1ATF) base as Nui Dat, The ATF Commander Brig. Stewart Weir talks to Engineers working at bridge site. The bridge foundations had been damaged, by water, during a heavy rain storm.photograph, brig stewart weir, 1st atf base, 1st field sqn engineers, gibbons collection catalogue, national route 23, nui dat, engineers

A black and white photograph of Brig Stewart Weir MC, 1st Australian Task Force Commander (1969-1970) shares a joke with Engineers repairing a bridge on Vietnam's National Route 23 which had suffered water damage to its foundation. The bridge was built by 1st Field Squandron Engineersphotograph, brig stewart weir, 1st field sqn engineers, national route 23, gibbons collection catalogue, engineers

A black and white photograph of the 1st australian Task Forece Commander (Aug 1969 - Jun 1970) Brigadier Stewart Weir MC, inspects a bridge built by 17 Construction Squadron over a creek northwest of the province capital Baria. The Engineers are fitting screens to protect the foundations.photograph, brig stewart weir, 1st atf base, baria, gibbons collection catalogue, 17th construction squadron, engineers, military cross

'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture

There are two railway bridges within the Rupertswood grounds. This bridge is over Jackson's Creek near the weir.A photograph of a bridge across a river. There are three women standing in the foreground on the LHS and there is a manmade waterfall in front of the bridge. On the RHS there is a steep sided vine covered drop into the river and there are lightly wooded hills on the LHS of the river. The bridge supports are stone and the span is metal.railway bridge, bridges, jackson's creek, women, waterfalls, rupertswood, sunbury, clothing and dress, george evans collection

Sepia photgraph on a postcard of Flour Mill Fall, Sunbury, with the weir, washed away.Writing on Front: Mill Fall Sunburypostcards, flour mill fall, sunbury, mill fall, george evans collection

B/W photograph of the weir on Jackson Creek at Eadies Mill.Handwritten on back: McMahon Handwritten on front: Sunbury (near Eadies)eadies mill, sunbury, weir, mcmahon, jackson's creek, waterways, george evans collection

A sepia coloured photograph mounted on cardboard of Jackson's Creek in flood, near the weir close to where the old mill stood.written on back in biro: "Down Old Mill / Jackson's Creek / in flood" / ERIC BOARDMANjackson's creek, mills, eadies flour mill, boardman, eric, christiansen, chris, photographers, floods, george evans collection

CLUNES WATER SHED SUPPLY MAP SHEWING THE POSITION OF WATERSHED ECT. FOR THE COLLECTION AND DISTRIBUTION OF WATER FOR DOMESTIC AND MINING PURPOSES TO THE TOWN OF & GOLDMINES IN AND AROUND CLUNES.PHOTOCOPY SECTION OF PHOTOGRAPH AND PLAQUE AND MAP OF CLUNES WATER SUPPLY. SHOWING THE POSITION OF WATERSHED, DAM, WEIR PIPEHEAD RESERVOIR PIPE TRACK.SEE PHOTOGRAPH ON BACK OF HISTORY OF OBJECT.local history, photographs, water supply

Part of a collection relating to the Parkin family.Black and white photograph of a group of people seated on the ground having a picnic.On back of photo: "King's Birthday at Weir" "Daisy in front"parkin family, daisy parkin, rutherglen park, lake king, kings birthday

Two copies of the Bendigo Teachers' College Graduation Ceremony 1962 program. On the front page is a list of the staff working at the college - Mr. S. H. Walters (Principal), Miss J. C. Burnett, Mrs. N. F. Fawdry, Mrs. F. M. Petri, Mrs. H. Knox, Mrs. D. J. Andrew, Mrs. B. F. Hughes, Miss K. Alexander, Mrs. D. M. Philpot, Miss B. H. Cowling, Mrs. A. J. Coleman, Mr. W. D. Kolle, Mr. F. M. Courtis, Mr. P. M. Divola, Mr. E. J. Major, Mr. C. L. Barker, Mr. T. J. McCabe, Mr. F. G. East, Mr. D. O'Brien, Mr. W. J. F. Bernoth, Mr. R. L. Strauch, Mr. M. A. James, Mr. C. F. Houston, M. J. R. R. McLeod, Mr. G. G. Woodfield, Mr. K. C. Coles and Dr. G. A. Miller. On the inside cover is the "Significance of the Ceremony" and the "Order of the Ceremony". Mr. F. M. Courtis welcomed the visitors and the Principal read the College Charge. The 'Graduation Book' was presented to Mr. W. F. R. Budge by Miss J. C. Burnett. Mr. C. L. Barker presented the T.P.T.C. graduating students to the Principal and Mrs. N. F. Fawdry presented the T.I.T.C. graduating students to the Principal. Congratulations were offered by the Mayor of Bendigo Cr. R. A. Rae, J.P., the President of Strathfieldsaye Shire Cr. K. Houlahan, J. P. and Mr. E. P. Seymour, Head Teacher, Violet Street State School. The Occasional Address was given by Mr. L. J. Pryor Superintendent of Teacher Education. The following page contains a list of the "Students of 1960 - 1962 Trained Infant Teacher's Certificate". They are Glenys Faye Barrett, Marlene Isabella Bemrose, Beth Adora Bodinnar, Margaret Isobel Brown, Doris Lillian Chambers, Marie Ann Crawford, Margaret Carol Donne, Kaye Beverley Exell, Jannette Joyce Hughes, Margaret Christina Jenkins, Kathryn Margaret Lackmann, Susan Anne Lewer, Barbara June Lord, Jennifer Beris Matheson, Joy Lynette Messer, Geraldine Mary, Moylan, Patricia Joan O'Bree, Helen Jeanette Rodda, Lesley Scott, Heather Dawn Shenfield, Nola May Steele, Jennifer Margaret Weston and Alicia Yvonne Young. It also contains a paragraph describing "The Perfect Teacher". The back cover of the booklet has a list of "Students of 1961 - 1962 Trained Primary Teacher's Certificate". John Walter Angel, Elisabeth Ann Arkinstall, Mary Christina Backway, Helen Elizabeth Barclay, Bruce Maxwell Bouch, Pamela Mary Braden, Howard Francis Briggs, Clare Antoinette Brown, Alan John Bruce, Peter John Burns, Valerie Jean Caldwell, Marie Lynette Chambers, Margaret Jeannette Christie, Alison Ruth Clement, Marie Elaine Collins, Gladys Helena Cooke, Lindsay Charles Coster, David John Cowan, Peter John Cronin, Berenice Margaret Cronk, Edeline May Crouch, Theodore Robert Dare, Lynette Joan Davis, Ian David Dawson, Mary DeAraugo, Kenneth Ross Erbs, Francis Elaine Mary Fallon, Margaret Fawcett, Janet Frances Filbey, Francesco Gargiulo, Ian John Glenister, Barbara Faye Gotch, Lynette Ellen Graham, Colin Athol Hayes, Marlene Grace Hazen, Desmond Brian Hearn, Brentford Graeme Heath, Carmel Jean Heslop, Pamela Joy Higgie, Lynette Rosemary Cecelia Hoare, Erica Fay Holloway, Marie Jean Jardine, Kenneth Neil Johnson, Laurel Robyn Jones, Glenys Lorraine Judd, Diane Elizabeth Kear, Ann Elizabeth Keenan, Monica Cecelia Kelly, Margaret Elizabeth Landini, Patricia Joy Langdon, Dorothy Margaret Leitch, Donald Alan Leslie, Mary Carmel McCormack, Helen Mary McCutcheon, Birgitt Marx, Claire Agnes Mullins, Lucille Anne Newcombe, Glenice Vivienne Orr, Judith Joyce Ozanne, Wilma Beverley Pape, Virginia Elizabeth Parke, Robin Parker, Dorothy Joan Peterson, Robin Joan Phillips, Cherril Margaret Probyn, Norma Lesley Rantall, Nola Read, Margaret Elaine Ridley, Thomas Charles Rilen, Marie Therese Sharkey, Judith Margaret Spackman, Desmond Thomas Stephens, Nancy Rae Telfer, Bernard James Trevaskis, Marjorie Ellen Warden, Laurice Helen Warwick, Judith Maree Weir, Maxwell John White, Norman Leslie Williams, Pamela Williams and Lloyd Reginald Wishart. Within this document is a loose page showing the seating arrangements for the graduation. Staff seating arrangements are as follows - Walters, Barker, Seymour, Fawdry, McCabe, Woodfield, Alexander, Hughes, Divola, Major, Strauch, Pryor, Budge, Burnett, East, Houston, Petri, Andrew, Coles, McLeod, James, O'Brien.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, staff, bendigo teachers' college students, bendigo teachers' college staff, history, graduation, graduation ceremony, book, tertiary education, graduands, graduates

Grey covered auction catalogue with brown printing for a sale on the 24th, 25th and 26th November 1936 for the State Rivers and Water Supply Commission held at Eildon Weir, Alexandra, Victoria. For sale was Contractors' and Engineers' Machinery, Plant and Equipment, Rolling Stock, Harness, Stores, Corrugated Iron and Timber Buildings, W.B. Residences, etc. Contains a black and white photo of the Eildon Weir and the Administrative Quarters, Lot No. 1306.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - eildon weir, state rivers and water supply commission, j h curnow & son, j l jamieson, bolton bros pty ltd

Two beige coloured auction catalogues with red and black printing for a sale on the 20th, 21st and 22nd June 1939. For sale were Contractors, Engineers & Mining Machinery, Plant, Stores, Buildings and Houses for Removal, Valuable Equipment, etc and 11 Residential Properties By Order of the State Rivers and Water Supply Commission, Melbourne. H. Curnow & Son in conjunction with Green, Manning & Co, Agents, Yarrawonga were the auctioneers. Contains some information about the Yarrawonga Weir and a black and white photo of the bank.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - yarrawonga weir, green manning & co, the state rivers and water supply commission, j h curnow & son, j l jamieson, messrs a challingsworth pty ltd, jaques bros, austral otis eng co, mr e d shaw, r g knight, h h c williams, f a nevill, the cambridge press

Hilda Hill Collection. A Combination of Sepia & Black & White Photos Taken Between 1920 & 1921 Total 8. The First shows the flow of the Kyneton Weir in September 1920 and the surrounding countryside. Black and white photo of a man sitting on a window ledge in a white shirt jodhpurs and long boots, foreground is a garden with a number of plants, window has internal Venetian blind. Photo of family members relaxing at their Kilmuir property, three ladies all in white with large sun hats standing in a garden with large trees in the background. A group of five men and three ladies standing on a tennis court, one man holding a tennis racquet, two of the ladies wear white tennis apparel of the day at 'Kilmuir' December 19th 1920. Photo showing two ladies and a child in the foreground against a background of a large tree and house further back, there are more houses to the right of the tree and a dead tree. Photo of man sitting in cane chair and boy sitting on step, in front of house that is in the background, window has a round column on the left side, titled below as 'Vin' Durvol September 1920. Three ladies and one man, the ladies are dressed in white and the man in black coat and white shirt, all have their hands behind their backs 'Kilmuir' 1920. Seven young girls standing on the front stepson the house 'Kilmuir' , one girl is dressed in dark clothing all the rest are in full white, to the left is a sun blind pulled right down, ornate fretwork along verandah below guttering, to the right of girls is a window with lace curtains, garden in front foreground, December 19th 1920.Hilda Hill Personal Collectionaustralia, history, images 1920-1921

Axedale is a town in Victoria, Australia. It is located on the McIvor Highway, in the City of Greater Bendigo, east of Bendigo. It was surveyed and proclaimed in 1861. (Wikipedia)A thirty-six pages book detailing the history of Axedale. Published by the centenary and back to Axedale committee. Chapters on early settlement, churches, education, police, municipal affairs, commerce, cemeteries, racecourse reserve, the railway, Eppalock weir, the hall, the wars, C.W.A. camp sites, C.F.A. sport. Many photographs throughout. L.J. Ellisonaxedale, history

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.The Normanby Estate, which was adjacent to Normanby Road, Kew East, included thirty-one lots for sale. Streets on the subdivision plan include Adeney Avenue, Park Hill Road, Normanby Road, Weir Street and Wharton Street. Cotham Road and its tramway are shown nearby. The plan is interesting as it shows Wharton Street, named after the architect and town planner George Wharton, who was the first chairman of the Municipality of Kew. The street was to later be renamed Cecil Street. Also shown are proposed ‘Municipal Gardens’ where Parkhill Drive is now located."D" in top left corner. Stamped auctioneers contact details: "Jas. R. Mathers & Son & McMillan / Auctioneer & Land Salesmen, / 271 Collins Street / Melbourne" and Jas. R. Mathers / Estate & Financial Agent / Cotham Road / Kew".weir street - kew, wharton street - kew, normanby road - kew, cotham road - kew, municipal gardens - kew, park hill parkhill road - kew, braemar - kew, subdivision plans - kew

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.These shoes are significant as they are part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. Pair of ivory silk shoes, worn by Edith Mary Betteridge at her marriage to George Weir in Broken Hill in 1891. The shoes were worn with her ivory silk wedding dress.edith mary (betteridge) weir, 84 princess street (kew), footwear, women's shoes, wedding shoes

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This scarf is part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir in 2017Very long, doubled chiffon evening scarf with a silk tassle at one end and multicoloured hand embroidered flowers at the other. The scarf was owned by Edith Mary Weir.edith mary (betteridge) weir, 84 princess street -kew, australian fashion, scarfs

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.This photograph forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photograph of the Richardson family seated on the Kew side of Dight's Falls in 1920. One of the girls in the photograph was to become the Melbourne historian Dorothy (Richardson) Rogers.Annotation on reverse: "Mrs D. Rogers, 29 Park Crst Kew. Dights Falls 1920"dight's falls - kew (vic) - fairfield (vic), sport and recreation - kew (vic), dorothy rogers

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river

The item was donated as part of the Fred Stamp collection.Much degraded colour photocopy (?) of the Kew Footballers Cricket Club Premiers 1976-77. Team members are named under the photo. G Weir, D Berry, R Hester, B Mitchekk (pres), M Cropley, I Marsden, A Fanning, D Rhoden, R Burden, Max, B Lyons (v capt), H Crowe (capt), J Coles, G Fanningsports - cricket - kew (vic), kew football club, fred stamp collection

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed Auburn Heights Recreation Club pennant won by a team from the Men's Bowling Club.R.V.B.A. / B2 DIVISION / PENNANT COMPETITION SECTION WINNERS / 1965-66 / AHRC WEIR HUTCHINGS MCPHERSON (C) / HOWDEN WALE BUTLER PATERSON (C) / KELMAR WESTCOTT CLARKE PHELAN (C) / MURRAY ISSETT HOLMAN STEPHENS (C)auburn heights recreation club - barkers road - kew (vic), sports clubs - kew (vic) - pennants, auburn heights men's bowling club - barkers road - kew (vic)

"In 1839 John Dight purchased Melbourne block 88, which included 26 acres of land along the Yarra River for £481 at the Port Phillip land sales held in Sydney. Dight was already in the business of flour milling and had a mill near Campbell Town in New South Wales called ‘Ceres’. In April 1840, he notified his customers through The Sydney Herald that he was leaving to go to Port Phillip. The first steam powered flour mill was constructed in Melbourne in 1841. Dight built his water powered mill, soon after, from bricks bought over from Tasmania. Dight used the river to power his mill: Water flowed along an inlet channel to turn an undershot water wheel. In order to regulate flow or to ensure flow for times when river levels were low, Dight constructed a rough stone weir. " (https://www.melbournewater.com.au/whatwedo/projectsaroundmelbourne/Documents/A_Short_History_of_Dights_Falls_Fact_Sheet.pdf) This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An engraving of Dight's Mill on the Yarra. The image was originally published in Sands & Kenny, Melbourne & Sydney. Dorothy Rogers reproduced the print in 'A History of Kew' (1973). It faces page 8.Published by Sands & Kenny, Melbourne & Sydney, 1856dight's mill, dorothy rogers, dight's falls, yarra river, kew, john dight