A PDP 'Fiberstaff' model tennis racquet, with handle wrapped in perforated leather, and a plastic butt cap with adhesive label. Manufacturer name & model name in orange along shaft. Manufacturer's logo on throat decals and butt cap label. Frame painted white with orange details. Materials: Wood, Metal, Adhesive tape, Vinyl, Plastic, Ink, Paint, Leather, Adhesive labeltennis

A Snauwaert John Newcombe-endorsed 'Boronite Two' model tennis racquet, with handle wrapped in leather, and a plastic butt cap featuring manufacturer logo. Manufacturer name on base of head; endorser name and model name along shaft. Details about construction along edges of shaft. Materials: Wood, Vinyl, Adhesive tape, Leather, Ink, Plastic, Paint, Borontennis

A Dunlop Fort 'Maxply' model tennis racquet, signed by Fred Stolle. Has whipping on shoulders & shaft, handle wrapped in perforated leather, and a butt cloth with manufacturer logo. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Fred Stolle autograph in black marker on obverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Painttennis

A Wilson 'Chris Evert Autograph' model tennis racquet, autographed on obverse by Chris Evert. Has whipping on shoulders, and handle wrapped in leather. Plastic butt cap with manufacturer's 'W' logo. Model name on throat and manufacturer name on base of head. Manufacturer 'W' logo on lower shaft. Materials: Wood, Vinyl, Leather, Ink, Plastic, Paint, Adhesive tape, Stringtennis

A Wright and Ditson tennis racquet, with: laminated convex throat; single screw through shaft; and, fine-grooved, thick octagonal handle. Decal inscription across throat on obverse: WRIGHT/& DITSON/BOSTON/MASS./U.S.A. Model name across crown on obverse is illegible, but model is most likely a 'Longwood'. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Guttennis

A Spalding Top-Flite model tennis racquet, featuring whipping around shoulders and shaft, an open throat, fine-grooved handle and leather end wrap & butt cloth. Model name features across base of head, on obverse. Manufacturer name features across base of head on reverse. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, Stringtennis

A Spalding, "Pancho Gonzales" Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white plastic butt cap. Manufacturer's name across base of head and on butt cap; model name across throat and along shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Plastictennis

A Spalding, "Ashley Cooper" Match Play Model tennis racquet, featuring whipping around shoulders, leather handle grip, and burgundy leather butt cloth. Manufacturer's name across base of head; model name across throat. Wreathed 'S' trademark features on lower shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leathertennis

A Spalding, Impact-180 Model tennis racquet, featuring whipping around shoulders. Manufacturer's name along sides of shaft; model name along shaft (both sides). 'S' symbol spray-painted across net. Hand grip bare wood (missing grip tape and butt cover). Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Painttennis

A Regent, Don Budge Contender, Tournament Model tennis racquet. Regent logo features across the crown, and base of the head. Model name features on the throat and shaft. Decal head image of Budge features on lower shaft. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Plastictennis

A Regent, Leslie Wonderling tennis racquet. Regent logo features across the base of the head. Model name features on the throat, accompanied by a triple fleur-de-lis. 'R' trademark features at base of shaft. Model details feature on the right side of the shaft. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Cloth, Adhesive tapetennis

A Bancroft Pro Model tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle with lozenge-patterned perforations. Bancroft logo features across base of head. Throat features model name with wreath device. Red 'B' trademark on butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Painttennis

Model bus - AEC Regal Mk 3, Comeng, made by The Met or the MMTB for their model tram at the Royal Show Melbourne c1985. See http://www.busaustralia.com/fleetlists/vicdisp.php?search=AEC3C - accessed 15/6/2020. Appears to be made from wood and then painted. May have originally been painted in MMTB colour and then painted in The Met Metropolitan Transit colour scheme.trams, tramways, models, buses, the met, royal show

Newspaper clipping - from The Herald Sun 20/6/2006, titled "Class of its own", with an image of design of a tram for Melbourne by Melbourne design House Cobalt Niche, featuring Carmelllina Di Guiglielmo along side the model. The item explains the design. Model has a Yarra trams logo. Has an explanation of the design by Jack Magree, called Melba 2011.trams, tramways, new trams, melbourne, proposals

10570 South African (Boer) War Memorial Bendigo. The monument commemorates those who died in service or were killed in action while serving in the South African (Boer) War. It is a bronze statue of a soldier on a granite base. Leader (Melbourne), 19 November 1904. “There was a large assemblage on the afternoon of 11th November, when the ceremony of unveiling the soldiers' memorial statue was performed by Brigadier-General Gordon in the presence of a muster of branches of the defence forces. The statue, which is in bronze, is mounted on a massive granite base, on the foot of which is the following inscription: — "Bendigo's tribute to the memory of the Australian soldiers who, in the South African war of 1899 - 1902 gave their lives for Queen and Empire. The statue was modelled by Mr. J. Walker, a young Bendigonian, who has been studying for two or three years under Mr. A. T. Woodward art instructor at the local school of mines.“ Ola Cohn recalled in her autobiography meeting John Walker as a sculpture student at the Bendigo School of Mines and that he had later received the commission for the Boer War Memorial although she neglects to mention its location. John Walker was born in Bendigo and first studied sculpture at the Bendigo School of Art. Walker, then went to England to study at the Royal College of Art London, and in Paris at the Académie Colarossi and Julian Academy. John Walker worked as a sculptor in both Bendigo and West Brunswick before turning to chicken farming in the Bendigo suburb of White Hills. The photo of A. T. Pattinson was taken by George Leake Massingham, a professional photographer, who had seven children, one of whom died at birth. After arriving in Australia from England, he established himself as a travelling photographer, an occupation he continued after his marriage. He travelled throughout country Queensland, Victoria and New South Wales, setting up studios along the way. The family ended up moving with him, travelling to Sydney, Narrandera, Bendigo, Newtown, Geelong and Deniliquin. Correspondence re Boer War Memorial Bendigo Boer War Memorial Bendigo. Letters and photo from and to Mrs Wilson, eldest daughter of Mr Arthur T. Pattinson who was a model for the Boer War sculpture. 10570a A black and white photo of Trooper Arthur T. Pattinson restored by BHS Volunteers. 10570b The original photo as sent by Mrs Wilson to Harold Curnow (Bendigo Historical Society) in 1962. The photo is mounted on heavy brown cardboard and has an old catalogue number of "P680" inscribed on it. The cardboard is torn and held together with sticky tape. On the front in italics is printed G.L. Massingham, Bendigo. 10570c Notes on the rear of the photo from Mrs Wilson state that "the photo is of Arthur T. Pattinson (Rusty), an Australian Light Horse trooper who served in the Boer War. The Boer War Memorial in Pall Mall Bendigo represents a trooper on guard. The sculptor was Jack Walker who used Pattinson as a model, and it is regarded as an excellent likeness." 10570d A letter from Harold Curnow back to Mrs Wilson on Jan 4th, 1963, acknowledging receipt of the photo and a letter received, noting the significance of the historical information. 10570e Handwritten letter 29/11/1962 from Mrs Wilson to Mr Curnow introducing herself as Mr. Pattinson's eldest daughter and answering the letter he wrote to her father. She mentions the bad health of her parents. Arthur modelled for the statue at least two to three times per week in a studio on the top floor of a building in Bull St. He was the original model to the best of her knowledge. Another model possibly Mr P. Handmear may have sat as a model for renovations (*). The rifle was a light horse rifle issued to Pattinson as he was still serving in 1904. Arthur and Handmear were boys together and very close. * Note - the plaster model was repaired prior to casting in metal. 10570f An obituary notice: 18/11/64 "On Nov. 17 at Frankston, Emma, wife of the late A. T. Pattinson (Rusty), late of Bendigo. 10570g Letter Nov. 20th, 1962, from Harold Curnow to Mr Arthur T. Pattinson, Kent St., Mornington, Vic. "Dear Mr Pattinson, Last week your brother, Brit., whom I have known for many years, supplied the Bendigo Advertiser with some interesting information regarding your role as the model for the late Jack Walker when he was making the statue for the Boer War Memorial here. Yesterday however, another claimant to the distinction of being the model was advanced in the Bendigo Advertiser by Mr Richard Marshall, of Moran Street, Bendigo who said that the soldier's model was Phillip Handmear. I understand that your brother has sent the newspaper cuttings on to you. When he called to see me yesterday, he suggested that I write to you for further particulars. Can you recall the discussion you had with Jack Walker when he approached you about acting as the model and do you remember how many times you posed for him, and whether the work was done in the house, in the yard, or in one of the outbuildings at Moran Street? In short, any details at all. At this point in time we are considering an interesting facet in Bendigo's history, so any seemingly unimportant incidents could really be useful if we knew about them. Have you any old newspaper cuttings mentioning your name in connection with the memorial? Do you remember any remarks that passed between you and Jack Walker during the long sessions you must have put in on this work? This could be very important. And do you recall where the rifle came from? Did you or Jack Walker borrow it from the military authorities? Back in 1934 Jack Walker recalled having had to pull the plaster model down and remake it when he discovered it was slightly off-balance and was slowly toppling forward. He told me he had to get his model to pose again. Do you know anything about this? Could it have been that he got Mr. Handmear in for the final stage of the work? That, of course, would apply only if you were not available. Incidentally, I never heard of Mr Handmear until I saw his name in yesterday's "Advertiser". In any case I intended contacting your brother or you to enquire whether any member of your family has an old photograph of you in your Boer War uniform, that is, one taken about the time of or just after the Boer War. I am sure that members of the Bendigo Branch of the Royal Historical Society would be most interested to see it. I hope you will have the time and inclination to consider the many points I have raised in this letter because the subject has aroused a lot of interest in Bendigo. Hoping you are well and quite as active as you wish, I remain, with all good wishes, Yours sincerely, Harold Curnow". john walker, jack walker, boer war memorial bendigo, arthur pattinson, soldiers' memorial bendigo

This camera is a Premo model made early in the 20th century by the Eastman Kodak company of U.S.A. Premo model cameras were produced in three sizes. Box cameras such as this were produced up to the mid 1920s and were popular with amateur photographers because of the simplicity of the mechanism. This camera has no known local provenance but is retained for display purposes.This is a rectangular-shaped wooden box covered with a black leather trim. On one side is a leather handle attached by two metal buttons. The lid was originally opened by two metal clips at one end and two metal hinges at the other but most of these attachments are now missing. Recessed into the lid are two compartments for storing the film plates. Inside the lid is a glass plate covering the storage area and a spring-loaded lens mechanism with a glass lens and a pleated cloth attached to this lens. The leather on the outside of the box is somewhat scuffed and torn.‘The Premo Camera Made in U.S.A.’ ‘Manufactured by Eastman Kodak Co. Successor to Rochester Optical Co. Rochester N.Y. U.S.A.’

Photograph of track on Spring St in front of Parliament House with an enlarged photograph of a tram model resembling PCC 1041 (but not bearing its number) positioned and glued onto photograph to simulate its future operation. The model displays the destination "route 88 East Preston".Yields information about planning and publicity for introduction of PCC 1041 and Z class tramcars. Black and white photograph with no note on rearpcc, 1041, tram model, simulation, future opertion, parliament house, route 88, east preston

The Edison Fireside Phonograph Combination Type A model phonograph was an open horn model. This machine was produced around 1909, just after the introduction of 4-minute record cylinders in 1908.; the selection lever on the front was either 4 or 2-minute choice. This Fireside model has a fluted octagonal horn that attaches to the reproducer on the machine and is suspended by on ring by a horn crane attachment. The phonograph machine is powered purely by mechanical means, winding the crank handle on the side of the machine to start the belt-driven, spring-loaded motor inside. The sound comes from a pre-recorded, vertical cut record cylinder, which slides over the Mandle, a smooth rotating drum. The reproducer, an all-in-one needle, amplifier and speaker, is lowered onto the cylinder, the needle picks up the sound and plays it on the speaker and the attached horn amplifies the sound. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adopted the idea from the technology of the telegraph machine. He patented the phonograph in early 1878. It was able to record sound and play it back. This amazing invention opened up a whole new world of entertainment, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He then started the Edison Spring Motor factory in 1895, and the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external open horn was produced in 1912 due to the much more robust round records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929.This Edison Fireside Phonograph model is significant for being one of the last models to have an external horn. It is also significant for its connection with the invention of the phonograph, which made music and sound available for domestic enjoyment. It was used for entertainment and education, even teaching languages. It signalled a new era of music that could be reproduced and played anywhere. It is also significant for its short time span of popularity, just a few decades, due to the growing use of records, which gave a much higher quality sound and were more robust.Phonograph; Edison Fireside Phonograph, Combination Type, Model A. It is in a wooden case with a domed lid, metal catches on each side and a folding wooden handle. It has a metal drum and a reproducer mechanism. The metal and wood crank handle starts the machine’s motor. A sliding lever at the front selects the speed for four- or two-minute cylinders. The inscribed plate has the maker, serial number, patents and other information. The reproducer also has an inscription. It has a curved metal open horn attachment. Made in Orange, New Jersey in c.1909. NOTE: the fluted octagonal horn is catalogued separately.Case front, in script, Edison’s early ‘banner’ decal “Edison” On the front of the machine “Thomas A Edison TRADE MARK” On the maker’s plate; "Edison Fireside Phonograph Combination Type" Serial number “14718” Around sound outlet; “C 4076” “REPRODUCER LICENCED FOR USE ONLY ON EDISON PHOTOGRAPHS SOLD BYT.A. EDISON INC.” At the front edge “4 MINUTES 2flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, phonograph cylinder, external horn, edison phonograph company, wax cylinders, sound reproduction, edison spring motor factory, national phonograph company, thomas a. edison inc, crank-operated motor, open horn phonograph, 4 speed, 2 speed

An unpainted clay model of a hut with an outside toilet. It is a rustic style and is similar to the Slab Hut. The colours are natural browns and greys. The hut is 1911.1 and the toilet is 1911.2.model hut clay slab-hut

This was the switch on ceremony for the power going to Bonang. The ribbon was cut by Mr Ted Ingram at the age of 100. Ted Ingram, was one of 22 children. The Ingram family originated from the Bombala, Bonang and Delegate area, migrating throughout out the rich farming country of East Gippsland in the early 1900s.This is a pictorial record of a significant event in the history of East Gippsland.A black / white photograph of two men cutting the ribbon at an official occasion. The ribbno is strung between to models of electricity pylons. On the table to the left is a kerosene lantern.on front - "Bonang Switch on, Mr Ted Ingram, age 100 years"bonang-electricity-supply ingram-ted

Model of Sioux helicopter landed with senior officers to inspect gun emplacement. The pilot is attending to business outside the aircraft. Nine people, Land Rover and photographersioux (helicopter), vehicles, military, model, diorama

Anti Personnel Mine - Integral fuse (practice) blue in colour with red/rust stripe. Yellowing cord attached on base and pin. Note that this is a practive model.Mine Apers Practice F3 6 with fuze intecral 82 Parts MFD By AFF.anti personnel mine

Plaster model of The 'Beauty' Nugget found at Kangaroo Gully Bendigo in 1858 nine feet below the surface. Weight 242 ozs. (See additional Research)mining, models, plaster model of victorian gold nugget

The Davin house was to the right on a separate block.Black and white photograph of the Mitcham Model Dairy, 204 Mitcham Road, Mitcham. The dairy was run by the Davin family, whose house was on a separate block to the right.mitcham model dairy, dairies

Newspaper photo of Jason Begg and Vivienne Charlton being instructed by Arts-craft teacher Glenda Murdoch, and physical education teacher, on the painting of clay models.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, glenda murdoch, jason begg, vivienne charlton

Colour photograph of BTM Display Board at Ballarat & District Model Railway Club's Exhibition, Queens Birthday Weekend, June 1996 Exhibition. On Fujifilm paper.On rear 'M29/8, BJE 96'btm, exhibitions, displays, model railways

Date made December 2001Colour photograph of the building of a miniature Johnsonville Village, the models are recognisable as local icons, located in the garden of Ian and Lorraine Oatley, Pages Road, Johnsonville Victoriamodels, houses