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Federation University Historical Collection
Ballarat Teachers' College Ceremonial Collar, Unknown
Worn by the principal of Ballarat Teachers' College over black academic gown at formal assemblies. Ellwood was the Principal of the Ballarat Teachers' College. Ballarat Teachers’ College was opened on 04 May 1926, at S.S. 33 Dana Street, with an enrolment of 61 students. Its original staff consisted of the Principal, Mr W.H. Ellwood, M.A., M.Ed. (Chairman of the Teachers’ Tribunal from its inception in 1946 until 1954), Miss A. Bouchier, B.A., and Mr A.B. Jones, BA., (lecturers). In 1927 Miss P.A. Hamano joined the staff. In 1927 the college moved to the old Ballarat East Town Hall (remodelled for their use) in Barkly Street. During 1927 the numbers in the College were augmented by 26 Manual Arts students, who had formerly received their training at Ballarat High School. Manual Art students continued till 1930 when, on grounds of economy, their training was concentrated at Melbourne Teachers’ College. During the four succeeding years, approximately 60 students annually entered the primary course. Inclusive of Manual Arts students, and private fee-paying students, exactly 400 trainees passed through the College in its brief span of life (1926-1931). Five per cent of each year’s students were granted an extension of their studentship to enable them to proceed to Melbourne Teachers’ College, and to take the first year’s course for a University degree. With the advent of the economic depression of the ‘thirties, Ballarat Teachers' College closed its doors in December, 1931. Fourteen years were to pass before the College opened again on February 2nd, 1946. The college re-commenced at SS Dana Street, under the guidance of Mr W.F. Lord, M.C., M.M., B.A., Dip. Ed., (acting, later Principal 1946-1950) and a staff consisting of Miss E.B. Hughes, B.A., Dip. Ed., Mr C.B. Bryan, B.A., B. Com., Dip. Ed., Miss Monica H. Miller, L.Mus.A., and Miss G. Kentish, Dip. Phys. Ed. The opening ceremony was performed by the Minister of Education at that time, the Hon. F. Field, M.L.A., accompanied by the Hon. T.T. Hollway, M.L.A., and the then Director of Education, Mr J.A. Seitz. It was originally intended to cater for women students only but, at the last moment, men resident in Ballarat were also accepted. A co-educational college was thus set up instead, and it has continued as such. 1951 saw the introduction of the two-year course, successful students being presented with the Trained Primary Teacher’s Certificate at the final College Assembly each year. In December 1955, College held its first Graduation Ceremony, with its own Graduation Hymn, the words of which were written by Miss C.M. (Mavis) Canty of the staff. Lord remained as principal until 1951 when he transferred to establish a teachers' college at Toorak. Tom William Turner was Lord's successor. A highlight of his term was the construction of new college buildings at Gillies Street with the students commencing their lessons there in February 1958. Turner retired in 1970, having overseen a period of substantial growth in the institution. In that year alone more than one hundred and forty students completed their primary teaching qualification to meet a severe shortage of teachers. Doug Watson commenced as principal in 1971. In 1973 Ballarat Teachers' College became the State College of Victoria at Ballarat. Three years later Ballarat College of Advanced Education was formed and the teacher education students moved to the Mount Helen Campus. In 1990 Ballarat College of Advanced Education became Ballarat University College, an affiliated college with the University of Melbourne. The University of Ballarat was formed in January 1994.Light blue grosgrain sash, bound in yellow taffeta, sewn by machine. Two mitred seams, one at each shoulder, hand sewn and two seams machine stitched on straight part of sash. A BTC insignia is placed in the centre back. The insignia is stitched in yellow, royal blue and dark blue cotton. This sash is hand sewn at the end of one side length, in order to shorten it. Extra Muros (Beyond the Wall) on insignia BTC (Ballarat Teachers' college)education, teaching, assembly, btc, ballarat teachers college, university of ballarat, regalia, ceremony, graduation, stoll, balalrat teachers' college -
Frankston RSL Sub Branch
Photograph
Photographs of Australian Army soldiers taken during World War 1, possibly somewhere in Europe. The first photograph has the note "taken at Lockoff Farm in Feb 1918 Officers of our Coy" and shows twenty three officers with two Vickers Machine Guns in the foreground. The second photograph is of the same scene with a approximately 140 soldiers (presumably a Company) with the two Vickers Machine Guns in the foreground. -
Bendigo Historical Society Inc.
Document - BENDIGO BUSINESSES COLLECTION: ORDNANCE FACTORY
Ona page typewritten short history of the Ordnance factory plus a ten pages document with 1) General information: location, site details, prime purpose, major capabilities and staffing levels. 2) Production in 1980-81 and 3) Major equipment items and capacities: cranes, treatment facilities, machining capacity, N.C. machines, fabricating capacity, welding and other equipment, testing facilities.bendigo, business, ordnance factory -
Bendigo Historical Society Inc.
Document - MINING REPORTS - EXTRACTS ON EPSOM & HUNTLY LEADS, POTTERY FLAT
Brief handwritten extracts on the Epsom & Huntly Leads, pottery Flat copied from Dickers Mining Records Feb. 1862 Pages 2 & 3. Notes mention total number of Crushing Machines employed, three winding engines and the number employed at these 13 crushing machines - 95 men, 12 boys and 35 horses. Also the weekly crushing and the average yield per load.document, gold, mining reports, mining reports, extracts on epsom & huntly leads pottery flat, dickers mining record feb. 1862 pages 2 & 3 -
Flagstaff Hill Maritime Museum and Village
Clothing - Mourning Outfit, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. Ladies’ Edwardian mourning outfit; three-piece tailored suit comprising of a black silk long sleeve, short-waist fitted and lined Jacket, a long sunray pleated skirt and long, lined petticoat. Items have been machine-sown and hand-sewn by a dressmaker. The skirt has handmade buttons of the same fabric.Handwritten in ballpoint pen “Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria -
Moorabbin Air Museum
Newsletter (Item) - Man and Aerial Machines magazine, Man and Aerial Machines Basil Watson and his Aircraft
Man and Aerial Machines -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Textile - Sewing Equipment, Cotton reel ' Coates' 400yds, c20thC
An example of the Cotton Reels used by residents of City of Moorabbin and Australia in 20th CAn example of the Cotton Reels used by residents of City of Moorabbin and Australia in 20th CA wooden cotton reel with some white thread remaining from the 400yards when made Around Top of reel J&P COATS MACHINE 10 COTTON / BEST S........ / 400 YDS Base damaged 366 METRES -
Maldon Vintage Machinery Museum Inc
Sewing Machine Accessories
(See Registration No. 26.3). Green rectangular cardboard box with lid containing 5 feet for various sewing operations, a screw for attaching them, a button hole guide and a hem guide.On lid in red, "Singer / Accessories for 66K Machine No. SIMANCO / 120842", "25527", "12466", "35931", "36583". 31.4 is etched with Singer logo and USA.domestic sewing equipment; accessories; containers -
National Wool Museum
Sign
Three display signs advertsing Physician blankets and Bradmill sheets.One of three display signs. One of three display signs. One of three display signs.Berber by Physician 'The New Natural Look' Pure New Wool flame Resistant Machine Washable (Wool Cycle Only) Sheets by Bradmillsign -
Wodonga & District Historical Society Inc
Functional object - German Hairclippers, Alcoso Company, c1900 - 1950
Hair and beard clipping was frequently carried out at home prior to WW11 and often much later in rural areas. Manual hair clippers were readily available for purchase. The Alcoso company started as steel manufacturers by Alexander Coppel in 1821. Alcoso is an acronym for Alexander Coppel Solingen. They were very successful and opened a second manufacturing facility sometime in the 1850s. They manufactured pipes, rolled steel, wire, tableware, daggers, swords, knives and razors. They started manufacturing razors in the 1850s. The company is most famous for their swords. The Coppel family that Alexander donated millions of marks to charity including building an orphanage, a school for the disadvantaged, and a recreation centre. They headed various social rights groups. They were leading citizens of Solingen. The family was Jewish and the company was Aryanized in 1936. Alexander Coppel and his family were sent to a concentration camp in 1941 along with the remaining Solingen Jews. He died there of starvation in 1942 at the age of 77.This kind of hair clippers were a common household item in the early 20th century. They are representative of an important Jewish company prior to WW2.2 sets of hairclippers made from steel alloy. The arms of the clippers are hinged and can be adjusted with a wing screw. The arms are squeezed together and released. like scissors to operate,On box lid: "Haarschneide-Maschine/ Hairclipper/ "Alcoso"/ Solingen / Tondeuse/ Maquina para cortar el pelo" Translation hair cutting machinehair clippers, alcoso company, alexander coppe, personal items -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's long cream silk gloves, c1930
Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's singlet and lace collar, c1900
The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families The Peck family were early settlers in Moorabbin Shirea) A white cotton baby's under-singlet, with hand-crocheting around neckline. b) The singlet is topped by a separate, heavily machine-embroidered, white cotton dress-collar .clothing, craftwork, dressmaking, crochetwork, pioneers, early settlers, moorabbin, brighton, peck family -
Flagstaff Hill Maritime Museum and Village
Functional object - Food Safe
Wooden Kitchen Safe for storing food, with hinged door (with key-hole) and three galvanised preformatted sheet metal windows. Front legs machine turned wood.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, food safe, kitchen safe, kitchen furniture, food storage, food preservation -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Documents and Photographs of Geoffrey Nicholson East-Almond
East-Almond embarked from Melbourne on board the Hororata on 19th October 1914, and returned to Australia on 10th October 1918. He took part in the landing at Gallipoli, and also served in France.Collection of documents and photographs of Major Geoffrey East-Almond (7th Battalion, Machine Gun Section). Includes passport from 1932, Unit notebook and newspaper clippings.hms crescent, ww1, gallipoli, documents, 7 battalion, geoffrey nicholson east-almond -
Numurkah & District Historical Society
Equipment - Sewing Machine - Frister & Rossmann - hand operated
Small hand-operated black painted metal sewing machine with gold decoration. Placed on a wooden base. Has rectangular wooden lid. Made by Frister & Rossmannsee photossewing, sewing machine, hand-operated, frister & rossmann -
Maldon Vintage Machinery Museum Inc
LINO TYPE MACHINE, prior to 1998
This item was used at "The Tarrengower Times" Maldon, Vic by Ron ADAMSLino-type casting machine with furnace for casting lead plates. Makes type used in printing. Motor made by Crompton Patison. Keyboard to select letters to be cast.MODEL 78 No 17175trades; printing; machinery; casting ; tarrengower times -
Maldon Vintage Machinery Museum Inc
Rope Making Machine
Hand operated rope making machine with hooks for 5 strands. Mounted on a steel angle bracket bolted to a piece of timber. Handle painted green, remainder unpainted.Nonemachine tool; metalcraft; rope -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1915
White Embroidered Muslin Blouse. Open Down front. Long Sleeves. Square Neckline. Trimmed with insertion & Tatting Edging. Glass Buttons. Machined Gold Coloured. stawell clothing material -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing Machine
Electric Singer knee action Sewing Machine made by The Singer Manufacturing Co Great Britain. Circa 1950's No EF 508285 Book of instructions included.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Lap Skiver
A machine used to taper a wide strap of leather for lap joining. Has leather cover joined to wooden base on one side and clip in front to hold it down.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Orbost & District Historical Society
petticoat, 1930's-1940's
This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of ahome-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie -
Orbost & District Historical Society
petticoat, 1930's - 1940's
This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie -
Clunes Museum
Functional object - EMBROIDERED DRAWSTRING BAG
WHITE COTTON EMBROIDERED DRAWSTRING BAG. BULLION STEM AND BUTTONHOLE STITCH EMBROIDERY ON MACHINE SEWN BAG WITH CORD DRAWSTRING - SUITABLE TO HOLD A HOT WATER BAG.local history, handcrafts, drawstring bag -
Mont De Lancey
Textile - Tablecloth
Donated by Mrs. Adamson in early 1900.White linen rectangular tablecloth, heavily embroidered in white. Edge has open weave with machine crocheted lace. Has floral round embroidered centre piece. tablecloth -
Parks Victoria - Mount Buffalo Chalet
Badge
'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Manufactured as a souviner of MtBuffalo. Intended to be used, sewn onto a jacket sleeve. Purchased from an opportunity shop and donated.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).White cotton badge in a shield shape. Has blue machine embriodery around edge and sewn in the centre to represent a snowflake. "MT.BUFFALO" is embriodered in red across the top."MT.BUFFALO" -
Whitehorse Historical Society Inc.
Clothing - Dutch Cap
Cap of stiffened machined lace with two pleated 'wings' of stiffened and pleated chiffon on either side. Lace edging on hem. Pull tape ties around face.costume, female headwear -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing Machine Tool Kit
Rectangular wooden box patented February 19 1882. Box contains various tools for a Singer Sewing machine. Box opens out flat with triangular ends.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine utensil kit -
Flagstaff Hill Maritime Museum and Village
Clothing - Gloves, c. 1910
This pair of ladies white kid gloves once belonged to Mrs W N Barnard of Portland, c. 1910.These kid gloves are representative of ladies fashion of the early 1900sA pair of lady's long white kid gloves. Two button closures at the wrist of each glove. Hems are machined, and buttonholes and edging are hand-finished. Circa 1910.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, ladies fashion c. 1910, ladies fashion accessory c. 1910, ladies white kid gloves c. 1910 -
National Vietnam Veterans Museum (NVVM)
Photograph, Charles John Barron DSM MID
Framed coloured photograph of Charles Barron holding a machine gun. Barron was serving with 161 (indep) Recce Flt 25/5/66 to 24/4/67charles barron, 161 reconnaissance flight, photograph -
Stawell Historical Society Inc
Photograph, Mr Keith Bond known as Bill Bond -- Coloured
Colour photograph of Keith Bond wearing a navy blue singlet & jeans operating a machine in the Stawell Woollen Mill. He is wearing a gold ring with red stone. manufacturing